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Downsizing mouthpiece ID — could it be right for me?



 
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JazzyJP
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PostPosted: Sun May 04, 2025 4:54 pm    Post subject: Downsizing mouthpiece ID — could it be right for me? Reply with quote

After an 8-year hiatus, I experimented with mouthpieces last August. I played a Bach 1/4C size last semester, enjoying the tone but lacking endurance. This semester, I split lead in the big band, played first trumpet in concert band, and soloed with my combo group. I tried other pieces, including Marcinkiewicz pieces. I remembered the comfort of the rim on the Bobby Shew #2 I played in 2016 and ordered a Marc 302 and 315 from the 300 series. The 315 worked well, though it was a bit large and lacked bite. I cleaned all my mouthpieces today, from Warburton 5MD to a GR67C* since I’m getting rid of them.

I decided to throw in the Warburton 5MD, and it’s the most comfortable rim I’ve ever tried. More so than the Marc which was surprising. It has a full, round sound with a warm quality, which I love, especially for small group jazz. Clearer tone compared to the Marc, probably because the alpha angle is higher, despite not having a bite to my lips.

However, after playing on it for a while, the sound really starts to thin out. I think this might be due to size changing, swelling, or my lips not adjusting properly.

I have summer to focus on exercises, technique, all that stuff. I’m hesitant to switch, but I know there’s no “best time.” I’ve got gigs this summer, but mostly have time to adjust.

Can anyone share their experiences and advice on what to expect and how to adjust to this change? Or should I not mess with it at all? It’s an immediate large improvement in tone quality, comfort, and articulation, just not for an extended time playing it.

Thanks a bunch for any suggestions you might have!
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JayKosta
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PostPosted: Sun May 04, 2025 5:47 pm    Post subject: Re: Downsizing mouthpiece ID — could it be right for me? Reply with quote

JazzyJP wrote:
... Or should I not mess with it at all? It’s an immediate large improvement in tone quality, comfort, and articulation, just not for an extended time playing it. ...

--------------------------------------------
I'm finding it difficult to understand where you're coming from, and to what degree you need the improvements that you mentioned.

Maybe trying several smaller 'step-wise' reductions in mpc ID would be useful instead of doing a quick jump to a much smaller size. Maybe start with the 'next' smaller size of your regular mpc?
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CTrumpeter
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PostPosted: Sun May 04, 2025 8:03 pm    Post subject: Reply with quote

Jazzy,

I agree with Jay's above comment. Probably a wise idea to not make a huge jump down to a smaller mpc diameter right away. However, the improvements you felt are probably a sign that downsizing could be good!

As a student, I played on 1-1/4C size mouthpieces of varying brands, which in retrospect were definitely too big for me. I think that I became so used to "high-effort" playing that it became the norm, but I never considered how hard I was working. Eventually, this became too much for me when my playing demands increased; I downsized to a 1-1/2C, but I felt this was still a little too much work, so I went just a hair smaller and found something that works really well for me. Your mileage may vary, but trust your gut. If your playing is in generally good shape but you feel that you're just working way too hard, it most definitely could be your equipment choice. Efficiency > Effort
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JazzyJP
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PostPosted: Sun May 04, 2025 8:54 pm    Post subject: Reply with quote

CTrumpeter wrote:
If your playing is in generally good shape but you feel that you're just working way too hard, it most definitely could be your equipment choice. Efficiency > Effort


Thank you both for the reply!

Efficiency is definitely what I’m after here. I’m not unhappy with where my tone is by any means. I’m not trying to tackle areas where I want/need to improve by changing mouthpieces. The 5MD has seemingly allowed me to relax quite a bit and still achieve a solid sound. It made me wonder if I am working too hard on the larger pieces. I would think my muscles have to constantly be in overdrive to compensate for the extra room as to keep the structure of everything sound.
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Brassnose
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PostPosted: Sun May 04, 2025 9:25 pm    Post subject: Reply with quote

I am only an amateur, so the usual warnings apply Seems to me that you *may* be on a combination that is a bit too large and too deep at the same time; after all a 1 1/4 C is quite the bucket compared to a more standard 3C.

