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A.N.A.Mendez Heavyweight Member
Joined: 27 Jul 2005 Posts: 5227 Location: ca.
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oldblow Heavyweight Member
Joined: 19 Apr 2004 Posts: 676 Location: Mitchell, Georgia
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Posted: Wed Nov 03, 2010 12:58 pm Post subject: |
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Aw, they just got this horn in the wrong store category and price. They should have put it in the "Repairman Special" category with a $9.99 start. That's all.
I restore period southern furniture, and I can imagine the standards of their repair source. It would sell much better as a fixer-upper. _________________ Felton (Butch) Bohannon |
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Red Rock Regular Member
Joined: 03 Sep 2010 Posts: 19
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Posted: Wed Nov 03, 2010 2:00 pm Post subject: |
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reminds me of those "alucard" specials we used to see on ebay frequently...I die a little inside every time I see one of these. |
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RogersBrass Heavyweight Member
Joined: 11 Nov 2009 Posts: 514 Location: Chicago, IL
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Posted: Wed Nov 03, 2010 2:10 pm Post subject: |
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The seller is an idiot...but with a repair like this...what else is wrong that is unseen ? _________________ www.rogersbrass.com
custom leadpipes |
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Capt.Kirk Heavyweight Member
Joined: 24 Feb 2009 Posts: 5792
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Posted: Wed Nov 03, 2010 6:16 pm Post subject: |
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Well, I do not see a problem with alternative finish's when done properly but this was not done properly!!!! Bead Blasting is not a good way to hide flaws I think it makes them more vissible actually because you look harder for them.Same thing with the quality of the work! I mean WOW that has to be the worst solder job I have ever seen and the patch's are dreadful! I mean really for $1000 asking price you have to do it better then that. On top of that on a horn like this particular model a bead blasted finish is not what the target market for this horn is looking for frankly. So you have to know the market and what they expect. Plus if he had done any research at all he would have found out that Mr. Kanstul could make him a new leadpipe for it. He could have easily used an after market silver leadpipe like a Bach and reused the reciever and 99% of buyers would never have known!
If I ran across a horn like that I would replace the leadpipe and send it out for buffing and replating at Anderson's! In it's current state it is basically a parts horn!!!Assuming their is nothing else wrong with it that we do not know about it would not be too hard to fix it but man not for $1000 that is for sure!
I have bead blasted horns but not Recording for crying out loud!!! All the ones I have done have either been student horns or Pro Horns not sought after and not worth collecting they are players. I am not a huge fan of destroying rare collectors items and rare high end good playing horns! It is about like putting Spinning Rims on a Ferrari or a Old 1958 Bath Tub Porsche just because you can do something does not mean it is always a good idea!LOL _________________ The only easy day was yesterday! |
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Crazy Finn Heavyweight Member
Joined: 27 Dec 2001 Posts: 8333 Location: Twin Cities, Minnesota
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Posted: Wed Nov 03, 2010 6:49 pm Post subject: |
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Indeed. Putting a bead-blast finish on a really nice vintage horn, both a crime and a shame. Even if it's done right.
Maybe on a Olds Ambassador - post LA. Perhaps acceptable.
Hey, if you want such a finish on your Lawler, Xeno, Kanstul (if they do that), or whatever, fine. Just leave the old-time beauties alone. _________________ LA Benge 3X Bb Trumpet
Selmer Radial Bb Trumpet
Yamaha 6335S Bb Trumpet
Besson 709 Bb Trumpet
Bach 184L Bb Cornet
Yamaha 731 Bb Flugelhorn |
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ConnArtist Heavyweight Member
Joined: 20 Mar 2008 Posts: 2831 Location: La-la Land (corner of 13th and 13th)
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Posted: Wed Nov 03, 2010 7:37 pm Post subject: |
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Personally, I think it would look REALLY cool if they took a ball peen hammer to the bell for that vintage hammered look I've seen on other old Oldszesez. _________________ "Stomvi" PhrankenPhlugel w/ Blessing copper bell
1958 Conn 18A cornet
1962 Conn 9A cornet (yes, the Unicorn )
Reynolds Onyx cornet
c. 1955? Besson 10-10 trumpet
1939 Martin Imperial Handcraft “Model 37”
1986 Bach Strad 37 ML |
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RogersBrass Heavyweight Member
Joined: 11 Nov 2009 Posts: 514 Location: Chicago, IL
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Posted: Wed Nov 03, 2010 9:16 pm Post subject: |
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Maybe that's the original finish _________________ www.rogersbrass.com
custom leadpipes |
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camel Heavyweight Member
Joined: 14 Oct 2005 Posts: 1461 Location: holland
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Posted: Thu Nov 04, 2010 1:46 am Post subject: |
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apart from the leadpipe, where somebody tried to remove the mpc with too much force, I don't see a problem.
