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Arresting Red Rot



 
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Leeway
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PostPosted: Thu Nov 14, 2019 5:50 pm    Post subject: Arresting Red Rot Reply with quote

My poor old Committee was unfortunately 'ridden hard and put away wet' many years ago when I stopped playing. It sat in its case mostly on its end and some yuk must've sat in the crook of the tuning slide and the result is red rot in this area as well as some spots in the leadpipe. There are no leaks but I dont want this to go any further and necessitate patching.

These days (now playing daily) I hang the horn up with the tuning slide out and hanging in the throw ring so nothing can sit in the crook and continue eating away at the brass. I flush the leadpipe and tuning slide out every now and then too with hot water.

Being a Blacksmith by trade, I often use bicarb of soda to neutralise oxidation on iron which I often "age" with hydrochloric acid.

I'm thinking bicarb might also arrest red rot by neutralizing the corrosive properties of saliva.

I'm also wondering what "Chemical Cleaning" means when one takes a horn to be serviced and cleaned. I wouldnt be surprised if bicarb or sodium carbonate is often used in that process.

What does the knowledge bank say?
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James Becker
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PostPosted: Thu Nov 14, 2019 7:36 pm    Post subject: Reply with quote

The problem with "red rot" of brass is the removal of zinc which is 30% of the alloy, what remains is the other 70% in the form of porous copper. Once the zinc has dissolved there's is no way to reverse this damage.

Chemical cleanings, including ultrasonic cleaning involve the use of mild acids, sometimes referred to as a pickling solution. This aids in the removal of the hard green crud (copper carbonate) and bio film.

Once cleaned, we suggest dropping valve oil down the bore to coat and protect brass from the damaging effects of condensation from your warm breath, really not so much is actually saliva. Daily swabbing of your leadpipe after playing followed by oiling will go a long way to maintaining a corrosion free leadpipe.
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James Becker
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Osmun Music Inc.
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www.osmun.com

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LittleRusty
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PostPosted: Thu Nov 14, 2019 7:46 pm    Post subject: Reply with quote

One thought about the tuning crook is that you could consider finding a donor horn that has a tuning crook that can be fitted to replace yours.
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Leeway
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PostPosted: Thu Nov 14, 2019 8:19 pm    Post subject: Reply with quote

Interesting. So it's the Zinc that dissolves.
Obviously no way to reverse the condition, halting it is only thing to do if possible.

Has it been thought of to coat the inside of these vulnerable areas with some kind of product that seals after cleaning?

A donor tuning crook might be a tall order for a Committee, especially mine as it's a pre Ramirez redesign Kenosha Horn. An Elkhart #3 bore crook might fit as these horns were still basically made to Elkhart specs, but theres no guarantee. Im not 100% sure if Leblanc kept the taper in the crook as the pre 1972 horns have. Some careful measurements would be needed.

It's not quite at the stage where I need a replacement, but possibly not far from it. The rot is very close to the outer surface and the lacquer is brittle and can be scratched off over the red spots.
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LittleRusty
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PostPosted: Thu Nov 14, 2019 11:02 pm    Post subject: Reply with quote

Shofarguy partnered up with another member to create a nano coating to protect the inside of horns. Perhaps he will join the conversation to share some of his thoughts. If you desire googling, using site:trumpetherald.com and nano should find some of the threads.
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James Becker
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PostPosted: Fri Nov 15, 2019 4:53 am    Post subject: Reply with quote

Unfortunately the Leblanc Committee tuning crooks were not tapered, but cylindrical. I was once given a box of Committee parts from Wallace Roney to assemble. For his tuning slide I telescoped the bore starting with a M bore top tube, ML crook, L bore lower tube. It worked out quite well and Wallace approved. FWIW his Kanstul made Committee has a tapered crook even if it’s radius is more pronounced “squared” profile.
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James Becker
Brass Repair Specialist Since 1977
Osmun Music Inc.
77 Powdermill Road Rt.62
Acton, MA 01720
www.osmun.com

Our workshop is as close as your nearest UPS store https://www.ups.com/dropoff?loc=en_US
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Manuel de los Campos
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PostPosted: Fri Nov 15, 2019 6:19 am    Post subject: Reply with quote

If I were you I'll wait until holes appear and than patch the holes. A cheap solution and you will keep you unique shaped parts
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Evinerate
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PostPosted: Fri Nov 15, 2019 9:34 am    Post subject: Reply with quote

I read this from Google concerning the Dezincification of brass,

"Dezincification can be caused by water containing sulfur, carbon dioxide, and oxygen. Stagnant or low velocity waters tend to promote dezincification. To combat this, arsenic or tin can be added to brass, or gunmetal can be used instead."

Maybe things can be added to brass to prevent dezincification?
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JonathanM
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PostPosted: Fri Nov 15, 2019 10:12 am    Post subject: Reply with quote

As far as 'arresting' further rot, I read (or heard on Youtube?) that Jason Harrelson rinses and brushes (if I recall correctly) his leadpipe and tuning slides with alcohol (Isopropyl). I've used many cleaning and polishing compounds on horns but nothing I've seen gets a leadpipe and slide cleaner from rot or gunk than this.

