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tcutrpt Heavyweight Member
Joined: 10 Nov 2001 Posts: 794 Location: Great Lakes, IL
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Posted: Tue Jan 27, 2004 9:50 am Post subject: |
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It makes me sad that the method that is changing my playing is receiving so little discussion recently. I'm curious if anyone has any recent successes to share! Any insights that help understand the concepts better. _________________ Matt Cyr
trumpetmc@gmail.com |
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trumpetherald System Administrator
Joined: 25 Oct 2001 Posts: 1494 Location: USA
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Posted: Tue Feb 10, 2004 4:16 pm Post subject: |
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Well, let's see, what specific Stamp stuff have I been doing recently:
I've been using the arpeggio warm-up each morning, either the one with the triads or the one with the added sixths...
Also been playing the Stevens etudes at the end of the book to warm down with - great flexibility check.
But, mostly, I just apply the Stamp concepts to nearly anything I'm doing or working on. That's the beauty of it - once you get the concept from the drills, it's very natural and easy to apply it to anything and smooth it out. Or, as Bert Truax used to say, 'Stamp it Out!'
Anybody else?
TD |
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tcutrpt Heavyweight Member
Joined: 10 Nov 2001 Posts: 794 Location: Great Lakes, IL
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Posted: Wed Feb 11, 2004 1:15 pm Post subject: |
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I'm finding the same to hold true for me. I've been doing the Stamp exercises for about two months after I finally got some lessons with Bert Truax. I can tell that the development from the Stamp exercises is starting to carry over to my normal playing. It's a very exciting time. I can tell big improvements in sound, flexibility, tonguing, and all around agility from the relatively short time I've been incorporating the concepts into my practice. _________________ Matt Cyr
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jakepainter Veteran Member
Joined: 23 Dec 2001 Posts: 135 Location: London
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Posted: Thu Feb 12, 2004 3:47 am Post subject: |
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I do the stamp warmups every day without fail. I feel that they give me a great grounding for the rest of the day.
I like the way they connect the high and low ends of the range together as they progress. I think its a great idea to play down to pedal notes and then back up again as this helps to ensure you are not changing your mouth position to a completely different setting to play pedal notes.
I practise one set and then sing it back straight away, that seems to work for me
jake |
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TPTXC Veteran Member
Joined: 06 Nov 2001 Posts: 112
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Posted: Thu Feb 12, 2004 3:57 am Post subject: |
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The first thing I play every day is one of the Stamp warmups. They help to relax me from the day before and loosen my lips up for the day ahead. _________________ Brian Montgomery
Bach LR180S-72 Bb
Yamaha 6445HSII C
Curry 1 1/2BC
Curry 50m or 3c |
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The Glidd Heavyweight Member
Joined: 22 Aug 2003 Posts: 1329 Location: Humanity Towards Others
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Posted: Wed Oct 20, 2004 5:04 am Post subject: |
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I too rely on stamp for a ton of concepts.
I do the quick breath excercise with some regularity to get the mouthpiece off the face then back on ASAP. Really helps me with endurance.
I also love the octave excercises with the upper chromatic neighbors.
Definitely, stamp method saved me from being just another bad trumpeter. Now I'm just another mediocre one.
Last edited by The Glidd on Thu Feb 03, 2005 6:17 am; edited 1 time in total |
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trumpitome Regular Member
Joined: 30 Nov 2004 Posts: 29
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Posted: Tue Nov 30, 2004 10:33 pm Post subject: |
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I've been doing Stamp 3 and 4, and just today I had some of the best applicable vibrato that's ever emenated from my horn, despite my over-worked chops. _________________ "The trumpet is a work of art. It covers such a vast expanse of emotion with its limitless capacity to evoke such, ranging from lamented tears to frenzied despair to imbued fortitude and joy, both upon the listener and inevitably the player." |
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