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Dan O'Donnell Heavyweight Member
Joined: 01 Jan 2005 Posts: 2287
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Posted: Sun Sep 18, 2011 9:09 am Post subject: |
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I used to struggle with this a lot until I truly understood the root cause for my stress.
I found that I was too much of a perfectionist to the point where I expected better playing than I was capable therefore getting stressed during the performance as soon as I did not meet my unreasonable / non capable expectations.
AS I continued playing the solos, I would continually hit those areas that were not perfect and my stress level would increase to the point where the by the end of the piece my breathing was horrible as I was shaking more than a Harry James vibrato!
Listening to the pros and wanting to play like them...when only practicing on Saturdays to play on Sundays was really stupid of me.
Trying to get the perfect Chris Botti tone quality (without spending the time he put into long tones etc etc etc over many years...not to mention reverb and a 1939's Martin Handcraft Committee with a Bach 3 MP) ...with the intonation of a great principle player of a great orchestra playing classical music...is a recipe for failure...which brings stress...which brings shaking and poor breathing...which brings more failure = train wreck.
I now have lowered my expectations to reality, play pieces within my limitations and realize that if I am a nickel flat or sharp, there minimal to no person hearing me play can even hear the difference especially when my background orchestration is not always in tune.
I am now more relaxed, my solos sound better and I am having more fun. _________________ God Bless,
Dan O'Donnell
"Praise Him with the sound of the Trumpet:..."
Psalms 150:3 |
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veery715 Heavyweight Member
Joined: 13 Aug 2007 Posts: 4313 Location: Ithaca NY
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Posted: Sun Sep 18, 2011 9:25 am Post subject: |
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Billy B has offered two one liners here: "Perfromance anxiety is a manifestation of the ego." and "The root of the problem is our own self image."
These statements are essentially the same. The difficulty comes when trying to figure out what to do about it. For me and countless others the solution has been the practice of mindfulness. Mindfulness is usually taught as an outgrowth of Buddhism, most notably by Thich Nhat Hanh, a Zen Buddhist teacher who has written many books on the topic. The Miracle of Mindfulness was the first and is probably the best known.
The practice of mindfulness has pervaded almost every field of human endeavor - the sciences, medecine, education, the arts, atheletics, law enforcement, business, politics, and many more - and has been found to yield benefits wherever it has been applied.
Most of us live a fear based existence. We spend much time dwelling on the future and the past, and we derive our "OKness" from what we want or do not have, or what we have done or hope to do. Practicing mindfulness helps us to learn to be present, to become centered, and to understand how little control we actually have over the activity of our brain. By practicing mindfulness we begin to gain some control over our thoughts, our fears, our feelings, and our behavior.
I am NOT an expert in this, in fact its practice is fairly new to me. But after over 60 years of living without it I can see that it is making an enormous change in my life now, hence the recommendation. _________________ veery715
Hear me sing!: https://youtu.be/vtJ14MV64WY
Playing trumpet - the healthy way to blow your brains out.
Last edited by veery715 on Sun Nov 06, 2011 9:38 am; edited 1 time in total |
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butxifxnot Heavyweight Member
Joined: 08 Jul 2004 Posts: 2353
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Posted: Sun Sep 18, 2011 11:12 am Post subject: |
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What exactly is "mindfulness"?
Call me dumb. The concept seems extremely interesting. _________________ "Never practice, always perform."
