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Riojazz Heavyweight Member

Joined: 25 Dec 2006 Posts: 644 Location: Mid-Hudson Valley, NY
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Posted: Thu Apr 12, 2012 1:25 pm Post subject: Kid's teacher says to play C# with third valve |
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I had a junior high trumpeter in my Easter service ensemble. He sounded fine, but I noticed he played C# on the staff with the third valve, not one & two.
Does this teacher know something I don't? Obviously it is a legitimate alternate fingering, but is this being recommended as the preferred fingering by anyone else out there? _________________ Matt Finley
www.mattfinley.com
www.cdbaby.com/cd/mattfinley
Kanstul 1525 flugel, Calicchio 1s/9, Shires C, Schilke XA1 cornet, Schilke P5-4 pic, Yamaha soprano, Powell flute, Emerson alto flute, Mark VI tenor. Warburton 4FL & GR66M. |
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Jetrang Veteran Member
Joined: 05 Nov 2008 Posts: 276
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Posted: Thu Apr 12, 2012 1:34 pm Post subject: |
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| maybe the kid is playing on a horn with tuning issues and the C# slots better on 3 than 12 ? |
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cheiden Heavyweight Member
Joined: 28 Sep 2004 Posts: 3572 Location: Orange County, CA
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Posted: Thu Apr 12, 2012 2:10 pm Post subject: |
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I've never heard or seen instruction to use 3rd valve for 3rd space C#. For my gear I'd be suprised if it didn't tune and/or sound worse though I've never really considered it. 1st ledger line is another story and sometimes I find it useful to use 3rd, depending on the context. _________________ "I'm an engineer, which means I think I know a whole bunch of stuff I really don't."
Charles J Heiden/So Cal
Bach Strad 180ML43*/43 Bb
Yamaha 731 Flugel
Kanstul 920 Picc
Conn 80A Cornet
Bach 3C rim/Bach 1-1/2C underpart |
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crzytptman Heavyweight Member
Joined: 03 Sep 2003 Posts: 8180 Location: Escondido CA (just north of 'Dego)
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Posted: Thu Apr 12, 2012 2:49 pm Post subject: |
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That's a round about way to deal with a horn that needs a valve alignment, and probably has bore obstructions. That's assuming that the horn is a well designed instrument. _________________ Crazy Nate aka Jive-a-licious
www.themodernancients.com
www.flipoakes.com
Strive to have a great day, full of learning and enlightenment, using the mind that God gave you.
"Am I really crazy, or just so sane I blow your mind?" - Cosmo Kramer |
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Nonsense Eliminator Heavyweight Member
Joined: 03 Feb 2003 Posts: 4244 Location: Toronto
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Posted: Thu Apr 12, 2012 8:24 pm Post subject: Re: Kid's teacher says to play C# with third valve |
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I don't see how that could fail to be flat as a pancake. _________________ Richard Sandals
NBO ~ HSSB ~ TNB |
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chrisf3000 Veteran Member
Joined: 04 Jul 2004 Posts: 185
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Posted: Thu Apr 12, 2012 8:36 pm Post subject: Re: Kid's teacher says to play C# with third valve |
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| Nonsense Eliminator wrote: | | I don't see how that could fail to be flat as a pancake. |
I agree. The only reason why you might do this is if the first slide doesn't move properly, you're on the third of the chord, and you can't lip it down. Very unlikely scenario.
Sounds more likely that he thought it might be fun to play C#'s with the 3rd valve only - and was horsing around. Just a guess, however. I have played many a gig where younger players simply don't take the gig as seriously as more experienced players. Sounds like this was one of them.
I'd be curious if they said that the teacher told them to play it that way, or if you heard the teacher say it. I'd be willing to bet it was the first one. |
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cheiden Heavyweight Member
Joined: 28 Sep 2004 Posts: 3572 Location: Orange County, CA
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Posted: Fri Apr 13, 2012 8:06 am Post subject: |
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I remember that in my youth when I "discovered" the overtone series and all of the potential alternate fingering that I very specifically set about practicing using every single one of them and just assumed that I should be able to use them interchangably and that pitch and tone would eventually come around. _________________ "I'm an engineer, which means I think I know a whole bunch of stuff I really don't."
Charles J Heiden/So Cal
Bach Strad 180ML43*/43 Bb
Yamaha 731 Flugel
Kanstul 920 Picc
Conn 80A Cornet
Bach 3C rim/Bach 1-1/2C underpart |
