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What kind of cornet is Wild Bill playing here?



 
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ljazztrm
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PostPosted: Sat Nov 22, 2014 1:34 am    Post subject: What kind of cornet is Wild Bill playing here? Reply with quote

http://www.youtube.com/watch?v=c1qMskHsJ5I
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walnutsoap
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PostPosted: Sat Nov 22, 2014 2:51 am    Post subject: Reply with quote

King Master?
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BillyM
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PostPosted: Sat Nov 22, 2014 7:09 am    Post subject: Reply with quote

My favorite player. Thanks for posting I had not seen that particular video with Art Hodes. Most followers of Bill knew of his like of the King Master Model. At first I thought it was a gold plated King that was provided to him and then I noticed the receiver and the cross brace closest to the receiver. Looked more like a Conn product maybe the Concert Grand with the under slung tuning slide, but the third valve tuning slide holder is wrong. I see why you posted the question.
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Bob Stevenson
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PostPosted: Sat Nov 22, 2014 7:20 am    Post subject: Reply with quote

Surely it can't be a cornet,....it sounds just like a trumpet to me!
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Richard III
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PostPosted: Sat Nov 22, 2014 7:38 am    Post subject: Reply with quote

walnutsoap wrote:
King Master?


Sure looks like that to me.
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BillyM
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PostPosted: Sat Nov 22, 2014 10:00 am    Post subject: Reply with quote

https://www.youtube.com/watch?v=vIshkPmqXXk

Definitely the gold plated King Master that he played. The camera angle on the first video made the front brace appear like a Conn straight across. This video at the sames session shows the King brace better. Between the side of the mouth playing and moving the horn around like it was going to catch fire in his hands, it is hard to verify, but is the King Master that the company made special for him (gold plated and highly engraved). Wonder what became of his horns?[/url]
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ljazztrm
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PostPosted: Sat Nov 22, 2014 11:19 am    Post subject: Reply with quote

Thanks guys.. Yeah, where are his horns now? On display somewhere I would think?
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ljazztrm
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PostPosted: Sat Nov 22, 2014 11:20 am    Post subject: Reply with quote

I never realized these tracks were taped for tv.. I remember listening to this recording all the time as a little kid.. my dad used to always have it on.. So great to see it too!
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giakara
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PostPosted: Sat Nov 22, 2014 12:38 pm    Post subject: Reply with quote

He also plays a MV Bach 10.1/2C mpc , great video thanks.

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Mac Gollehon
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PostPosted: Sat Nov 22, 2014 12:52 pm    Post subject: Reply with quote

Always was a fan of Wild Bill. I subbed for him several times on a steady gig once a week at Arthurs Tavern on Grove St when he was not in town.This was early 1980s. All the times I saw him he was playing master model king,and those cornets truly could stand up to any trumpet in straight up decibels. Another great player with a very unique style and phrasing who is surely missed.
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pastbrass
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PostPosted: Wed Nov 26, 2014 12:38 pm    Post subject: Reply with quote

Bill played King Master cornets from the early 30's until the day he died.
A most unique talent!
Scott
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tom turner
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PostPosted: Sun Nov 30, 2014 7:43 am    Post subject: Reply with quote

When one puts a Bach 10 1/2C trumpet-type cornet mouthpiece into a long bell cornet, you basically end up with a trumpet in sound. Thus cornetists like Wild Bill could hang with trumpets all day long on the styles of music they performed!

I remember the debate back in the early '70s at FSU when they did a blind "test" with music school grad students to see if anyone could tell any difference at all between a Bach Model 37 trumpet and a Bach Model 37 cornet. Both horns had identical cupped Bach trumpet-type (C cup) mouthpieces of identical numbers. The only difference was the proper shank for each horn.

SURPRISE . . . NO "DIFFERENCE" was detected by anyone! Talking to a good friend years later who was a grad student in that test, he kept telling me there was no difference between trumpet and cornet. One day I brought in a trumpet, long bell cornet, and a shepherd's crook cornet, so he could hear the stunning difference between a trumpet, a cornet with a trumpet-top on a cornet shank (I used the same Warburton top in my demonstration).

For the short cornet I used a vintage Boston Three Star mouthpiece from 1911. Up until the Roaring '20s forward, cornets had that sweet but gentle solo cornet sound for band work and solos.

With the advent of jazz, followed by electric instruments, the instruments evolved. Peashooter trumpets gave way to richer-sounding F. Besson type trumpets, AND cornets were modified to have long trumpet-like bells for projection to match the new type trumpets.

Yep, once you used the modern Bach-type mouthpieces, with the correct shank in trumpets and cornets there was no real difference in sound. This was what happened IN THE AMERICAS.

Alas, in the end the long bell cornets saved cornets commercially until about 1970 but eventually school kids wanted the "cooler" trumpets and long bells went away . . . only to come out of the closets later onto ebay.

These days a lot of us here in America have rediscovered the short bell cornets with the super deep-V cornet mouthpieces with the huge drill size and open backbores. It truly gives a player a "fresh, new" sound that's quite a difference between their trumpet and their flugelhorn.

British Brass Band uses a different type cup vs. the vintage American cornet cup to get a sweet, mellow sound with more sparkle to it . . . a very compelling and different sound itself. I carry both vintage American and British-type cornet mouthpieces in my cornet case . . . and yes, I play almost all my cornet work on a short bell cornet, though I have several fine vintage American long bells.
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