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V-Cup mouthpieces


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Brent
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Joined: 11 Sep 2005
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PostPosted: Sat Jul 14, 2012 6:13 am    Post subject: V cup Reply with quote

Stork mouthpieces also have a 'V' shaped cup. Their rims generally are narrower. Their website is pretty informative.

Brent
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razeontherock
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Joined: 05 Jun 2004
Posts: 7490
Location: The land of GR and Getzen

PostPosted: Sat Jul 14, 2012 9:23 am    Post subject: Reply with quote

I've been playing a V cup since I got it. Love the thing! Lets you absolutely drill end high notes - must be that funnel thing going on. Played in such a fashion, mellow or lack of penetration is NOT how I would describe the way it performs for me.

It's every bit as shallow as Greg Black's S cup, which happens to be the same depth as his M cup, which is confusing. That measuring point, where cup and venturi intersect, really doesn't affect my face at all. People are talking about alpha angle, but what about the length of that angle, aka depth to which that angle goes before other contours take over? A deep V cup will have that angle go in quite a ways, and then when it does transition to a different contour it is so gradual that ... well that's just an entirely different beastie than what I'm playing. I've got the length of that alpha angle about as short / shallow as I can play, and it definitely seems to be a combination that's working for me. Not only lead / high / bright, but the ability to color the sound as well.
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etc-etc
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PostPosted: Sat Jul 14, 2012 10:33 am    Post subject: Reply with quote

It is not the turbulence of the air, because:
Re = ρ u L / μ
ρ, air density 1.225 kg/m^3
u, air velocity 2.39 m/s (6 liters per 60 seconds through a Bach 3C throat)
L, characteristic length 3.65E-3 m (throat diameter of a Bach 3C)
μ, air dynamic viscosity 1.983E-5 kg/(m*s).
This gives a Reynolds number approx. equal to 540 (laminar).

The number above is for incompressible flow. One can argue that the flow in trumpet mouthpiece is compressible - please go ahead and calculate.

The brightness of sound is caused by sudden stopping of the lip while hitting the cup. The sudden stop causes the sinusoidal motion of the lip to be augmented with higher harmonics, resulting in a "brassy" sound. This effect is more pronounced for shallower cups and for greater volume of sound.
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geezer
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Joined: 22 Mar 2012
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PostPosted: Sat Jul 14, 2012 12:00 pm    Post subject: Reply with quote

etc-etc wrote:
It is not the turbulence of the air, because:
Re = ρ u L / μ
ρ, air density 1.225 kg/m^3
u, air velocity 2.39 m/s (6 liters per 60 seconds through a Bach 3C throat)
L, characteristic length 3.65E-3 m (throat diameter of a Bach 3C)
μ, air dynamic viscosity 1.983E-5 kg/(m*s).
This gives a Reynolds number approx. equal to 540 (laminar).

The number above is for incompressible flow. One can argue that the flow in trumpet mouthpiece is compressible - please go ahead and calculate.

The brightness of sound is caused by sudden stopping of the lip while hitting the cup. The sudden stop causes the sinusoidal motion of the lip to be augmented with higher harmonics, resulting in a "brassy" sound. This effect is more pronounced for shallower cups and for greater volume of sound.


If either lip hits the inside of the cup and stops vibrating,
even briefly,
that is called "bottoming out",
and that causes the sound to be stopped completely.
No sound at all comes out of the end of the trumpet.
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etc-etc
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PostPosted: Sat Jul 14, 2012 10:31 pm    Post subject: Reply with quote

Thank you, that is a good observation/correction.

Even if the lip does not hit the cup on the "out" phase of its vibration, the proximity of the cup wall changes the motion of the lip, making it a more-or-less abruptly flattening out sine.

A good illustration of this would be to record the waveforms at different dynamics and see what happens at the maximum (positive) and minimum (negative) displacement of the microphone diaphragm. In digital signal processing, a more annoying but similar phenomenon is clipping of the signal.

One could test this with lipstick to see what areas of the cup get in contact with the lip, at different dynamics. One would have to apply a very thin layer of lipstick (to the cup! - perhaps different colors to different parts of the cup), and see whether any of color gets transferred to the lips.
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zackh411
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Joined: 17 May 2011
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PostPosted: Sun Jul 15, 2012 12:04 pm    Post subject: Reply with quote

etc-etc wrote:
It is not the turbulence of the air, because:
Re = ρ u L / μ
ρ, air density 1.225 kg/m^3
u, air velocity 2.39 m/s (6 liters per 60 seconds through a Bach 3C throat)
L, characteristic length 3.65E-3 m (throat diameter of a Bach 3C)
μ, air dynamic viscosity 1.983E-5 kg/(m*s).
This gives a Reynolds number approx. equal to 540 (laminar).

The number above is for incompressible flow. One can argue that the flow in trumpet mouthpiece is compressible - please go ahead and calculate.

The brightness of sound is caused by sudden stopping of the lip while hitting the cup. The sudden stop causes the sinusoidal motion of the lip to be augmented with higher harmonics, resulting in a "brassy" sound. This effect is more pronounced for shallower cups and for greater volume of sound.


Flow is absolutely compressible in this situation. I was making the same mistake myself earlier, and Kalijah set me straight.
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Bach Strad 183 Flugel
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Bobby Shew Jazz Mouthpiece w/ 18 Drill (Legit)
Yamaha Miyashiro 1 w/ 18 Drill (Jazz)
Stomvi JMZVR w/ M4 Backbore Jim Manley Mouthpiece (Lead)
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razeontherock
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PostPosted: Tue Jul 17, 2012 10:50 pm    Post subject: Reply with quote

I would go so far as to say how the airflow is compressed has everything to do with every performance characteristic
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etc-etc
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PostPosted: Wed Jul 18, 2012 8:34 pm    Post subject: Reply with quote

For compressible airflow, one has to find the formulas - do you have any approximations?
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zackh411
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Joined: 17 May 2011
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PostPosted: Wed Jul 18, 2012 11:01 pm    Post subject: Reply with quote

etc-etc wrote:
For compressible airflow, one has to find the formulas - do you have any approximations?


Nope. Nor do I have any interest in finding them currently. Going to wait until I'm actually pretty good to science/over-analyze myself to unplayability.
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Stomvi VRII Lightweight in Silver
1946 Martin Committee #2 Bore
Bach Strad 183 Flugel
Stomvi Elite Piccolo
Bobby Shew Jazz Mouthpiece w/ 18 Drill (Legit)
Yamaha Miyashiro 1 w/ 18 Drill (Jazz)
Stomvi JMZVR w/ M4 Backbore Jim Manley Mouthpiece (Lead)
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