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jackboyko Regular Member
Joined: 08 Jan 2006 Posts: 53
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Posted: Fri Apr 13, 2012 8:57 am Post subject: C# |
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If the teacher or student is a Monette facebook fan, they show that playing C# with the 3rd valve is more in tune. In fact it is on Monette horns.
On my other trumpets, I have many, 1 & 2 are more in tune.
Maybe the teacher or student are playing Monette trumpets.  |
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etc-etc Heavyweight Member
Joined: 19 Jan 2008 Posts: 3963
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Posted: Fri Apr 13, 2012 8:57 am Post subject: |
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| cheiden wrote: | | I remember that in my youth when I "discovered" the overtone series and all of the potential alternate fingering that I very specifically set about practicing using every single one of them and just assumed that I should be able to use them interchangably and that pitch and tone would eventually come around. |
You could, with a tune-all-slide. |
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Ed Lee Heavyweight Member
Joined: 14 Aug 2009 Posts: 2156 Location: Jackson NC 27845
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Posted: Fri Apr 13, 2012 9:52 am Post subject: |
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| cheiden wrote: | | I've never heard or seen instruction to use 3rd valve for 3rd space C#. For my gear I'd be suprised if it didn't tune and/or sound worse though I've never really considered it. 1st ledger line is another story and sometimes I find it useful to use 3rd, depending on the context. |
Typo! a C# again can exist on second ledger line above the stave, not the first as is A. Too, perhaps the player's instructor is in the midst of teaching 3rd valve slide usage or lippage. Frankly, I don't care what fingering is used when the correct sound emits from the bell. |
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Matthew Anklan Heavyweight Member
Joined: 12 Jun 2007 Posts: 762 Location: Cincinnati, Ohio
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Posted: Fri Apr 13, 2012 9:53 am Post subject: |
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Perhaps the student misunderstood the teacher about alternate fingering options, or something of the like. _________________ Matt Anklan
www.matthewanklan.com |
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maynard-46 Heavyweight Member
Joined: 25 Oct 2002 Posts: 1504 Location: GEORGIA
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Posted: Fri Apr 13, 2012 10:03 am Post subject: Kid's teacher says to play C# with third valve |
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Hi Matt!!! Funny...I just had a 6th grade student for a private lesson this past Wed. I was working with him to extend his range above middle "C". He bursts out telling me he already knew how to play 4th line "D" so I told him to go ahead and play it for me. He went ahead and played it but fingered it 1-3 like low "D". I told him it sounded great but to use the 1st valve only...that it's not fingered like the low "D". He tells me that his band teacher (who I think is a clarinet player) told him to finger it 1-3 because (1) it's more in tune and (2) because it has a better tone quailty!!!!! I had all I could do not to laugh!!! So, not wanting to make a negative comment about what his teacher had told him, I simply told him that different teachers have different ways/methods of teaching but I'd prefer that he finger it the way I told him to!!! I guess even after 50 years of playing we still can learn something new each day!!!
Hope all is going well for you, Matt!!
Butch
Butch |
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cheiden Heavyweight Member
Joined: 28 Sep 2004 Posts: 3572 Location: Orange County, CA
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Posted: Fri Apr 13, 2012 10:12 am Post subject: |
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| Ed Lee wrote: | | cheiden wrote: | | I've never heard or seen instruction to use 3rd valve for 3rd space C#. For my gear I'd be suprised if it didn't tune and/or sound worse though I've never really considered it. 1st ledger line is another story and sometimes I find it useful to use 3rd, depending on the context. |
Typo! a C# again can exist on second ledger line above the stave, not the first as is A. Too, perhaps the player's instructor is in the midst of teaching 3rd valve slide usage or lippage. Frankly, I don't care what fingering is used when the correct sound emits from the bell. |
Actually not a typo but what I meant to say was that it's 1st ledger line "A" that I perodically play using 3rd. For 2nd ledger line C# I use 1&2 or more and more often just 2, depending. _________________ "I'm an engineer, which means I think I know a whole bunch of stuff I really don't."
Charles J Heiden/So Cal
Bach Strad 180ML43*/43 Bb
Yamaha 731 Flugel
Kanstul 920 Picc
Conn 80A Cornet
Bach 3C rim/Bach 1-1/2C underpart |
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oxleyk Heavyweight Member

