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Phobucket New Member
Joined: 10 Nov 2017 Posts: 3
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Posted: Wed Nov 22, 2017 9:57 pm Post subject: Back after 20ish years off. Playing with others |
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Hey all,
New to the forum here. My oldest son picked up trumpet in achool this year and I have been bitten by the bug. We're having a blast during family jamily time, playing Christmas songs. I'd like to play with other people as well. Although I played music professionally as a bassist for many years and have kept my reading chops up, my only trumpet experience was in high school. Is there a minimum level I should have in terms of range, endurance or other skills (improvisation) I should have before attempting to play with others? I'm thinking of something like 4th chair in a big band.
Thanks,
Ben |
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HERMOKIWI Heavyweight Member
Joined: 24 Dec 2008 Posts: 2581
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Posted: Thu Nov 23, 2017 3:21 am Post subject: |
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I don't think there's any specific minimum for participation in a "for fun" big band. Certainly you want to "fit in" but the skills necessary to "fit in" vary from ensemble to ensemble.
In terms of playing the 4th book I think if you have range to high C (second ledger line above the staff) almost all 4th parts will be within your range. If something is out of your range you could take it down an octave. Doing that is OK in a "for fun" big band.
Jazz improvisation sometimes is written into the 4th part but if you can't improvise then the solo could be given to another player, so I don't think improvisation skills are absolutely necessary in a "for fun" big band.
Endurance is difficult to quantify. Ideally you want to be able to produce your full range at the end of the session whether it's a rehearsal or a performance. If you can come close that's probably OK for a "for fun" big band particularly since you can take something down an octave if necessary to play it at its musical best. _________________ HERMOKIWI |
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GeorgeB Heavyweight Member
Joined: 20 Apr 2016 Posts: 1063 Location: New Glasgow, Nova Scotia
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Posted: Thu Nov 23, 2017 4:16 am Post subject: |
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Unless you're my age ( 81 ) I wouldn't worry too much about endurance. That will come as you develop your playing ability. I agree that the ability to play high C above the staff is important, although I play first chair in a local band and I have never been called on to play anything more than an A above the staff, but it is a seniors band and other community bands have different standards. The main thing is not to develop bad habits in the early stages, especially when it comes to playing with too much pressure.
Good luck on your journey. _________________ GeorgeB
1960s King Super 20 Silversonic
2016 Manchester Brass Custom
1938-39 Olds Recording
1942 Buescher 400 Bb trumpet
1952 Selmer Paris 21 B
1999 Conn Vintage One B flat trumpet
2020 Getzen 490 Bb
1962 Conn Victor 5A cornet |
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MichaelMcCrary Veteran Member
Joined: 01 Jan 2006 Posts: 116 Location: Georgetown, Texas
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Posted: Thu Nov 23, 2017 5:53 am Post subject: |
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I would look for a community band to start. _________________ michael
Selmer Radial
Selmer K-Modified - Trumpet and Cornet
Selmer Paris Flugelhorn
Martin Handcrafted Dansant
and a few more |
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dstdenis Heavyweight Member
Joined: 25 May 2013 Posts: 2123 Location: Atlanta GA
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Posted: Thu Nov 23, 2017 7:52 am Post subject: |
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Requirements will vary from one band to another, depending on the bands in your area. I'll share what I've seen in community jazz bands, which can be a lot different than what you'd find among pro and semi-pro bands.
I'd say a general goal that would get you into some community jazz bands would be stamina to play a 90-minute rehearsal or a one-hour performance. Range to at least a high C (2nd ledger line), high D would be better (thinking of the end of "In the Mood," for example).
Some community jazz bands don't mind if their lead player takes the really high stuff down an octave, while other bands expect the lead player to wail on everything. For this reason, I think stamina can be the more important criteria than range, unless you want to join a band as a bona fide lead specialist.
Some bands have permanent part assignments, while others allocate parts evenly across the section, especially if they don't have a lead specialist. This means your assignments could include an assortment of 1st, 2nd, 3rd and 4th parts. This approach helps maximize endurance across the section.
Many easier and some mid-level arrangements have both chord changes and written solos. Not every member improvises well, so if that's a problem, don't worry, you could get by. As a bass player, though, I bet you'd probably take to improvising faster and better than most, and I'd encourage you to give it a try. The most important thing with soloing, regardless of whether you're reading a solo or improvising, is to play with style and ease. It's okay to simplify the solo if that helps you to play it with a better sound.
Hope this helps. Good luck to you! _________________ Bb Yamaha Xeno 8335IIS
Cornet Getzen Custom 3850S
Flugelhorn Courtois 155R
Piccolo Stomvi |
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Phobucket New Member
Joined: 10 Nov 2017 Posts: 3
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Posted: Thu Nov 23, 2017 8:34 am Post subject: |
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Thanks for the helpful replies, everyone. After two weeks of working on the Claude Gordon book I can pretty consistently hit a high C for a few minutes window in my practice routine, which is more than I can say for my skills in high school. Thankfully, twenty years off seems to be sufficient time to break the habit of smashing the trumpet against my lips while trying to play high notes. So the range is getting close, but the endurance needs a lot of work.