Very basic, I know, but a great aid in keeping a horn clean, and/or prohibiting further deterioration.
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Leeway
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PostPosted: Fri Nov 15, 2019 2:06 pm    Post subject: Reply with quote

James Becker wrote:
Unfortunately the Leblanc Committee tuning crooks were not tapered, but cylindrical. I was once given a box of Committee parts from Wallace Roney to assemble. For his tuning slide I telescoped the bore starting with a M bore top tube, ML crook, L bore lower tube. It worked out quite well and Wallace approved. FWIW his Kanstul made Committee has a tapered crook even if it’s radius is more pronounced “squared” profile.



James, are you talking about the redesigned Committee that Roney had some involvement in promoting or the early Kenoshas from the 70s that still looked like a Committee. There is a vast difference between the two horns. Early Kenosha Committees were made using left over Elkhart parts and all Elkhart tooling inherited from Wurlitzer.
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cbtj51
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PostPosted: Fri Nov 15, 2019 4:57 pm    Post subject: Reply with quote

JonathanM wrote:
As far as 'arresting' further rot, I read (or heard on Youtube?) that Jason Harrelson rinses and brushes (if I recall correctly) his leadpipe and tuning slides with alcohol (Isopropyl). I've used many cleaning and polishing compounds on horns but nothing I've seen gets a leadpipe and slide cleaner from rot or gunk than this.

Very basic, I know, but a great aid in keeping a horn clean, and/or prohibiting further deterioration.


This is the principle behind the BlowDry Brass product. A 1 year supply of the application components to be used at the end of every playing day is available from several sources for a very reasonable price. Many threads on TH discuss this product.
Kindest Regards,

Mike
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James Becker
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PostPosted: Sat Nov 16, 2019 5:56 am    Post subject: Reply with quote

I’m well aware that the Kenosha Martin trumpets are quite different, just look at the bore sizes .460” and .465” suggest these are not the same. I’ve serviced them all and yes, many parts are interchangeable but not all. For example leadpipes remained unchanged, but not necessarily mouthpiece receivers or top tuning slide tubing. Crooks still share same span and profile/radius, but not the bore. Different bell entirely, and so on.

As for drying out the bore, not everyone has an air compressor like I use in our shop. However there are cans of compressed air you can buy and carry in your case should you want to blow out the condensation. Followed up with some valve oil down your leadpipe and on your valves and the inside of your instrument is protected. Not all that different than flossing and brushing your teeth after meals. It’s really not all that hard to do.

I’d suggest brass players follow the lead by our woodwind playing colleagues and take the time to dry out your instrument before storing it in it’s case. Clearly they’re keenly aware of the consequences of not doing so.
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James Becker
Brass Repair Specialist Since 1977
Osmun Music Inc.
77 Powdermill Road Rt.62
Acton, MA 01720
www.osmun.com

Our workshop is as close as your nearest UPS store https://www.ups.com/dropoff?loc=en_US
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shofarguy
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PostPosted: Sat Nov 16, 2019 8:54 am    Post subject: Reply with quote

LittleRusty wrote:
Shofarguy partnered up with another member to create a nano coating to protect the inside of horns. Perhaps he will join the conversation to share some of his thoughts. If you desire googling, using site:trumpetherald.com and nano should find some of the threads.


Yes, I worked for two years with Mike Drapp to develop a product that would successfully deposit a nano-coating to the inside of a trumpet lead pipe and tuning slide. We called it STOP Rot! It was to be marketed alongside of an exterior surface protection package of the same coating we intended to market as Hands OFF!

The coating molecules would bond with the brass deep into the atomic layers but would not cross-link with itself, so the coating was only one molecule thick. It would inhibit complex molecules from accessing the brass, but would allow simple molecules (oxygen, hydrogen, etc) some interaction.

We found in our tests that brass and copper would tarnish at approximately 30% the rate of the uncoated, unprotected metal. The coating would inhibit many food and beverage substances, but would become less effective when subjected to Coca-Cola (like what doesn't!).

We tested the coating on various surfaces. Tony Scodwell sent one of his trumpets for exterior coating. He reported that it left a black deposit on his hands, but we were not able to do further testing to see if that was caused by different body chemistry (mine is pretty inert), the sloughing off of excess coating molecules (which is a natural part of this process), or a complete failure of the coating itself. I have come to believe it was the combination of the first and second possibilities.

Why do I think it was not a failure of the coating? Because I purchased my own raw instrument to test the same coating over time. I bought a copper bell Wild Thing flugelhorn and coated the entire outer surface. For 18 months, I left the coating undisturbed. It performed in line with the testing we had previously done. Whereas, the raw copper would show fingerprints as darkened red-brown patches almost immediately, the coated surface greatly reduced this to where an visible overall darkening would develop over a number of months, but the splotchiness that was so immediate on the raw copper would not occur.

