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Yamaha Bobby Shew Jazz


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annvill
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PostPosted: Wed Jun 23, 2021 1:46 am    Post subject: Yamaha Bobby Shew Jazz Reply with quote

Hi, this mouthpiece suffers a little on the low notes. I was wondering if with the study it is possible to develop a greater sound on the low notes.
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etc-etc
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PostPosted: Wed Jun 23, 2021 1:53 am    Post subject: Reply with quote

Yamaha Bobby Shew Jazz is not an overly shallow mouthpiece (neither is Shew Lead). Yet, low range can be played with either of the two. Relaxing the embouchure a little can help with the projection.
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annvill
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PostPosted: Thu Jun 24, 2021 5:43 am    Post subject: Reply with quote

Yes it is very similar to the Bach 3c, but it sounds softer, easier on the high notes, but suffers on the low notes. At least that's what I feel.
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cheiden
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PostPosted: Thu Jun 24, 2021 8:06 am    Post subject: Reply with quote

I'm not thrilled by the sound I get in the lower register with either a stock Bach 3C or the Yamaha Shew Jazz. That's why I went with a hybrid solution.
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HERMOKIWI
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PostPosted: Thu Jun 24, 2021 8:09 am    Post subject: Reply with quote

What mouthpiece do you play on which you can produce solid and vibrant low notes? That would certainly give us clues to what you need.
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annvill
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PostPosted: Thu Jun 24, 2021 10:36 am    Post subject: Reply with quote

I've always played on Bach 3c. Occasionally on DW american classic 5c. Both seem to me to have deeper low notes.
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PostPosted: Thu Jun 24, 2021 12:29 pm    Post subject: Reply with quote

Try to roll in the embouchure to decrease lip incursion into shallower mouthpiece.
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EdMann
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PostPosted: Thu Jun 24, 2021 2:47 pm    Post subject: Reply with quote

The Shew Jazz, which I used to play for years, is essentially a Bach 3C with a rounder rim and perhaps a slightly tighter back bore. That might be what you're feeling. Relaxation is likely the key.... to everything!

ed
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StephenVannevel
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PostPosted: Fri Jun 25, 2021 10:19 pm    Post subject: Reply with quote

The Bobby Shew Jazz is identical to a Bach 3C. It is possible the bite is too soft for you.
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PostPosted: Sat Jun 26, 2021 1:20 am    Post subject: Reply with quote

Perhaps a 5C would work? It is a little deeper than 3C and has a sharper bite. See in Kanstul Mouthpiece Comparator 2.0:
http://kanstul.com/MPcompare/MouthpieceComparator.html
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jadickson
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PostPosted: Sat Jun 26, 2021 2:31 am    Post subject: Reply with quote

It may be too shallow FOR YOU, which depends on your lip size / shape / embouchure.

Try a Curry 3C.

I struggle to get a good full sound on my low notes with the Shew or even a modern Bach 3C. Not so with the Curry 3C. Slightly deeper, different shaped cup.

I hope this helps.
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StephenVannevel
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PostPosted: Sat Jun 26, 2021 7:42 am    Post subject: Reply with quote

jadickson wrote:
It may be too shallow FOR YOU, which depends on your lip size / shape / embouchure.

Try a Curry 3C.

I struggle to get a good full sound on my low notes with the Shew or even a modern Bach 3C. Not so with the Curry 3C. Slightly deeper, different shaped cup.

I hope this helps.


The Curry 3C also has a very soft bite, I would recommend the curry 5 rim.
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Andy Cooper
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PostPosted: Mon Jun 28, 2021 9:17 am    Post subject: Reply with quote

You might want to check the mouthpiece "gap". If you are not familiar with that term, just Google trumpet mouthpiece gap. Lots of stuff.
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annvill
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PostPosted: Wed Jun 30, 2021 7:33 am    Post subject: Reply with quote

Honestly, the story of the GAP is too complicated for me.
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Brent
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PostPosted: Wed Jun 30, 2021 11:45 am    Post subject: Shew Reply with quote

People seem to really like that mouthpiece, or not like it at all. I'm personally of the latter.
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BraeGrimes
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PostPosted: Wed Jun 30, 2021 8:37 pm    Post subject: Reply with quote

I wouldn't go messing around with gap adjustment etc before you truly know whether you like the mouthpiece. If it doesn't feel right in a particular register or dynamic level, I would suggest either trying other mouthpieces (which, of course, comes at a cost) or trying to find ways to make it feel better through practice. Personally, I didn't land on a mouthpiece until about 5/6 years ago after around 10 years of constantly changing. It's a journey, not a race!
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picctpt33
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PostPosted: Wed Jun 30, 2021 9:09 pm    Post subject: Reply with quote

I agree with Brae - don’t mess with the gap just yet
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Andy Cooper
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PostPosted: Fri Jul 02, 2021 1:21 pm    Post subject: Reply with quote

The reason I suggested checking your gap first is that too much gap can leave you with a weaker low register. If the gap is OK, then move on to other things.
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Bill Ortiz
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PostPosted: Fri Jul 02, 2021 6:03 pm    Post subject: Reply with quote

I agree with Andy-adusting the gap has a big influence on how the lower and upper register respond, as well as over all resonance in tone. Sometimes perceptions on how a mouthpiece or horn play are actually due to improper gap. I understand that it's opening a new can of worms but in my experience it's a worthy consideration. If you are going to experiment with the gap, get a copy of the mouthpiece that you're currently playing and get that one fitted for sleeves-that way you can always go back to your original setup. Good luck :)
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StephenVannevel
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PostPosted: Fri Jul 02, 2021 7:12 pm    Post subject: Reply with quote

Also if you do end up going the sleeve route, do yourself a favor and get the Frost threaded ones, they don't have an o-ring to deaden the sound.
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Stephen Vannevel

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