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jhatpro Heavyweight Member
Joined: 17 Mar 2002 Posts: 10204 Location: The Land Beyond O'Hare
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Posted: Fri Oct 17, 2014 2:18 am Post subject: Comboizing a Chart |
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Have you ever taken the lst parts from a big band chart and played them as combo with 1/1/1/4 instrumentation? Did it sound okay? Thiin? Full of holes? _________________ Jim Hatfield
"The notes are there - find them.” Mingus
2021 Martinus Geelan Custom
2005 Bach 180-72R
1965 Getzen Eterna Severinsen
1946 Conn Victor
1998 Scodwell flugel
1986 Bach 181 cornet
1954 Conn 80A cornet
2002 Getzen bugle |
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Kimberly Veteran Member
Joined: 27 Mar 2011 Posts: 128 Location: Hillside, IL
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Posted: Fri Oct 17, 2014 10:17 am Post subject: |
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"Comboizing" ... mmm, nice! |
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Mike Sailors Heavyweight Member
Joined: 30 Oct 2012 Posts: 1838 Location: Austin/New York City
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homecookin Heavyweight Member
Joined: 07 Nov 2013 Posts: 868
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Posted: Fri Oct 17, 2014 11:02 am Post subject: |
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Sure,
GO AHEAD AND DO IT !!!
A lot of guys do that sort of thing.
It kind of depends on the chart itself,
Some charts will work with just trumpet tenor and trombone,
other charts not so much.
If the tenor sax player doubles on clarinet
did that opens the door for tons of Dixieland. |
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cheiden Heavyweight Member
Joined: 28 Sep 2004 Posts: 8914 Location: Orange County, CA
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Posted: Fri Oct 17, 2014 11:54 am Post subject: |
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When I've played charts with just the 1st parts being covered it really didn't work. Too much winds up in unison. _________________ "I'm an engineer, which means I think I know a whole bunch of stuff I really don't."
Charles J Heiden/So Cal
Bach Strad 180ML43*/43 Bb/Yamaha 731 Flugel/Benge 1X C/Kanstul 920 Picc/Conn 80A Cornet
Bach 3C rim on 1.5C underpart |
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BPL Veteran Member
Joined: 04 Mar 2008 Posts: 347
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Posted: Fri Oct 17, 2014 12:08 pm Post subject: |
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I've done a fair bit of this, and it's always frustrating.. there are 2 ways I've found to deal with it;
1. If your horns are solid improvisers, you can tell them to ad lib their parts, based on the chart.
2. Re-arrange them. This is what I do, and it's not that hard. Transcribe the 3 horn parts from the score (Finale Sibelius?).. a lot of it is just copy and paste. Then check the harmonies, modify things.. just common sense to make the chart work. Once it's done, you can edit and change it over time, if needed. |
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homecookin Heavyweight Member
Joined: 07 Nov 2013 Posts: 868
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Posted: Fri Oct 17, 2014 2:05 pm Post subject: |
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Another idea would be to use fake books such as
Real Books, Hal Leonard, etc. and just come up with your own
"head charts" on the job.
It's a lot less hassle than trying to find a bunch of charts,
and you will develop musically a lot more that way.
Just a suggestion.
Last edited by homecookin on Fri Oct 17, 2014 5:33 pm; edited 1 time in total |
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Mike Sailors Heavyweight Member
Joined: 30 Oct 2012 Posts: 1838 Location: Austin/New York City
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Posted: Fri Oct 17, 2014 2:32 pm Post subject: |
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Brass_Of_All_Trades wrote: | I think something like 3rd trumpet, 2nd trombone, and 1st alto might work better. For most charts that should at least give you a partial chord instead of unison.
Although that might result in some strange chord inversions. |
With no lead trumpet part? The lead trumpet generally has the melody.
It won't work. Go get a fake book if you want to play some tunes. _________________ www.mikesailors.com |
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PhxHorn Heavyweight Member
Joined: 29 Jan 2003 Posts: 2190 Location: Phoenix, AZ
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Posted: Fri Oct 17, 2014 3:14 pm Post subject: |
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And then there was the blues artist in town who had someone arrange some 3-horn charts for his album. Trumpet/Tenor/bone.
