-T (my staff monitors this account mostly but I decided to post today). _________________ As of 1/1/2022 ACB will no longer post online here nor monitor TH.
It's a shame how far this forum has fallen. If you need us call 816-410-0826 or email.
Joined: 23 Mar 2003 Posts: 9004 Location: Hawai`i - Texas
Posted: Mon Apr 08, 2019 7:34 am Post subject:
That is amazing.
One wonders, though, how much of that is the mouthpiece and how much is the horn. It would be more informative if one could compare that with, i.e. a Bach Strad, a Yamaha Shew, etc. _________________ "If you don't live it, it won't come out of your horn." Bird
This is a big step forward in demo sound, Trent. I thought it turned out well and gives a better indication of the differences between your setups than the shotgun mic used before.
I have only listened on my iPhone X, but the quality was good enough to hear quite a few aspects of the signal that just don't come through on lesser microphones. I wonder if you are using EQ presets to enhance the finished sounds so they are more representative, or is you recording able to do that without adjustment. I think of it in the same way as shooting photographs in raw format, then developing them to represent what the photographer saw at the time.
Videos like this one will be good sales tools for you, I bet. _________________ Brian A. Douglas
Flip Oakes Wild Thing Bb Trumpet in copper
Flip Oakes Wild Thing Flugelhorn in copper
There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds.
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