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kehaulani Heavyweight Member

Joined: 23 Mar 2003 Posts: 8475 Location: Hawai`i - Texas
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Posted: Sun Sep 17, 2023 8:50 am Post subject: Interesting concept on how to use tongue for range. |
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This is an interesting way of thinking about how to use your tongue for range. Any thoughts?
https://www.youtube.com/watch?v=lO_bHidLCoY&t=499s _________________ "If you don't live it, it won't come out of your horn." Bird
Benge 3X LA
King Golden Flair
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JayKosta Heavyweight Member

Joined: 24 Dec 2018 Posts: 2955 Location: Endwell NY USA
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Posted: Sun Sep 17, 2023 9:10 am Post subject: |
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Are you referring specifically to the '3 locations' discussion that begins at timestamp 8:19 (499s)?
My understanding from that section is that it highlights the various 'positional controls' that can be used to activate the muscles that affect the tongue. And the activation of those muscles has effect on the entire embouchure including lip tensions and positions. The method of 'using the tongue' to control embouchure and pitch is centered on learning the feeling, and training the ability to activate those muscles to help produce the necessary embouchure changes. _________________ method 1: DO it right and right things will HAPPEN
method 2: make the RIGHT THINGS happen
--
See / Think / Adjust / Do
becomes See & Do. |
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kehaulani Heavyweight Member

Joined: 23 Mar 2003 Posts: 8475 Location: Hawai`i - Texas
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Posted: Sun Sep 17, 2023 10:01 am Post subject: |
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Yeah, the use of the tongue for range is nothing new. I just found his way of relating wind length to string length an interesting way of looking at it. _________________ "If you don't live it, it won't come out of your horn." Bird
Benge 3X LA
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JayKosta Heavyweight Member

Joined: 24 Dec 2018 Posts: 2955 Location: Endwell NY USA
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Posted: Sun Sep 17, 2023 10:38 am Post subject: |
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kehaulani wrote: | ... I just found his way of relating wind length to string length an interesting way of looking at it. |
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I didn't see anything in that section (begin at 8:19) regarding 'string length' or 'wind length'.
For pitch control utilizing tongue activation, the important consideration is how the position and tension of the lips and teeth are affected - nothing to do with the measurable 'length' of the distance from the lips to a portion of the tongue.
If a player is able to find a personal useful way to imagine and control their tongue through use of 'length' imagery, that could help them. But it's just 'getting the feeling' of where and how to use the muscles - nothing about the 'length' of anything. _________________ method 1: DO it right and right things will HAPPEN
method 2: make the RIGHT THINGS happen
--
See / Think / Adjust / Do
becomes See & Do. |
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kehaulani Heavyweight Member

Joined: 23 Mar 2003 Posts: 8475 Location: Hawai`i - Texas
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Posted: Sun Sep 17, 2023 12:05 pm Post subject: |
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String/Air analogy starts at about 2:25. _________________ "If you don't live it, it won't come out of your horn." Bird
Benge 3X LA
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Selmer K-Modified Lightweight
Getzen Capri Cornet
Adams F-1 Flghn |
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JayKosta Heavyweight Member

Joined: 24 Dec 2018 Posts: 2955 Location: Endwell NY USA
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Posted: Sun Sep 17, 2023 1:37 pm Post subject: |
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It looks to me like he is using the idea of 'string length' because of the coincidental location of his muscle activation feelings that he calls 'focal points' being somewhat similar to string vibration ratios.
If using that imagery helps to learn and control the muscle activation, then fine - but it would be incorrect teaching to say that it 'works the same as changing the length of a string'.
It probably has more to do with the 'nearness' of the 'focal points' to the lips - due to the amount of lip change that results from muscle activation at the various points. _________________ method 1: DO it right and right things will HAPPEN
method 2: make the RIGHT THINGS happen
--
See / Think / Adjust / Do
becomes See & Do. |
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kehaulani Heavyweight Member

