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Andy Cooper Heavyweight Member
Joined: 15 Nov 2001 Posts: 1830 Location: Terre Haute, IN USA
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Posted: Wed Jun 14, 2017 8:03 am Post subject: Neill Sanders Mouthpieces - brief history and models |
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Neill Sanders Mouthpieces - brief history and models
Neill Sanders was Principal horn in the London Symphony Orchestra, London Philharmonic Orchestra, BBC Orchestra and recorded commercially with the Beatles, and in sound tracks for the early Bond movies.
In the late 60's he developed and patented (70's) a markedly different rim for french horn mouthpieces. The rim was twice as wide with an "invert lay" - the high point of the rim was toward the outside of the mouthpiece, declining at a 5 degree angle to a pronounced bite. The purpose of the rim contour was to free the lips to vibrate more easily.
This "invert" lay mouthpiece was also produced for trumpet, trombone, baritone and tuba. These mouthpieces found success as "remedial" mouthpieces, an alternative for students with braces, and at one time were marketed specifically to marching bands.
The mouthpieces were manufactured by C W Cox & Son Ltd, Broxbourne, Hertfordshire. (They also produced Denis Wick mouthpieces until the late '90s.)
Most of the trumpet mouthpieces have a fairly tight, though not stuffy, backbore with a long #26 throat. The backbore appears to be in the Warburton 4* or Purviance range.
[All information is from the Neill Sanders Mouthpiece brochure and correspondence with Denis Wick.]
Trumpet
Model ------ ID ----- Bore ----- Depth
16T--------16mm ----- 26 ----- 0.465
16D--------16mm ----- 26 ----- 0.550
16.5T -----16.5mm --- 26 ----- 0.465
16.5S -----16.5mm --- 26 ----- 0.505
16.5M -----16.5mm --- 26 ----- 0.565
16.5D -----16.5mm --- 26 ----- 0.600
17S ------- 17mm ----- 26 ----- 0.505
17M ------- 17mm ----- 26 ----- 0.565
17D ------- 17mm ----- 26 ----- 0.600
17DA------ 17mm ----- 26 ----- 0.625
17DB------ 17mm ----- 26 ----- 0.645
17DB(L)--- 17mm ----- 24 ----- 0.645 Symphonic Backbore
17.5DB(L)- 17.5mm --- 24 ----- 0.645 Symphonic Backbore
Cornet
Model ----- ID ----- Bore ----- Depth
16D ----- 16mm ----- 25 ----- 0.625
17S ----- 17mm ----- 26 ----- 0.505
17M ----- 17mm ----- 26 ----- 0.565
17DB ---- 17mm ----- 26 ----- 0.585
Flugel
Model
Goldentone - 17mm
There were also 4 French horn models 16mm through 17.5 mm with 14 to 12 bores. 7 Trombone models 24mm to 28 mm, 4 baritone mouthpieces 26mm and 4 tuba mouthpieces 30mm to 35mm.[/i]
Last edited by Andy Cooper on Wed Jun 14, 2017 6:27 pm; edited 4 times in total |
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Andy Cooper Heavyweight Member
Joined: 15 Nov 2001 Posts: 1830 Location: Terre Haute, IN USA
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Posted: Wed Jun 14, 2017 8:31 am Post subject: |
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Neill Sanders - patent link
If the below link becomes "dead" and the patent picture no longer shows, search for "Sanders and patent US3728929" .
https://www.google.com/patents/US3728929
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OldKing Regular Member
Joined: 26 May 2017 Posts: 89 Location: Boerne, TX
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Posted: Wed Jun 14, 2017 9:03 am Post subject: |
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Thanks for posting this.
I have a 17M that I played briefly, before I set the horn down for 30 years (July will be my one year anniversary of being a comeback player), and a Flugel Goldentone that's still in the plastic in its box. If someone can use them, shoot me an offer via PM. _________________ For if the trumpet give an uncertain sound, who shall prepare himself to the battle? - 1 Cor 14:8 |
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Andy Cooper Heavyweight Member
Joined: 15 Nov 2001 Posts: 1830 Location: Terre Haute, IN USA
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Posted: Wed Jun 14, 2017 6:15 pm Post subject: |
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Would you benefit from a mouthpiece with an “invert lay” rim?
