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Apredato Mouthpieces


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crazyalien257
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PostPosted: Sun Apr 22, 2012 2:49 am    Post subject: Apredato Mouthpieces Reply with quote

I was listening to James Morrison on Youtube when I found out he played on a Schagerl "Apredato" mouthpiece. Apparently you fill it up with water or something, I don't understand the Physics of it all, nor does the Schagerl website explain alot.

Does anyone know what the water actually does to the mouthpiece? Has anyone on TH played on one before?

btw Thomas Gansch sounds fantastic on them.
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chuck in ny
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PostPosted: Mon Apr 23, 2012 2:59 am    Post subject: Reply with quote

good subject. i never fully understood the physics of the sound wave as it resonates back to the mouthpiece but safe to say something very definite is going on and mouthpiece material plays a role. i would love to see some progress in this area, twenty-first century and all. ..chuck
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stanton
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PostPosted: Mon Apr 23, 2012 1:10 pm    Post subject: Reply with quote

I can't help but wonder why Schagerl isn't well represented (or represented at all) in the USA? The only Schagerls I've ever gotten close to was Tage Larsen's Schagerl piston tpt (don't know which model). Valves were really smooth, but I didn't get to blow it.
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crazyalien257
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PostPosted: Mon Jul 16, 2012 6:05 am    Post subject: Reply with quote

Sorry to resurrect an oldish topic, but seriously, does ANYONE know anything about these mouthpieces at all ?
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oxleyk
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PostPosted: Mon Jul 16, 2012 6:48 am    Post subject: Re: Apredato Mouthpieces Reply with quote

crazyalien257 wrote:
Does anyone know what the water actually does to the mouthpiece?


I assume it has the same affect as a heavy mouthpiece but you're able to adjust the amount of water to your liking.

Kent
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crazyalien257
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PostPosted: Mon Jul 16, 2012 7:33 am    Post subject: Reply with quote

Quote:
but you're able to adjust the amount of water to your liking.

Sort of like sound sleeves ?

I think it's more than that, since the water moves around and when you're playing, the water should be all on one side of the mouthpiece. In that case, the mouthpiece shouldn't be balanced in weight.

Based on what some mouthpiece makers say, the mass distribution is more important than the actual mass added, so using water should have a unique effect as the mass distribution changes as you play.

No idea if this is true though.
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oxleyk
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PostPosted: Mon Jul 16, 2012 7:39 am    Post subject: Reply with quote

My other theory is for cooling. Because when you have your tongue arch, air compression, and air speed working in full gear that mouthpiece gets super-hot.



Kent
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EBjazz
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PostPosted: Mon Jul 16, 2012 8:21 am    Post subject: Reply with quote

oxleyk wrote:
My other theory is for cooling. Because when you have your tongue arch, air compression, and air speed working in full gear that mouthpiece gets super-hot.


Is this Bernoulli's Principle??

Eb
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efofex
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PostPosted: Tue Jul 31, 2012 5:27 pm    Post subject: Reply with quote

I have been using the Apredato mouthpiece full time for about six months. My wife bought it for me a year ago after seeing me try it at a competition. I was initially sceptical about it but decided to give it a good try (it was, after all, quite expensive.)

Initially I found it VERY difficult to control. It had a great warm, full sound in the lower register but I kept missing notes (by MILES) in the upper register. I tried the mouthpiece at a orchestral rehearsal (you know, high A ppp entries on a cold trumpet - typical orchestral stuff) and it was a disaster. We had a big concert in a month so I put the mouthpiece away in disgust and went back to my VB 3C.

After the concert, I had a few months with nothing major on so decided to give the mouthpiece one last shot. What a revelation!

It turned out that I was missing the high notes because I was overpitching. The Apredato was SO much easier to hit high notes on that my lip was not "recalibrating". After about a month of perseverance, I got it right and now would not change from the Apredato.

With the Apredato I have the fullest, roundest sound in all registers that I have ever achieved. I seem to be able to produce FAR more volume without it becoming strident. Every conductor I have played for since has specifically commented on the quality of the sound I am producing and I just feel incredibly comfortable playing just about any genre.

One thing I have noticed is that the Apredato requires fairly constant practice. If I have a break of much more than a fortnight, I seem to lose that control over the upper register.

Your mileage will obviously vary but the Apredato has definitely won me over after immense initial scepticism.