It's only this morning that I have found myself beginning to bypass the mental step of classifying an arpeggio as a shape on the bass and then translating those pitches to trumpet.
I'm going to keep shedding through the end of the year and target joining a community band or taking an ensemble class at the Jazz School in Berkely in January.
Thanks again for the advice. _________________ Selmer K-Modified |
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ButchA Veteran Member
Joined: 09 Dec 2008 Posts: 139 Location: Richmond, VA
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Posted: Thu Nov 23, 2017 11:40 am Post subject: |
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GeorgeB wrote: | Unless you're my age ( 81 ) I wouldn't worry too much about endurance. That will come as you develop your playing ability. I agree that the ability to play high C above the staff is important, although I play first chair in a local band and I have never been called on to play anything more than an A above the staff, but it is a seniors band and other community bands have different standards. The main thing is not to develop bad habits in the early stages, especially when it comes to playing with too much pressure.
Good luck on your journey. |
George, you're not 81... You're 1/2 your age... It's now 1977 not 2017!
Anyway, for the OP (Ben), just keep at it little by little, and everything will fall right into place. Your endurance will build up like George was saying. Mine did after years and years of not playing, and I'm now 56.
Playing in a community type of band greatly really helps a lot. I joined a Masonic Lodge years ago and then finally decided to go further and join The Shriners (who, as you know are also Masons). They heard about me and my assortment of instruments (mainly trumpet). Next thing I knew they invited me to join the "Million Dollar Band", where I am currently 2nd chair trumpet and play either 1st trumpet parts (harmonizing with the 1st chair trumpeter) or I will alternate on cornet and play 2nd trumpet or 3rd trumpet parts, depending on the piece. It has really helped me along to where I feel I am right back in high school band, back in the 70's!
A funny joke regarding ages and The Shriners... We have a tenor sax player who is 82 years old and still going strong! With the obvious age difference and different likes and dislikes of music, we tease each other all the time. I had the band cracking up and thinking that I completely lost my mind the other night! See, we were working on Christmas carols for an upcoming Christmas parade... The director called out for "Joy To The World". So, before we all got it out of our folders, I started loudly singing the opening lyrics to Three Dog Night's hit song of the same name! "Jeremiah was a bullfrog, was a good friend of mine, never understood a single word he said, but I helped him drink his wine..." Ha ha ha ha...
I guess the main thing about relearning trumpet and getting back into shape, is to have fun! _________________ 1967 Holton Collegiate Trumpet --> my grade school band trumpet. I just can't part with it!
1975 Olds Ambassador Cornet --> my new/used eBay special. Sounds great!
2018 Regiment WI-800 Bugle --> my inexpensive Chinese made bugle from Amazon. |
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Phobucket New Member
Joined: 10 Nov 2017 Posts: 3
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Posted: Mon Dec 04, 2017 8:37 pm Post subject: |
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Butch, I definitely would have been cracking up. I signed up with the Awesome Orchestra, ehich is a local sight reading orchestra. Should be fun! _________________ Selmer K-Modified |
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GeorgeB Heavyweight Member
Joined: 20 Apr 2016 Posts: 1063 Location: New Glasgow, Nova Scotia
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Posted: Tue Dec 05, 2017 8:03 am Post subject: |
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Hey, Butch, you're a riot, and the kind of man a lot of us like to have as a friend. Keep on smiling, buddy, and keep us smiling, too...LOL !!!! _________________ GeorgeB
1960s King Super 20 Silversonic
2016 Manchester Brass Custom
1938-39 Olds Recording
1942 Buescher 400 Bb trumpet
1952 Selmer Paris 21 B
1999 Conn Vintage One B flat trumpet
2020 Getzen 490 Bb
1962 Conn Victor 5A cornet |
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ButchA Veteran Member
Joined: 09 Dec 2008 Posts: 139 Location: Richmond, VA
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Posted: Tue Dec 05, 2017 3:20 pm Post subject: |
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Thanks, George! I appreciate it!
I guess I just like to put a little fun in music and do whatever I can to keep people smiling. Band practice and/or rehearsals should never be stressful or worse - cause a person to give up and quit.
If I could say this without it coming out wrong... YOU, yes you George! serve as an inspiration to many of us! You're the man! _________________ 1967 Holton Collegiate Trumpet --> my grade school band trumpet. I just can't part with it!
1975 Olds Ambassador Cornet --> my new/used eBay special. Sounds great!
2018 Regiment WI-800 Bugle --> my inexpensive Chinese made bugle from Amazon. |
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GeorgeB Heavyweight Member
Joined: 20 Apr 2016 Posts: 1063 Location: New Glasgow, Nova Scotia
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Posted: Wed Dec 06, 2017 4:24 am Post subject: |
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Oh, man, I am so flattered. Thanks, Butch. _________________ GeorgeB
1960s King Super 20 Silversonic
2016 Manchester Brass Custom
1938-39 Olds Recording
1942 Buescher 400 Bb trumpet
1952 Selmer Paris 21 B
1999 Conn Vintage One B flat trumpet
2020 Getzen 490 Bb
1962 Conn Victor 5A cornet |
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