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Trad Gig in Tight Quarters


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jhatpro
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PostPosted: Wed Jan 31, 2018 4:56 am    Post subject: Reply with quote

All valid. I just wish someone in our group could sing. Thanks.
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Richard III
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PostPosted: Wed Jan 31, 2018 5:52 am    Post subject: Reply with quote

jhatpro wrote:
All valid. I just wish someone in our group could sing. Thanks.


Trumanjazzguy hit it right on the head. Smaller group means more money for each player and smaller is so marketable. Singer? I never sang in my entire life until our last gig. Style is everything. Go listen to some successful trad bands and you will hear singers that hit the style and don't have great voices.

Vocal music makes up 80% at least of our songs. Why? The public wants vocals. Instrumentals are for musicians. People want stuff they recognize and remember.

Our last trip to New Orleans we saw some great bands. We also saw a band with a female singer that had a pretty voice. Totally cheesy songs and arrangements featuring her with sax backing. Totally forgettable. Actually was kind of annoying. And the crowd ignored them all evening. No character to the sound.
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jhatpro
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PostPosted: Wed Jan 31, 2018 9:37 am    Post subject: Reply with quote

This is shaping up as a grand experiment. I'll keep you all posted. Thanks for all the good replies.
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area51recording
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PostPosted: Wed Jan 31, 2018 11:22 am    Post subject: Reply with quote

One drummer I work with around here knocks it down to a snare (played with brushes) and hi hat on such gigs. This guy swings his butt off and would sound good playing a shoebox, so it still totally works.....
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Turkle
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PostPosted: Wed Jan 31, 2018 12:10 pm    Post subject: Reply with quote

area51recording wrote:
One drummer I work with around here knocks it down to a snare (played with brushes) and hi hat on such gigs. This guy swings his butt off and would sound good playing a shoebox, so it still totally works.....


+1 - very common in cocktail bar situations around NYC, I find.

The #1 rule of drumming is that all drummers play too loud, all the time, so if you knock them down to a toy kit you might stand a chance.

Here's an interesting website: http://compactdrums.com/

I was considering buying one of those tiny little kits just because I'm sick to death of drummers trying to play jazz on whatever hulking rock'n'roll kit the bar has on backline. "You play with me, you use my drums."
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jazz_trpt
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PostPosted: Wed Jan 31, 2018 12:20 pm    Post subject: Reply with quote

Not every band is meant to fit in every space.

If it were me I'd do it with 3-4 players tops or just turn the gig down. UNLESS they were offering $$ I didn't feel like I could pass up.
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jhatpro
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PostPosted: Wed Jan 31, 2018 12:54 pm    Post subject: Reply with quote

While I really hate to drop players just to make a few extra bucks it may come to that.

I'm going to drop by the venue with a tape measure and find out exactly how much floor space we might have. Then I'm going to bring some tape to rehearsal tomorrow and mark off the space and see if we can deal with it.

The tale of the tape may make it obvious how many players we can use.
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Turkle
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PostPosted: Wed Jan 31, 2018 1:41 pm    Post subject: Reply with quote

I do a whole lot of gigs with just piano, trumpet/flugel, and a singer. For those small venues you don't even need drums, especially if it's a restaurant where people are trying to talk.

(I just really don't like playing with drummers! They are always so dang loud!!)
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Jazz Beatnik
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PostPosted: Thu Feb 01, 2018 10:09 am    Post subject: I've done some tight coffee-shope gigs similar to this... Reply with quote

I've done some gigs at small coffee-shops and sandwich shops with a drummer, upright bass, electric guitar, and me (trumpet/flugelhorn). The drummer actually used a small set which consisted of bass, snare, mounted tom, high hat, and ride (once he even crammed in a floor tom).

All I can tell you is you have to show up early, and be aggressive about claiming space in the shop. Even if it means rearranging their seating to make even the slightest amount of extra room for the band. You will probably get some little complaints, but always remind them how much value they bare getting for what they are paying. And, if your group is good, they will forget all about their minor/temporary rearrangements. Plus, you will find that once you start playing, some people won't even mind standing for a set or two.

anyway, it will still be cramped, and you will have to pay extra close attention to dynamics, but the space thing will be in YOUR favor.
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jhatpro
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PostPosted: Thu Feb 01, 2018 10:16 am    Post subject: Reply with quote

Just finished a very good rehearsal for which I used masking tape on the floor to delineate a 9x7 rectangle. We shucked some equipment (no bass drum, tuba instead of upright bass) and the 6 of us fit fine.

