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hvand Veteran Member
Joined: 21 Jun 2006 Posts: 358 Location: Chapel Hill North Carolina
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Posted: Sun May 31, 2009 12:15 pm Post subject: Matching piccolo trumpets with mutes |
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The bad news is I lost my piccolo mute ... the good news I get to up grade
After reading through several threads, it seems the consensus mute is either a TrumCor or Tom Crown. Proponents of these mutes offer insight and enthusiasm. However, they don't mention the kind of horn they play.
Does it make a difference? Are certain mutes better for certain horns? Perhaps not.
I play a Selmer. Would you recommend a different mute for this instrument compared to a Schilke or other make?
Thanks, Hank |
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AnselNorris Veteran Member
Joined: 26 Nov 2008 Posts: 135 Location: Madison, WI
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Posted: Sun May 31, 2009 12:37 pm Post subject: |
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I have a Jo-Ral copper bottom mute that works great with my Kanstul 1520. Tried a Tom Crown but it was quite squirrely compared to the Jo-Ral! Definitely between those two I'd take the TrumCor; I have their Brass Bottom Straight and Cup Mutes and they work great! However, the Jo Ral is the best picc mute I've found.
My 2c.
Ansel Norris |
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Maarten van Weverwijk Heavyweight Member
Joined: 04 Jan 2006 Posts: 3377
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Posted: Sun May 31, 2009 12:51 pm Post subject: |
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I don't think the piccolo brand makes a big difference when looking for a mute, but anyway:
I mainly use a Tom Crown all-copper on an old Selmer piccolo.
It has a nice and lively sound, not unnatural like most other piccolo mutes; ideal for "Pictures".
Tom Crown also has really nice wah-wah and cup mutes for piccolo that are great fun using if you can find a purpose...
If it has to be extremely loud I use a D.Wick piccolo straight.
Personally I don't like my aluminium Jo-Ral piccolo mute too much, although its tuning is spot on.
MvW. |
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AnselNorris Veteran Member
Joined: 26 Nov 2008 Posts: 135 Location: Madison, WI
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Posted: Sun May 31, 2009 10:10 pm Post subject: |
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the wa-wa mute is great fun! Still, anyone want to write a piece where it is used? That'd be a blast!
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Maarten van Weverwijk Heavyweight Member
Joined: 04 Jan 2006 Posts: 3377
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Posted: Sun May 31, 2009 10:33 pm Post subject: |
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AnselNorris wrote: | the wa-wa mute is great fun! Still, anyone want to write a piece where it is used? That'd be a blast!
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Please don't wake up any composers.....
They might start writing pieces in the Brandenburg 2 register for wah-wah muted piccolo and then demand you to quickly open & close the mute whilst playing absurd intervals.
LOL.
MvW. |
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one_trumpet Veteran Member
Joined: 15 Feb 2005 Posts: 383 Location: Houston, Tx
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Posted: Sun May 31, 2009 10:42 pm Post subject: |
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Trumcor copper bottom. Hands down.
For picc I own a Wick, Jo-Ral copper bottom, a regular Tom Crown, and The Trumcor and it is WAAAAAAY better than the rest of them... It actually makes it sound like a muted trumpet instead of a disgusting noisy toy. |
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hvand Veteran Member
Joined: 21 Jun 2006 Posts: 358 Location: Chapel Hill North Carolina
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Posted: Mon Jun 01, 2009 5:06 pm Post subject: |
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Thanks for the replies. I suspect most people believe the mutes and horns are interchangeable.
However, I have to go with the recommendation from the Dutchman who plays a Selmer.
Hank van Deventer |
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trpthrld Heavyweight Member
Joined: 09 Mar 2007 Posts: 4825
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bagmangood Heavyweight Member
Joined: 26 Feb 2009 Posts: 1359 Location: SF Bay Area
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Posted: Mon Jun 01, 2009 5:46 pm Post subject: |
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Maarten van Weverwijk wrote: | AnselNorris wrote: | the wa-wa mute is great fun! Still, anyone want to write a piece where it is used? That'd be a blast!
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Please don't wake up any composers.....
They might start writing pieces in the Brandenburg 2 register for wah-wah muted piccolo and then demand you to quickly open & close the mute whilst playing absurd intervals.
LOL.
