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Horns for comparison article


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bg
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PostPosted: Wed Jul 27, 2016 9:23 pm    Post subject: Reply with quote

I'm the proud owner of a vintage #3 Committee Deluxe with no bell.

That's correct; I said NO bell.

Does anybody know where I can find a bell?

Thank you.
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Tritone
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PostPosted: Wed Jul 27, 2016 9:42 pm    Post subject: Reply with quote

I just love threads like this. People try to do the best they can to provide other players with objective analyses regarding specific horns, and then others point out that the methodology is flawed because every one of us has his/her own biases, and ...

Time for a cold drink.

We don't even have objective criteria to define a lot of the concepts that we all talk about all the time. For example, exactly what is "core", and exactly what is "responsiveness"? How do we measure these things, beyond just forming an opinion?? And so on for so many of the terms that we players use all the time. Perhaps each one of us has a definition for what we mean when we say these words, but they're subjective at best and nebulous at worst.

There's anything but uniformity when it comes to opinions among trumpet players.

Good for Brian for being willing to do his best to provide his thoughts about comparisons of these horns. I may or may not play as Brian does. So, do his opinions apply to me, or to another player? I have no idea.

That said, we players are a motivated, often opinionated, and diverse lot. Accordingly, I look forward to reading anyone's (including Brian's) findings about horns that may have some interesting personalities.

Time for another cold drink.
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1957Tim
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PostPosted: Wed Jul 27, 2016 9:48 pm    Post subject: Reply with quote

It’s been said that imitation is the sincerest form of flattery. I think its note worthy that several elite instrument makers have done their best to clone the Martin Committee. Those outside the trumpet world could care less, however, we who are an integral part of it never seem to completely satisfy our curiosity concerning such things.

I don’t think it’s uncommon for instrument makers to dissect another’s product in their efforts to clone or create a better one. I’m sure pharmaceutical companies develop their generic drugs in a similar fashion. I think it’s a basic principle of business, if a new product works for company A, company B will soon come up with their version of it.

How many different mouthpiece makers have entered the marketplace over the past 10-20 years? I’m sure each one had an idea of how to improve on another’s product. I’ve heard/read that never in the history of brass instruments have players had a better selection of horns and mouthpieces to choose from. I love that!

I had the opportunity to attend one day of the ITG with Brian (Shofarguy). It was fun hearing him play and talk about the various horns that he tried. He has a great ear and the unique ability to put what he hears into words. I believe most of us here enjoy reading his analytical posts even if we don’t share his opinion. I can’t wait to see what Brian has to say about this 1603 Kanstul horn.

-1957Tim
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sounds7
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PostPosted: Wed Jul 27, 2016 10:13 pm    Post subject: Reply with quote

bg wrote:
I'm the proud owner of a vintage #3 Committee Deluxe with no bell.

That's correct; I said NO bell.

Does anybody know where I can find a bell?

Thank you.


Get Kanstul or Adams to make you an unstamped bell. Kanstul would do it , I am not sure about Adams though. Then get Scherri with Artistic Engraving to put the Martin engraving on the bell. Although now that I think of it Kanstul said his horns were .470 and not .468 so that may be a problem for fitting, but what am I saying, Its Kanstul so he will make it fit. If you want a vintage bell try Charlie Melk. If he has one it won't be cheap especially for a #3 because they are rare and extremely hard to find.
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sounds7
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PostPosted: Fri Jul 29, 2016 9:55 am    Post subject: Reply with quote

@Crazy Finn I remembered one more trumpet that was highly based off the Martin Committee #3, Holton MF Horn. It has the same exact bell flare as the committee's did as well as the reverse tuning slide (Not sure about the lead pipe though). Martin horns were still around when it was being made.

Last edited by sounds7 on Fri Jul 29, 2016 10:45 am; edited 2 times in total
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scipioap
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PostPosted: Fri Jul 29, 2016 10:31 am    Post subject: Reply with quote

sounds7 wrote:
@Crazy Finn I remembered one more trumpet that was highly based off the Martin Committee #3, Holton MF Horn. It has the same exact bell flare as the committee's did as well as the reverse tuning slide (Not sure about the lead pipe though). Martin horns were still around when it was being made.

