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zackh411 Heavyweight Member

Joined: 17 May 2011 Posts: 1019 Location: Saint Louis MO
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Posted: Sat Jun 02, 2012 8:02 pm Post subject: Short Story Involving Nerves |
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I play in a "little" big band with a bunch of friends. We were playing at a little local jazz place, and we were doing a soundcheck on a Harry Connick song. My chops were feeling good, and it was about 8 bars til the first high note bit, then...
Jim Manley walks in the front door, and suddenly, my chops don't feel so good, and I go from thinking "I'm gonna take this next lick up an octave" to "Manley's gonna give me a hard time if I eff this up, better go with the written notes." Funny how that works. _________________ Stomvi VRII Lightweight in Silver
1946 Martin Committee #2 Bore
Bach Strad 183 Flugel
Stomvi Elite Piccolo
Bobby Shew Jazz Mouthpiece w/ 18 Drill (Legit)
Yamaha Miyashiro 1 w/ 18 Drill (Jazz)
Stomvi JMZVR w/ M4 Backbore Jim Manley Mouthpiece (Lead) |
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PhxHorn Heavyweight Member
Joined: 29 Jan 2003 Posts: 1817 Location: Phoenix, AZ
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Posted: Sun Jun 03, 2012 8:38 am Post subject: |
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| Just flip him off next time! |
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drewwilkie86 Heavyweight Member

Joined: 21 Jun 2004 Posts: 1801 Location: New Jersey
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Posted: Sun Jun 03, 2012 9:38 am Post subject: |
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If anybody on this planet is going to be friendly and non-egotistical, it's Jim Manley. Whether you play it right or jack it up, he'll still buy you a beer and laugh about it. _________________ Drew Wilkie
HEAR ME: http://www.myspace.com/drewjwilkie |
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zackh411 Heavyweight Member

Joined: 17 May 2011 Posts: 1019 Location: Saint Louis MO
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Posted: Sun Jun 03, 2012 11:12 am Post subject: |
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yeah jim is one of the nicest people I know, and he already knows how i play. no real rational reason to be nervous, but thats how my mind works. _________________ Stomvi VRII Lightweight in Silver
1946 Martin Committee #2 Bore
Bach Strad 183 Flugel
Stomvi Elite Piccolo
Bobby Shew Jazz Mouthpiece w/ 18 Drill (Legit)
Yamaha Miyashiro 1 w/ 18 Drill (Jazz)
Stomvi JMZVR w/ M4 Backbore Jim Manley Mouthpiece (Lead) |
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jonalan Heavyweight Member

Joined: 25 Dec 2005 Posts: 695 Location: "Show Me"
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Posted: Sun Jun 03, 2012 3:16 pm Post subject: |
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You were nervous because you were trying to impress someone. That rationale will never end positively. You can't play what you think others want to hear. Just play for yourself; play from your gut; play what you feel. Some people will like it, some won't; regardless of whether you "effed it up" or not. _________________ Stomvi VRII Bb
Kanstul 1525 Flugel
Getzen Eterna 800S Cornet
GR pieces |
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Rubo Regular Member
Joined: 03 Oct 2011 Posts: 65 Location: Vancouver, Washington
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Posted: Sun Jun 03, 2012 5:36 pm Post subject: |
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| jonalan wrote: | | You were nervous because you were trying to impress someone. That rationale will never end positively. You can't play what you think others want to hear. Just play for yourself; play from your gut; play what you feel. Some people will like it, some won't; regardless of whether you "effed it up" or not. |
Yeah, but we all get nervous when "someone" that we respect is in the audience. And, if we only play for ourselves, we'll always be stuck in the practice room. We all seek approval from our listeners, period. Every one of us would be nervous if Arturo, or Wayne B., or Maurice Andre (speaking metaphorically, as he has passed) walked in the room. My long time friend and trumpet mentor was always gentle with me, but I would die if I knew he was not pleased with what I did.
Oh...btw, he was once, 38 years ago in a rehearsal....he only needed to blink his eyes, but I knew.....and I remember it to this day. _________________ 1974 LA Benge CG
Bach Stradivarius 180/43
Yamaha 8310ZS Bobby Shew
1965 Conn Connstellation 38A cornet
Couesnon Flugelhorn |
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zackh411 Heavyweight Member