What is wrong with it? The plating? come on now guys, we all know that silver and gold are better platings then laquer. Silver and gold last much longer, so they protect the instrument better and longer. |
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WTplayer Veteran Member
Joined: 05 Sep 2002 Posts: 153 Location: Austria
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Posted: Thu Nov 04, 2010 2:13 am Post subject: |
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camel wrote: | apart from the leadpipe, where somebody tried to remove the mpc with too much force, I don't see a problem.
What is wrong with it? The plating? come on now guys, we all know that silver and gold are better platings then laquer. Silver and gold last much longer, so they protect the instrument better and longer. |
Silver or gold hides the beautiful tri-tone color of the Olds Recording. And I believe this was not the only reason why Olds didn't offer silver or gold plated Recordings until the 1970's when quality dropped. Something is just not right about a silver plated Olds Recording. It's like painting a Ferrari pink. |
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camel Heavyweight Member
Joined: 14 Oct 2005 Posts: 1461 Location: holland
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Posted: Thu Nov 04, 2010 2:57 am Post subject: |
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WTplayer wrote: | camel wrote: | apart from the leadpipe, where somebody tried to remove the mpc with too much force, I don't see a problem.
What is wrong with it? The plating? come on now guys, we all know that silver and gold are better platings then laquer. Silver and gold last much longer, so they protect the instrument better and longer. |
Silver or gold hides the beautiful tri-tone color of the Olds Recording. And I believe this was not the only reason why Olds didn't offer silver or gold plated Recordings until the 1970's when quality dropped. Something is just not right about a silver plated Olds Recording. It's like painting a Ferrari pink. |
Well, beautiful tricolor, or not, I'd prefer a good protected horn over a historically correct looking horn...
Perhaps I could paint my recording pink |
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supportlivejazz Heavyweight Member
Joined: 05 Jan 2003 Posts: 3757
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Posted: Thu Nov 04, 2010 4:56 am Post subject: |
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RogersBrass wrote: | Maybe that's the original finish | I was wondering the same thing. Lousy repair, price a bit high, but it may be all original and that would make it rather unique in the land of Olds Recording trumpets. This type of finish was offered as an option by many manufacturers. Engraving is crisp, gold wash bell is typical of this option. Hard to tell, but perhaps a possibility. _________________ Conn 6B
1940s Blessing Artist
Olds LA Special Model Cornet
"I'm not apologizing, I am what I am. There'll be no compromising, I don't give a damn." |
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Dale Proctor Heavyweight Member
Joined: 26 May 2005 Posts: 9358 Location: Heart of Dixie
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Posted: Thu Nov 04, 2010 4:59 am Post subject: |
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That's Olds "Finsh No. 2". It's an option that appears in many Olds catalogs and price lists over the years, so the finish is probably original, not an alucard-style rebuild. I like the look of the tri-metal lacquered ones 10 times better, though. _________________ "Brass bands are all very well in their place - outdoors and several miles away ." - Sir Thomas Beecham |
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supportlivejazz Heavyweight Member
Joined: 05 Jan 2003 Posts: 3757
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Posted: Thu Nov 04, 2010 6:58 am Post subject: |
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Dale Proctor wrote: | That's Olds "Finsh No. 2". It's an option that appears in many Olds catalogs and price lists over the years, so the finish is probably original, not an alucard-style rebuild. I like the look of the tri-metal lacquered ones 10 times better, though. | That was what I thought... and I agree about your preference and mine... but I don't like silver horns in general. _________________ Conn 6B
1940s Blessing Artist
Olds LA Special Model Cornet
"I'm not apologizing, I am what I am. There'll be no compromising, I don't give a damn." |
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RogersBrass Heavyweight Member
Joined: 11 Nov 2009 Posts: 514 Location: Chicago, IL
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Posted: Thu Nov 04, 2010 8:08 am Post subject: |
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In 1953 all the instrument companies offered that finish.