Here's one (Jacek in Poland)...

Holton MAYNARD FERGUSON ST 302 trumpet , Martin Committee #3 rival
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1963 Martin Committee #3
1962 Martin Committee Cornet #3
1961 Martin Custom Committee C
1941 Martin HC Committee #2
1945 Martin Committee #2
1942 Martin HC Committee Cornet
1941 Martin IBICO Indiana
2012 Kanstul 1525 SLB
1977 Olds CT Flugel
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Crazy Finn
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PostPosted: Fri Jul 29, 2016 12:18 pm    Post subject: Reply with quote

sounds7 wrote:
@Crazy Finn I remembered one more trumpet that was highly based off the Martin Committee #3, Holton MF Horn. It has the same exact bell flare as the committee's did as well as the reverse tuning slide (Not sure about the lead pipe though). Martin horns were still around when it was being made.

Interesting! Thanks!
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Dr. Manhattan
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PostPosted: Fri Jul 29, 2016 4:19 pm    Post subject: Martin Committees and clones Reply with quote

Hi Everybody!
Having lurked for a while and enjoying the many interesting posts/discussions on this forum, I decided to join.

Regarding Martin Committee trumpets:
I do have a Committee and love how it plays.
I also have an older CG Benge that plays well which leads to me Kanstul's clone of the Committee. I am really interested in hearing more feedback about this horn as well as seeing one in person.

Cheers!
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shofarguy
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PostPosted: Mon Oct 24, 2016 5:35 am    Post subject: Reply with quote

I'm going to use this thread to post pictures and comparisons between the Martin Committee that Winghorn sent me and the Kanstul 1603 Handcraft. If I can include the Schilke HC I will. There has been an HC2 over at Milano's, so perhaps Josh can hook me up with it in their warehouse for trial.

I have just one week left before both horns go back to their respective owners, so finding a Lawler or Adams is probably out.
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There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds.
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James Becker
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PostPosted: Mon Oct 24, 2016 9:29 am    Post subject: Reply with quote

I'll share what I know about the Kenosha Leblanc USA Committee trumpets to clarify the differences with the original Elkhart models.

According to Holton MF Horn designer Larry Ramirez, the leapipes on the Kenosha Martin T3460 and T3465 are Martin Committee tapers. The bell however is not the original shape, but a Martin bell shape form another Martin model (perhaps a Magna? I can't say for sure). Larry explained that this bell was favored for it's improved play ability and intonation over the original. In addition the main tuning slides on Kenosha Martin Committees are NOT stepped bore and DO NOT have tapered crooks.

What we've done to bring the Kenosha Committees better in line with the original is to replace the upper reversed slide with a .453" M bore tube providing a more faithful step bore. Unfortunately the main tuning slide crook is cylindrical.

Some years ago we had access to NOS Elkhart Committee bells that we've installed on Kenosha Commitee trumpets. The final "icing on the cake" includes Sherry Huntley's hand engraving of the Elkhart Committee pattern.

Attention Brad Goode, We have one of these Elkhart Committe #3 bells available with hand engraving.

My observation of Larry's MF Horn design it was built on a Martin #3 valve set, has a high compression leadpipe and cylindrical .468" main tuning slide, and fitted with a bell similar to the Bach 72.

Not that long ago we had the opportunity to piece together a box of Martin parts for Wallace Roney. The valve set was a T3465, we mounted a gold brass NOS Elkhart Martin bell, a Kenosha leadpipe with .453" top tube, a T3460 .460" crook with a .462" lower tube transitioning into the .465" valve set. Wallace was extremely pleased with the results of our effort to bring his Kenosha Martin parts horn closer to his ideal.

I hope this is helpful.
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Last edited by James Becker on Mon Oct 24, 2016 1:33 pm; edited 1 time in total
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James Becker
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PostPosted: Mon Oct 24, 2016 10:59 am    Post subject: Reply with quote

One more thing about Martin Committee trumpets, Elkhart, Kenosha, or their replicas.

I'd be interested in hearing how well 3rd valve combinations play, G# in particular. Is the pitch right on or a bit flat?