Joined: 12 Apr 2006 Posts: 2289 Location: Glen Elyn, Illinois
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Posted: Fri Apr 13, 2012 10:32 am Post subject: Re: C# |
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| jackboyko wrote: | If the teacher or student is a Monette facebook fan, they show that playing C# with the 3rd valve is more in tune. In fact it is on Monette horns.
On my other trumpets, I have many, 1 & 2 are more in tune.
Maybe the teacher or student are playing Monette trumpets.  |
Actually, they recommend playing A this way on their C trumpets.
Kent |
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Riojazz Heavyweight Member

Joined: 25 Dec 2006 Posts: 644 Location: Mid-Hudson Valley, NY
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Posted: Fri Apr 13, 2012 6:31 pm Post subject: |
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Thanks, everyone! Very helpful.
So, I take it from all of you who teach trumpet (I don't) that there is not a trumpet fingering chart out there that specifies third valve for C#, that became a standard sometime after 1958 when I last looked at one.
I regularly use the third valve on my flugel, but only that horn. I also don't want to offend his music teacher, but I believe the student when he says that his teacher is not a trumpet player and indeed did teach him to use third valve for middle C# in all circumstances. I would like to hear him try a nice trill from C# to D and watch what happens after a few bars. (try it)
No, he doesn't play a Monette.
Yes, he is a great kid, smart and an outstanding musician on piano. I was glad to have him playing the lower parts for the Easter service. He has learned to sound acceptable on his C#s, nevertheless I think I should tell him that what he is doing is unconventional, and tell him his teacher is welcome to discuss it with me.
Hi Butch! _________________ Matt Finley
www.mattfinley.com
www.cdbaby.com/cd/mattfinley
Kanstul 1525 flugel, Calicchio 1s/9, Shires C, Schilke XA1 cornet, Schilke P5-4 pic, Yamaha soprano, Powell flute, Emerson alto flute, Mark VI tenor. Warburton 4FL & GR66M. |
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kehaulani Heavyweight Member

Joined: 23 Mar 2003 Posts: 1105 Location: Austin, by way of Germany and Hawaii
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Posted: Fri Apr 13, 2012 6:56 pm Post subject: |
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| Riojazz wrote: | | ... nevertheless I think I should tell him that what he is doing is unconventional, and tell him his teacher is welcome to discuss it with me. |
Perhaps you should play his horn first and make sure that his band teacher hasn't, in fact, made the right call regarding the intonation on that particular trumpet.*
*if you have already done that and I missed it in above posts, mea culpa. _________________ You can't blow it if you haven't lived it.
"Even if I could play like Wynton Marsalis, I wouldn't play like Wynton Marsalis."
Chet Baker
Schilke B7
Martin Committee (1956)
Connstellation 38B (1959)
Hans Hoyer G10 French Horn |
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Shiner Veteran Member