My favorite Warburton top is the 5MC, just a bit shallower than the 5MD you already have. Might be worth a shot: nice and clear sound, good attacks, full sound, shallow enough for playing high over extended periods of time while definitely not being a lead piece. Combine it with a middle of the road backbore like the 5,6,7 and you may have a winner.
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JWG
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PostPosted: Sun May 04, 2025 9:41 pm    Post subject: Reply with quote

I have and tried to play on a 1.25C, and I always felt like my embouchure just fell into that mouthpiece for reasons unknown.

I went to a 1.5c decades ago and I have not looked back. 1.5 rim has the correct diameter, contour, width, and alpha/beta angles to function as a great rim for me.

However, I discovered something interesting over the decades, variations on the 1.5 rim exist that dramatically change the feel of the rim. Mark Curry's 1.5 rims differ from the standard Bach 1.5 rims, and the Bach 1.5 Artisan rim also differs from the standard rim.

So, once you find a rim specification that feels really comfortable as the interface between you lips and the sound production chamber of the cup, stick with it.

Going from a 1.25 to a 1.5 or even a 3 rim can work. My daughter spend a lot of time flipping between a 3 rim and a 1.5 rim before she settled on the 1.5 rim. However, as you grow up and grow older, you may find yourself wanting to go a different direction due to changes in your body, e.g., increases in both body fat and muscle, bone growth, teeth alignment, et cetera, will all influence your future choices.

Thus, I would keep an open mind and experiment with incremental changes, remaining mindful of how all the different variations feel and charting or recording one's impressions.

One can often forget how various rims feel unless you write your impressions down as you experience them.
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abontrumpet
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PostPosted: Mon May 05, 2025 3:42 am    Post subject: Re: Downsizing mouthpiece ID — could it be right for me? Reply with quote

JazzyJP wrote:
or my lips not adjusting properly.

just not for an extended time playing it.

How many weeks have you been playing on only the Wharburton 5MD? If not at least 3 weeks, I wouldn't jump to any "extended time playing" conclusions yet.
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JazzyJP
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PostPosted: Mon May 05, 2025 5:53 am    Post subject: Reply with quote

JWG wrote:
So, once you find a rim specification that feels really comfortable as the interface between you lips and the sound production chamber of the cup, stick with it.

However, as you grow up and grow older, you may find yourself wanting to go a different direction due to changes in your body, e.g., increases in both body fat and muscle, bone growth, teeth alignment, et cetera, will all influence your future choices.

Thus, I would keep an open mind and experiment with incremental changes, remaining mindful of how all the different variations feel and charting or recording one's impressions.

One can often forget how various rims feel unless you write your impressions down as you experience them.


Thank you for the thoughtful reply! These are all very solid points. I should definitely start recording these thoughts down. Perhaps due to how comfortable the WB 5 rim is, maybe I just need more time with it. Comfort and tone were improved immediately so it could be better for me once I get comfortable with it.

Also wondering if this backbore might be the problem as well, The 300 series have large backbones and what I played on before were fairly free-blowing as well. Currently have a 6 backbore...it's more focused, but I am not used to this back pressure. So many things to consider, ah!
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JazzyJP
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PostPosted: Mon May 05, 2025 5:58 am    Post subject: Re: Downsizing mouthpiece ID — could it be right for me? Reply with quote

abontrumpet wrote:
How many weeks have you been playing on only the Wharburton 5MD? If not at least 3 weeks, I wouldn't jump to any "extended time playing" conclusions yet.


Precisely why I thought I would ask some questions to have a better understanding of what's going on here. It hasn't even been a week...

I loved the sound I was producing, comfort was second to none, and it felt like home despite never playing this size before. But after 30 mins, I would hit a brick wall. Diameter and backbore sizes are a big difference. Just wanted to hear others out and see what could be going on!
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abontrumpet
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PostPosted: Mon May 05, 2025 11:04 am    Post subject: Re: Downsizing mouthpiece ID — could it be right for me? Reply with quote

JazzyJP wrote:
But after 30 mins, I would hit a brick wall.


For sure. That's usually the case when switching to smaller diameters. Usually, the lip contour (from the previous rim) just hasn't adjusted yet. But you will know for sure in a couple of weeks whether it is viable or not. The initial impressions are exactly what you want though.
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JazzyJP
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PostPosted: Tue May 06, 2025 9:41 am    Post subject: Re: Downsizing mouthpiece ID — could it be right for me? Reply with quote

abontrumpet wrote:
JazzyJP wrote:
But after 30 mins, I would hit a brick wall.


