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Alison Balsom Playing a little jazz...


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ToyTrumpet
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PostPosted: Fri Sep 04, 2015 8:21 am    Post subject: Reply with quote

razeontherock wrote:
ToyTrumpet wrote:
Bluesy wrote:
I seldom tune away from jazz performances but I tuned away from this one.
Amateurish, to put it mildly. I wonder how many listens it would have if she were not a pretty girl.


Gross. Sexism should be discouraged on this forum. This kind of accusation only reflects poorly on the speaker. Please think carefully about your own prejudices before commenting here...


If the truth bothers you that much, perhaps you should play clarinet. Right in this thread she got "cut," by an 11 year old! And hardly a virtuoso or prodigy at that; just has a feel for the idiom.


Yeah, because music should always be a competition. I was talking primarily about the pretty girl comment, you meathead.
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bike&ed
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PostPosted: Fri Sep 04, 2015 9:04 am    Post subject: Reply with quote

kalijah wrote:
Quote:
Alison is one of the premier "legit" soloists alive today, probably only surpassed by Hakan and Sergei


http://www.youtube.com/watch?v=_uHBFiAnpZs


I love that film! Where would you place Ms. Balsolm in the soloist "rankings?"
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MrClean
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PostPosted: Fri Sep 04, 2015 11:17 am    Post subject: Reply with quote

Oh dear...

She's probably just trying to balance the scales - I've heard plenty of great jazz and salsa players hack their way through classical rep, so it's all good...

It's a rare animal that can lay it down on both sides of the fence. I can only think of one at the moment, and some people have issues with him on both sides.

J
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razeontherock
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PostPosted: Fri Sep 04, 2015 1:09 pm    Post subject: Reply with quote

ToyTrumpet wrote:

Yeah, because music should always be a competition. I was talking primarily about the pretty girl comment, you meathead.


Pretty is not a dirty word, nor is it a derogatory term; but meathead is. Further, it is quite evident that Miss Balsom is perfectly fine with being seen as a pretty young lady.
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bike&ed
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PostPosted: Fri Sep 04, 2015 1:15 pm    Post subject: Reply with quote

MrClean wrote:

She's probably just trying to balance the scales - I've heard plenty of great jazz and salsa players hack their way through classical rep, so it's all good...


What? Never, say it ain't so!

https://www.youtube.com/watch?v=1E2Rfh8XoDw

https://www.youtube.com/watch?v=XryvsJOIAKA
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kehaulani
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PostPosted: Fri Sep 04, 2015 1:16 pm    Post subject: Reply with quote

An opposite take on classical/jazz players playing jazz/classical. Al Hirt vs. Joseph Haydn.

https://www.youtube.com/watch?v=1E2Rfh8XoDw
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Last edited by kehaulani on Fri Sep 04, 2015 1:22 pm; edited 5 times in total
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Steve A
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PostPosted: Fri Sep 04, 2015 1:17 pm    Post subject: Reply with quote

Okay, so it's not the best and most convincing jazz ever played. But, maybe she just likes it, and wants to play it for people, regardless of whether or not she's equally strong in the jazz idiom as the classical? Is that really so bad?

I don't think it's a healthy part of our overall musical culture when we have this whole, "if you do something other than what we already know you for, we're going to assume you think you do it as well as specialists, and will ruthlessly attack you for your presumed ignorance/arrogance."

Also, as far as the "people only listen because she's good looking" thing goes - I heard her play the Hummel Concerto with the Toronto Symphony a few years ago. It wasn't my absolute favourite performance of the piece I've ever heard, but it was definitely good, and it was also one of the most interesting, elegant, and individual (even brave) versions I've heard. Even if not everything she does is embraced by purists (I'm thinking jazz and baroque trumpet here, and I don't disagree), I like the fact that she's willing to step outside the box and play what she wants, and clearly without undue concern about critics' opinions.
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bike&ed
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PostPosted: Fri Sep 04, 2015 1:19 pm    Post subject: Reply with quote

kehaulani wrote:
An opposite take on classical/jazz players playing jazz/classical. Al Hirt vs. Haydn.

https://www.youtube.com/watch?v=1E2Rfh8XoDw


We were definitely thinking some of the same things...
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A.N.A.Mendez
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PostPosted: Fri Sep 04, 2015 1:27 pm    Post subject: Reply with quote

kehaulani wrote:
An opposite take on classical/jazz players playing jazz/classical. Al Hirt vs. Joseph Haydn.

https://www.youtube.com/watch?v=1E2Rfh8XoDw


I think this is Al Post lip accident FYI.

