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Louise Finch Heavyweight Member
Joined: 10 Aug 2012 Posts: 5467 Location: Suffolk, England
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Posted: Mon Apr 20, 2015 1:29 pm Post subject: Difference in sound and playability with different blanks |
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Hi
I thought that I'd share something which at least I find interesting. For my concert band cornet set-up, I use a modular 3C top. Up until a few days ago, I had two top designs, one a copy of the top of a Denis Wick cornet mouthpiece, and the other the standard Kanstul B series modular top, which is basically very similar to the cup end of a Bach trumpet mouthpiece.
There is a definite difference in sound between the Denis Wick blank top and the Bach trumpet blank top, and I have always preferred the sound of the Denis Wick blank top on my Sovereign, and the Bach trumpet blank top on my Xeno.
I needed an additional top, and decided to have one made in a copy of the top end of a Bach cornet mouthpiece. I basically wondered if there was any specific reason for the difference in blank style between a Bach trumpet and cornet mouthpiece, and whether it was simply owing to aesthetics, or whether there were any playing/sound advantages, and since I think the cornet blank looks neater on a cornet mouthpiece, I gave it a try.
I compared my new top to my Bach trumpet blank top on my Xeno. The fundamental difference between the two, is more mass around the bottom of the cup with the Bach trumpet blank top. There is a noticeable difference in sound both my side and the other side of the bell. The Bach cornet mouthpiece blank top gives me the cleaner articulations which I have been seeking on this cornet, and a little clearer sound overall, with the downfall being what appears to be a little less definite slotting in the upper register. I am hoping that the latter may only be a difference in upper register slotting, which I will not notice when I get used to my new top. Anyway, it seems a positive change, and I am always surprised how a slight difference in outer mass/distribution of mass, can make such a difference to the sound. Anyway, I thought that I'd share.
All the best
Lou _________________ Trumpets:
Yamaha 8335 Xeno II
Bach Strad 180ML/37
B&H Oxford
Kanstul F Besson C
Yamaha D and D/Eb
- James R New Custom 3Cs
Flugel:
Bach Strad 183 - Bach 3CFL
Cornets:
Yamaha Neo + Xeno
Bach Strad 184ML
B&H Imperial
- Kanstul Custom 3Cs |
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Sarcastic Musician Regular Member
Joined: 10 Sep 2008 Posts: 77
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Posted: Mon Apr 20, 2015 2:04 pm Post subject: |
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For a while I had 3 Curry 3C. s in three different blanks. Just like with heavier vs. lighter trumpets (or cornets I suppose) I noticed slightly different resistances and sounds. The lighter blank was more agile, and responded more quickly. The heavier blank had more "core" in the sound, and the sound held together better at louder dynamics.
Sadly, all mouthpieces are compromises. So far... |
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Louise Finch Heavyweight Member
Joined: 10 Aug 2012 Posts: 5467 Location: Suffolk, England
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Posted: Mon Apr 20, 2015 2:18 pm Post subject: |
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Sarcastic Musician wrote: | For a while I had 3 Curry 3C. s in three different blanks. Just like with heavier vs. lighter trumpets (or cornets I suppose) I noticed slightly different resistances and sounds. The lighter blank was more agile, and responded more quickly. The heavier blank had more "core" in the sound, and the sound held together better at louder dynamics.
Hi
Thanks very much for sharing your experiences with the Curry mouthpieces.
Sadly, all mouthpieces are compromises. So far...
I couldn't agree more.
Take Care
Lou |
_________________ Trumpets:
Yamaha 8335 Xeno II
Bach Strad 180ML/37
B&H Oxford
Kanstul F Besson C
Yamaha D and D/Eb
- James R New Custom 3Cs
Flugel:
Bach Strad 183 - Bach 3CFL
Cornets:
Yamaha Neo + Xeno
Bach Strad 184ML
B&H Imperial
- Kanstul Custom 3Cs |
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GordonH Heavyweight Member
Joined: 16 Nov 2002 Posts: 2893 Location: Edinburgh, Scotland
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Posted: Mon Apr 20, 2015 11:59 pm Post subject: |
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http://2.bp.blogspot.com/-9VuJlnwdjr4/VL4eklNpSQI/AAAAAAAAFFw/dl-lpsKWGUA/s1600/lewington-mccann-cornet-mouthpiece-custom.jpg
Two identical mouthpieces with different outer shapes.
The one on the right feels vastly more open and id significantly brighter. Articulation is 25% easier and the upper register also seems to work better. Both mouthpieces were identical to start with (CNC produced and felt identical to blow on.
Outer shape is something that is not fully understood or taken account of yet in mouthpiece design I think. _________________ Bb - Scherzer 8218W, Schilke S22, Bach 43, Selmer 19A Balanced
Pic - Weril
Flugel - Courtois 154
Cornet - Geneva Heritage, Conn 28A
Mouthpieces - Monette 1-5 rims and similar.