For sure. That's usually the case when switching to smaller diameters. Usually, the lip contour (from the previous rim) just hasn't adjusted yet. But you will know for sure in a couple of weeks whether it is viable or not. The initial impressions are exactly what you want though.

I figured as much! I went to the mouthpiece comparator and compared the 300 series backbores to the WB 6 bb. Holy moly, massive difference! I do wonder if this is the main cause of the sound cutting off since I’m used to using more effort and air…I’m more and more adjusting to it, though. Sticking with it and not touching any others in the meantime.
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stanton
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PostPosted: Wed May 14, 2025 1:48 pm    Post subject: Reply with quote

JazzyJP wrote:
CTrumpeter wrote:
If your playing is in generally good shape but you feel that you're just working way too hard, it most definitely could be your equipment choice. Efficiency > Effort


Thank you both for the reply!

Efficiency is definitely what I’m after here. I’m not unhappy with where my tone is by any means. I’m not trying to tackle areas where I want/need to improve by changing mouthpieces. The 5MD has seemingly allowed me to relax quite a bit and still achieve a solid sound. It made me wonder if I am working too hard on the larger pieces. I would think my muscles have to constantly be in overdrive to compensate for the extra room as to keep the structure of everything sound.


Larger mouthpieces can be a lot of work. Back in college I played on a Schilke 18c3D and didn't know any better, after having played a 1.5c for awhile. But its not just the ID of the mp but every aspect of it that makes a difference. I would refer you to the GR mouthpiece page. My chops seem to prefer the 66 rim which seems to land between a 3 and a 5 rim. I have 4 variations of the GR66 and can tell you, with the same basic rim ID some FEEL smaller, some feel a bit larger. GR is a great resource, but that doesn't exclude other mp makers. IMO it is usually best to get fitted by professionals in person who know their mouthpieces and can guide you to the one that best suits you. I wouldn't sweat "downsizing" as there are many more varaiables than rim ID.
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llew93
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PostPosted: Thu May 15, 2025 3:32 am    Post subject: Reply with quote

I've tried to make Bach 1.25 and 1.5 size mouthpieces work, but ultimately I did end up being more comfortable and consistent on a smaller size.

Around a Bach 3 or Yamaha 14 ID seems to work for me overall. I've also had good results with even smaller mouthpieces like a Yamaha 11 or a Bach 10.5 but these aren't as comfortable over long gigs and rehearsals. While a Bach 3 isn't small by any means, it's not as cavernous as a 1.25.

I would persevere with the 5MD. It's a very reasonable choice and a quality mouthpiece.

You do have to look at more than just the ID - rim, depth, throat, backbore, and so on all have a big effect on how a mouthpiece feels to play.

I used to hate the sound I got on a 3C or 14B4 until I acclimated. It takes time. I realised I was playing with a lot less effort and that helped me relax. The slightly shallower cup of these mouthpieces also gives me a little bit of support in the upper register as well. At first it felt stuffy and almost nasal, but I persevered as I found the rim a lot more palatable than others I've tried and it ended up being a good choice in the end.
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JazzyJP
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PostPosted: Sat May 17, 2025 9:41 pm    Post subject: Reply with quote

Brassnose wrote:
I am only an amateur, so the usual warnings apply Seems to me that you *may* be on a combination that is a bit too large and too deep at the same time; after all a 1 1/4 C is quite the bucket compared to a more standard 3C.

My favorite Warburton top is the 5MC, just a bit shallower than the 5MD you already have. Might be worth a shot: nice and clear sound, good attacks, full sound, shallow enough for playing high over extended periods of time while definitely not being a lead piece. Combine it with a middle of the road backbore like the 5,6,7 and you may have a winner.


I’ve practiced extensively with the 5MD/6bb, and the beautiful tone has been delightfully consistent. I also wanted a brighter sound for other work I do. Fortunately, I have a retailer that has the WB kit to test. Yesterday, I visited them and tried various combinations over three hours. Ultimately, I decided to purchase a 5MC/7bb. It’s an incredible piece! It boasts a clear and beautiful tone, with a bright but controllable sound that can really zing when pushed. Surprisingly, after testing the 5SV, I discovered that I can achieve a much brighter and warmer tone using the MC. This MC cup is incredibly versatile, and I feel comfortable with the equipment I have for the first time since I resumed playing last August. Aside from never being happier with my sound, I can’t think of one aspect of the experience/equipment I’d want to change. Maybe I’m dreaming…
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