Sometime later, he decided to sit in with a big band. He gave the band 4 identical copies of the trumpet part, 4 identical copies of the bone part, and 5 copies of the tenor part. |
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homecookin Heavyweight Member
Joined: 07 Nov 2013 Posts: 868
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Posted: Fri Oct 17, 2014 3:22 pm Post subject: |
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PhxHorn wrote: | And then there was the blues artist in town who had someone arrange some 3-horn charts for his album. Trumpet/Tenor/bone.
Sometime later, he decided to sit in with a big band. He gave the band 4 identical copies of the trumpet part, 4 identical copies of the bone part, and 5 copies of the tenor part. :D |
AND THEY WONDER WHY !!! |
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Brass_Of_All_Trades Veteran Member
Joined: 11 Aug 2014 Posts: 141
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Posted: Fri Oct 17, 2014 3:28 pm Post subject: |
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Mike Sailors wrote: | Brass_Of_All_Trades wrote: | I think something like 3rd trumpet, 2nd trombone, and 1st alto might work better. For most charts that should at least give you a partial chord instead of unison.
Although that might result in some strange chord inversions. |
With no lead trumpet part? The lead trumpet generally has the melody.
It won't work. Go get a fake book if you want to play some tunes. |
Weird, it looks the post you're replying to got deleted somehow.
My thinking was that all of the 1st parts are frequently in unison just different octaves. By mixing non first parts you'd have a better chance of avoiding unison passages.
But you're right, rearranging charts is probably the best way to go about things. |
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HornofPlenty Veteran Member
Joined: 03 Nov 2004 Posts: 262
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Posted: Fri Oct 17, 2014 4:02 pm Post subject: |
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I agree with homecookin. It is probably easier to just use fake books.
Have folks take turns soloing and comping some licks in the background.
If the players are fairly advanced, then they can harmonize on the fly and come up with neat counter melodies and licks to fill in the "cracks". You could always write out some parts for when all the horns are playing at the same time.
I have experimented a bit with doing exactly what you are talking about and usually it ends up falling a bit flat(unless you take the time to actually arrange all the horn parts from scratch).
I have run across some "flexible" combo charts(alternate parts for different combination of horns) at the local sheet music store and on the internet. Some of those work well. Also, some nice combo charts you can buy online. Sometimes, depending on your money situation, you can find someone local to crank out some decent combo charts.
There is a combo near me that paid to have Dave Wheeler(over two decades) custom write all their arrangements. I want them to sell me their music library very badly when they decide to hang it up! They must have 150 or so custom arrangements(maybe not all by the pen/keyboard of Mr. Wheeler). I have subbed with them a few times and the charts are great.
I would definitely try to go trumpet, bone, sax as the majority of combo charts are written for that instrumentation. If you go with only one other horn, then definitely fake books(or from memory if you can). Take turns soloing and the the last time thru have the stronger improv player "fill" and the other horn play the melody. If you are about equal, just mix it up every song. It makes it interesting! I used to play gigs with a rhythm section and great sax player.
Sax player made me sound way better than I really was!
Good luck!
Last edited by HornofPlenty on Fri Oct 17, 2014 4:22 pm; edited 1 time in total |
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cheiden Heavyweight Member
Joined: 28 Sep 2004 Posts: 8914 Location: Orange County, CA
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Posted: Fri Oct 17, 2014 4:18 pm Post subject: |
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Just remembered that my favorite arranger has a whole series of 3-horn arrangements available for pretty cheap ($15 each).
http://www.tomkubis.com/
Click on "small groups" and choose "3 horns" to see the various categories.
There are even audio samples so you can preview them. _________________ "I'm an engineer, which means I think I know a whole bunch of stuff I really don't."
Charles J Heiden/So Cal
Bach Strad 180ML43*/43 Bb/Yamaha 731 Flugel/Benge 1X C/Kanstul 920 Picc/Conn 80A Cornet
Bach 3C rim on 1.5C underpart |
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