MvW. |
Working on it
though I did talk to another composition student - a Grad and when he heard that the upper register could be difficult to play he said he would write a piece exclusively about high c...generally around dubba c _________________ More than one trumpet
A "few" mouthpieces |
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Maarten van Weverwijk Heavyweight Member
Joined: 04 Jan 2006 Posts: 3377
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Posted: Mon Jun 01, 2009 10:01 pm Post subject: |
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hvand wrote: | .....I have to go with the recommendation from the Dutchman who plays a Selmer.
Hank van Deventer |
Hey Hank,
aren't we everywhere? LOL
Veel groeten uit Spanje!
MvW. |
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trumpetmike Heavyweight Member
Joined: 15 Aug 2003 Posts: 11315 Location: Ash (an even smaller place ), UK
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Posted: Tue Jun 02, 2009 1:57 am Post subject: |
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There are a few pieces out there already that use piccolo harmon mutes, especially in the brass ensemble world. The only problem I have with these is that the sound you get from them is not the same as that produced by harmon'd Bb instruments, sadly - it is not an easy thing to balance. |
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trpthrld Heavyweight Member
Joined: 09 Mar 2007 Posts: 4825
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giakara Heavyweight Member
Joined: 13 Jul 2003 Posts: 3836 Location: Greece
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Posted: Tue Jun 02, 2009 8:47 am Post subject: |
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Maarten van Weverwijk wrote: | AnselNorris wrote: | the wa-wa mute is great fun! Still, anyone want to write a piece where it is used? That'd be a blast!
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Please don't wake up any composers.....
They might start writing pieces in the Brandenburg 2 register for wah-wah muted piccolo and then demand you to quickly open & close the mute whilst playing absurd intervals.
LOL.
MvW. |
thats funny .
Regards _________________ Lawler TL5-1A Bb 2015
Lawler TL6-1A Bb 2004
Lawler TL5-1A Bb 2003
Getzen eterna 910 C
Getzen eterna 850 cornet
Selmer Paris 3 valve picc
Yamaha 731 flugel
Carol mini pocket
Reeves/Purviance mpcs |
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Nonsense Eliminator Heavyweight Member
Joined: 03 Feb 2003 Posts: 5213 Location: Toronto
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Posted: Tue Jun 02, 2009 8:51 am Post subject: |
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Dutchmen with Selmers notwithstanding, you really should check out the TrumCor piccolo mute. It's in a class by itself. _________________ Richard Sandals
NBO |
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trumpetmike Heavyweight Member
Joined: 15 Aug 2003 Posts: 11315 Location: Ash (an even smaller place ), UK
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Posted: Tue Jun 02, 2009 11:39 am Post subject: |
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I am the only person I know who turns up to gigs with a bag of piccolo mutes (5 straights, I think, 3 cups and a harmon) - they all have their place.
I love the Tom Crown all copper and have just got a Trumcor Copper Bottom, which is impressive so far, but for something that needs to be very thin and shrill, the Wick is fantastic.
Still looking for a piccolo harmon sound that blends though. |
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Tromba1030 Regular Member
Joined: 05 Feb 2006 Posts: 38
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Posted: Tue Jun 02, 2009 1:11 pm Post subject: |
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I only know from straight mutes for piccolo trumpet and I have tried a few. I bought a Dennis Wick aluminum straight a few years back for its loud and biting sound but it was quite out of tune. I have played a brass bottom Jo-ral straight mute and felt that it was a bit stuffy. The solution that I found was the Marcus Bonna Fiberglass straight mute. This mute does not have the same bite or buzz that the other mutes do but it plays with very little resistance and with near perfect intonation on my Schilke P5-4. I agree with previous posters that it really depends on the sound you are looking for in the mute although it is good to remind yourself that intonation is very important and shouldn't be sacrificed for a sound that has a bit more character. |
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johntpt 'Chicago School' Forum Moderator
Joined: 07 Feb 2002 Posts: 2284 Location: Toluca, Mexico
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Posted: Tue Jun 02, 2009 1:45 pm Post subject: |
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I've had quite a few picc mutes over the years - Wick, Crown, several JoRals, MB, and I agree with NE - the TrumCor is better than all the others, much better IMHO than the regular trumpet st mute.
I also like the MB when I don't need it quite so loud and piercing - I know, most times when a picc mute is needed it probably needs to be rather loud, but the MB does have its uses from time to time.
The MB is also a bit wider in the throat for piccs with larger bells, also for the Schilke no. 7 G trumpet bell.
JU |
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