P Hooper
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razeontherock
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PostPosted: Tue Jul 31, 2012 9:53 pm    Post subject: Reply with quote

I think it must be trying to give you a fluid sound
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StupidBrassObsession
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PostPosted: Wed Aug 01, 2012 12:59 am    Post subject: Reply with quote

Quote:
I think it's more than that, since the water moves around and when you're playing, the water should be all on one side of the mouthpiece. In that case, the mouthpiece shouldn't be balanced in weight.


Nah, they're supposed to be filled all the way up. There is a funny story about James Morrison playing the mouthpiece after flying somewhere and it "just wasn't playing right" so he phoned Shagerl and asked them why his mouthpiece wasn't working properly!

Turns out he didn't realise there was water inside it and it and the water in his mouthpiece had evaporated, hence the reason it was playing weird. Refilled it and it was back to normal.

Water obviously just has a different resonant quality than metal...

I would say that the main change is the way that certain frequencies propagate would be different than with metal, so you get more of some frequencies and less of others.

http://www.kayelaby.npl.co.uk/general_physics/2_4/2_4_1.html

Attenuation of sound in Sea Water
20 degrees Celsius

0.5 1 2 5 10 20 [ Frequncy in KHz)
0.02 0.06 0.13 0.30 0.70 2.2 [Attenuation in DB KM^-1]

30 degrees Celsius
0.5 1 2 5 10 20 [ Frequncy in KHz)
0.01 0.05 0.13 0.29 0.58 1.6

VS METAL:

... Unfortunately I can't find any info on the attenuation of different frequencies in Brass. If anyone can find it, please post so we can compare!

Cheers
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StupidBrassObsession
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PostPosted: Wed Aug 01, 2012 1:16 am    Post subject: Reply with quote

The real question is when will Kanstul copy it and sell it for $50? :p
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razeontherock
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PostPosted: Wed Aug 01, 2012 5:57 am    Post subject: Reply with quote

Is it an EQ? Next we'll have heating and cooling devices on the water, to set the EQ? Or is it a dampener, to prevent loss of vibration, sending it on down the line? Or is there no difference? I've got an experiment or 2 showing that it's not exactly weight that's needed, (to dampen the vibrations in the metal and thereby retain them in the air column more efficiently) but perhaps just thickness of material.
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RandyTX
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PostPosted: Wed Aug 01, 2012 10:11 am    Post subject: Reply with quote

Break out the pool tester, if the PH of the water isn't correct, then of course the magic pixie dust will mildew.

Also, you have to use holy water obtained from the Vatican for it to function up to specs.
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MichaelM2
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PostPosted: Wed Aug 01, 2012 10:43 am    Post subject: Reply with quote

Try the holy water from Lourdes, it works miracles.

Mike
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efofex
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PostPosted: Tue Aug 07, 2012 6:20 am    Post subject: Reply with quote

They are actually not supposed to be filled right up. There are quite detailed instructions supplied in how to get just the right amount of water in them -but I totally ignore them and almost fill it right up. Seems to work for me.

Pixie dust and ph testing is not required!

Perhaps the most definitive thing I can say is that it definitely plays differently without water in it. I have heard a few theories about why it works but to be honest, I don't care. From purely personal experience, it works for me. Is it worth the money? NO. But as it was a gift I am more than happy to keep playing it.

As I said before, I was extremely skeptical but I am now a convert.

While I like the Lourdes water idea, I think I will try bourbon next.
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razeontherock
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PostPosted: Tue Aug 07, 2012 9:10 am    Post subject: Reply with quote

efofex wrote:

While I like the Lourdes water idea, I think I will try bourbon next.


Blasphemy! (It should be fine scotch)

But if you play and/or sound so much better, how is it not worth the money?
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StupidBrassObsession
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PostPosted: Tue Aug 07, 2012 5:49 pm    Post subject: Reply with quote

Quote:
Blasphemy! (It should be fine scotch)

But if you play and/or sound so much better, how is it not worth the money?


Remind yourself how many bottles of fine scotch you could buy for the price of a Apredato...
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razeontherock
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PostPosted: Tue Aug 07, 2012 8:08 pm    Post subject: Reply with quote

"Fine" scotch, is a very relative term

How much are these apres ski things anyway? Thought I saw a number like 205 somewhere? Less than either Monette or Reeves. (Course if that was in euros that's more like 360 some?)
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StupidBrassObsession
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PostPosted: Sun May 05, 2013 5:34 am    Post subject: Reply with quote

Bump....

Anyone else tried one out?
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