-Adolf Herseth |
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Billy B Heavyweight Member
Joined: 12 Feb 2004 Posts: 6130 Location: Des Moines
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Posted: Sun Sep 18, 2011 2:46 pm Post subject: |
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Psycho-Cybernetics _________________ Bill Bergren |
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agolden Veteran Member
Joined: 16 Feb 2008 Posts: 483 Location: Nashville, TN
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Posted: Sun Sep 18, 2011 3:22 pm Post subject: |
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Psycho-Cybernetics gets another vote from this guy. _________________ trumpet - synths - cornet
Bach//Blackburn
Patrick Mouthpieces |
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JRoyal Heavyweight Member
Joined: 25 Apr 2003 Posts: 770
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Posted: Sun Sep 18, 2011 4:36 pm Post subject: |
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I highly recommend 'Performance Success" by Don Greene. I found it most helpful for addressing all sides of the issues needed to perform at ones best. The other books mentioned here are also good. |
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daniel.egan New Member
Joined: 18 Sep 2011 Posts: 5 Location: Houston, TX
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Posted: Sat Sep 24, 2011 12:07 am Post subject: |
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Does anybody know if beta blockers pose any serious/long term or even short term health risks? _________________ Dan Egan |
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Bill Ortiz Heavyweight Member
Joined: 02 Jan 2007 Posts: 904
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Posted: Sat Sep 24, 2011 12:26 am Post subject: |
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Detrocious, I had similar issues early in my playing career. For me, the solution was basically just time. Then more I played in front of crowds the easier it got until it wasn't an issue any more- it doesn't bother me at all now. I think for some people, the thought of "everyone is looking at me now" or "they will hear me make a mistake" is tough to handle. Actually, most people are listening for the beauty of the song and the feeling you are bringing to it.
I believe this issue is something that most people can overcome by just desensitizing yourself to the situation. I would suggest that you set up informal performances in front of friends and small groups of people, and over time increase the size of the audience. If you are patient and work on it over time, I believe you can overcome this-best of luck! _________________ '56 Martin Committee Deluxe #2 trumpet
14B Schilke mouthpiece
Couesnon Paris flugelhorn
Bob Reeves Sleeves and PVA |
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Qnaza Veteran Member
Joined: 04 Mar 2008 Posts: 336
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Posted: Sat Sep 24, 2011 1:55 am Post subject: |
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[quote="Dan O'Donnell"
I now have lowered my expectations to reality...[/quote]
Hear hear! A truer comment was never made. Nothing wrong with aiming to be the best but I believe that perfectionism is a disease which is best avoided. I'd far rather have a healthy self-confidence, mixed judiciously with good work-ethic and an accurate self-knowledge of what I can actually do and therefore have reasonable expectations of myself.
I suffer from debilitating Focal Dystonia which is purely psychological, brought on about 10 ago by continually feeling bad about my playing because it was never perfect. Kinda stupid, in retrospect, but hindsight is always 20/20, isn't it? It scuppered my fledgling musical career and only now am I beginning to enjoy playing again.
The FD comes and goes, usually flaring up when I'm anxious to impress or feel 'on the spot' and want to play above what I actually can. This leads to my tongue freezing up and my lips having a life of their own, never mind my breathing getting all panicky. As soon as I rethink my approach and just play what I can, how I can, the FD diminishes dramatically.
Problem is, my mind was so ingrained into that way of thinking and operating, that the FD is almost hard-wired into me. That said, I have chosen to see that as a good thing, since it forces me to be super-aware of my mental approach to playing. |
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DaveH Heavyweight Member
Joined: 20 Nov 2001 Posts: 3861
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Posted: Sat Sep 24, 2011 5:12 am Post subject: |
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Bill Ortiz wrote: | I had similar issues early in my playing career. For me, the solution was basically just time. Then more I played in front of crowds the easier it got until it wasn't an issue any more- it doesn't bother me at all now.
I believe this issue is something that most people can overcome by just desensitizing yourself to the situation.I would suggest that you set up informal performances in front of friends and small groups of people, and over time increase the size of the audience. If you are patient and work on it over time, I believe you can overcome this-best of luck! |
I think this is pretty much the case. I found it to be very similar for me - becoming desensitized. |
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JRoyal Heavyweight Member
Joined: 25 Apr 2003 Posts: 770
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Posted: Sat Sep 24, 2011 5:37 am Post subject: |
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I think becoming desensitized is only one step, it really requires a complete paradigm shift for most people because our society is one that values knowing the right fact at the right time, and is not based on a culture of sharing and performance. |
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shofarguy Heavyweight Member
Joined: 18 Sep 2007 Posts: 7011 Location: AZ
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Posted: Sat Sep 24, 2011 6:04 am Post subject: |
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JRoyal wrote: | I think becoming desensitized is only one step, it really requires a complete paradigm shift for most people because our society is one that values knowing the right fact at the right time, and is not based on a culture of sharing and performance. |
Interesting thought. _________________ Brian A. Douglas
Flip Oakes Wild Thing Bb Trumpet in copper
Flip Oakes Wild Thing Flugelhorn in copper
There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds. |
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Usedtobegood Veteran Member
Joined: 15 Jan 2009 Posts: 442 Location: Cary, IL
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Posted: Sat Sep 24, 2011 6:28 am Post subject: |
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There's a lot of good advice here. Your mind can really F with you right? I was never the best player, but in my mind I was and tried to play everything that way focusing on what I wanted it to sound like, vs. don't miss this note or that note. It worked many times....I too had some crash and burn moments...I still have a few feet of 24 track tape with evidence of that somewhere! You have to have a short memory like a relief pitcher or cornerback, brush it off and move on.