1. After several days off, your high register is suddenly easier but after a few days of playing, it becomes more difficult again.
2. Switching to a larger ID mouthpiece or a mouthpiece with a different rim contour improves your flexibility and high register for two or three weeks.
3. Practicing more seems to make your high register and endurance worse rather than better.
*4. With a conventional mouthpiece, if you need to rub the inside of your lip with skin toughener (benzoin and myrrh) to keep it from bleeding, then you might benefit from an "invert lay" rim . * [Sentence modified. Original caused some confusion in the posts below]
Other, conventional mouthpieces should be tried first, but the "invert lay" rim should be considered if conventional mouthpieces do not work.
Other than custom made mouthpieces, what are other alternatives to the Sanders mouthpiece?
1. The G & W Hickman rims, though a bit wider and rounder, are very, very close to the Sanders 17mm series.
https://www.gwmouthpieces.com/products/dave-hickman-signature-trumpet-mouthpieces?variant=8256551489
2. The Best Brass Eric Miyashiro mouthpiece rim (43 % rim) appears to be close to the Sanders – based on a comparison of rim contours on the old Kanstul Comparator. It is a rather small ID diameter. GR and Yamaha both have versions of the mouthpiece that may have a similar rim. Perhaps other TH'ers can add to this.
http://www.bestbrass.com/mouthpiece/old_model.html#signature_tp
http://www.grmouthpieces.com/eric-miyashiro.html
3. Some Jet-Tone rims have the high point more towards the outside – though they “fall into” the cup faster.
4. Wedge mouthpieces. The plastic versions are the only modestly priced alternative to the Sanders at this time. They are not, in my opinion a variation of an “invert lay”, but by different design, attempt to accomplish the same thing in redistributing mouthpiece pressure to free up movement of the lips.
http://www.wedgemouthpiece.com
5. The Asymmetric Trumpet Mouthpiece - not an "invert lay" mouthpiece, nor even made primarily to resolve distributing mouthpiece pressure, but the rim has about 40% more lip contact area than a conventional mouthpiece. You must, however have a 1/3 / 2/3 lip placement - 1/3 on top.
http://www.asymmetric-mouthpiece.com/design.htm
Note: Jim New is reported to have scans of the Sanders rim and Doug Meeuwsen (lipshurt) has rim molds. I'm sure other custom makers have the rim specifications.
http://james-r-new.com/
http://www.meeuwsenmouthpieces.com/about.html
Last edited by Andy Cooper on Thu Jun 15, 2017 5:52 pm; edited 2 times in total |
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trpt.hick Rafael Méndez Forum Moderator
Joined: 16 Jul 2004 Posts: 2631
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Posted: Wed Jun 14, 2017 7:49 pm Post subject: |
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My lips have never bled from using a Sanders (or GW) rim. Never heard of such a thing. |
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TKSop Heavyweight Member
Joined: 23 Feb 2014 Posts: 1735 Location: UK
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Posted: Wed Jun 14, 2017 7:58 pm Post subject: |
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trpt.hick wrote: | My lips have never bled from using a Sanders (or GW) rim. Never heard of such a thing. |
I read that as a list of "you might want to try this kind of rim if..."?
The suggestion being that traditional rims might do it to some players? |
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trpt.hick Rafael Méndez Forum Moderator
Joined: 16 Jul 2004 Posts: 2631
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Posted: Wed Jun 14, 2017 10:16 pm Post subject: |
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I cut my lip from a Bach rim when in high school, but it was because I did way too much high playing during a three week summer music camp. I did not have a good embouchure back then, so it was totally my fault. I later switched to a Sanders rim because it felt more comfortable. (The scar tissue was there under the outer skin for about ten years after my cut.)
I can't imagine the Sanders rim causing anyone to bleed. . . even if they have a lousy embouchure like I did. |
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Andy Cooper Heavyweight Member
Joined: 15 Nov 2001 Posts: 1830 Location: Terre Haute, IN USA
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Posted: Thu Jun 15, 2017 4:27 am Post subject: |
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Quote: | Would you benefit from a mouthpiece with an “invert lay” rim?
4. You need to rub the inside of your lip with skin toughener (benzoin and myrrh) to keep it from bleeding. (No really - I used to have to do that.)
