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James Becker Heavyweight Member
Joined: 02 Sep 2005 Posts: 2827 Location: Littleton, MA
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Posted: Thu Jun 26, 2014 2:27 pm Post subject: Osmun blue printing service |
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After posting this on another thread I thought it was worthy of it's own.
This from Mike Myers.
Hello Bob, Jim, and Tim,
I will definitely be keeping the stock Bach 229H C trumpet with your blueprinting service that you mailed me last week. I used it on two programs at Grant Park in Chicago last week and just finished rehearsing our 3rd different program at our hall in Atlanta this week. Right out of the box, I was excited after playing the first scale on it and now have the confirmation needed after putting it through its paces on a wide variety of rep in familiar acoustics. Playability exceeds my expectations and the sound is exactly what I want and more importantly THOUGHT I had to give up.
I still can't believe someone didn't snatch this up at ITG. Current trends and all the chatter on Trumpet Herald must have people afraid of H pipes.
Thanks again for the trial, and I will spread the word on your blueprinting service.
Cheers!
Mike Myers
Atlanta Symphony
Grant Park Orchestra
We couldn't have hoped for a better outcome. A new C18022925H has just arrived from the Bach factory and is scheduled for our blue printing next week. Once completed this new Bach C will be available for trial and purchase. With every passing week we get more requests for our blue printing services. Call the shop 978-823-0580 or email jbecker@osmun.com to book your appointment.
_________________
James Becker
Brass Repair Specialist Since 1977
Osmun Music Inc.
77 Powdermill Road Rt.62
Acton, MA 01720
www.osmun.com
Our workshop is as close as your nearest UPS store http://go.mappoint.net/ups/PrxInput.aspx |
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AJCarter Heavyweight Member
Joined: 29 Apr 2007 Posts: 1280 Location: Indiana
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Posted: Thu Jun 26, 2014 4:37 pm Post subject: |
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I recently had my Bach 239/25H blue printed. When I got it back myself and my prof played it and were ecstatic with the results.
The horn plays with far more clarity and core to the sound than it ever has and I definitely feel like I don't have to work near as hard. This is something I have already shared and encouraged others to do to their horns before they decide to sell and just buy a new one.
Thanks again for all of your help Jim!
Alex Carter |
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Paul Tomashefsky Heavyweight Member
Joined: 04 Nov 2004 Posts: 733 Location: Worcester, MA
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Posted: Thu Jun 26, 2014 6:36 pm Post subject: |
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What exactly is "Blue Printing" on a Trumpet?
P. _________________ "Life Beats down and CRUSHES the soul, and Art reminds you that you have one" Stella Adler
"Music washes away the Dust of Everyday Life"
Art Blakey
"If you practice...It will come" Field of Trumpet Dreams |
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ProAm Heavyweight Member
Joined: 05 Feb 2008 Posts: 949
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Posted: Thu Jun 26, 2014 6:57 pm Post subject: |
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I believe that blueprinting means adjusting the horn so that it matches the intended specifications (such as on a V. Bach blueprint for the model) instead of what you get right off the assembly line.
Assembly line usually just gets close, at best, and can be way off, at worst. A bit of hands-on adjustment (like when they were all handmade in the old days) can make the horn play like Bach designed it to play. |
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jhatpro Heavyweight Member
Joined: 17 Mar 2002 Posts: 10204 Location: The Land Beyond O'Hare
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Posted: Thu Jun 26, 2014 7:17 pm Post subject: |
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What does it cost? _________________ Jim Hatfield
"The notes are there - find them.” Mingus
2021 Martinus Geelan Custom
2005 Bach 180-72R
1965 Getzen Eterna Severinsen
1946 Conn Victor
1998 Scodwell flugel
1986 Bach 181 cornet
1954 Conn 80A cornet
2002 Getzen bugle |
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LittleRusty Heavyweight Member
Joined: 11 Aug 2004 Posts: 12659 Location: Gardena, Ca
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Posted: Thu Jun 26, 2014 8:08 pm Post subject: |
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From another thread:
James Becker wrote: | Since my name was mentioned I'll tell you our experience with fixing Bach C trumpets.
We've seen dozens of C180L22925H and Philly/Chicago models with some pretty predictable problems . We measure and address all sorts of things from the mouthpiece receiver setting and concentricity, solder blobs, burrs, valve misalignmnet, bell crook out of round. When every one of these is corrected players experience improved response and pitch while retaining their characteristic Bach C trumpet sound.
The base price for our blue printing service is $310.00 on up depending on what we find, and can be performed same day with a scheduled appointment.
