View previous topic :: View next topic |
Author |
Message |
Lqbanotxano New Member
Joined: 26 Dec 2018 Posts: 10 Location: Texas
|
Posted: Mon May 03, 2021 4:02 pm Post subject: Small mouthpiece placement change |
|
|
I'm 73 and have been teaching myself to play for little over 2 years. I have made several embouchure changes along the way. Everything was progressing nicely and my upper range kept inching slowly up. It took me a while to reach the top of the staff...but I did. The problem was...playing at the top of the staff and slightly above, caused my face muscles above my lips to fatigue and ache quickly. I could not play very long there. I started thinking...why do the muscles only on top get tired? So...I figured...they were being overworked. I moved the mouthpiece slightly down. That seems to have fixed the problem. Now I can play much longer & seem to control my higher notes much better. Now I can control a G above the staff and sometimes starting to hit & control a C above the staff. The only thing that (so far) I have to watch out for is...not pushing the mouthpiece too hard against my lips/teeth.
Any input will be appreciated. |
|
Back to top |
|
|
JayKosta Heavyweight Member
Joined: 24 Dec 2018 Posts: 3298 Location: Endwell NY USA
|
Posted: Tue May 04, 2021 6:12 am Post subject: |
|
|
My thoughts about embouchure are here -
http://users.hancock.net/jkosta/Embouchure_Basic_Concepts.htm
It is not intended to 'teach you how to play', but to give you some things to think about to evaluate what you are doing now, and perhaps some 'better ways'.
I think that learning how and when to use rim pressure on the lower lip is very important (and missing) for many people.
And if 'self study' is not making progress, a few lessons about embouchure with a good teacher (online or live) would be a big help. _________________ Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'. |
|
Back to top |
|
|
Billy B Heavyweight Member
Joined: 12 Feb 2004 Posts: 6130 Location: Des Moines
|
Posted: Tue May 04, 2021 3:36 pm Post subject: Re: Small mouthpiece placement change |
|
|
Lqbanotxano wrote: | I'm 73 and have been teaching myself to play for little over 2 years. I have made several embouchure changes along the way. Everything was progressing nicely and my upper range kept inching slowly up. It took me a while to reach the top of the staff...but I did. The problem was...playing at the top of the staff and slightly above, caused my face muscles above my lips to fatigue and ache quickly. I could not play very long there. I started thinking...why do the muscles only on top get tired? So...I figured...they were being overworked. I moved the mouthpiece slightly down. That seems to have fixed the problem. Now I can play much longer & seem to control my higher notes much better. Now I can control a G above the staff and sometimes starting to hit & control a C above the staff. The only thing that (so far) I have to watch out for is...not pushing the mouthpiece too hard against my lips/teeth.
Any input will be appreciated. |
If you really want to learn, you should consult a professional. As far as free advice on the internet; you get what you pay for. _________________ Bill Bergren |
|
Back to top |
|
|
JayKosta Heavyweight Member
Joined: 24 Dec 2018 Posts: 3298 Location: Endwell NY USA
|
Posted: Tue May 04, 2021 5:43 pm Post subject: |
|
|
Another source of embouchure info is here -
http://apps.texasbandmasters.org/archives/pdfs/bmr/2003-01-ericson1.pdf
It is primarily about embouchure for French horn, but many of the concepts also apply to trumpet. _________________ Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'. |
|
Back to top |
|
|
Billy B Heavyweight Member
Joined: 12 Feb 2004 Posts: 6130 Location: Des Moines
|
Posted: Tue May 04, 2021 5:47 pm Post subject: |
|
|
_________________ Bill Bergren |
|
Back to top |
|
|
Robert P Heavyweight Member
Joined: 28 Feb 2013 Posts: 2595
|
Posted: Tue May 04, 2021 7:45 pm Post subject: Re: Small mouthpiece placement change |
|
|
Lqbanotxano wrote: | I moved the mouthpiece slightly down. That seems to have fixed the problem. Now I can play much longer & seem to control my higher notes much better. Now I can control a G above the staff and sometimes starting to hit & control a C above the staff. The only thing that (so far) I have to watch out for is...not pushing the mouthpiece too hard against my lips/teeth.
|
Welcome to the trumpet - where 1000 frustrations await you!
Very subtle changes *can* make a difference. There are numerous things going on when you're playing - opening of the teeth, the tongue, the angle of the horn among others.
Something I recommend experimenting with is attacking a note with a good solid sound and then raising the level of the horn until the note stops speaking, then lower the horn until it speaks again. For myself the point at which it speaks again solidly is the level where I have the best results.
As far as lowering the mouthpiece placement, it's very possible you've stumbled onto something. One of the greatest players who's ever picked up the horn Doc Severinsen experimented with his placement over time going from a very high placement earlier in his career to a lower placement - this seemed to coincide with him gaining some range which was something he struggled with at one point. He went from about an F/G (over high C) player to being able to play D's and E's over double C.
Make *slight* changes. If a small change helped, stick with that small change and see how far it takes you. Right now there are a lot of things to be concerned with besides high notes - the quality of your sound should always be your first priority. It's going to take a while to really get tuned in to what's going on with your embouchure. When you get a good sound, try to be aware of what's going on with your air, your teeth, lips, muscles of the face, etc.