It was cozy but as the previous poster just suggested, tight space can actually work to your advantage: we sounded really good because we had closer contact with one another.
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2021 Martinus Geelan Custom
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cheiden
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PostPosted: Thu Feb 01, 2018 11:36 am    Post subject: Reply with quote

One of the best gigs I ever had with my old pop band was when we were crowded onto a tiny stage. These days I still struggle when bands insist on needlessly spreading out to fill a big stage.
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BeboppinFool
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PostPosted: Thu Feb 01, 2018 11:47 am    Post subject: Reply with quote

For what it's worth, there's a guy here in the Asheville area named Russ Wilson, and he plays many, many gigs using just his snare drum and brushes. Nothing else.

And I tell you what, he sounds so good on that one drum that I have booked him on gigs and requested that he only bring his snare and brushes. I'm sure there are other drummers who can do a great job with very little equipment.
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jazz_trpt
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PostPosted: Thu Feb 01, 2018 12:32 pm    Post subject: Reply with quote

BeboppinFool wrote:
For what it's worth, there's a guy here in the Asheville area named Russ Wilson, and he plays many, many gigs using just his snare drum and brushes. Nothing else.

And I tell you what, he sounds so good on that one drum that I have booked him on gigs and requested that he only bring his snare and brushes. I'm sure there are other drummers who can do a great job with very little equipment.


I've seen two different world-class Chicago drummers, respectively, sit in on (1) snare and small ride cymbal, and (2) just ride cymbal...WITHOUT A STAND.
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aaronwolf1
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PostPosted: Sun Feb 04, 2018 5:49 pm    Post subject: Reply with quote

Do you really need all of the horn players?
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Richard III
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PostPosted: Sun Feb 04, 2018 5:57 pm    Post subject: Reply with quote

aaronwolf1 wrote:
Do you really need all of the horn players?


We saw G and the Swinging 3 the time before last in New Orleans. Loved them. Videos don't do them justice but:

https://www.youtube.com/watch?v=ewuvO48FFHM
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giakara
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PostPosted: Mon Feb 05, 2018 3:42 am    Post subject: Reply with quote

For me is too big combo for this place , if you realy want the job leave the bone out and tell to the drummer to use a most minimal set he can.

Regards
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jhatpro
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PostPosted: Mon Feb 05, 2018 1:29 pm    Post subject: Reply with quote

These are guys I enjoy playing with. I'm not tossing people overboard just to makea few bucks. Besides, to me trad without a full front line would sound pretty bland - sort of like pizza from anywhere but Chicago.
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"The notes are there - find them.” Mingus

2021 Martinus Geelan Custom
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MikeyMike
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PostPosted: Mon Feb 05, 2018 2:38 pm    Post subject: Reply with quote

jhatpro wrote:
These are guys I enjoy playing with. I'm not tossing people overboard just to makea few bucks. Besides, to me trad without a full front line would sound pretty bland - sort of like pizza from anywhere but Chicago.


Jim, not tossing anyone overboard is appreciated. Another way of looking at it is to use the small ensemble - when such a thing is TRULYnecessary - as a way to get MORE gigs for the full band. And no argument from me about the full sound. By all means, get 'em all up there if you can.

But for the love of all that is sacred and holy DO NOT get me started on Chicago pizza. Next thing you know a bunch of tourists who don't even know what "wet with hot and sweet" means will be spewing on Chicago cuisine.
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jhatpro
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PostPosted: Mon Feb 05, 2018 3:05 pm    Post subject: Reply with quote

Love it!
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"The notes are there - find them.” Mingus

2021 Martinus Geelan Custom
2005 Bach 180-72R
1965 Getzen Eterna Severinsen
1946 Conn Victor
1998 Scodwell flugel
1986 Bach 181 cornet
1954 Conn 80A cornet
2002 Getzen bugle
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plp
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PostPosted: Mon Feb 05, 2018 3:16 pm    Post subject: Reply with quote

I might be able to contribute something useful here, but you may not want to hear it.

Build around what the percussionist agrees to.

I play in a 15 piece band, every gig is about fitting the band into the assigned space.

When our percussionist (she has a Master's degree in applied percussion, performance) says it can't be done, it can't be done.

We have canceled some gigs because they can't provide the square footage.

She has done a 3 hour gig on clavinets, maracas, and beatbox, because that was all the room we had.
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