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radroan Regular Member
Joined: 04 Feb 2013 Posts: 13
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Posted: Thu Mar 07, 2013 11:26 pm Post subject: Reading |
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I'm looking for any etudes that are just enjoyable to play and can help me improve my reading. I'm also looking for some good sight-reading books. Thank you! |
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lh Claude Gordon Forum Moderator
Joined: 31 Mar 2005 Posts: 3137 Location: London UK
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Posted: Fri Mar 08, 2013 12:21 am Post subject: |
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here are some places to start
Amsden Duets
Small Etudes
Really Big Songbooks (Bolvin)
Rhythms Complete (Bower) _________________ Eclipse Enigma Bb trumpet 2011
Olds Super Bb trumpet 1958
Eclipse Red Flugelhorn 2011
Selmer Paris model 59 Piccolo 1977
Conn New Invention Cornet 1913 |
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jiarby Heavyweight Member
Joined: 08 Jul 2011 Posts: 1188
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Posted: Fri Mar 08, 2013 1:19 am Post subject: |
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Any etude, exercpt, or duet book will be good reading. Anything you have never played before. Google up a bunch of all-state audition excerpts (jazz and classical). There are at least 50 new ones every year... all usually challenging! Great reading material. They are usually intentionally tricky!
So, how do you practice reading? Don't stop and restart. Do it at the tempo that someone would count it off (even if you can't do it at that speed... it will be a real world test!). Use a metronome. Time marches on no matter how bad you crash and burn. It is good to practice recovering from a collapse in time and finishing.
After that, then I personally would slow down the metronome to something I think I could handle better, and run it again focusing on improving accuracy. Again, straight through with no stops.
Do it one last time at a tempo that you think will give you 100% accuracy. (even really mega slow is OK...).
Then assess where you had trouble, and WHY you had trouble. Was it a fundamental performace issue like a flubbed interval, or accidental/key signature error... or was it a technical error like a wrong rhythm or counting problem.
Once you identify a problem area then develop a practice strategy to address the issue.
Finally, then just move on. You don't need to end up practicing the piece. You are practicing reading. Just go on to the next thing and do it again.
Practice reading different stuff too... time signatures, keys, key changes, different styles (bebop, swing, latin, baroque, etc...). Really mix it up.
A 15-20 min session of this every day will really help you.
When you start to never miss notes, entrances, and rhythms then start focusing on the MUSIC nuances, like articulations, dynamics, & style. I guess you should be doing that all along, but if you are messing up fundamentals then you have bigger fish to fry than missing a dynamic marking.
There are a few "tricky rhythm" sight reading books out there (Colin has one, Rich Willey too). Consider those!
Often, people that think they are bad readers are actually just bad players. They can read the part (they can clap out the rhythm, but can't play the intervals or scales.) Maybe they can play it SLOW, but not at tempo. That is a lack of fundamental skill. Clarke, Arban, & Scales... go practice fundamentals. The better technical player you are then the better reader you will be. |
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derekthor Veteran Member
Joined: 01 Oct 2012 Posts: 480 Location: Minneapolis, Minnesota
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Posted: Fri Mar 08, 2013 8:46 am Post subject: |
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I use Getchell 1 & 2 to practice sight-transposing. The etudes themselves are pretty easy compared to everything else suggested so far, until you start playing them down a third or up a tritone. You get to kill two birds with one stone! (and as an added bonus, the books themselves are usually quite cheap and easy to find) |
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fuzzyjon79 Heavyweight Member
Joined: 17 Apr 2003 Posts: 3014 Location: Nashville, TN
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Posted: Fri Mar 08, 2013 9:44 am Post subject: |
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I really love Odd Meter Etudes for All Instruments in Treble Clef by Everett Gates. Great book! _________________ J. Fowler
"It takes a big ole' sack of flour, to make a big ole' pan of biscuits!" |
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Trombacan Veteran Member
Joined: 30 Nov 2009 Posts: 102 Location: Canada
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Posted: Fri Mar 08, 2013 10:26 am Post subject: Reading |
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I'll +1 the Getchell and Gates books and check out Clodomir 70 Little Studies |
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spitvalve Heavyweight Member
Joined: 11 Mar 2002 Posts: 2158 Location: Little Elm, TX
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Posted: Fri Mar 08, 2013 10:53 am Post subject: |
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A fun one if you're into transposition is Borgdoni's 24 Vocalises. Each etude changes transposition (i.e., C trumpet, F trumpet, E trumpet, etc) every few bars and you have to relate it to the horn you have in your hands. I went through it on Bb trumpet and then again on C trumpet and got to where I could sight-transpose with no difficulty. _________________ Bryan Fields
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1991 Bach LR180 ML 37S
1999 Getzen Eterna 700S
1977 Getzen Eterna 895S Flugelhorn
1969 Getzen Capri cornet
1995 UMI Benge 4PSP piccolo trumpet
Warburton and Stomvi Flex mouthpieces |
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RandyTX Heavyweight Member
Joined: 25 Mar 2010 Posts: 5299 Location: Central Texas
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Posted: Fri Mar 08, 2013 11:14 am Post subject: |
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spitvalve wrote: | A fun one if you're into transposition is Borgdoni's 24 Vocalises. Each etude changes transposition (i.e., C trumpet, F trumpet, E trumpet, etc) every few bars and you have to relate it to the horn you have in your hands. I went through it on Bb trumpet and then again on C trumpet and got to where I could sight-transpose with no difficulty. |
Hmm. I'm in the middle of the process you describe at the moment with that book, and I am not finding it "fun" at all.
It's quite the transposition workout. It's hard to imagine any "normal" transposition work being difficult though after you can pull this off easily.
However, I can't make out where the OP said anything at all about transposing. _________________ "Music is like candy, you throw the (w)rappers away." |
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tmaudlin Regular Member
Joined: 27 Aug 2012 Posts: 67 Location: Keizer, Oregon
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Posted: Fri Apr 05, 2013 7:28 am Post subject: |
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http://imslp.org/wiki/40_Trumpet_Studies_(Vurm,_Vasily) _________________ 1966 Bach 37 star on leadpipe
mouthpiece 10 3/4 EW (vincent bach corp.)
serial number 37351
Coming back after 40 + years |
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