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Please Explain



 
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tpterman
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Joined: 10 Jul 2010
Posts: 25

PostPosted: Wed Jan 09, 2013 9:34 am    Post subject: Please Explain Reply with quote

One of the tenets of Jimmy Stamp's teaching is:

"Stay low going high and stay high going low."

It makes sense to me to "stay low going high" so you don't anticipate and then overshoot your high notes or squeeze out ones along the way, but I have never quite understood "stay high going low."

I have to anticipate downward movement to make sure that I am open in the low register. If I "stay up" when I finally get below the staff those notes wont speak.

Can someone please explain what is meant by "stay high going low?"
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EdMann
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Joined: 31 Mar 2007
Posts: 2481
Location: The Big Valley

PostPosted: Wed Jan 09, 2013 9:51 am    Post subject: Reply with quote

There are better informed Stamp-ites out there than I, but it's more of a mindset, a visual if you will to prevent you from pinching and playing sharp as you ascend, and from playing flat and too open down low. Keeping the sound even where each note has the same core. It's the kind of counter-intuitive thinking that works for trpt, but drives most of us crazy!

ed
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Mark Curry
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Joined: 15 Feb 2007
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PostPosted: Wed Jan 09, 2013 9:55 am    Post subject: Reply with quote

tpterman-

in a very *general* sense it means to maintain your energy (including chops and air support) when going from high to low. Maintain the same focus downstairs as you use upstairs.

Too many of us have a tendency to let our chops and air get a little "saggy" when making those jumps from high register to low register.

I know I do.

generally speaking, of course:)
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cheiden
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Joined: 28 Sep 2004
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Location: Orange County, CA

PostPosted: Wed Jan 09, 2013 10:17 am    Post subject: Reply with quote

The way I make sense of it is...
First I consider the embochure to be principally two parts, the center vibrating surface and the strong surrounding support structure. One way to transition from high to low is to slaken the entire system which works but produces a flabby sound. Another other is to hold the supporting structure relatively constant and coax the center vibrating surface to become more supple.
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TWEAK
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Joined: 20 Jul 2004
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Location: Albany, NY

PostPosted: Wed Jan 09, 2013 10:20 am    Post subject: Reply with quote

cheiden wrote:
Another other is to hold the supporting structure relatively constant and coax the center vibrating surface to become more supple.


WOW that is a really interesting way of putting; never thought of it like that before!
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shofar
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Joined: 02 Jun 2003
Posts: 231
Location: Rogersville, Tennessee

PostPosted: Wed Jan 09, 2013 10:32 am    Post subject: Explanation Reply with quote

tpterman: take a look at the Dissecting Stamp Threads. That explains quite a bit about what Jimmy was talking about.
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