And SHE is amazing (saw her live in L.A.)
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bike&ed
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PostPosted: Fri Sep 04, 2015 1:34 pm    Post subject: Reply with quote

Did anyone watch the Mendez Haydn I had also posted? I know quite a few folks on this forum consider him the end-all, be-all of trumpet soloists, but we all have weaknesses...
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MrClean
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PostPosted: Fri Sep 04, 2015 1:36 pm    Post subject: Reply with quote

I think it is great that she is working on playing jazz - it will make her a better musician - this is advice I would give to anyone. IMHO what most people are bridling about is that she is under the impression that this is good jazz playing; otherwise she would not have released it.

She is a fine player, and a lovely person.
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Crazy Finn
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PostPosted: Fri Sep 04, 2015 2:52 pm    Post subject: Reply with quote

Steve A wrote:
Okay, so it's not the best and most convincing jazz ever played. But, maybe she just likes it, and wants to play it for people, regardless of whether or not she's equally strong in the jazz idiom as the classical? Is that really so bad?

I don't think it's a healthy part of our overall musical culture when we have this whole, "if you do something other than what we already know you for, we're going to assume you think you do it as well as specialists, and will ruthlessly attack you for your presumed ignorance/arrogance."

Also, as far as the "people only listen because she's good looking" thing goes - I heard her play the Hummel Concerto with the Toronto Symphony a few years ago. It wasn't my absolute favourite performance of the piece I've ever heard, but it was definitely good, and it was also one of the most interesting, elegant, and individual (even brave) versions I've heard. Even if not everything she does is embraced by purists (I'm thinking jazz and baroque trumpet here, and I don't disagree), I like the fact that she's willing to step outside the box and play what she wants, and clearly without undue concern about critics' opinions.

Exactly.
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A.N.A.Mendez
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PostPosted: Fri Sep 04, 2015 4:38 pm    Post subject: Reply with quote

I think the issue for the highly trained classical players would be the whole experience of reading and playing every detail, constrained. Then, trying to open up and let go.... You play classical music, Jazz just comes out of you. It is felt, not read.

Or as someone famous said "you can either swing, or you can't "
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razeontherock
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PostPosted: Fri Sep 04, 2015 4:40 pm    Post subject: Reply with quote

kehaulani wrote:
An opposite take on classical/jazz players playing jazz/classical. Al Hirt vs. Joseph Haydn.


Very eloquently put! I had that idea when I first heard that, and never realized what a monster player he was until much later.
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razeontherock
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PostPosted: Fri Sep 04, 2015 4:45 pm    Post subject: Reply with quote

Steve A wrote:

I don't think it's a healthy part of our overall musical culture when we have this whole, "if you do something other than what we already know you for, we're going to assume you think you do it as well as specialists, and will ruthlessly attack you for your presumed ignorance/arrogance."


I don't see that happening here. I applaud her courage in many of the legit recordings she's done, and with this venture into jazz as well. I hope she sticks with it and gets really good at it. Whether that happens or no, she is very expressive and creative; without that, technical expertise is just meh. Far from meh, Alison is an outstanding musician and not "just" an outstanding trumpet player. Also a picture of efficiency!
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razeontherock
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PostPosted: Fri Sep 04, 2015 4:47 pm    Post subject: Reply with quote

bike&ed wrote:
Did anyone watch the Mendez Haydn I had also posted? I know quite a few folks on this forum consider him the end-all, be-all of trumpet soloists, but we all have weaknesses...


I'd be interested in hearing your critique of Mendez, on the Haydn or anything else. I wouldn't really call him a "jazz" player, but I wouldn't know how to classify him, either. Is your main beef just too much pop in his articulation?
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kehaulani
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PostPosted: Sat Sep 05, 2015 3:12 am    Post subject: Reply with quote

Regarding Mendez, he played in dance bands, theater orchestras, and was a first-call L.A. studio musician. He might not have been an improvising soloist, but in those days, you didn't normally play these kinds of gigs if you couldn't swing.

razeontherock wrote:
I'd be interested in hearing your critique of Mendez, on the Haydn or anything else. I wouldn't really call him a "jazz" player, but I wouldn't know how to classify him, either. Is your main beef just too much pop in his articulation?

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roynj
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PostPosted: Sat Sep 05, 2015 4:29 am    Post subject: Reply with quote

Not sure what she was thinking, but I'm sure that she and the group had a lot of fun with this attempt. It should not have been recorded and put up on youtube though. That was unfortunate.
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saxophonist56
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PostPosted: Sat Sep 05, 2015 10:08 am    Post subject: Reply with quote

i love her hayden!.....

https://www.youtube.com/watch?v=w3nHgW5Pwag[youtube]


checkout 12 and 1/2 minutes in.....

my aunt was a great classical pianist and couldn't play a lick of jazz either [/youtube]
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chuck in ny
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PostPosted: Sat Sep 05, 2015 2:10 pm    Post subject: Reply with quote

criticism duly noted she keeps the day job. i enjoyed it anyway, it's a lovely melody, and jazz is always spaghetti with marinara sauce, the infinite variation on a simple classic. that good tone part doesn't come in a crackerjack box. this glass is half full.
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