View previous topic :: View next topic |
Author |
Message |
kubban Regular Member
Joined: 30 Dec 2012 Posts: 15 Location: Norway
|
Posted: Fri Jan 31, 2014 11:47 pm Post subject: |
|
|
giakara:
You are absolutely right about the H&B wa wa being the loudest for stem in playing. I have got an old red and white one with fibre body and some metal. It is loud and has a really really rich sound for the oldest jazz styles. I tend to prefer the H&B Cleartone or Shastock straight, but some times the wa wa is the right one. No, I haven't tried the Purviance yet, but I have it in mind if one crosses my road! _________________ 1924 Conn 22b New York symphony trumpet
1998 Getzen 850 model cornet
1950 C. Mahillon flugelhorn
+numerous current and vintage trumpets, cornets, mouthpieces, mutes - yes you know I guess... |
|
Back to top |
|
|
ljazztrm Heavyweight Member
Joined: 03 Dec 2001 Posts: 2681 Location: Queens and upstate, NY
|
Posted: Sun Feb 02, 2014 2:55 pm Post subject: |
|
|
Quote: | Humes & Berg mic-a-mute (2000)
- corks filed for close cup sound. This is very nice for Buck Clayton'ish playing. It is a tad better for me than my alternative, a H&B cup close to the bell wich is also very nice. I have observed that the excellent New Orleans trumpeter Duke Heitger uses a Close H&B cup. I have a Ray Robinson cup (1950's), and both the H&B mic-a-mute and close H&B cup are far better for me. I have tried "everything" with it, but cant get the right sound with it. When close enough to the bell, the corks get too thin... |
Why not get an old adjustable Shastock and then you can put it as close or as far to the bell as you want? It can be extremely quiet when it's right on the bell. Just a beauty of a mute. I always get compliments on it. _________________ Mpcs: Jim New-Manley Jazz1/Jazz2/Jazz4/Lead3. Legends MF1. Reeves 39EX/HV. Frost 39MVD. Flugel: Jim NewMF3. Jim New-Manley F1+F2. Pickett MF. Reeves HF.
Trumpets: THE LYNNZHORN!!/Stomvi Forte pocket
Flugel: Manchester Brass Pro Model
Www.LexSamu.com |
|
Back to top |
|
|
kubban Regular Member
Joined: 30 Dec 2012 Posts: 15 Location: Norway
|
Posted: Sun Feb 02, 2014 3:28 pm Post subject: |
|
|
ljazztrm!
That's a very good solution you suggest!
The Shastock tonalcolor sure does the job!
I have two Shastock Tonalcolor cup mutes, one with the early simple screw tighting mechanism, and one with the later more solid tighting mechanism they settled on. They are both excellent sounding, and I use them sometimes.
But for me - now - the mic-a-mute and H&B cup make me sound the closest to what I want to sound like
edit: It is the Ray Robinson I can't get right.
Torstein _________________ 1924 Conn 22b New York symphony trumpet
1998 Getzen 850 model cornet
1950 C. Mahillon flugelhorn
+numerous current and vintage trumpets, cornets, mouthpieces, mutes - yes you know I guess... |
|
Back to top |
|
|
ljazztrm Heavyweight Member
Joined: 03 Dec 2001 Posts: 2681 Location: Queens and upstate, NY
|
|
Back to top |
|
|
kubban Regular Member
Joined: 30 Dec 2012 Posts: 15 Location: Norway
|
Posted: Sun Feb 02, 2014 3:48 pm Post subject: |
|
|
I'll check out the Peter Gane bucket, thanks!
It's a very important quality of a mute that it records fine!
Torstein Kubban _________________ 1924 Conn 22b New York symphony trumpet
1998 Getzen 850 model cornet
1950 C. Mahillon flugelhorn
+numerous current and vintage trumpets, cornets, mouthpieces, mutes - yes you know I guess... |
|
Back to top |
|
|
ljazztrm Heavyweight Member
Joined: 03 Dec 2001 Posts: 2681 Location: Queens and upstate, NY
|
Posted: Sun Feb 02, 2014 3:50 pm Post subject: |
|
|
I think there's a youtube of Alison Balsom using it... It's a really sweet mute and easy as putting a cup mute in. _________________ Mpcs: Jim New-Manley Jazz1/Jazz2/Jazz4/Lead3. Legends MF1. Reeves 39EX/HV. Frost 39MVD. Flugel: Jim NewMF3. Jim New-Manley F1+F2. Pickett MF. Reeves HF.
