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RandyTX Heavyweight Member
Joined: 25 Mar 2010 Posts: 5299 Location: Central Texas
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Posted: Sat Oct 02, 2021 10:13 am Post subject: |
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I can think of only one objection to the zinger, and that's the volume, or lack of volume, that you can get out of it. If you have to play it in a large ensemble without a mic, good look being heard on it. Especially if you're playing outdoors. It's great recorded or through a PA with a good quality mic, but not super practical without that, imo. _________________ "Music is like candy, you throw the (w)rappers away." |
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adagiotrumpet Heavyweight Member
Joined: 31 May 2006 Posts: 906
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Posted: Sat Oct 02, 2021 4:24 pm Post subject: |
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RandyTX wrote: | I can think of only one objection to the zinger, and that's the volume, or lack of volume, that you can get out of it. If you have to play it in a large ensemble without a mic, good look being heard on it. Especially if you're playing outdoors. It's great recorded or through a PA with a good quality mic, but not super practical without that, imo. |
Interesting. My experience has been the opposite. Of all the harmon mutes I own, the aluminum Zinger cuts through a big band better than any of the others. |
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improver Heavyweight Member
Joined: 14 Mar 2004 Posts: 1455
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Posted: Sat Oct 02, 2021 7:00 pm Post subject: |
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Joral bubble |
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Louise Finch Heavyweight Member
Joined: 10 Aug 2012 Posts: 5467 Location: Suffolk, England
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Posted: Sun Oct 03, 2021 5:38 am Post subject: |
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Has anyone else found that it makes a difference depending on the trumpet?
I used to use a JoRal aluminium on my Bach 37, but switched to a Denis Wick ET when I switched to my Yamaha Xeno II. For some reason, the JoRal aluminium wasn't giving me the harmon sound I wanted on my Xeno II (I'm not considering projection). I suppose it makes sense that trumpets with an inherently different unmuted sound, are going to sound different with the same mute.
Anyway, I never liked the Denis Wick ET on my Bach 37, but it is my go to harmon mute on my Yamaha Xeno II.
Has anyone else found something similar?
All the best
Lou _________________ Trumpets:
Yamaha 8335 Xeno II
Bach Strad 180ML/37
B&H Oxford
Kanstul F Besson C
Yamaha D and D/Eb
- James R New Custom 3Cs
Flugel:
Bach Strad 183 - Bach 3CFL
Cornets:
Yamaha Neo + Xeno
Bach Strad 184ML
B&H Imperial
- Kanstul Custom 3Cs |
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Fuzzy Dunlop Heavyweight Member
Joined: 25 Jun 2011 Posts: 630
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Posted: Sun Oct 03, 2021 7:15 am Post subject: |
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adagiotrumpet wrote: | RandyTX wrote: | I can think of only one objection to the zinger, and that's the volume, or lack of volume, that you can get out of it. If you have to play it in a large ensemble without a mic, good look being heard on it. Especially if you're playing outdoors. It's great recorded or through a PA with a good quality mic, but not super practical without that, imo. |
Interesting. My experience has been the opposite. Of all the harmon mutes I own, the aluminum Zinger cuts through a big band better than any of the others. |
The Zinger is easily the loudest harmon I have ever played. |
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cbtj51 Heavyweight Member
Joined: 24 Nov 2015 Posts: 725 Location: SE US
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Posted: Sun Oct 03, 2021 10:46 am Post subject: |
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Regarding the Zinger; "That buzz cuts!" according to the conductor of one of large ensembles I belong to.
Mike _________________ '71 LA Benge 5X Bb
'72 LA Benge D/Eb
'76 Bach CL 229/25A C
‘92 Bach 37 Bb
'98 Getzen 895S Flugelhorn
'00 Bach 184 Cornet
'02 Yamaha 8335RGS
'16 Bach NY 7
'16 XO 1700RS Piccolo
Reeves 41 Rimmed Mouthpieces |
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RandyTX Heavyweight Member
Joined: 25 Mar 2010 Posts: 5299 Location: Central Texas
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Posted: Thu Oct 07, 2021 11:31 am Post subject: |
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Hmm, I wonder if they vary, of they've been changed a bit since first introduced. I bought one very early on after they came out, long before the Doc special paint job versions and such. I'll try one of the newer ones if I come across them at a trade show or something. _________________ "Music is like candy, you throw the (w)rappers away." |
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dershem Heavyweight Member
Joined: 14 Jun 2007 Posts: 1887 Location: San Diego, CA
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Posted: Thu Oct 07, 2021 5:02 pm Post subject: |
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Mike Sailors wrote: | Charley Davis aluminum harmon. |
Yes. Just got one, and it's great. It plays in tune! _________________ BKA! Mic Gillette was my mentor and friend.
Marcinkiewicz Mic G. trumpet, Custom Marcinkiewicz mpc. (Among others)
Marcinkiewicz Rembrandt flugel, Benge 8Z cornet, King 2B, Bach 36, Benge 190, Getzen 3062... many more. All Marc. mouthpieces. |
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trickg Heavyweight Member
Joined: 02 Jan 2002 Posts: 5677 Location: Glen Burnie, Maryland
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Posted: Thu Oct 07, 2021 7:43 pm Post subject: |
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dershem wrote: | Mike Sailors wrote: | Charley Davis aluminum harmon. |
Yes. Just got one, and it's great. It plays in tune! |
But do YOU play in tune? Intonation is a flexible thing.
I'd be willing to bet a pretty solid chunk of money that tested in a blind test, open and with the mute in, your intonation is going to change with the mute. It pretty much has to - you're changing the bell's natural resonance and you're adding resistance to the horn.
The real question is, how much it changes, and whether your ear and embouchure can easily compensate for it? _________________ Patrick Gleason
- Jupiter 1600i, ACB 3C, Warburton 4SVW/Titmus RT2
- Brasspire Unicorn C
- ACB Doubler
"95% of the average 'weekend warrior's' problems will be solved by an additional 30 minutes of insightful practice." - PLP |
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Abraxas Veteran Member
Joined: 31 Jan 2018 Posts: 345 Location: London, Canada
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Posted: Fri Oct 08, 2021 6:37 am Post subject: |
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Trent Austin did a great series on mute comparisons including weight on Youtube. |
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