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Wynton has a new horn?


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giantsteps
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PostPosted: Mon Nov 17, 2008 4:27 am    Post subject: Reply with quote

It looks like he stuffed his Monette piece into a borrowed non-Monette horn. The Mpc looks like it is sticking out farther than usual and the tuning slide is in pretty far. Also, while he was warming up at the beginning of the clip it sounded like he was fishing around to see where the intonation of the horn was in elation to how things feel naturally.
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shofarguy
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PostPosted: Mon Nov 17, 2008 6:26 am    Post subject: Reply with quote

giantsteps wrote:
It looks like he stuffed his Monette piece into a borrowed non-Monette horn. The Mpc looks like it is sticking out farther than usual and the tuning slide is in pretty far. Also, while he was warming up at the beginning of the clip it sounded like he was fishing around to see where the intonation of the horn was in elation to how things feel naturally.


I could not load the clip, but I know of one instance where Wynton came out West to do a gig in Pasadena and his horns didn't make it. He (his people) called Kanstul to see if they could loan him a horn, but they could not get one to him in time. Charles suggested that they call Fergusson Music to see what they could do.

Steve loaned him a Yamaha Artist (I'm not sure of the actual model) that Wynton picked out as the darkest horn there. Perhaps, this is that occasion?

BTW, I had the chance to play some horns there at Fergusson's just after that. Mike handed that Yamaha to me to try. It was a day or two later that Charles told me that I had played the Wynton loaner horn. He thought I was probably the very next guy to play it. IDK. Pretty nice horn.

Brian
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silverstrad
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PostPosted: Mon Nov 17, 2008 6:57 am    Post subject: Reply with quote

Is it a Conn Vintage 1?
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crzytptman
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PostPosted: Mon Nov 17, 2008 8:02 am    Post subject: Reply with quote

Whatever it is, it sounds like it needs a new spit valve cork. Nice playing, though.
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Larry Smithee
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PostPosted: Mon Nov 17, 2008 8:07 am    Post subject: Reply with quote

silverstrad wrote:
Is it a Conn Vintage 1?


Not a V1. My first guess would be a Taylor, except that the Bach-like stop on the bottom of the 3rd slide doesn't exist on Taylor horns. I'm stumped. My guess is that he using a borrowed horn for this demo.

Larry
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oopapada
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PostPosted: Mon Nov 17, 2008 11:34 am    Post subject: Reply with quote

probably this one

http://www.wwbw.com/Conn-52BSP-CONNstellation-Pro-Bb-Trumpet-i41547.music
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TrentAustin
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PostPosted: Mon Nov 17, 2008 11:54 am    Post subject: Reply with quote

crzytptman wrote:
Whatever it is, it sounds like it needs a new spit valve cork. Nice playing, though.


I love how you can openly critique Wynton's tone at every turn.

Walk the walk.... talk the talk?

I don't see much walking.
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JetJaguar
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PostPosted: Mon Nov 17, 2008 12:01 pm    Post subject: Reply with quote

The acoustics and/or recording setup is not optimal, and that should be taken into account. It's probably some concrete college dungeon room.
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Brian Moon
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PostPosted: Mon Nov 17, 2008 12:04 pm    Post subject: Reply with quote

TrentAustin wrote:
crzytptman wrote:
Whatever it is, it sounds like it needs a new spit valve cork. Nice playing, though.


I love how you can openly critique Wynton's tone at every turn.

Walk the walk.... talk the talk?

I don't see much walking.


Be fair, that's like saying that one has no right to comment that the Detroit Lions defense needs some tackling practice unless you are a pro football player.
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TrentAustin
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PostPosted: Mon Nov 17, 2008 12:10 pm    Post subject: Reply with quote

Brian Moon wrote:
TrentAustin wrote:
crzytptman wrote:
Whatever it is, it sounds like it needs a new spit valve cork. Nice playing, though.


I love how you can openly critique Wynton's tone at every turn.

Walk the walk.... talk the talk?

I don't see much walking.


Be fair, that's like saying that one has no right to comment that the Detroit Lions defense needs some tackling practice unless you are a pro football player.