Trumpets: THE LYNNZHORN!!/Stomvi Forte pocket
Flugel: Manchester Brass Pro Model
Www.LexSamu.com |
|
Back to top |
|
|
jazz_trpt Heavyweight Member
Joined: 25 Nov 2001 Posts: 5734 Location: Savoy, Illinois, USA
|
Posted: Mon Feb 03, 2014 12:29 pm Post subject: |
|
|
ljazztrm wrote: | I think there's a youtube of Alison Balsom using it... It's a really sweet mute and easy as putting a cup mute in. |
I was just looking at these mutes this weekend. May I ask where you got yours? There don't appear to be a ton of distributors here in the USA. _________________ Jeff Helgesen
Free jazz solo transcriptions! |
|
Back to top |
|
|
ljazztrm Heavyweight Member
Joined: 03 Dec 2001 Posts: 2681 Location: Queens and upstate, NY
|
Posted: Mon Feb 03, 2014 5:29 pm Post subject: |
|
|
Hey Jeff, I had to get it overseas.. It was Thomann music I believe located in the UK. Best, Lex _________________ Mpcs: Jim New-Manley Jazz1/Jazz2/Jazz4/Lead3. Legends MF1. Reeves 39EX/HV. Frost 39MVD. Flugel: Jim NewMF3. Jim New-Manley F1+F2. Pickett MF. Reeves HF.
Trumpets: THE LYNNZHORN!!/Stomvi Forte pocket
Flugel: Manchester Brass Pro Model
Www.LexSamu.com |
|
Back to top |
|
|
rockford Heavyweight Member
Joined: 03 Aug 2007 Posts: 2477 Location: Northern VA
|
Posted: Mon Feb 03, 2014 6:06 pm Post subject: Re: Best mutes for vintage sounds?!?! |
|
|
trumanjazzguy wrote: | Hey all you beautiful people. I recently got into vintage mutes due to being in a traditional jazz and early rock and roll band.
I've acquired the following mutes recently:
1. CG Conn "maker" pixie (20's to 30's)
2. Humes and Berg Wah Wah Du All (copper)
3. 40's? V.J. LA Page aluminum cup mute
4. Humes and Berg Clear Tone (their version of a Shastock solo tone)
5. Really well sized plunger for standard bells
What other mutes would you recommend? Especially for growling and vocalizations? I'm looking to broaden my range of sonic expression here! | Is this the LaPage mute you mentioned? http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=291072492941 _________________ Bill Siegfried
NY/Mt. Vernon Bach trumpets. Yamaha flugelhorn and piccolo A/Bb, Monette and Hammond mouthpieces. Fender and Peavey Cirrus Bass Guitars. Ampeg and Genz-Benz amps. Embraer 170/175/190. |
|
Back to top |
|
|
giakara Heavyweight Member
Joined: 13 Jul 2003 Posts: 3832 Location: Greece
|
Posted: Tue Feb 04, 2014 1:11 am Post subject: |
|
|
ljazztrm wrote: | Hey Jeff, I had to get it overseas.. It was Thomann music I believe located in the UK. Best, Lex |
Thomann located in Germany but with this euro-dollar different you will pay lot of $$$ .
Regards _________________ Lawler TL5-1A Bb 2015
Lawler TL6-1A Bb 2004
Lawler TL5-1A Bb 2003
Getzen eterna 910 C
Getzen eterna 850 cornet
Selmer Paris 3 valve picc
Yamaha 731 flugel
Carol mini pocket
Reeves/Purviance mpcs |
|
Back to top |
|
|
Archie Sawyer Heavyweight Member
Joined: 16 Apr 2004 Posts: 668
|
Posted: Tue Feb 04, 2014 6:57 pm Post subject: |
|
|
jazz_trpt wrote: | ljazztrm wrote: | I think there's a youtube of Alison Balsom using it... It's a really sweet mute and easy as putting a cup mute in. |
I was just looking at these mutes this weekend. May I ask where you got yours? There don't appear to be a ton of distributors here in the USA. |
www.gerrybirch.co.uk
Gerry Birch makes the Peter Gane Bucket mute. I purchased mine directly from him. Great mute, one of my absolute favorites and extremely well made!
Archie |
|
Back to top |
|
|
RandyTX Heavyweight Member
Joined: 25 Mar 2010 Posts: 5299 Location: Central Texas
|
Posted: Tue Feb 04, 2014 7:00 pm Post subject: |
|
|
Archie Sawyer wrote: | www.gerrybirch.co.uk
Gerry Birch makes the Peter Gane Bucket mute. I purchased mine directly from him. Great mute, one of my absolute favorites and extremely well made!
