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Miles Davis sharply criticized Freddie Hubbard in the 1970s?


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Brent
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PostPosted: Mon Nov 23, 2009 3:35 pm    Post subject: Miles Reply with quote

Miles said a number of things in his autobiography I have difficulty believing, such as:

Fats Navarro didn't know anything about chords, or Fats "couldn't play ballads for s@#t."

If you read what others said about Fats and Miles at Minton's, it was no contest:

"Fats ate Miles up every night. Miles couldn't outswing him, he couldn't outpower him, he couldn't outsweet him, he couldn't do anything except take that whipping on every tune." (Saxophonist, Jimmy Health, commenting on jam session encounters at Minton's between Fats and Miles Davis)
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Scorpion
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PostPosted: Mon Nov 23, 2009 4:18 pm    Post subject: Reply with quote

crzytptman wrote:
I'm not sure that you know my imagination well enough to make a judgment. Or maybe you meant that you can't tell when you agree or disagree with statements. Or maybe you don't like the VSOP album.


Chill out, bro. I never said I know your imagination, I just said I disagree with your statement.
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Shaft
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PostPosted: Mon Nov 23, 2009 4:31 pm    Post subject: Reply with quote

Good point Brent. Fats Navarro was actually desired by certain singers and he could play ballads and his bebop playing actually fits the changes rather well. If not he would not have been someone that Dizzy Gillespie would have emulated and used as guide in his playing nor would he have played with him.

As far as the initial poster is concerned.

No one today should really be surprised that Miles Davis criticized something.
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PostPosted: Mon Nov 23, 2009 8:08 pm    Post subject: Reply with quote

Shaft wrote:
As far as the initial poster is concerned.

No one today should really be surprised that Miles Davis criticized something.


I doubt OP or anyone else in this thread is surprised. Sounds like OP would just like some primary documents to learn more about the rivalry. Or maybe even call BS on an overly simple statement they read. Some of the lines shared earlier in this thread could be read many different ways...

It's all good though. Like many have said... everybody's entitle to their own opinion! Sometimes it seems to me like Miles would just talk trash because he thought the question was too obnoxious to receive a legitimate response. I would have been terrified to open my mouth around that man, let alone be charged with the task of interviewing him!
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crzytptman
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PostPosted: Mon Nov 23, 2009 8:31 pm    Post subject: Reply with quote

Quote:
He doesn't have to know a thing about your imagination or dislike the VSOP albums to disagree.

Quote:
Chill out, bro. I never said I know your imagination, I just said I disagree with your statement.

You guys are funny. My statement was about my imagination. And the VSOP album. Scorpion didn't specify what he didn't agree with. In fact, he said he wasn't sure what he agreed with. I'm sorry, but I don't know how to help him figure it out . . .
I do agree with:
Quote:
Freddie is one of the baddest cats who ever picked up a trumpet, but Miles was beyond that. He had something that was magical and indescribable and he brought that out of everyone he played with--he was like a musical alchemist. He wasn't just a trumpet player or a jazz musician or a band leader, he was a true American icon.

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PostPosted: Tue Nov 24, 2009 8:23 am    Post subject: Re: Miles Reply with quote

Brent wrote:
Miles said a number of things in his autobiography I have difficulty believing, such as:

Fats Navarro didn't know anything about chords, or Fats "couldn't play ballads for s@#t."

If you read what others said about Fats and Miles at Minton's, it was no contest:

"Fats ate Miles up every night. Miles couldn't outswing him, he couldn't outpower him, he couldn't outsweet him, he couldn't do anything except take that whipping on every tune." (Saxophonist, Jimmy Health, commenting on jam session encounters at Minton's between Fats and Miles Davis)


Fats died in 1950. Miles was recording Birth of the Cool during 1950. I think that Miles really came into his own well after that, say during the Prestige years, and didn't really show what an incredibly diverse player he was and how far he would ultimately go with his music until, I don't know, maybe Aura. A comment on how he was standing up in cutting sessions with Fats doesn't have much meaning.

I sat with Jimmy Heath on the NYC/Boston shuttle once in the late 90s and we talked quite a bit about Miles. I don't suppose that anybody in the business liked everything about Miles all the time, but Jimmy cleary recognized him as one of the greatest jazz performers and innovators in the history of the music.

Tommy T.
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Brent
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PostPosted: Tue Nov 24, 2009 10:35 am    Post subject: Miles Reply with quote

I have no doubt that Jimmy Heath recognized Miles for his achievements. I'm just pointing out that Miles often said things I would question.

I'd agree 100% with you Tommy, on Miles' development.
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khedger
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PostPosted: Sun Dec 06, 2009 10:51 am    Post subject: Reply with quote

I'm a big Freddie fan. I'm a big Miles fan.

Miles was very supportive of Freddie in NY in the early sixties. I've seen Freddie allude to that in interviews.

I think we all need to remember that we're talking about artistic egos here, AND we're talking about events that span decades.

Most of the critical remarks that I've read over the years tend to be about musical direction and genre, or personality, NOT playing ability. I think anyone familiar with Hubbard knows he could be a hot dog, and we all know about the mid-70's columbia albums.... If you read carefully and in context, most of the negative Hubbard quotes have to do with these issues. I've NEVER read a statement by any trumpet player criticizing Freddie's playing ability.

