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Traveling and practice



 
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Anthony Barrington
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Joined: 07 Aug 2015
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Location: Oklahoma City, Oklahoma

PostPosted: Wed Mar 22, 2017 12:52 pm    Post subject: Traveling and practice Reply with quote

Hey forum. I'll leave this post up for you guys to share your thoughts and experiences about how to practice when on the road. I've had troubles recently with keeping up my routine while away and would like some insight. Thanks!
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JVL
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Joined: 07 Feb 2016
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Location: Nissa, France

PostPosted: Wed Mar 22, 2017 1:11 pm    Post subject: Reply with quote

hello
what kind of traveling is it? work, holidays, tour with a band?
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Anthony Barrington
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Location: Oklahoma City, Oklahoma

PostPosted: Wed Mar 22, 2017 1:18 pm    Post subject: Reply with quote

Hello JVL. I have been traveling for auditions and holidays.
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JVL
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Location: Nissa, France

PostPosted: Wed Mar 22, 2017 10:58 pm    Post subject: Reply with quote

hello Anthony,
not so easy for me to answer, but in the best way i can, i'll tell :
driving car, a lot of fluttering, as taught by Bobby Shew, alternating with lip buzzing, and being very careful not to chock the teeth, mpc buzzing maybe with a BERP or leadpipe with you can get one.

at home or hotel, it depends on your daily schedule : if you wake up early, you can do a warm-up with soft session of fundamentals and technic, maybe 1hr in total.
then, in the end of afternoon, a more musical session.
In such context when i can't play open horn, i use wallace studio practice mute without resistor most of the time, not overblowing, and when possible during "workable hours" i'd use rather the soulo mute.

maybe i can answer you better if you give more infos...

best
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JoseLindE4
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Joined: 18 Apr 2003
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PostPosted: Thu Mar 23, 2017 3:24 am    Post subject: Reply with quote

Many nicer hotels will have conference rooms that they will let you practice in. Parking garages are also good. If you took one, there's always your car.
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Craig Swartz
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Joined: 14 Jan 2005
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PostPosted: Thu Mar 23, 2017 5:02 am    Post subject: Reply with quote

Original Yamaha Silent Brass, use good phones and the electronics. Don't use without. And a compact, folding music stand.
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Billy B
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Joined: 12 Feb 2004
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Location: Des Moines

PostPosted: Thu Mar 23, 2017 5:42 am    Post subject: Reply with quote

You are a musician. Use your creativity.
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agolden
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PostPosted: Thu Mar 23, 2017 9:20 am    Post subject: Reply with quote

I've been touring for about 4 years now and have only had minimal noise complaints from practicing open in a hotel. Just use common sense. 10:30 or 11am-5pm is a pretty safe bet. Most hotels will open up a meeting or conference room is you just ask.

Good luck!

-Andrew
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Billy B
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PostPosted: Thu Mar 23, 2017 10:17 am    Post subject: Reply with quote

agolden wrote:
I've been touring for about 4 years now and have only had minimal noise complaints from practicing open in a hotel. Just use common sense. 10:30 or 11am-5pm is a pretty safe bet. Most hotels will open up a meeting or conference room is you just ask.

Good luck!

-Andrew

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kehaulani
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PostPosted: Thu Mar 23, 2017 12:08 pm    Post subject: Reply with quote

Anthony, what has worked best for me as a traveling musician was to look for unused utility rooms; like a basement storage room. As an alternate, I've played into a pillow as well as using mutes. The best I've found are either the Yamaha Silent Brass (with electronic accessory) or Best Brass (acoustic) mutes.

As said above, use the electronics with the Yamaha Silent Brass mute or, used acoustically, you might overblow.

FWIW, I've used the Silent Mute for years, usually playing after 10:00pm in an apartment with no complaints, whatsoever.
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Robert P
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PostPosted: Thu Mar 23, 2017 12:48 pm    Post subject: Reply with quote

Play to my heart's content in a hotel room. Anyone comes to the door to complain I punch them in the nose shut the door and carry on.


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JonathanM
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Joined: 25 Aug 2007
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Location: Charleston, SC

PostPosted: Thu Mar 23, 2017 1:01 pm    Post subject: Reply with quote

The 'Wallace Studio Practice Mute' has been a great help for me. My schedule, while full of travel, rarely grants me mid-day hours in a Hotel - which, as an earlier poster noted, is a great time for practice. This particular Wallace mute has exceptional intonation from pedal tones to as far up as I can play; much, much better than most mutes. It also offers an adjustable stem for playing differences.

The 'Tom Crown' practice mute isn't as quiet as some but offers a very free blow.
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rufflicks
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PostPosted: Thu Mar 23, 2017 3:16 pm    Post subject: Reply with quote

Hope some of this helps


Link


There is also this.

http://upsoundexperience.com

Best, Jon
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