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Orchestral audition and seating process over time



 
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Blackquill
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Joined: 03 May 2018
Posts: 74
Location: Salt Lake City, Utah

PostPosted: Sat Sep 08, 2018 1:20 pm    Post subject: Orchestral audition and seating process over time Reply with quote

So, I remember when Pete Margulis joined the Utah Symphony as associate principal trumpet. Then comes along Jeff Luke who knocks him down to 3rd trumpet, well actually, "assistant" principle trumpet.

A couple years ago the fourth trumpet, Nick Norton, retired. And now to fill that vacancy, they are auditioning for "second" trumpet. If this is the case, it will knock Pete down to 4th trumpet now. Are they kidding us? Do they do this because they're confident the auditioining trumpeter will be better than the players the orchestra currently has? Regardless, I just don't think this is a fair thing to do.

Thoughts?
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Andy Del
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PostPosted: Sat Sep 08, 2018 1:48 pm    Post subject: Reply with quote

Unless you know this is the actual fact, and the player involved feels aggrieved by this process, how can any one make a sensible comment?

There are many and varied reasons why a player may step down from a current position.

For example, I can think of a stellar player, let's call him Martin , who stepped down from principal trumpet in the orchestra he played in and spent some 15 years playing second, third and 4th parts. He then stopped playing full time (some years ago), yet reappeared just recently in a season opening program... The recently retired principal trumpet was still playing, and the new principal was at the helm... (many cooks made for a stunning concert, BTW)

Unless he's been demoted for a reason, like doing horse whinneys in Wagner or a chicken sound in a Mozart opera, you're just speculating.

Then there's each person's contract, the employment policies of the ensemble, etc. etc. etc.

To just bash the administration seems rather short sighted, unless there is specific knowledge you need to share.

cheers

Andy
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trompette229
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PostPosted: Sat Sep 08, 2018 2:29 pm    Post subject: Reply with quote

I think you may be mistaken. Players don't knock someone out of a position. A player is hired (as an example) as principal, 2nd, etc and that is their job. A new player auditions for an opening in a section. As stated, sometimes players choose to move down the section for various reasons and can only be forced to move by a long and arduous process by management.
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trapeter
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PostPosted: Sat Sep 08, 2018 3:53 pm    Post subject: Re: Orchestral audition and seating process over time Reply with quote

Blackquill wrote:
So, I remember when Pete Margulis joined the Utah Symphony as associate principal trumpet. Then comes along Jeff Luke who knocks him down to 3rd trumpet, well actually, "assistant" principle trumpet.

A couple years ago the fourth trumpet, Nick Norton, retired. And now to fill that vacancy, they are auditioning for "second" trumpet. If this is the case, it will knock Pete down to 4th trumpet now. Are they kidding us? Do they do this because they're confident the auditioining trumpeter will be better than the players the orchestra currently has? Regardless, I just don't think this is a fair thing to do.

Thoughts?


First of all, Pete was never officially associate principal trumpet, which then eliminates the possibility of Jeff "knock(ing) him down to 3rd trumpet", so let's make sure our facts are straight. Pete has always been 2nd trumpet here with the Utah Symphony.

Before I got here, Nick Norton stepped down from Principal, making Jeff acting principal, which made Pete acting associate principal, and I believe nick was acting assistant principal.

I want to be completely clear, it is Pete's choice to move to 4th/utility, and I 100% respect his decision. Pete is a fantastic 2nd trumpet player, Jeff is a fantastic associate principal trumpet player, and Nick was a fantastic Principal for years, fantastic 2nd for years, and fantastic 4th/utility until he retired. We all get along better than I could dream and none of us are trying to knock the other down a position. We enjoy our roles and play well with each other =)

Happy days.