Don't begin to compare the Lions to Wynton. We could start a real war there! "If Wynton was a football team which one would he be?"

Until then I'll get back to practicing.
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gmaxe
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PostPosted: Mon Nov 17, 2008 12:22 pm    Post subject: Reply with quote

It looks like a king legend trumpet to me : http://www.trevorjonesltd.co.uk/KingLegendTrumpet2070L-SGX.htm . When Wynton plays a "regular" horn it is a gentle reminder of his amazing ability to play the trumpet! Would love to have heard him on that yamaha artist......
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Mikeytrpt
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PostPosted: Mon Nov 17, 2008 12:28 pm    Post subject: Reply with quote

I bet Wynton is sitting back having a good laugh at this thread.

What's the big deal?

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TrentAustin
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PostPosted: Mon Nov 17, 2008 12:29 pm    Post subject: Reply with quote

Mikeytrpt wrote:
I bet Wynton is sitting back having a good laugh at this thread.

What's the big deal?


AMEN.
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loil
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PostPosted: Mon Nov 17, 2008 12:34 pm    Post subject: Reply with quote

it is a recent 52B Conn...the horn was owned by a student during Marciac masterclass...

hihi
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DCB1
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PostPosted: Mon Nov 17, 2008 12:42 pm    Post subject: Reply with quote

He is a great player for sure.

Personally I don't care for the dark spread sound.... but that's just me.


Peace

David
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crzytptman
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PostPosted: Mon Nov 17, 2008 1:31 pm    Post subject: Reply with quote

I can walk just fine. And I like the things Mr. Marsalis plays. He has great imagination and technique. I also like the resonant, ringing sound of the trumpet.
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Brian Moon
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PostPosted: Mon Nov 17, 2008 2:42 pm    Post subject: Reply with quote

TrentAustin wrote:
Brian Moon wrote:
TrentAustin wrote:
crzytptman wrote:
Whatever it is, it sounds like it needs a new spit valve cork. Nice playing, though.




I don't see much walking.


Be fair, that's like saying that one has no right to comment that the Detroit Lions defense needs some tackling practice unless you are a pro football player.


Don't begin to compare the Lions to Wynton. We could start a real war there! "If Wynton was a football team which one would he be?"


With or without the zis?
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crzytptman
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PostPosted: Mon Nov 17, 2008 3:05 pm    Post subject: Reply with quote

Well, Trent sent me a PM. I'm pasting my response to close out my participation in this thread:
Trent,
I like the way Wynton Marsalis plays. I do not care for the Monette concept of sound produced by the instruments, and even the mouthpieces when played on regular trumpets. That includes when you played them. Ithink Marsalis sounded better (tone only) when he played the Bach. Ican appreciate a soloist with whatever voice they choose to express themselves. I can express my opinion on a public forum. What I think doesn't matter a hill of beans. What do you think?
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TrentAustin
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PostPosted: Mon Nov 17, 2008 3:08 pm    Post subject: Reply with quote

crzytptman wrote:
Well, Trent sent me a PM. I'm pasting my response to close out my participation in this thread:
Trent,
I like the way Wynton Marsalis plays. I do not care for the Monette concept of sound produced by the instruments, and even the mouthpieces when played on regular trumpets. That includes when you played them. Ithink Marsalis sounded better (tone only) when he played the Bach. Ican appreciate a soloist with whatever voice they choose to express themselves. I can express my opinion on a public forum. What I think doesn't matter a hill of beans. What do you think?


Nate,

Excellent reply. thanks for clearing up my issues I had with your post.


-T
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TrentAustin
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PostPosted: Mon Nov 17, 2008 3:14 pm    Post subject: Reply with quote

PS: The highest compliment I can give to any musician is that he has a distinctive tone like no one else. Trane, Miles, Santana, you name it.
Wynton also has that. Love the tone (ME) or hate it (Nate) that's pretty deep musically. To me Wynton didn't have that on the Bach. I think his trumpeting was excellent on the Bach...

In days where everyone sounds like Phil Smith, Bud, or Freddie I think it's a noble idea to have your own tone. I don't think I'll ever get there.

YMMV,
T
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