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Kid's teacher says to play C# with third valve


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Riojazz
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PostPosted: Thu Apr 12, 2012 1:25 pm    Post subject: Kid's teacher says to play C# with third valve Reply with quote

I had a junior high trumpeter in my Easter service ensemble. He sounded fine, but I noticed he played C# on the staff with the third valve, not one & two.

Does this teacher know something I don't? Obviously it is a legitimate alternate fingering, but is this being recommended as the preferred fingering by anyone else out there?
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Jetrang
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PostPosted: Thu Apr 12, 2012 1:34 pm    Post subject: Reply with quote

maybe the kid is playing on a horn with tuning issues and the C# slots better on 3 than 12 ?
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cheiden
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PostPosted: Thu Apr 12, 2012 2:10 pm    Post subject: Reply with quote

I've never heard or seen instruction to use 3rd valve for 3rd space C#. For my gear I'd be suprised if it didn't tune and/or sound worse though I've never really considered it. 1st ledger line is another story and sometimes I find it useful to use 3rd, depending on the context.
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PostPosted: Thu Apr 12, 2012 2:49 pm    Post subject: Reply with quote

That's a round about way to deal with a horn that needs a valve alignment, and probably has bore obstructions. That's assuming that the horn is a well designed instrument.
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Nonsense Eliminator
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PostPosted: Thu Apr 12, 2012 8:24 pm    Post subject: Re: Kid's teacher says to play C# with third valve Reply with quote

I don't see how that could fail to be flat as a pancake.
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chrisf3000
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PostPosted: Thu Apr 12, 2012 8:36 pm    Post subject: Re: Kid's teacher says to play C# with third valve Reply with quote

Nonsense Eliminator wrote:
I don't see how that could fail to be flat as a pancake.


I agree. The only reason why you might do this is if the first slide doesn't move properly, you're on the third of the chord, and you can't lip it down. Very unlikely scenario.

Sounds more likely that he thought it might be fun to play C#'s with the 3rd valve only - and was horsing around. Just a guess, however. I have played many a gig where younger players simply don't take the gig as seriously as more experienced players. Sounds like this was one of them.

I'd be curious if they said that the teacher told them to play it that way, or if you heard the teacher say it. I'd be willing to bet it was the first one.
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cheiden
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PostPosted: Fri Apr 13, 2012 8:06 am    Post subject: Reply with quote

I remember that in my youth when I "discovered" the overtone series and all of the potential alternate fingering that I very specifically set about practicing using every single one of them and just assumed that I should be able to use them interchangably and that pitch and tone would eventually come around.
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jackboyko
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PostPosted: Fri Apr 13, 2012 8:57 am    Post subject: C# Reply with quote

If the teacher or student is a Monette facebook fan, they show that playing C# with the 3rd valve is more in tune. In fact it is on Monette horns.
On my other trumpets, I have many, 1 & 2 are more in tune.
Maybe the teacher or student are playing Monette trumpets.
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PostPosted: Fri Apr 13, 2012 8:57 am    Post subject: Reply with quote

cheiden wrote:
I remember that in my youth when I "discovered" the overtone series and all of the potential alternate fingering that I very specifically set about practicing using every single one of them and just assumed that I should be able to use them interchangably and that pitch and tone would eventually come around.


You could, with a tune-all-slide.
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Ed Lee
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PostPosted: Fri Apr 13, 2012 9:52 am    Post subject: Reply with quote

cheiden wrote:
I've never heard or seen instruction to use 3rd valve for 3rd space C#. For my gear I'd be suprised if it didn't tune and/or sound worse though I've never really considered it. 1st ledger line is another story and sometimes I find it useful to use 3rd, depending on the context.


Typo! a C# again can exist on second ledger line above the stave, not the first as is A. Too, perhaps the player's instructor is in the midst of teaching 3rd valve slide usage or lippage. Frankly, I don't care what fingering is used when the correct sound emits from the bell.
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Matthew Anklan
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PostPosted: Fri Apr 13, 2012 9:53 am    Post subject: Reply with quote

Perhaps the student misunderstood the teacher about alternate fingering options, or something of the like.
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PostPosted: Fri Apr 13, 2012 10:03 am    Post subject: Kid's teacher says to play C# with third valve Reply with quote

Hi Matt!!! Funny...I just had a 6th grade student for a private lesson this past Wed. I was working with him to extend his range above middle "C". He bursts out telling me he already knew how to play 4th line "D" so I told him to go ahead and play it for me. He went ahead and played it but fingered it 1-3 like low "D". I told him it sounded great but to use the 1st valve only...that it's not fingered like the low "D". He tells me that his band teacher (who I think is a clarinet player) told him to finger it 1-3 because (1) it's more in tune and (2) because it has a better tone quailty!!!!! I had all I could do not to laugh!!! So, not wanting to make a negative comment about what his teacher had told him, I simply told him that different teachers have different ways/methods of teaching but I'd prefer that he finger it the way I told him to!!! I guess even after 50 years of playing we still can learn something new each day!!!

Hope all is going well for you, Matt!!

Butch

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cheiden
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PostPosted: Fri Apr 13, 2012 10:12 am    Post subject: Reply with quote

Ed Lee wrote:
cheiden wrote:
I've never heard or seen instruction to use 3rd valve for 3rd space C#. For my gear I'd be suprised if it didn't tune and/or sound worse though I've never really considered it. 1st ledger line is another story and sometimes I find it useful to use 3rd, depending on the context.