Your mind can only focus on one thing at a time and it will focus on the "don't" if you think that way. So, breath deep (important) relax, hear it in your head, think you are the best motherf'r player out there and just blow man!
Just my $.02 which is about what my 401k is worth now.. |
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JoseLindE4 Heavyweight Member
Joined: 18 Apr 2003 Posts: 791
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Posted: Sat Sep 24, 2011 8:17 am Post subject: |
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daniel.egan wrote: | Does anybody know if beta blockers pose any serious/long term or even short term health risks? |
I'm not a doctor, so really you should ask your doctor.
Short term, it could cause problems if you have asthma. If you're seriously allergic to something and require an epipen, it can decrease the effectiveness of that. I don't know if the dose taken for performance anxiety is enough for that to be an issue though. Obviously if you're allergic to the drug itself or there are bad side effects for you, you shouldn't take it.
Long term, keep in mind that you're taking a small dose and not on a regular basis, so in my completely uneducated opinion, there shouldn't be too big of a long term effect. Beta blockers are regularly prescribed for a variety of daily uses beyond just heart problems (migraines and essential tremor). They're nothing to mess with without working with a doctor, but they can be extremely beneficial for certain people. |
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percivalthehappyboy Heavyweight Member
Joined: 05 Mar 2010 Posts: 731
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Posted: Sat Sep 24, 2011 11:54 am Post subject: |
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A survey asked people what their worst fears were. Number one was public speaking. Number two was death.
As far as performance anxiety, I haven't felt ready to subject other people to the noises I make, but I have been a teaching assistant. First day I had ALL of the symptoms-- palms were wet, mouth was dry, I stammered, I forgot things I'd wanted to say, my knees literally knocked together. It gets better with practice. In the end, I was almost comfortable with it.
I probably did it more often than some people here perform. Maybe if you don't perform enough you just don't get enough practice. I'd read that some people practice in subways and at street corners specifically so that they'll be playing in front of an audience, even if it's an unwitting audience.
Here's something I don't get. When I took a public speaking class, the guy that sat next to me was terrified of getting up in front of a dozen students to give a speech. But he had no trouble at all sitting at his desk and telling the whole class about his drive in to work and the incident with the policeman, and taking questions about it. |
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AverageJoe Heavyweight Member
Joined: 20 May 2002 Posts: 4116 Location: Atlanta, GA
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Posted: Sat Sep 24, 2011 1:50 pm Post subject: |
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JoseLindE4 wrote: | daniel.egan wrote: | Does anybody know if beta blockers pose any serious/long term or even short term health risks? |
I'm not a doctor, so really you should ask your doctor.
Short term, it could cause problems if you have asthma. If you're seriously allergic to something and require an epipen, it can decrease the effectiveness of that. I don't know if the dose taken for performance anxiety is enough for that to be an issue though. Obviously if you're allergic to the drug itself or there are bad side effects for you, you shouldn't take it.
Long term, keep in mind that you're taking a small dose and not on a regular basis, so in my completely uneducated opinion, there shouldn't be too big of a long term effect. Beta blockers are regularly prescribed for a variety of daily uses beyond just heart problems (migraines and essential tremor). They're nothing to mess with without working with a doctor, but they can be extremely beneficial for certain people. |
+1. Beta blockers are a viable option for many performers, but should be prescribed and administered under the care of your doctor.
My story:
I used to be able to handle nerves with no problem in my younger years, but some unfortunate psycho/physiological issues changed things for the worse very quickly...like a switch was flipped inside of me. I won't bore you with the details, but Propranolol (brand name Inderal) was a godsend for me because I really didn't have time to attack the problem through other means, given my performance schedule at the time.