Travis Peterson
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JoseLindE4
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Joined: 18 Apr 2003
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PostPosted: Sat Sep 08, 2018 8:18 pm    Post subject: Reply with quote

Thunderdome Symphony Orchestra.
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Blackquill
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Joined: 03 May 2018
Posts: 74
Location: Salt Lake City, Utah

PostPosted: Sun Sep 09, 2018 8:01 pm    Post subject: Reply with quote

Thanks Travis. It's great to learn directly from a primary source! I was being overly presumptious. Good to know. I feel dumb now. Yeah, I knew that Pete played second trumpet most of the time. I had just assumed that Jeff Luke, the associate principal, was "second" trumpet, so I got the terminology mixed up. And then I got the history wrong... I just need to shut up and shut up except for trying to learn stuff!

I had assumed the order was principal, associate principal, 3rd trumpet, 4th trumpet, even though I knew that the "3rd" trumpet played 2nd with the principal, and the "4th" trumpet typically played 2nd with the associate principal. Whoops! I've seen "associate principal" positions posted on usuo.org before, which clearly indicates 2nd trumpet is something different, so I am officially double-stupid! Yep, I just need to be quiet and learn, not pretend like I know anything!
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dr_trumpet
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PostPosted: Sun Sep 09, 2018 9:24 pm    Post subject: Reply with quote

You've already gotten the specifics from the source, but you must also know that "demoting" someone from a chair rarely happens in this modern era. In the past, yes. Today, no.

If I were in a principal position and decided the time to play that part may have passed, or the constant stress of 100% accuracy had worn on me, or I had young children and wanted to spend more time with them, it's my choice. If a position opened, and any of the above were true, I might approach management about a move to another chair. If they accepted, and it was my desire to move, it worked out great.

Check out the seating in some major orchestras in Europe, and with all of the chairs towards the top of the section vying for works, playing a lower chair there might be a better position to be in....

This from a guy who plays principal, but has played his share of all other chairs as well.

AL
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LSOfanboy
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Joined: 08 Jul 2018
Posts: 347

PostPosted: Sun Sep 09, 2018 10:42 pm    Post subject: Reply with quote

dr_trumpet wrote:
You've already gotten the specifics from the source, but you must also know that "demoting" someone from a chair rarely happens in this modern era. In the past, yes. Today, no.

If I were in a principal position and decided the time to play that part may have passed, or the constant stress of 100% accuracy had worn on me, or I had young children and wanted to spend more time with them, it's my choice. If a position opened, and any of the above were true, I might approach management about a move to another chair. If they accepted, and it was my desire to move, it worked out great.

Check out the seating in some major orchestras in Europe, and with all of the chairs towards the top of the section vying for works, playing a lower chair there might be a better position to be in....

This from a guy who plays principal, but has played his share of all other chairs as well.

AL


Hi Dr. Lilly,

A good measured response, as you always do!

I am not sure I entirely agree with your summation of seating in European Orchestras. Generally every section, especially in the top end orchestras, is very disciplined, with great levels of respect for one another, and each player knows their role. It is extremely rare for players to have machinations to somehow 'dethrone' or 'supplant' their immediate superior in such a setting.

If you were referring to the fact that a number of Orchestras have two or more Principals, this is dealt with in two ways: either there is a Principal and Joint Principal, with the former having priority and the latter working around that, or the two/three/four players are allocated performances by management (such as in Leipzig) and occasionally it is worked out between the players.

Personally, I don't think there is often a problem such as you have described, that being said, I accept that one has to be on the inside to truly know how good the working relationships are.

Hope that can add to the discussion.

All the best
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Blackquill
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Joined: 03 May 2018
Posts: 74
Location: Salt Lake City, Utah

PostPosted: Mon Sep 10, 2018 5:45 pm    Post subject: Reply with quote

Now that my feelings of embarassment are gone, my bad for being insensitive regarding Pete. Thank you, Travis, for defending Pete and Nick. I can also attest that Pete is an incredible musician in both classical and jazz. Likewise, Nick was an incredible first trumpet in the symphony. What a great blessing the symphony is to the Salt Lake area.

Also, it's a relief that all is well with the orchestra and that my suspicions regarding changes in chairs in symphony orchestras were put to rest.
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