Joined: 23 Mar 2003 Posts: 8475 Location: Hawai`i - Texas
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Posted: Sun Sep 17, 2023 2:02 pm Post subject: |
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I think the string analogy, acoustically correct or not, is a nice one. One other take-away I got from that was thinking of "lisping" when forming the tongue in its foremost position. _________________ "If you don't live it, it won't come out of your horn." Bird
Benge 3X LA
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Getzen Capri Cornet
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kalijah Heavyweight Member
Joined: 06 Nov 2003 Posts: 3189 Location: Alabama
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Posted: Sun Sep 17, 2023 6:48 pm Post subject: |
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Quasi-technical nonsense. He's tensioning the lips to ascend just like all players (who can ascend) do.
The frequency of any resonance modes for such oral postures are so FAR above the pitches played and so weak as to be inconsequential. To claim that those directly control the pitches played (not the lip posture) is beyond absurd and pure fantasy. |
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ldwoods Heavyweight Member

Joined: 26 Sep 2004 Posts: 1755 Location: Lake Charles, LA
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Posted: Mon Sep 18, 2023 7:09 am Post subject: |
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I do not follow or understand what he is talking about in the video. Can someone elaborate or explain what is meant my "moving focal point" and "half whistle"? _________________ Larry Woods
LDWoods |
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kehaulani Heavyweight Member

Joined: 23 Mar 2003 Posts: 8475 Location: Hawai`i - Texas
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Posted: Mon Sep 18, 2023 9:45 am Post subject: |
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As I understand it, he's just using the imagery of the tongue positions being analogous to string subdivisions.
In other words, the tongue being in these three positions: the tongue unobstructed (awhh), the tongue in the middle of the mouth (eee) and the tongue being in its foremost position (thhee) as a string may have analogous positions as "open" string, string cut in half, string cut in fourth.
String positions, "open - half-quarter
and tongue, awhh-eee-thhee. _________________ "If you don't live it, it won't come out of your horn." Bird
Benge 3X LA
King Golden Flair
Selmer K-Modified Lightweight
Getzen Capri Cornet
Adams F-1 Flghn |
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JayKosta Heavyweight Member

Joined: 24 Dec 2018 Posts: 2955 Location: Endwell NY USA
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Posted: Mon Sep 18, 2023 10:19 am Post subject: |
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ldwoods wrote: | ... Can someone elaborate or explain what is meant my "moving focal point" and "half whistle"? |
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My understanding -
moving focal point - I think he means where in his mouth / on his tongue he feels the muscular 'pull' of forcing the tongue into certain positions.
half whistle - apparently he sometimes positions his lips in a manner similar to what he uses for whistling. I have noticed a similar feeling (but I don't know about the actual position) for notes in my high range. My goal being to position the upper lip so it CAN vibrate at the desired pitch, AND be able to produce an airflow to make it vibrate. _________________ method 1: DO it right and right things will HAPPEN
method 2: make the RIGHT THINGS happen
--
See / Think / Adjust / Do
becomes See & Do. |
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Vin DiBona Heavyweight Member
Joined: 24 Dec 2003 Posts: 1468 Location: OHare area
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Posted: Mon Sep 18, 2023 1:10 pm Post subject: |
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Last Sarurday, I was fortunate to go to a master clinic featuring Roger Ingram and Brad Goode.
They talked about many things but since both have extraordinary range, let it be said they talked more about the air needed than where their tongue was.
Let it be said that when two masters speak, what is said here is mostly just assumption.
R. Tomasek |
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JayKosta Heavyweight Member

Joined: 24 Dec 2018 Posts: 2955 Location: Endwell NY USA
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Posted: Mon Sep 18, 2023 1:38 pm Post subject: |
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Vin DiBona wrote: | ... Let it be said that when two masters speak, what is said here is mostly just assumption. ... |
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Yep,
many times I've 'heard what they said' and sort-of think that I understood what they meant - but it's difficult to find a way to write a concise description (or transcription) that might be helpful to someone else. _________________ method 1: DO it right and right things will HAPPEN
method 2: make the RIGHT THINGS happen
--
See / Think / Adjust / Do
becomes See & Do. |
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kehaulani Heavyweight Member

Joined: 23 Mar 2003 Posts: 8475 Location: Hawai`i - Texas
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Posted: Mon Sep 18, 2023 2:40 pm Post subject: |
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Vin DiBona wrote: | . . . let it be said they talked more about the air needed than where their tongue was. |
Doesn't the tongue affect the air? _________________ "If you don't live it, it won't come out of your horn." Bird
Benge 3X LA
King Golden Flair
Selmer K-Modified Lightweight
Getzen Capri Cornet
Adams F-1 Flghn |
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JayKosta Heavyweight Member