And hey Crzytpt: I love the VSOP albums and I think Freddie does a great job on them, but if you can't imagine Miles handling them as well, then Columbia records has a couple of box sets for you:

-the Miles Davis Quintet
-Miles Davis Live at the Plugged Nickel

keith
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crzytptman
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PostPosted: Sun Dec 06, 2009 12:51 pm    Post subject: Reply with quote

Heard 'em - before they were "box sets"! I never said Miles didn't hang with them. I like Miles playing, but Freddie's style speaks to me more. In my imagination! It is art, after all.
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PostPosted: Sun Dec 06, 2009 8:40 pm    Post subject: Reply with quote

crzytptman wrote:
Heard 'em - before they were "box sets"! I never said Miles didn't hang with them. I like Miles playing, but Freddie's style speaks to me more. In my imagination! It is art, after all.


To be fair, here's what you said:

"That VSOP live album was amazing. I like Miles too, but I can't imagine him being able to even come close to the artistry Freddie exudes with those four.
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There's a big difference between "...speaks to me..." and "...being able to even come close to the artistry..."

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crzytptman
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PostPosted: Mon Dec 07, 2009 7:50 am    Post subject: Reply with quote

What's fair about that?
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PostPosted: Mon Dec 07, 2009 9:02 am    Post subject: Reply with quote

I still love the John McNeil book that has a picture of Sandoval playing into a mirror. Caption "Arturo Sandoval and his favorite trumpet player..." or something like that.

Mike
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crzytptman
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PostPosted: Mon Dec 07, 2009 9:34 am    Post subject: Reply with quote

That's probably why he made the "Trumpet Evolution" album.
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khedger
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PostPosted: Mon Dec 07, 2009 2:11 pm    Post subject: Reply with quote

crzytptman wrote:
What's fair about that?



I was just trying to explain why I felt the need to respond originally. If you had originally said "I just happen to like Freddie more..." or something, I would have never responded about the 'Plugged Nickel' box. I was just trying to explain myself, based on your original comment. That's all....

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PostPosted: Mon Dec 07, 2009 5:55 pm    Post subject: Reply with quote

I would temper this discussion by saying don't take these sort of hearsay things too seriously. Even if it were true, there's so many layers to someone criticizing someone else that its impossible to know the truth. And opinions often change depending on when they're said, particularly with people that have had such long careers in the spotlight.
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PostPosted: Tue Dec 08, 2009 4:20 pm    Post subject: Re: Miles Reply with quote

Brent wrote:
"Fats ate Miles up every night. Miles couldn't outswing him, he couldn't outpower him, he couldn't outsweet him, he couldn't do anything except take that whipping on every tune." (Saxophonist, Jimmy Health, commenting on jam session encounters at Minton's between Fats and Miles Davis)


I don't doubt this. Fats was a superior technician, and I suspect that during the period in question, Miles was still very young and finding his voice.
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PostPosted: Tue Dec 08, 2009 4:23 pm    Post subject: Reply with quote

khedger wrote:
And hey Crzytpt: I love the VSOP albums and I think Freddie does a great job on them, but if you can't imagine Miles handling them as well, then Columbia records has a couple of box sets for you:

-the Miles Davis Quintet
-Miles Davis Live at the Plugged Nickel

keith


I don't find Miles' playing on the Plugged Nickel discs to be anywhere near his best playing...
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Brent
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PostPosted: Tue Dec 08, 2009 6:46 pm    Post subject: Miles Reply with quote

"I don't find Miles' playing on the Plugged Nickel discs to be anywhere near his best playing..."

I agree. If I recall, I think he had some ongoing medical issues, and had laid off the horn for some time before that engagement.

The rest of the band was incredible, though, especially Tony Williams.

Brent
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PostPosted: Tue Dec 08, 2009 7:57 pm    Post subject: Re: Miles Reply with quote

Brent wrote:
I agree. If I recall, I think he had some ongoing medical issues, and had laid off the horn for some time before that engagement.

The rest of the band was incredible, though, especially Tony Williams.


Right -- IIRC, Miles was in the hospital for some time (car accident? I'd have to go look it up...) and this was very shortly after he got out, and his chops were in terrible shape.

Hard enough to keep up with that band when your chops are in order...
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PostPosted: Mon Apr 29, 2024 7:59 am    Post subject: Reply with quote

Shaft wrote:
Good point Brent. Fats Navarro was actually desired by certain singers and he could play ballads and his bebop playing actually fits the changes rather well. If not he would not have been someone that Dizzy Gillespie would have emulated and used as guide in his playing nor would he have played with him.

As far as the initial poster is concerned.

No one today should really be surprised that Miles Davis criticized something.


Gotta correct you on one thing: Dizzy didn’t emulate Fats nor did he use Fat’s playing as a guide. It was the other way around. Fats’s style was influenced by elements of Dizzy and Howard McGhee. He learned from his elders and forged a powerful voice all his own, even adding some things that neither Diz nor McGhee had in their playing.

What you did get right is Dizzy certainly did think highly of Fats enough to play with him. In fact he recommended Fats as his replacement in Billy Eckstine’s band. And Dizzy was quoted as saying something along the lines of “Fats was the best all around trumpet player of us all”.

But yeah Diz was the father, Fats was the son who made the father mighty proud.
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