Typo! a C# again can exist on second ledger line above the stave, not the first as is A. Too, perhaps the player's instructor is in the midst of teaching 3rd valve slide usage or lippage. Frankly, I don't care what fingering is used when the correct sound emits from the bell.

Actually not a typo but what I meant to say was that it's 1st ledger line "A" that I perodically play using 3rd. For 2nd ledger line C# I use 1&2 or more and more often just 2, depending.
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oxleyk
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PostPosted: Fri Apr 13, 2012 10:32 am    Post subject: Re: C# Reply with quote

jackboyko wrote:
If the teacher or student is a Monette facebook fan, they show that playing C# with the 3rd valve is more in tune. In fact it is on Monette horns.
On my other trumpets, I have many, 1 & 2 are more in tune.
Maybe the teacher or student are playing Monette trumpets.


Actually, they recommend playing A this way on their C trumpets.

Kent
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Riojazz
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PostPosted: Fri Apr 13, 2012 6:31 pm    Post subject: Reply with quote

Thanks, everyone! Very helpful.

So, I take it from all of you who teach trumpet (I don't) that there is not a trumpet fingering chart out there that specifies third valve for C#, that became a standard sometime after 1958 when I last looked at one.

I regularly use the third valve on my flugel, but only that horn. I also don't want to offend his music teacher, but I believe the student when he says that his teacher is not a trumpet player and indeed did teach him to use third valve for middle C# in all circumstances. I would like to hear him try a nice trill from C# to D and watch what happens after a few bars. (try it)

No, he doesn't play a Monette.

Yes, he is a great kid, smart and an outstanding musician on piano. I was glad to have him playing the lower parts for the Easter service. He has learned to sound acceptable on his C#s, nevertheless I think I should tell him that what he is doing is unconventional, and tell him his teacher is welcome to discuss it with me.

Hi Butch!
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kehaulani
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PostPosted: Fri Apr 13, 2012 6:56 pm    Post subject: Reply with quote

Riojazz wrote:
... nevertheless I think I should tell him that what he is doing is unconventional, and tell him his teacher is welcome to discuss it with me.

Perhaps you should play his horn first and make sure that his band teacher hasn't, in fact, made the right call regarding the intonation on that particular trumpet.*

*if you have already done that and I missed it in above posts, mea culpa.
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Shiner
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PostPosted: Fri Apr 13, 2012 7:00 pm    Post subject: Reply with quote

It really makes it hard for me to defend band directors when so many out there are so clueless. I sometimes, very rarely, will ask a brass player to use an alternate fingering on something, usually baritone(most of the tuning problems in my band). But I do have some trumpets right now on a g top of staff playing alternates in my 3rd band. I am not a woodwind player, yet I managed to learn most of the fingerings and tuning issues on every instrument. Who are these idiots that are so clueless, do they just not care about learning what they do?
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kehaulani
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PostPosted: Fri Apr 13, 2012 7:48 pm    Post subject: Reply with quote

Shiner wrote:
It really makes it hard for me to defend band directors when so many out there are so clueless. . . Who are these idiots that are so clueless, do they just not care about learning what they do?

Why is it that every time on this forum that a band director recommends a student do something that is not orthodox regarding things trumpet-ish, he is a moron? The default opinion by some of you seems to be that non-trumpet playing band directors are just stupid, if not criminally incompetent.

Did anyone stop to think that many band directors have spent many years learning enough of the individual instruments to make some pretty responsible decisions about either the mechanics or pedagogy of the trumpet? That's their job and many that I've come into contact with are very professional.

Now, I don't know that this band director is on target or clueless. But if that trumpet is, in fact, a POS and the C# needs an alternate fingering to bring it into better intonation, wouldn't those of you who are trumpet players also see if using the 3rd valve mitigates the problem? Is this a moronic alternative or is it a logical solution to try?

I'm not saying that the horn is in fact a POS and that the 3rd valve fingering is necessary. What I AM saying is that if it is, the solution is not irrational, and for the default reaction by those trumpet players who seem so superior to these clueless band directors is just a bit over the top. And it doesn't seem to be a rare occasion on the forum.
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PostPosted: Fri Apr 13, 2012 7:52 pm    Post subject: Reply with quote

kehaulani wrote:

Why is it that every time on this forum that a band director recommends a student do something that is not orthodox regarding things trumpet-ish, he is a moron? The default opinion by some of you seems to be that non-trumpet playing band directors are just stupid, if not criminally incompetent.


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Riojazz
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PostPosted: Fri Apr 13, 2012 8:35 pm    Post subject: Reply with quote

I don't have the trumpet now to try, and that's a good suggestion that I could have taken time to check it myself. However, it was a rushed rehearsal before the Easter service and I had just met this student; it might have been condescending if the local pro insisted on trying his horn when I'm not his teacher. I was very careful not to make a big deal out of it.

The student simply said all the trumpets in his school were told to play C# with the third finger, and he did not know about using 1&2. I assume all their various trumpets can't be 'out' the same way. And I further assume the student's next step-up trumpets are not likely to play as well using this alternate fingering.

Please, let's take it easy on this teacher since I don't have all the facts. All I was asking was, is this the normal fingering now, and the clear answer is No. Thank you all for your help.
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