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Perhaps putting the comment closer to the heading will clear up the confusion.
"If you have lip cuts, you might benefit from using an "invert lay" mouthpiece."
I once persisted in using a Bach 5B because I liked the sound. Its rounded rim cut my lip. One could argue that I used too much pressure - but I use the same amount of pressure with a Sanders rim (or Hickman) and have no lip cuts. Those of us who have front top and bottom teeth assembled at random angles experience the problem of lip cuts and find it impossible to reduce pressure AND maintain a seal if the rim contour does not miss sharp edges.
I'll let this post marinate for a day - then I'll do a re-write to better clarify my points then post it as a new topic. |
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trpt.hick Rafael Méndez Forum Moderator
Joined: 16 Jul 2004 Posts: 2631
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Posted: Thu Jun 15, 2017 6:14 am Post subject: |
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OK, I understand. At first, it seemed like you were saying that the Sanders rim could cause cuts on the lips, perhaps due to the shape of the rim. However, when the teeth are at various angles, all bets are off. |
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Andy Cooper Heavyweight Member
Joined: 15 Nov 2001 Posts: 1830 Location: Terre Haute, IN USA
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Posted: Thu Jun 15, 2017 6:32 am Post subject: |
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trp.hick
I'll re-write this and post as a new topic. If it puzzled you, others must be totally mystified.
If a Sanders rim could cause a lip cut, the only hope for the player would be to take up tuba.
Do tuba players have more than two mouthpieces? |
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lipshurt Heavyweight Member
Joined: 24 Feb 2008 Posts: 2642 Location: vista ca
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Posted: Thu Jun 15, 2017 6:52 am Post subject: |
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I've been playing the sanders contour now for about a year, and i really like it, and believe its a better rim shape. Everything is better, but the idea that it protects the lips from abuse does hold water for me. I made one just out of curiosity because I new Neil Sanders (pronounced "Sonders" rhymes with "wanders"....that is very important!) and of course really liked him as he was interested in the fact that i was making mouthpieces for guys in kalamazoo while going to western Mich U. Neil was an awesome guy and a great horn player, and was fun to hang out with even though he always cut it off suddenly cuz he had places to get to. Anyway
what i liked at first was how it easy it was to buzz the piece. And then how easy it was to make a nice soft attack, and in general just come in without manipulation. I made the first one on a saturday and had a church gig the next day and it was nice to play. Then i made a "lead" version of it as that is what i need at least half the time for the work i do. It took zero time to get used to it, so i just jumped in and played a real hard week of pounding on it.
Your lips do not get nearly as beat up. Over the long haul i don't have to dedicate days of remedial repair routines (soft low or take day off) and i can play better in the morning after a late night of brutality on a salsa band. It's much more productive. I've made a few for others.
It's not something that a lot of guys want to jump in on, including myself cuz there were MANY times that Neil had me try his lead piece and it worked awesome but i did not dare to switch. Donald bullock played one though and who was better than donald bullock? Also Mr Hickman came to kalamazoo and did the clinic to end all clinics and used the sanders, even though he only mentioned it in passing. Anyway he sounded superb on a whole table full of horns. All of that had been in my head for any years. And then because of years and years of abusing chops I was def having issues jumped in. I did not expect that all the basic aspects like attack, soft playing, etc would also be better.
The Gr bergeron rim is the same idea but not the same. Its less pronounced. I have tried making variations but pretty much the original is what i like. _________________ Mouthpiece Maker
vintage Trumpet design enthusiast
www.meeuwsenmouthpieces.com
www.youtube.com/lipshurt |
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trpt.hick Rafael Méndez Forum Moderator
Joined: 16 Jul 2004 Posts: 2631
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Posted: Thu Jun 15, 2017 8:08 am Post subject: |
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I am pretty sure Sanders' first names spelled Neill. |
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lipshurt Heavyweight Member
Joined: 24 Feb 2008 Posts: 2642 Location: vista ca
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snichols Heavyweight Member
Joined: 12 Apr 2010 Posts: 586 Location: Virginia
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Posted: Fri Jun 16, 2017 5:30 am Post subject: |
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So Mr. Hickman, would you agree with this assessment? Was the Sanders rim something you had in mind when designing your rim?