Kirk's comment about the bead blasted finish is ludicrous....more ignorant commentary spreading false information on TH. If it was recently bead blasted..it is a very careful job. It requires a significant amount of care and work to bead blast a horn as part of a vintage finish silver touch-up. The average repair tech would not get into this work...let alone the repair tech who worked on that leadpipe.
This finish looks original..but it has been chemically cleaned..and that is a normal repair tech job. The finish looks like it has the normal little scratches and nicks found on vintage horns. It doesn't look like it has been banged around....so the valves could be in good shape also.
I would love to have this horn...I would trash the leadpipe and install one of my machined pipes...but the price is a bit high. _________________ www.rogersbrass.com
custom leadpipes |
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Capt.Kirk Heavyweight Member
Joined: 24 Feb 2009 Posts: 5792
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Posted: Fri Nov 05, 2010 3:22 pm Post subject: |
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How is it ludicrous? I have bead blasted horns not at all a hard job rather easy really as the media does all the work. It does not hid all flaws well. I think many people look 10X closer when they see it on a horn because they assume it is their to hide flaws and often it is used for that reason by those not up to hand raging and buffing! I do not see where it improves the value of a nice collectible vintage horn at all! I would bead blast a modern Bach Stradavarius in a made minute but if anyone came in and asked me to bead blast their "Number 46" Bach I would send them on their way I would not do it! Just because a customer wants something does not mean you have to do it for them pandering to a customer's every whim can be a real mistake because once you start that where do you stop? Do you start to churning out junk because that is what your customer asked for? No at some point you have to draw a line in the sand and stick to it!
A lot of art that is classic has to be repaired and they could easily radicaly alter it but they do not. Why? Because some things are historical and beautiful and should be left alone for future generations to appreciate! Their will never be a time when a mass produced trumpet is not available to bead blast so why disgrace classic collectors items in that way. I do not mind people chaning out leadpipes, maybe having a second set of tuning slides made with Saturn Keys as long as they perserve the origanls so that it can be put back right. No one is going to pay $1000+ for example for an olds recording with sheet bracing all over the horn, bead blasted finish in satin gold and silver with heavy caps. Well i would hope no one would pay a $1000 for that but they will pay $3000+ for a Harrelson maybe with that same description! Different horns, different reason for owning, different markets!
Parts of that trumpets silver finish look like someone tried weakly to bead blast it to me. It does not look well done at all. That said if it is the original finish that might explain why it looks so bad. _________________ The only easy day was yesterday! |
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DavesTrumpet Heavyweight Member
Joined: 08 Feb 2003 Posts: 1712 Location: Shreveport, LA
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RogersBrass Heavyweight Member
Joined: 11 Nov 2009 Posts: 514 Location: Chicago, IL
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Posted: Fri Nov 05, 2010 4:35 pm Post subject: |
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Kirk,
So you have a business restoring vintage trumpets for customers..?
Show us some examples of your work. _________________ www.rogersbrass.com
custom leadpipes |
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Tuba Veteran Member
Joined: 23 Aug 2010 Posts: 164
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Posted: Fri Nov 05, 2010 6:38 pm Post subject: |
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That finish is very common for horns from that era.
It looks original. It wasn't done poorly, it is just worn down from being handled and polished. |
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Lboretrumpets Veteran Member
Joined: 02 Feb 2010 Posts: 288
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Posted: Fri Nov 05, 2010 7:23 pm Post subject: |
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Soldering silver plated parts together isn't the easiest thing to do (the solder tends to bond to things it shouldn't bond to), but that is pretty ugly... the plating looks just fine though. I've seen a lot of older horns with that finish, it looks nice when the whole horn has it and the engraved areas are polished silver. _________________ Bb- Stomvi Mambo
Bb- Custom Strad
Flugelhorn- Hunter NY |
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