Archie |
I did the same thing. I asked him, and he does not have any dealers in the US but will sell direct to you. |
|
Back to top |
|
|
trumanjazzguy Veteran Member
Joined: 18 Apr 2011 Posts: 403 Location: St. Louis, MO…or wherever the Ship I’m on is!
|
Posted: Wed Feb 05, 2014 12:08 am Post subject: Re: Best mutes for vintage sounds?!?! |
|
|
[/quote] Is this the LaPage mute you mentioned? http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=291072492941[/quote]
YES! The one on ebay now appears to have the cup WAY too far back. There's no way you could seat the corks with the cup that close to them. I found mine was adjusted as far forward as the cup can go, and it still is a close cup to the bell (unless I physically hold it out, corks unseated). It is both bright and warm sounding...yes, that's possible! A wonderful mute, weighs absolutely nothing. Is made out of such thin aluminum that mine has light depressions where the corks are glued to the cone from the pressure of pushing it into the bell. I've written research papers that were heavier than that mute, by far. Not one to knock around or drop! _________________ TPT: Nova LA
CRN: Getzen 1950’s W/5.5in bell
FL: Jupiter 1100R
‘Pieces:
TPT: 34-throat shallow double-cup, Chet Baker’s Custom Schilke, Bach Corp 3, Bach Mt. Vernon 6C, Ken Titmus BF Custom(s).
CRN: NY Giardinelli 7SV.
FL: Yamaha Bobby Shew |
|
Back to top |
|
|
sounds7 Heavyweight Member
Joined: 30 Jul 2004 Posts: 635 Location: New Orleans
|
Posted: Mon Feb 10, 2014 6:28 am Post subject: |
|
|
I am somewhat of a collector but I do occasionally have need for some of the old mutes when I get called for Traditional gigs or Big band era stuff plus they are just fun. My favorite mute for retro 20's is the Sastock solo tone, My favorite for the 40's sound is the Tonalcolor cup mute. My favorite all time Harmon Mute is still the original Chicago Harmon mute with intonation issues and all because of the sound.
Shastock
I have two Tonalcolor cups one in black and gold and one in white and gold (Play exactly the same)
Ditto with Shastock straight mutes I have one from the 20's with the violin Maple resonator and one slightly older probably from the 30's that just says straight mute and doesn't say violin maple resonator on it. Both of those are black then I have a newer white straight from the Micro period.
I have the Shastock solo tone with the brass ring on both ends (black)
Ray Robinson
Here I have two. The famous cup mute and the "Regular Mute" No Mel o Wah yet but I'm looking.
Selmer Stryotone England
Cup mute and Straight mute same period
Humes and Berg
Humes and Berg Stoneline Cup
Humes and Berg Stoneline Straight mute
Humes and Berg Stoneline Bucket Mellow tone
Humes and Berg Stoneline "Manny" mute
Wah Wah Harmon type mutes:
Harmon Mute An old original Chicago
Mufti mute Handmade by Gunnar Ullvén in Sweden known as the Dizzy Mute
Best Brass copper "cooljazz" mute
Tom Crown Copper Wah Wah
Assorted
easybucket mute formerly sold at easy bucket.com
Musik Amrein "AMR" handmade wooden straight mute made in Germany
Mutec adjustable copper cup mute
Peter Gane Bucket Mute
Tom Crown straight with copper bottom
Alessi Vacchiano Straight mute
JoRal Practice mute (Black)
AMT Chicago style trumpet plunger black
JoRal aluminum spun plunger
I have begun documenting my mutes in my photo bucket more images to come there in the future hopefully.
http://smg.photobucket.com/user/sounds7/library/Trumpet%20Mutes%20of%20a%20bygone%20era?sort=3&page=1
_________________ 47 Martin Committee #3
Buescher lightweight 400 228
Buescher lightweight 400 217
Taylor/Harrelson/MAW
Warburton model 235
Stomvi Mambo #5
Conn constellation 38a cor.
Courtois 301 Orchestra C
Yamaha Custom 9830 pic
Yamaha 731 /Harrelson mod |
|
Back to top |
|
|
rockford Heavyweight Member
Joined: 03 Aug 2007 Posts: 2477 Location: Northern VA
|
Posted: Mon Feb 10, 2014 10:39 am Post subject: Re: Best mutes for vintage sounds?!?! |
|
|
Is this the LaPage mute you mentioned? http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=291072492941[/quote]
Quote: | YES! The one on ebay now appears to have the cup WAY too far back. There's no way you could seat the corks with the cup that close to them. I found mine was adjusted as far forward as the cup can go, and it still is a close cup to the bell (unless I physically hold it out, corks unseated). It is both bright and warm sounding...yes, that's possible! A wonderful mute, weighs absolutely nothing. Is made out of such thin aluminum that mine has light depressions where the corks are glued to the cone from the pressure of pushing it into the bell. I've written research papers that were heavier than that mute, by far. Not one to knock around or drop! | Looks like the cup is adjustable and the picture was taken with the cup in the full in position. _________________ Bill Siegfried
NY/Mt. Vernon Bach trumpets. Yamaha flugelhorn and piccolo A/Bb, Monette and Hammond mouthpieces. Fender and Peavey Cirrus Bass Guitars. Ampeg and Genz-Benz amps. Embraer 170/175/190. |
|
Back to top |
|
|
|