I look forward to your replies.
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James Becker
Brass Repair Specialist Since 1977
Osmun Music Inc.
77 Powdermill Road Rt.62
Acton, MA 01720
www.osmun.com

Our workshop is as close as your nearest UPS store https://www.ups.com/dropoff?loc=en_US
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shofarguy
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PostPosted: Mon Oct 24, 2016 1:48 pm    Post subject: Reply with quote

James Becker wrote:
One more thing about Martin Committee trumpets, Elkhart, Kenosha, or their replicas.

I'd be interested in hearing how well 3rd valve combinations play, G# in particular. Is the pitch right on or a bit flat?

I look forward to your replies.


James,

Awhile back, when I started this thread, I played the 1603, my Wild Thing, the Burbank CG and my Schilke X-4 against Clear Tune on my iPhone. The 1603 was very much on pitch in the staff. Only low C# and F# really needed adjustment. Since getting the Martin Committee to try, I have noticed that G# cannot tolerate any third slide extension. With the Kanstul, the slide is tough to use, so I never noticed any problem. So, I would surmise that the horn may play that note a little flat, but not enough to need conscious adjustment with the embouchure. Just don't extend the slide!
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There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds.
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shofarguy
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PostPosted: Mon Oct 24, 2016 1:51 pm    Post subject: Reply with quote

James Becker wrote:
One more thing about Martin Committee trumpets, Elkhart, Kenosha, or their replicas.

I'd be interested in hearing how well 3rd valve combinations play, G# in particular. Is the pitch right on or a bit flat?

I look forward to your replies.


p.s. Another thing I noticed in passing is that both of these horns have enough room around the note center that it is easy to think you are there when you may actually be playing high on the center. That may be why some notes, like the G# you mention, can sound flat sometimes.
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Brian A. Douglas

Flip Oakes Wild Thing Bb Trumpet in copper
Flip Oakes Wild Thing Flugelhorn in copper


There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds.
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James Becker
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PostPosted: Mon Oct 24, 2016 6:06 pm    Post subject: Reply with quote

The reason I brought it up in the first place was to draw attention to the fact that the majority of Elkhart #3 bore Martin Committee 3rd slides need little movement for low D and C# due to being built too long. You'll noticed when playing an A major scale how the G# is a painfully flat leading tone. I've been told that Chris Botti has trouble with his 2-3 combinations and I'm fairly certain this is why.

Hopefully this is not the case with the modern Committee inspired replicas.

I'm not adverse to giving a slide a "hair cut" when needed to raise a flat note, a common fix for a flat D on many C tumpets.
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James Becker
Brass Repair Specialist Since 1977
Osmun Music Inc.
77 Powdermill Road Rt.62
Acton, MA 01720
www.osmun.com

Our workshop is as close as your nearest UPS store https://www.ups.com/dropoff?loc=en_US
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vwag
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PostPosted: Mon Oct 24, 2016 7:38 pm    Post subject: Great topic Reply with quote

I too hope this article happens even with the admitted bias. After spending a couple of hours at a music store, I was completely blown away (unexpectedly) by the Adams A9. I'm an amateur but had never experienced the feel of that horn. I'll have to post my experience in a separate thread. I play a Schilke B5 and didn't have that type of experience when I tried the Schilke Handcraft at their factory.
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shofarguy
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PostPosted: Mon Oct 24, 2016 8:32 pm    Post subject: Re: Great topic Reply with quote

vwag wrote:
I too hope this article happens even with the admitted bias. After spending a couple of hours at a music store, I was completely blown away (unexpectedly) by the Adams A9. I'm an amateur but had never experienced the feel of that horn. I'll have to post my experience in a separate thread. I play a Schilke B5 and didn't have that type of experience when I tried the Schilke Handcraft at their factory.


Go ahead and add your A9 experience here, if you like. I wasn't able to secure one during the time I have the Martin. I have been able to play the Schilke, Kanstul and Martin together today and will write a post about that soon.
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Brian A. Douglas

Flip Oakes Wild Thing Bb Trumpet in copper
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There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds.
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