Beta blockers do not solve the issue of anxiety though...they merely keep the breathing and heart rate normal in spite of it. If anyone does go this route, I encourage them to look at them as a temporary help...continue to seek a healthy view of the music you are creating and do your best to prepare so that you are CONFIDENT in your ownership of the material.
When I first started taking Inderal, my mind would still spin 100mph but my body did not respond to it. When I realized my body was calm, I was able to start unpacking the anxious thoughts and attack them with the truth -- the audience WANTS me to play well...they are my friends, not my enemy. I know my preparation on the material and that I can make a profound musical statement. It will be sincere, and at its worst, it will still be excellent.
I still use Inderal for certain things, but I have weaned myself off of them in most situations. It really boils down to trusting myself in EVERY situation...that is my goal.
Best -- _________________ "Every time I hear you play, you sound better than the next..." |
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jcstites Heavyweight Member
Joined: 26 Jul 2004 Posts: 755 Location: Lexington, KY
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Posted: Sat Sep 24, 2011 1:59 pm Post subject: |
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I didn't read this whole post and this might have been posted before, but I wanted to say that beta blockers only deal with the physical effects of performance anxiety. If you get the shakes, dry mouth, etc it will help, but you still need to figure out how to get focused/centered and mentally prepared. This is the hard part, but I've found that the centering/breathing exercises in Don Greene's Fight Your Fear and Win to work really well. |
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JoseLindE4 Heavyweight Member
Joined: 18 Apr 2003 Posts: 791
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Posted: Sat Sep 24, 2011 4:17 pm Post subject: |
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AverageJoe wrote: | I used to be able to handle nerves with no problem in my younger years, but some unfortunate psycho/physiological issues changed things for the worse very quickly...like a switch was flipped inside of me. |
I've been there. I've been up and down that dark road 2 or 3 times. Once that switch gets flipped it's hard to flip it back- you can't even imagine how you performed confidently before. It's like being a different person.
I have a good friend with whom I used to work quite a bit. He would laugh about people taking beta-blockers for performances or auditions with calls of "practice more!" One day that switch got flipped in him and everything was different. I don't know if he still takes them, but for about a year or so they were necessary for survival.
If you haven't been down that dark road, you can't even comprehend it. It's very different than typical nervous energy. |
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J.P.S. Veteran Member
Joined: 17 Dec 2005 Posts: 151 Location: D.C.
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Posted: Sat Sep 24, 2011 4:38 pm Post subject: Performance Anxiety |
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s4ftyfi1257 wrote: | Nervousness is caused by a sense of danger. Danger is felt when the body, mind, or emotional well being of a person feels unprepared to deal with the situation at hand. Like climbing trees. The more you do it successfully at greater heights, the less nervous you are about climbing.
The real solution is to perform as much as possible. |
This.
Couldn't have said it better. |
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PhxHorn Heavyweight Member
Joined: 29 Jan 2003 Posts: 2190 Location: Phoenix, AZ
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Posted: Sun Sep 25, 2011 9:23 am Post subject: |
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Suppose all you had to do was walk out on the Tonight Show and stand there for 5 minutes. If you think you'd be nervous, why? You're not doing anything. There is no chance of failure, because there's nothing to fail at. Seems to me that in such a situation, you're afraid to be seen or unhappy about how you look. If you were seated at a table talking to a group of friends, why is that easier than standing at a podium giving a lecture to the same group? The 'formality' of the podium can change your whole attitude. It's all in your head. You can't go through life like a 6-year-old who hides behind Dad when a stranger walks up.
As students, we rehearse constantly and perform seldomly. The performances have a lot riding on them because they're either for our families and peers, or for judges.
As a pro, you rehearse seldomly and perform constantly, and so you get used to it. If you take a gig where you're playing 10 shows a week and you're onstage constantly, you cease being nervous because it becomes the norm. The first time I played an arena gig for 10,000 people, we were essentially sight-reading the book and I was a bit nervous. I played one a couple weeks ago, and both of us trumpet players were laughing about how we couldn't have been more relaxed. You do anything enough times and it becomes routine. So if there is a situation that makes you nervous, find a way to do it often enough so that it becomes routine. |
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