And yes - take lessons! It's good to have someone directing you on skill-building and monitoring your progress. Ideally someone who really knowns how things work and can help if you run into problems. _________________ Getzen Eterna Severinsen
King Silver Flair
Besson 1000
Bundy
Chinese C
Getzen Eterna Bb/A piccolo
Chinese Rotary Bb/A piccolo
Chinese Flugel
Last edited by Robert P on Thu May 06, 2021 11:44 am; edited 1 time in total |
|
Back to top |
|
|
Rod Haney Heavyweight Member
Joined: 22 Aug 2015 Posts: 937
|
Posted: Wed May 05, 2021 7:07 am Post subject: Re: Small mouthpiece placement change |
|
|
Lqbanotxano wrote: | I'm 73 and have been teaching myself to play for little over 2 years. I have made several embouchure changes along the way. Everything was progressing nicely and my upper range kept inching slowly up. It took me a while to reach the top of the staff...but I did. The problem was...playing at the top of the staff and slightly above, caused my face muscles above my lips to fatigue and ache quickly. I could not play very long there. I started thinking...why do the muscles only on top get tired? So...I figured...they were being overworked. I moved the mouthpiece slightly down. That seems to have fixed the problem. Now I can play much longer & seem to control my higher notes much better. Now I can control a G above the staff and sometimes starting to hit & control a C above the staff. The only thing that (so far) I have to watch out for is...not pushing the mouthpiece too hard against my lips/teeth.
Any input will be appreciated. |
Buy and read the Stevens/Costello triple c method. The instructions on setting the lip and teeth apertures is trumpet player gold. If you can set up in the manner they describe you will find immediate help in freeing your upper lip to respond to air. You don’t have to be jaw forward just teeth even to use it with success, but it seems to get full range benefit it has to be at least parallel at teeth. I’m very new with it and my face fits the model well and it was fairly easy to follow - the results tell me that with dedicated practice you can get amazingly high with increased volume and resonance. Just the setup and learning to keep the lip engaged was what I needed to open things up. I could always hit a hi e but now that e is something I’d play without hesitation. I feel the next octave is just around the corner as I can sound the notes but the good sound I want isn’t there yet so a lot of practice needed but it’s coming and never did before.
The system is very basic and some won’t be able to use it due to face structure, but it will put the air thru a setup that WILL give you the best chance at gaining range with resonance. It explained to me the basics of attaining upper range and shows how to achieve it IF you can do the setup. It’s the only logical method I’ve found. Don’t expect to find a lot of teachers as I’ve looked for 3 months and found no one. Other factors such as compression and jaw movement are involved but unless teeth are open and lips receiving as much air as possible with appropriate resistance it is a struggle I couldn’t overcome. Book is cheap on qpress and worth it if you only find one thing that helps.
Just my experience but one I thought was worth mentioning.
Rod |
|
Back to top |
|
|
royjohn Heavyweight Member
Joined: 12 Jan 2005 Posts: 2272 Location: Knoxville, Tennessee
|
Posted: Wed May 05, 2021 11:47 am Post subject: |
|
|
Hello Lqbanotxano,
Well, I have beaten this horse before here, but I'm going to do it again. Pardon me for being frank, but if you are having trouble getting to top of staff G, there is definitely a sub-optimal placement in your embouchure.
The story is told of Armando Ghitalla giving a workshop. He used a subject off the street who had never played trumpet and taught him a little roll-in. The man was able to play double C immediately. He tired quickly, but he was able to do it. So upper range is a "knack" which is easy enough with the proper embouchure placement and pivot. I haven't played lately and picked up my horn a few days ago and was disappointed that I couldn't go much over G over high C in the first minute. So what I'm saying is that the proper placement and pivot are most important.
If I were you, I would take a few lessons with a Reinhardt chop doc who could type your embouchure and get you set up right. I had an "ah-ha" experience with a lesson with Dave Wilken and in about eight hours of instruction, I was set up to play up to double C. This from a guy who plays trombone...it is obviously all in the embouchure principles.
You can find Reinhardt teachers over on their forum. Dave Wilken (wilktone.com) has a lot of material on embouchure and technique at his website if you want to check it out...I believe he's also doing "Embouchure 101" webinars now, too. Good luck with your playing...all I'm saying is that trumpet playing is frustrating enough without the handicap of being set up all wrong. It's worth a couple of hundred bucks to get set up right. _________________ royjohn
Trumpets: 1928 Holton Llewellyn Model, 1957 Holton 51LB, 2010 Custom C by Bill Jones, 2011 Custom D/Eb by Bill Jones
Flugels: 1975 Olds Superstar, 1970's Elkhardt, 1970's Getzen 4 valve
Cornet: 1970's Yamaha YCR-233S . . . and others . . . |
|
Back to top |
|
|
FatSebastian Regular Member
Joined: 26 Apr 2021 Posts: 22
|
Posted: Thu Jul 08, 2021 9:16 pm Post subject: Re: Small mouthpiece placement change |
|
|
Rod Haney wrote: | Buy and read the Stevens/Costello triple c method. |
Sorry I am late to the discussion. I believe this book is what Rod is referencing; if so, I'd second his recommendation. The method does not offer a "quick-fix", and the meticulous presentation of the book is a bit tedious at times. But with it I found almost immediately new ability to play high register, and this has encouraged me to continue with developing under this method. The book includes detailed exercises that will help strengthen the muscles that control your embouchure, reducing fatigue. |
|
Back to top |
|
|
FatSebastian Regular Member
Joined: 26 Apr 2021 Posts: 22
|
Posted: Thu Jul 08, 2021 10:04 pm Post subject: Re: Small mouthpiece placement change |
|
|
Rod Haney wrote: | It’s the only logical method I’ve found. Don’t expect to find a lot of teachers as I’ve looked for 3 months and found no one. |
Although it's not the same as a live instructor, and it has gotten some unflattering reviews here on TH, have you ever looked into Roy Roman's Ultimate Position Trumpet Method videos? |
|
Back to top |
|
|
|