Licensed Radio Amateur - GM4SVM |
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StupidBrassObsession Heavyweight Member
Joined: 25 Mar 2012 Posts: 1014
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Posted: Tue Apr 21, 2015 2:11 am Post subject: |
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If this is the case, and you all seem to feel a more skeltonised blank is better, someone should try getting their mouthpiece cut with a CG Personal style blank! |
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GordonH Heavyweight Member
Joined: 16 Nov 2002 Posts: 2893 Location: Edinburgh, Scotland
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Posted: Tue Apr 21, 2015 2:30 am Post subject: |
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Its not necessarily better, just different. Less mass round the rim seems to aid articulation but the sound gets brighter. _________________ Bb - Scherzer 8218W, Schilke S22, Bach 43, Selmer 19A Balanced
Pic - Weril
Flugel - Courtois 154
Cornet - Geneva Heritage, Conn 28A
Mouthpieces - Monette 1-5 rims and similar.
Licensed Radio Amateur - GM4SVM |
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Louise Finch Heavyweight Member
Joined: 10 Aug 2012 Posts: 5467 Location: Suffolk, England
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Posted: Tue Apr 21, 2015 3:57 am Post subject: |
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GordonH wrote: | http://2.bp.blogspot.com/-9VuJlnwdjr4/VL4eklNpSQI/AAAAAAAAFFw/dl-lpsKWGUA/s1600/lewington-mccann-cornet-mouthpiece-custom.jpg
Two identical mouthpieces with different outer shapes.
The one on the right feels vastly more open and id significantly brighter. Articulation is 25% easier and the upper register also seems to work better. Both mouthpieces were identical to start with (CNC produced and felt identical to blow on.
Hi GordonH
Thank you very much for sharing. Whereas you have removed mass from under the rim, my top differs from my previous one, in having mass removed from the bottom of the cup.
i.e. (red image is my new top, yellow image is my previous one)
The overall affect seems to be pretty much the same as with your mouthpiece modification.
Outer shape is something that is not fully understood or taken account of yet in mouthpiece design I think.
I agree
Take Care
Lou |
_________________ Trumpets:
Yamaha 8335 Xeno II
Bach Strad 180ML/37
B&H Oxford
Kanstul F Besson C
Yamaha D and D/Eb
- James R New Custom 3Cs
Flugel:
Bach Strad 183 - Bach 3CFL
Cornets:
Yamaha Neo + Xeno
Bach Strad 184ML
B&H Imperial
- Kanstul Custom 3Cs |
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Dale Proctor Heavyweight Member
Joined: 26 May 2005 Posts: 9364 Location: Heart of Dixie
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Posted: Tue Apr 21, 2015 4:52 am Post subject: |
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GordonH wrote: | ...Two identical mouthpieces with different outer shapes.
The one on the right feels vastly more open and is significantly brighter. Articulation is 25% easier and the upper register also seems to work better... |
The one on the right looks suspiciously like a Wick Heritage... _________________ "Brass bands are all very well in their place - outdoors and several miles away ." - Sir Thomas Beecham |
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GordonH Heavyweight Member
Joined: 16 Nov 2002 Posts: 2893 Location: Edinburgh, Scotland
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Posted: Tue Apr 21, 2015 5:06 am Post subject: |
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Dale Proctor wrote: | GordonH wrote: | ...Two identical mouthpieces with different outer shapes.
The one on the right feels vastly more open and is significantly brighter. Articulation is 25% easier and the upper register also seems to work better... |
The one on the right looks suspiciously like a Wick Heritage... |
The wick ones have added mass at the bottom of the cup and they have a longer backbore, but its the same idea - copied from the old Hawkes and son models. _________________ Bb - Scherzer 8218W, Schilke S22, Bach 43, Selmer 19A Balanced
Pic - Weril
Flugel - Courtois 154
Cornet - Geneva Heritage, Conn 28A
Mouthpieces - Monette 1-5 rims and similar.
Licensed Radio Amateur - GM4SVM |
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VetPsychWars Heavyweight Member
Joined: 07 Nov 2006 Posts: 7196 Location: Greenfield WI
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Posted: Tue Apr 21, 2015 9:07 am Post subject: |
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At the Chicago Trumpet Hang, Adam Getzen shared some ring weights that you put on the shank of your mouthpiece. They made a small but noticeable difference on mine. I didn't have time then to really see if it would be something I'd do long term, but it was interesting to try.
The heavier ones didn't fit my piece/horn combination, but the lighter two of the four did.
Tom _________________ 1950 Buescher Lightweight 400 Trumpet
1949 Buescher 400 Trumpet
1939 Buescher 400 Cornet
GR65M, GR65 Cor #1 |
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Louise Finch Heavyweight Member
Joined: 10 Aug 2012 Posts: 5467 Location: Suffolk, England
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Posted: Thu Apr 23, 2015 2:33 am Post subject: |
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VetPsychWars wrote: | At the Chicago Trumpet Hang, Adam Getzen shared some ring weights that you put on the shank of your mouthpiece. They made a small but noticeable difference on mine. I didn't have time then to really see if it would be something I'd do long term, but it was interesting to try.
The heavier ones didn't fit my piece/horn combination, but the lighter two of the four did.
Tom |
Hi Tom
Sounds very interesting.
Thank you very much for sharing.
Take Care
Lou _________________ Trumpets:
Yamaha 8335 Xeno II
Bach Strad 180ML/37
B&H Oxford
Kanstul F Besson C
Yamaha D and D/Eb
- James R New Custom 3Cs
Flugel:
Bach Strad 183 - Bach 3CFL
Cornets:
Yamaha Neo + Xeno
Bach Strad 184ML
B&H Imperial
- Kanstul Custom 3Cs |
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