Joined: 07 Jul 2005 Posts: 118 Location: Southeast Texas
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Posted: Fri Apr 13, 2012 7:00 pm Post subject: |
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| It really makes it hard for me to defend band directors when so many out there are so clueless. I sometimes, very rarely, will ask a brass player to use an alternate fingering on something, usually baritone(most of the tuning problems in my band). But I do have some trumpets right now on a g top of staff playing alternates in my 3rd band. I am not a woodwind player, yet I managed to learn most of the fingerings and tuning issues on every instrument. Who are these idiots that are so clueless, do they just not care about learning what they do? |
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kehaulani Heavyweight Member

Joined: 23 Mar 2003 Posts: 1105 Location: Austin, by way of Germany and Hawaii
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Posted: Fri Apr 13, 2012 7:48 pm Post subject: |
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| Shiner wrote: | | It really makes it hard for me to defend band directors when so many out there are so clueless. . . Who are these idiots that are so clueless, do they just not care about learning what they do? |
Why is it that every time on this forum that a band director recommends a student do something that is not orthodox regarding things trumpet-ish, he is a moron? The default opinion by some of you seems to be that non-trumpet playing band directors are just stupid, if not criminally incompetent.
Did anyone stop to think that many band directors have spent many years learning enough of the individual instruments to make some pretty responsible decisions about either the mechanics or pedagogy of the trumpet? That's their job and many that I've come into contact with are very professional.
Now, I don't know that this band director is on target or clueless. But if that trumpet is, in fact, a POS and the C# needs an alternate fingering to bring it into better intonation, wouldn't those of you who are trumpet players also see if using the 3rd valve mitigates the problem? Is this a moronic alternative or is it a logical solution to try?
I'm not saying that the horn is in fact a POS and that the 3rd valve fingering is necessary. What I AM saying is that if it is, the solution is not irrational, and for the default reaction by those trumpet players who seem so superior to these clueless band directors is just a bit over the top. And it doesn't seem to be a rare occasion on the forum. _________________ You can't blow it if you haven't lived it.
"Even if I could play like Wynton Marsalis, I wouldn't play like Wynton Marsalis."
Chet Baker
Schilke B7
Martin Committee (1956)
Connstellation 38B (1959)
Hans Hoyer G10 French Horn |
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VetPsychWars Heavyweight Member
Joined: 07 Nov 2006 Posts: 5105 Location: Greenfield WI
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Posted: Fri Apr 13, 2012 7:52 pm Post subject: |
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| kehaulani wrote: |
Why is it that every time on this forum that a band director recommends a student do something that is not orthodox regarding things trumpet-ish, he is a moron? The default opinion by some of you seems to be that non-trumpet playing band directors are just stupid, if not criminally incompetent. |
| aphorism wrote: |
Never second-guess the man on the ground.
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_________________
Buescher Lightweight 400
Other Buescher horns 1939--1955
Buescher Duo-Cup 88-E mouthpiece
Humes and Berg mutes
http://mmccband.org |
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Riojazz Heavyweight Member

Joined: 25 Dec 2006 Posts: 644 Location: Mid-Hudson Valley, NY
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Posted: Fri Apr 13, 2012 8:35 pm Post subject: |
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I don't have the trumpet now to try, and that's a good suggestion that I could have taken time to check it myself. However, it was a rushed rehearsal before the Easter service and I had just met this student; it might have been condescending if the local pro insisted on trying his horn when I'm not his teacher. I was very careful not to make a big deal out of it.
The student simply said all the trumpets in his school were told to play C# with the third finger, and he did not know about using 1&2. I assume all their various trumpets can't be 'out' the same way. And I further assume the student's next step-up trumpets are not likely to play as well using this alternate fingering.
Please, let's take it easy on this teacher since I don't have all the facts. All I was asking was, is this the normal fingering now, and the clear answer is No. Thank you all for your help. _________________ Matt Finley
www.mattfinley.com
www.cdbaby.com/cd/mattfinley
Kanstul 1525 flugel, Calicchio 1s/9, Shires C, Schilke XA1 cornet, Schilke P5-4 pic, Yamaha soprano, Powell flute, Emerson alto flute, Mark VI tenor. Warburton 4FL & GR66M. |
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