The whole idea of this rim sounds interesting to me. I found myself answering "yes" to all of the Sanders mouthpiece questions (except for #4... not sure what that's all about). But then I also wondered if I'm falling for a marketing tool, and that those are questions that everyone could answer yes to. |
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trpt.hick Rafael Méndez Forum Moderator
Joined: 16 Jul 2004 Posts: 2631
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Posted: Fri Jun 16, 2017 8:25 am Post subject: |
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True, I had the Sanders rim in mind, but Giddings did not want to make a direct copy of that rim. Instead, he designed something a little different, but better in my opinion. |
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trickg Heavyweight Member
Joined: 02 Jan 2002 Posts: 5677 Location: Glen Burnie, Maryland
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Posted: Fri Jun 16, 2017 8:41 am Post subject: |
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trpt.hick wrote: | I cut my lip from a Bach rim when in high school, but it was because I did way too much high playing during a three week summer music camp. I did not have a good embouchure back then, so it was totally my fault. I later switched to a Sanders rim because it felt more comfortable. (The scar tissue was there under the outer skin for about ten years after my cut.)
I can't imagine the Sanders rim causing anyone to bleed. . . even if they have a lousy embouchure like I did. |
You aren't by any chance the person who turned a former band director of mine - David Walcker - onto playing on a Neill Sanders MP, are you? If memory serves, I think he had some issues with his teeth, and the MP helped him a lot, and it also sticks in my mind that he knew you personally - he took me and a friend to a clinic you gave in Ogallala, Nebraska the year I was a sophomore in HS, sometime in the 1986/87 school year.
Actually, the reason I played a Marcinkiewicz was because when I bought it, I thought I was buying the same mouthpiece he played. I didn't know enough about mouthpieces at the time to know what I was getting.
I did try a Sanders MP at one point years later, but the slightly canted rim didn't work well for me. _________________ Patrick Gleason
- Jupiter 1600i, ACB 3C, Warburton 4SVW/Titmus RT2
- Brasspire Unicorn C
- ACB Doubler
"95% of the average 'weekend warrior's' problems will be solved by an additional 30 minutes of insightful practice." - PLP |
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snichols Heavyweight Member
Joined: 12 Apr 2010 Posts: 586 Location: Virginia
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Posted: Fri Jun 16, 2017 8:53 am Post subject: |
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trpt.hick wrote: | True, I had the Sanders rim in mind, but Giddings did not want to make a direct copy of that rim. Instead, he designed something a little different, but better in my opinion. |
Very cool. Would you say that the Big Boy, Medium, or Medium-Deep is the closest to a 1C? I'd be curious to try one against my Curry 1C... The G&W Signature models aren't on their size chart. |
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trpt.hick Rafael Méndez Forum Moderator
Joined: 16 Jul 2004 Posts: 2631
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Posted: Fri Jun 16, 2017 9:29 am Post subject: |
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Trickg:
Yes, I was one of David's teachers back in his ASU days. True, he liked the Sanders mouthpiece I played. Glad it helped him!
snichols:
The Sanders 17DB ("Big Boy") has a cup very much like a Bach 1B. The 17D is about the same depth as a Bach 1C, but the Sanders cup is more "V"-shaped (similar to the Bach B cup, but not quite as deep). The Sanders 17M is about the same depth as a Bach 1D, but again, the cup is more "V"-shaped than the Bach (which is actually quite box-shaped, with an almost flat bottom to the cup). Sanders also made an 17S, which was what I used on piccolo trumpet for high things. It was also a bit "V"-shaped. |
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Trumpetingbynurture Heavyweight Member
Joined: 18 Nov 2015 Posts: 898
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Posted: Mon Feb 01, 2021 2:25 am Post subject: |
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Does anyone know if the Sanders Rim is currently available by anyone other than Giddings? I mean as a non-custom order? |
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nowave Veteran Member
Joined: 01 Oct 2003 Posts: 453 Location: brooklyn
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Posted: Mon Feb 01, 2021 8:20 am Post subject: |
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Trumpetingbynurture wrote: | Does anyone know if the Sanders Rim is currently available by anyone other than Giddings? I mean as a non-custom order? |
Doug Meeuwesen (lipshurt) -- see his post above
http://www.meeuwsenmouthpieces.com/ |
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