Also, it was told to us by the manufacturer that the coating would remain as long as the substrate molecules remained intact with the rest of the substrate. In other words, we would have to remove it with abrasives. I believe a chlorine solution would also remove it chemically.

Anyway, after we shut down our company, nPart, I decided to remove the coating with a combination of Brasso and TarniShield to see if the tarnishing rate would go back to what it was prior to the first experiment. It seemed to do so. The copper started to turn blue, blue-green and blue-magenta around the branch water key and at the points of contact from my hands. These colors propagated over time until the entire bell surface - save the flare and rim - was a rainbow of color. Later, I used an art patina to add color to the flare, as you can see below.

Also, I recently unpacked a box of test pieces, which I had stored away back in 2013. In there were three mouthpieces which I had coated to see if our coating would inhibit tarnish on silver plating. They had instead tarnished spectacularly with a similar rainbow of color! In fact, I polished them with TarniShield and within two weeks they were again discolored. So, it seems to me that there is still some of the nano-coating attached to the surface of my flugelhorn and may be the reason it has turned such beautiful colors.


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Flip Oakes Wild Thing Bb Trumpet in copper
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There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds.
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Liberty Lips
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PostPosted: Sat Nov 16, 2019 11:22 am    Post subject: Reply with quote

It's a pity that STOP Rot! never made it to market. I think it would have been a great benefit.
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Leeway
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PostPosted: Thu Dec 05, 2019 3:51 am    Post subject: Reply with quote

I tried out a product that many of us will have on hand if we like that new car look on the dash and door trims of the Bentley....Armour All Protectant.

I removed the tuning crook, cleaned the lead pipe with hot water and bicarb, rinsed, dried it and shot a good spray of the stuff down and swabbed it out with a dry cloth a few times and voila!

After playing and plenty of moisture to be expected, the lead pipe is dry.

No condensation visible. It seems the moisture simply beads in there and gets blown through the horn, having nothing to accumulate on. It never touches the brass.

Some may say the thin film of goo goo would affect resonance and possibly it does, however I can discern no difference in timbre and to me, whatever affect on sound there may be and I suspect its negligible, is well worth the protection of the metal and the costly repairs that will inevitably result.

I've done the Tuning Crook too and that will do it.

Water proofed in all the most vulnerable places and ready for another decade of music.
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yourbrass
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PostPosted: Thu Dec 05, 2019 8:08 am    Post subject: Reply with quote

James Becker wrote:
Unfortunately the Leblanc Committee tuning crooks were not tapered, but cylindrical. I was once given a box of Committee parts from Wallace Roney to assemble. For his tuning slide I telescoped the bore starting with a M bore top tube, ML crook, L bore lower tube. It worked out quite well and Wallace approved. FWIW his Kanstul made Committee has a tapered crook even if it’s radius is more pronounced “squared” profile.


+1

Years ago I did something similar w/a #3 Committee that just didn't play that well. I used a Bach 25LR pipe, a Benge MLP crook, and a CG Selmer bottom tuning slide assembly. It worked very well.
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Leeway
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PostPosted: Fri Dec 13, 2019 3:29 pm    Post subject: Reply with quote

yourbrass wrote:
James Becker wrote:
Unfortunately the Leblanc Committee tuning crooks were not tapered, but cylindrical. I was once given a box of Committee parts from Wallace Roney to assemble. For his tuning slide I telescoped the bore starting with a M bore top tube, ML crook, L bore lower tube. It worked out quite well and Wallace approved. FWIW his Kanstul made Committee has a tapered crook even if it’s radius is more pronounced “squared” profile.


+1

Years ago I did something similar w/a #3 Committee that just didn't play that well. I used a Bach 25LR pipe, a Benge MLP crook, and a CG Selmer bottom tuning slide assembly. It worked very well.




The early Leblanc Committees seem to have varied a bit, that is if this particular horn was the pre Ramirez redesign, original type. I cant comment on the later horns as I have no experience with them.
I know that as well as Committees that were made from original Elkhart Parts, there were a few custom made and experimental variants produced through the 70s. Holton Short Stroke Valve Blocks were incorporated into some of these experimental prototypes, etc.

The one I have is almost indistinguishable from an Elkhart horn. It plays beautifully, with perfect intonation right through the range of the horn and has the characteristic smoky Martin sound with crystal clear resonance as you ascend through the range. The fact that the Kenosha Committees had a true, seamless one piece Bell is undoubtedly a factor in this. Mine is a .468 bore, not .465 as I've seen asserted by some. Perhaps this is where some variation did occur over time. The .460 bore model is also an area of some question. As Elkhart parts ran out, specs may have varied and I've seen horns that appear 'Transitional' with some features of the original design and some of the Ramirez features.
Committees were hand built during the early Leblanc era of the 1970s.
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