Joined: 17 May 2011 Posts: 1019 Location: Saint Louis MO
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Posted: Sun Jun 03, 2012 9:23 pm Post subject: |
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I have no delusions that I'm going to impress Jim lol. In our first lesson, I got the distinct impression that he wasn't fond of people coming to "show Manley how high they can play." He's Jim Manley; I'm not going to impress him with high notes.
That would've been the first time Jim heard me play outside of his basement, so I was more trying not to disappoint him than to impress him. _________________ Stomvi VRII Lightweight in Silver
1946 Martin Committee #2 Bore
Bach Strad 183 Flugel
Stomvi Elite Piccolo
Bobby Shew Jazz Mouthpiece w/ 18 Drill (Legit)
Yamaha Miyashiro 1 w/ 18 Drill (Jazz)
Stomvi JMZVR w/ M4 Backbore Jim Manley Mouthpiece (Lead) |
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jonalan Heavyweight Member

Joined: 25 Dec 2005 Posts: 695 Location: "Show Me"
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Posted: Tue Jun 05, 2012 3:11 pm Post subject: |
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Yes, nerves are one thing, but if we are thinking about what others feel about our playing, then we're not making music. If we focused solely on the music, we wouldn't even know who walked in the room. That is something that Susan Slaughter drove into my head many, many, MANY years ago. _________________ Stomvi VRII Bb
Kanstul 1525 Flugel
Getzen Eterna 800S Cornet
GR pieces |
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afp Heavyweight Member
Joined: 25 Dec 2002 Posts: 1508 Location: Roseburg, Oregon
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Posted: Tue Jun 05, 2012 3:29 pm Post subject: |
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Yes, but unless we are considering our audience, then we are only playing for ourselves..........and we don't need an audience for that. _________________ Blaine
Wild Thing Trumpet
Carol Brass CTR 5000L-YLS Trumpet
Carol Brass Picc
Wild Thing Flugel
Wedge Custom 5-12 DCG #25 Throat |
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EdMann Heavyweight Member
Joined: 31 Mar 2007 Posts: 1857 Location: Los Angeles
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Posted: Wed Jun 06, 2012 10:09 am Post subject: |
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Totally natural, and the more you do this, the better it gets overall. I had a good crowd to hear our band in Glendale the other day, big room, lots of fine musicians from the old Stan Kenton band, some great local bigs who go to jazz hangs, and I felt a nerve or two pop that I hadn't felt in a while. Plus, I've been having a minor chop issue so I was making an adjustment in my placement. TOO MUCH THINKING!! I just put it all out of my mind and by my second solo, everything went smooth, hi notes and all.
I know, easier said than done: put it out of your mind. But that's exactly what you HAVE to do. I can't tell you how many times it going to take for you to get there, but that's where you have to get. Frankly, I've gotten more worked up by playing for close friends than I do for other musicians, mostly because the musicians get it and the my friends don't even know half of what they're hearing, only if they like it or not, and I want to be sure they're enjoying the music. TOO MUCH THINKING!! Best to just take a deep breath and let it out.
ed |
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AverageJoe Heavyweight Member
Joined: 20 May 2002 Posts: 4075 Location: Atlanta, GA
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Posted: Wed Jun 06, 2012 11:37 am Post subject: |
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Eh, we've all been there! Just chalk it up to experience and move on. What you did was take yourself out of your element. I think about playing what is in front of me as well and musically as I can in all circumstances, regardless of who is in the room.
About Jim, too... He is one of the most passionate players and teachers I've ever met. I'm mainly a classical player, and I don't think we ever talked about high notes for their own sake in my lessons with him...it was all about being efficient...getting maximum results (sound, flexibility etc.) for minimal effort. He is about as well thought on that topic as anyone I've ever met. Range just happens to be a byproduct...
If you see him in the near future, tell him I said hello! I only went to see him a few times, but he always seems to remember me...he's solid like that .
Paul Poovey _________________ "Every time I hear you play, you sound better than the next..." |
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