Joined: 24 Dec 2018 Posts: 2955 Location: Endwell NY USA
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Posted: Mon Sep 18, 2023 2:55 pm Post subject: |
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kehaulani wrote: |
Doesn't the tongue affect the air? |
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If you provide the 'needed air', then the position of the tongue is irrelevant unless the tongue is inhibiting the production of the needed air flow.
The lip aperture needs to be 'right' and the air needs a path to reach it. The tongue can help in production of the aperture, but as far as air flow is concerned - the tongue can only get in the way. _________________ method 1: DO it right and right things will HAPPEN
method 2: make the RIGHT THINGS happen
--
See / Think / Adjust / Do
becomes See & Do. |
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Jaw04 Heavyweight Member
Joined: 31 Dec 2015 Posts: 874 Location: California
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Posted: Mon Sep 18, 2023 3:44 pm Post subject: |
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JayKosta wrote: | kehaulani wrote: |
Doesn't the tongue affect the air? |
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If you provide the 'needed air', then the position of the tongue is irrelevant unless the tongue is inhibiting the production of the needed air flow.
The lip aperture needs to be 'right' and the air needs a path to reach it. The tongue can help in production of the aperture, but as far as air flow is concerned - the tongue can only get in the way. | I find the opposite true for me. The tongue has nothing to do with the "production of the aperture" but has to do with everything else. Articulation, pitch, tone color, dynamics.
I don't know what you mean by "production of the aperture." The aperture is framed and formed by the embouchure muscles. |
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Jaw04 Heavyweight Member
Joined: 31 Dec 2015 Posts: 874 Location: California
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Posted: Mon Sep 18, 2023 3:49 pm Post subject: |
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kehaulani wrote: | Vin DiBona wrote: | . . . let it be said they talked more about the air needed than where their tongue was. |
Doesn't the tongue affect the air? | Definitely the tongue affects the air. You can play a short note without even using your lungs. Just spitting the air in your mouth using your tongue. |
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Vin DiBona Heavyweight Member
Joined: 24 Dec 2003 Posts: 1468 Location: OHare area
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Posted: Mon Sep 18, 2023 4:24 pm Post subject: |
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As there were many younger players in there (high school and under), Brad went around showing how much air he really needed to play a very strong high G - which he demonstrated - and it was powerful and loud. They were amazed at how little flow was really needed to play up there.
They both said tongue position is very important for the upper register. Roger compared it to an air compressor at a gas station. The compressor provides a flow of high pressure, but the nozzle kicks the air out with controlled velocity.
That's all I will say about this. You had to be there.
R. Tomasek |
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kalijah Heavyweight Member
Joined: 06 Nov 2003 Posts: 3189 Location: Alabama
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Posted: Mon Sep 18, 2023 6:04 pm Post subject: |
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Quote: | Definitely the tongue affects the air. You can play a short note without even using your lungs. Just spitting the air in your mouth using your tongue. |
When you seal-off the lung air pressure and lip opening you can raise the oral air pressure using the cheeks, jaw and tongue. When playing from lung air pressure the same tongue action will not further increase the air pressure.
Quote: | Roger compared it to an air compressor at a gas station. The compressor provides a flow of high pressure, but the nozzle kicks the air out with controlled velocity. |
Whatever that means. By nozzle is he referring to the lip aperture? |
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JayKosta Heavyweight Member

Joined: 24 Dec 2018 Posts: 2955 Location: Endwell NY USA
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Posted: Tue Sep 19, 2023 5:19 am Post subject: |
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Jaw04 wrote: | ...
I don't know what you mean by "production of the aperture." The aperture is framed and formed by the embouchure muscles. |
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I used the term 'production of the aperture' in a global sense to mean all of the various items that are employed to achieve the status of the aperture when actually playing.
Some of those items are:
- jaw position
- teeth separation
- tension of the muscles around and near the mouth
- position of the tongue on the lips
Without using a mouthpiece, I can gently and carefully place my fingers on my upper and lower lips and feel lip changes when I move my tongue. The amount of lip change is proportional to the amount of muscle effort I use to move and position my tongue. When I move my tongue with strong muscle effort there is noticeable lip change - without any conscious thought or effort to move my lips.
The muscles that move the tongue interact with many of the other 'embouchure muscles' - it's a complicated system with many moving parts. _________________ method 1: DO it right and right things will HAPPEN
method 2: make the RIGHT THINGS happen
--
See / Think / Adjust / Do
becomes See & Do. |
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