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Donnyalbrecht New Member
Joined: 05 May 2024 Posts: 3 Location: Washington D.C.
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Posted: Sun May 05, 2024 7:06 pm Post subject: Lead Trumpet Style |
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If interested: A step-by-step process to playing stylistically accurately as a lead trumpet player.
Guide on Developing Lead Trumpet Style
The lead trumpet's role is to be the leader of the band and to create a rhythmic and stylistic connection with the drummer. The lead trumpet’s ability to lock in with the rhythm section is of utmost importance because the rest of the horn section will look to the lead trumpet to set the stylistic standard. It falls on the lead trumpet player's shoulders to interpret a chart correctly and consistently so that a band can follow its lead. The following guide aims to provide a study framework for a lead trumpet player interested in playing big band music with stylistic accuracy. The eleven stylistic elements that any lead player must account for are in order of importance: time, tone color, phrasing, articulations, dynamics, vibrato, shakes, glissandos, falls, bends, and scoops.
https://static1.squarespace.com/static/61b0decccdfe1d3788be84cf/t/6473966cfb76464c7712d49b/1685296750704/ITG+Handout.pdf _________________ Frostburg State University
https://donnyalbrecht.com/
Yamaha LAII Bb
Yamaha Chicago III Bb
Yamaha 8445 C
Yamaha YTR 915 CUSTOM Piccolo
Schilke E3L4 Eb/D
Yamaha Shew Flugelhorn 8310z
GR Mouthpieces 63 series |
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trumanjazzguy Veteran Member
Joined: 18 Apr 2011 Posts: 404 Location: St. Louis, MO…or wherever the Ship I’m on is!
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Posted: Mon May 06, 2024 2:20 am Post subject: |
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It is interesting to me that in the "11 most important elements" list you compiled... not a single mention of Volume/Power, Endurance, and Range... I've met many modern trumpeters who have solid command of your "11 Important Elements"... yet their deficiencies in Volume/Power, Endurance, or Range makes them utterly unable to perform much of the Modern Lead Trumpet repertoire, especially that which was written from the Mid 1960's onwards.
Any lead trumpet methodology which does not place prime importance on Volume/Power, Endurance, and (ever increasing) High Range is, at best, attempting to deceive the audience.
Many modern performers lack the exact musicality you extoll, but have such knack for Volume, Endurance, and Range that their otherwise unmusicality is ignored. _________________ TRP: Nova LA
CRN: Getzen 1950’s W/5.5in bell
FL: Jupiter 1100R
‘Pieces:
TPT: 34-throat shallow double-cup, Chet Baker’s custom Schilke, Bach NY 7, Bach Mt. Vernon 6C, Various Bob Reeves 42 pieces.
CRN: Giardinelli 7SV.
FL: Yamaha Bobby Shew |
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Donnyalbrecht New Member
Joined: 05 May 2024 Posts: 3 Location: Washington D.C.
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Posted: Mon May 06, 2024 3:31 am Post subject: |
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No deception here. Without power and range you can’t cover most of the lead trumpet rep. out there… this is intended to help those who’ve got that but are missing the musical elements. _________________ Frostburg State University
https://donnyalbrecht.com/
Yamaha LAII Bb
Yamaha Chicago III Bb
Yamaha 8445 C
Yamaha YTR 915 CUSTOM Piccolo
Schilke E3L4 Eb/D
Yamaha Shew Flugelhorn 8310z
GR Mouthpieces 63 series |
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ConnerD New Member
Joined: 21 May 2024 Posts: 1 Location: Carlisle PA
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Posted: Tue May 21, 2024 11:46 am Post subject: |
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Love this guide! Great explanations on how to transcribe the intricacies of an individual lead player’s style, much like a one would do for a soloist! |
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Fubeca Regular Member
Joined: 30 Apr 2019 Posts: 26
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Posted: Tue May 21, 2024 4:09 pm Post subject: |
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trumanjazzguy wrote: |
Any lead trumpet methodology which does not place prime importance on Volume/Power, Endurance, and (ever increasing) High Range is, at best, attempting to deceive the audience.
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I wouldn't compare an hour long presentation on how to develop style with a complete methodology. The title said it was about style and the content was strategies to notice and develop style. The product performs as advertised. By definition, not deceptive.
I like the approach. Learning music by listening is something wish I had started earlier. _________________ Bb: Bach 180S37 ML
C: Shires Q13
Picc: Kanstul 920
Flugel: Getzen Eterna
Cornet: York 75 "Brilliant" |
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