It's also worth mentioning a number of our satisfied Bach C blue printing clients have advanced and won some pretty prestigious posts lately. |
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jhatpro Heavyweight Member
Joined: 17 Mar 2002 Posts: 10204 Location: The Land Beyond O'Hare
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Posted: Fri Jun 27, 2014 3:42 am Post subject: |
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I'm sure the service is worth every penny but, still, it seems wrong that it could take ten percent or more of the cost of a new horn to get it to play to its potential. What if you were to buy a new car for $30,000 and the dealer said, "For another $3,000 or so we can make it run really good"? _________________ Jim Hatfield
"The notes are there - find them.” Mingus
2021 Martinus Geelan Custom
2005 Bach 180-72R
1965 Getzen Eterna Severinsen
1946 Conn Victor
1998 Scodwell flugel
1986 Bach 181 cornet
1954 Conn 80A cornet
2002 Getzen bugle |
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Geodude Heavyweight Member
Joined: 01 May 2006 Posts: 588 Location: Chicago 'burbs
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Posted: Fri Jun 27, 2014 5:10 am Post subject: |
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I don't know that it is really that different from cars. Most folks are perfectly content with what comes stock from the dealer. There are others who are looking for a higher level of performance and making sure that everything is "as spec'd" can make a discernible difference in performance for them.
Could car or horn manufacturers do this in house? Yes, but I cannot imaging the kind of work that is required is really suited for a production setting. Regardless of how it is accomplished, it couldn't happen for free. The skilled tech's required to do this sort of thing need to be paid for their time.
The bottom line is, if you like how your horn plays and sounds, just keep practicing and enjoy it. If that is not the case, someone like Mr. Becker might be able to make some adjustments and modifications that result in something you like more. |
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zaferis Heavyweight Member
Joined: 03 Nov 2011 Posts: 2322 Location: Beavercreek, OH
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Posted: Fri Jun 27, 2014 5:13 am Post subject: |
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actually, Jim, you can buy a new can and have it worked on to improve its performance.. most new cars are setup to be.. well.. "middle of the road" _________________ Freelance Performer/Educator
Adjunct Professor
Bach Trumpet Endorsing Artist
Retired Air Force Bandsman |
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James Becker Heavyweight Member
Joined: 02 Sep 2005 Posts: 2827 Location: Littleton, MA
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Posted: Fri Jun 27, 2014 5:15 am Post subject: |
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The great majority of manufactures simply do not have the time or inclination to perform valve alignments on every trumpet they build, though some may be better than others. Let me point out that any deviation greater than .005" will impact the play ability of any trumpet and our PVA is but one of the things we address when we blue print a trumpet.
As for automobiles I know a number of owners that the first thing they do with a new car purchase is take off the stock tires and install better ones at significant expense.
Now ask yourself how many trumpets and mouthpieces have you gone through in order to find the one that meets your requirements of sound quality and easy of playing?
I can't make up these testimonies from out clients, so you'll have to try it for yourself.
As that old saying goes "All the proofe of a pudding, is in the eating", per Rogers' Dictionary of Cliche and the Oxford Dictionary of Quotations. _________________ James Becker
Brass Repair Specialist Since 1977
Osmun Music Inc.
77 Powdermill Road Rt.62
Acton, MA 01720
www.osmun.com
Our workshop is as close as your nearest UPS store https://www.ups.com/dropoff?loc=en_US |
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bwoodard Heavyweight Member
Joined: 08 Jan 2009 Posts: 623 Location: Mich.
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Posted: Fri Jun 27, 2014 5:17 am Post subject: |
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It's called production tolerances. Have you ever heard of having an engine "blueprinted"? It's no different. Things can be within a designed build range and operate just fine. They can also be tweaked to operate a fuzz better without changing parts. _________________ Veteran comebacker!
Bob
2015 Harrelson Summit 4/10
2014 Getzen 4895 Flugelhorn
2014 Getzen 3850
2010 Callet Sima Bb
2010 Callet Sima C
73 Getzen Eterna Severinsen
48 Conn 80A Victor Cornet |
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James Becker Heavyweight Member
Joined: 02 Sep 2005 Posts: 2827 Location: Littleton, MA
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Posted: Fri Jun 27, 2014 5:41 am Post subject: |
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For more about our trumpet blue printing service you can read about it here:
http://www.osmun.com/blueprint
I hope this is helpful. _________________ James Becker
Brass Repair Specialist Since 1977
Osmun Music Inc.
77 Powdermill Road Rt.62
Acton, MA 01720
www.osmun.com
Our workshop is as close as your nearest UPS store https://www.ups.com/dropoff?loc=en_US |
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chuck in ny Heavyweight Member
Joined: 23 Sep 2006 Posts: 3597 Location: New York
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Posted: Fri Jun 27, 2014 6:04 am Post subject: |
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getting the receiver and bell crook tweaked, valve alignment, solder blobs, that is easily worth the price asked. they are not going to work to a high custom standard at the factory that's all there is to it. they work to an acceptable production standard.
i take it the bach C trumpets particularly benefit from this although it sounds like something that would be good for the Bb. ? |
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ghelbig Heavyweight Member
Joined: 27 May 2011 Posts: 908 Location: Reno, NV
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Posted: Fri Jun 27, 2014 6:15 am Post subject: |
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jhatpro wrote: | I'm sure the service is worth every penny but, still, it seems wrong that it could take ten percent or more of the cost of a new horn to get it to play to its potential. What if you were to buy a new car for $30,000 and the dealer said, "For another $3,000 or so we can make it run really good"? |
I see two sides to that.
1) It does happen with cars. There's a shop in Texas that for $10K plus rebuilds Ferraris to make them 'right'. In the racing world a motor is completely re-machined to the 'rule allowable' tolerance limits to squeeze out the last little bits of power.
2) It bothers me that a very popular horn is "buy if from here, then send it there to get it right". If everyone says to do that, why doesn't the maker just get it right in the 1st place?
But still, I have this one horn that I keep wondering "couldn't it be just a bit nicer?"
Gary. |
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loudog Heavyweight Member
Joined: 23 Nov 2001 Posts: 1443 Location: Hastings, NE
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Posted: Fri Jun 27, 2014 6:23 am Post subject: |
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This is nothing new to players of other instruments...
My wife is a clarinet player. Immediately following her purchase of her Buffet R-13 when she was in college, she put a several hundred dollar overhaul into it. Saxophonists do things like this too.
Bravo to Jim Becker for providing this service...sometimes these little tweaks can make the biggest difference in horns, without having to put $1000+ into conversions.
Louie _________________ -----------------------------------------------------------------
Dr. Louie Eckhardt, trumpeter
http://www.LouieEckhardt.com
Associate Professor of Music
Hastings College |
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crzytptman Heavyweight Member
Joined: 03 Sep 2003 Posts: 10124 Location: Escondido California
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Posted: Fri Jun 27, 2014 6:54 am Post subject: |
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I agree with both points of view expressed in this thread.I don't have any experience with Osmun, but I do have with that type of process.
Of course, my Wild Thing comes from the designer having been through the process. In addition, Flip Oakes has performed his Total Enhancement (or close, depending on bore size and tooling) on some of my other horns:
35 year old Bach 72*
Pocket Max
Kanstul flugel 1525 prototype
Getzen Eterna 4V flugel (sold to get the Kanstul)
Also, for my students:
Kanstul 700
Getzen 900
Bach Strad 37 (multiple)
In all cases, the performance of the instrument was dramatically improved. Low through high registers became homogenous in tone and resonance without having to favor certain valve combinations, and with a natural progression of effort.
I have no doubt that honorable and experienced craftsmen at Osmun would produce the same results.
But I also question the assembly process. Why isn't the same honor, experience and diligence applied to soldering tubes and assembling valves? If the design calls for holes and tubes to line up without obstruction, why not just assemble it that way? Especially with "artist quality" instruments?
Not all players are discerning. Not many have played a "blueprinted" horn to even know the difference. My students trusted my advise and were rewarded. Now it's hard to go back and play a horn that has stacking tolerances and bore obstructions.
The final piece is of course mpc gap. How many fine trumpets or mpcs have been rejected because of improper gap? _________________ Crazy Nate - Fine Yet Mellow Fellow
"so full of it I don't know where to start"
Horn: "just mismatched Kanstul spare parts"
- TH member and advertiser (name withheld) |
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homebilly Heavyweight Member
Joined: 24 Dec 2010 Posts: 2197 Location: Venice, CA & Paris, France
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Posted: Fri Jun 27, 2014 7:01 am Post subject: |
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my horn just wants a guaranteed happy ending!
_________________ ron meza (deadbeat jazz musician) & (TH 5 post ghost neighborhood watch ringleader)
waiting for Fed-Ex to deliver a $50 trumpet to my door. shipping was prepaid by seller of course!
http://ronmeza.com
http://highdefinitionbigband.com |
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Daniel Barenboim Veteran Member
Joined: 20 May 2011 Posts: 247
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Posted: Fri Jun 27, 2014 7:09 am Post subject: |
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None of the players that audition for me play Wild Things.
In truth,
DB |
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VetPsychWars Heavyweight Member
Joined: 07 Nov 2006 Posts: 7196 Location: Greenfield WI
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Posted: Fri Jun 27, 2014 7:11 am Post subject: |
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This is why I've had every horn I plan to play restored. Charlie takes it apart, makes whatever corrections are needed, and solders it back together in the best way possible. If the bell bow is flattened, it gets rounded out. Same for any other crook. Once it's together, I know it's right.
crzytptman wrote: |
The final piece is of course mpc gap. How many fine trumpets or mpcs have been rejected because of improper gap? |
Probably a lot... and I hesitate to answer "how does it play?" questions sometimes because we're all different and using different mouthpieces, have different lips intruding into the mouthpiece cup, some play efficiently with not much air, some blow a lot of air...
But I do tell you this, working to get better is easier in the mind when you know the horn is right and any issues are the player.
Tom _________________ 1950 Buescher Lightweight 400 Trumpet
1949 Buescher 400 Trumpet
1939 Buescher 400 Cornet
GR65M, GR65 Cor #1 |
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shofarguy Heavyweight Member
Joined: 18 Sep 2007 Posts: 7010 Location: AZ
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Posted: Fri Jun 27, 2014 8:31 am Post subject: |
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Daniel Barenboim wrote: | None of the players that audition for me play Wild Things.
In truth,
DB |
This comment is irrelevant to the discussion. _________________ Brian A. Douglas
Flip Oakes Wild Thing Bb Trumpet in copper
Flip Oakes Wild Thing Flugelhorn in copper
There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds. |
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