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Monster Oil Heavyweight Member
Joined: 16 Sep 2014 Posts: 512 Location: New London, CT
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Posted: Thu Feb 01, 2018 9:14 pm Post subject: George Vosburgh Brass Chat is Live! And coupon... |
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Brass Chats is back. We are very sorry to have broken our streak of 35(?) months in a row. But we are back with a vengeance. No, that sounds awfully violent - back with a lot of questions in the hopes that we might improve as trumpet players? Yeah, something like that.
And then there was George. Yes, George Vosburgh...I never thought the stories I heard my whole life could possibly be true, but now I believe every one of them. George is a very intense man who readily admits to being extreme about damn near anything. This is a man who admits to wearing ankle weights around his wrists when he practiced so that when he performed everything felt light.
And a man who speaks frankly about why he left the Pittsburgh Symphony.
And a man who isn't afraid to tell you he was the hottest thing on Long Island when he was 13.
And a man who was playing trumpet 12 hours a day for over a decade while with the Chicago Symphony.
Subtlety - sorry you won't find that here.
Head over to www.brasschats.com and give it a go. It's a long one - editing was very difficult because there is so much interesting and relevant content. So we decided to leave just about everything.
Also head over to www.monsteroil.net and enter coupon code 'ILOVEGEORGE' for 20% off your order. This is the largest coupon we've had almost ever, and we plan on only doing smaller coupons at least for the near future. It expires at the end of the month.
Hope you enjoy this one - we have already filmed every episode for 2018, so stay tuned!
Much love,
Monsters _________________ www.MonsterOil.net
www.Facebook.com/MonsterOilLLC
www.YouTube.com/BrassChats
www.BrassChats.com |
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tubbs831 Heavyweight Member
Joined: 23 Mar 2005 Posts: 981 Location: Massachusetts/New Hampshire
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Posted: Fri Feb 02, 2018 6:38 am Post subject: |
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I'm almost through this now. Amazing interview! |
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Vin DiBona Heavyweight Member
Joined: 24 Dec 2003 Posts: 1473 Location: OHare area
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Posted: Mon Feb 05, 2018 8:59 am Post subject: |
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I'm sure some Yamaha players would disagree with his assessment of their trumpets.
R. Tomasek |
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a.kemp Heavyweight Member
Joined: 28 Aug 2008 Posts: 677 Location: NYC
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Posted: Mon Feb 05, 2018 9:31 am Post subject: |
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Vin DiBona wrote: | I'm sure some Yamaha players would disagree with his assessment of their trumpets.
R. Tomasek |
No doubt. But, I’m cool with what he’s saying. He’s always played on Bachs!
And, has never had a need to change. Clearly, he felt what he used was best for him and in his Hall.
Most Orchestral players do admit that there is something to the ‘Bach sound’
My opinion is that once you are a few rows out into the hall, you can’t really tell such a difference. But, the player hears and feels differences.
I sound like me whether I’m playing my Yamaha Chicago or Bach C. I do feel more in control on my Yamaha. I do ‘like the feel’ just as he stated. If that gives me a 5% edge over my bach, to many, it’s worth it.
They’re both good. Play what works best for you.... |
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Geodude Heavyweight Member
Joined: 01 May 2006 Posts: 588 Location: Chicago 'burbs
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Posted: Mon Feb 05, 2018 10:26 am Post subject: |
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Interesting interview! Thanks to the Monsters for continuing to do these. please keep 'em coming! |
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Monster Oil Heavyweight Member
Joined: 16 Sep 2014 Posts: 512 Location: New London, CT
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aTrumpetdude Regular Member
Joined: 20 Jun 2016 Posts: 74
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OldKing Regular Member
Joined: 26 May 2017 Posts: 89 Location: Boerne, TX
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Posted: Mon Feb 05, 2018 5:12 pm Post subject: |
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I got a lot out of it. Thank you very much for doing these interviews. _________________ For if the trumpet give an uncertain sound, who shall prepare himself to the battle? - 1 Cor 14:8 |
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trumpet56 Heavyweight Member
Joined: 16 Jun 2010 Posts: 623
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Posted: Mon Feb 05, 2018 6:27 pm Post subject: |
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Vin DiBona wrote: | I'm sure some Yamaha players would disagree with his assessment of their trumpets.
R. Tomasek |
I remember back in the 70's a Bach Bell with a Schilke Valve Block was all the rage. |
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mhenrikse Veteran Member
Joined: 21 Jul 2009 Posts: 162
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Posted: Mon Feb 05, 2018 7:23 pm Post subject: |
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Interesting question about the all-time greatest quintet. I would choose: Smedvig, Nakariakov, Clevenger, Alessi, Roger Bobo. |
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MPWall1 Veteran Member
Joined: 18 Sep 2002 Posts: 238 Location: Rochelle Park, NJ
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Posted: Tue Feb 06, 2018 7:24 am Post subject: |
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I really enjoyed that! Awesome job.
So many interesting stories...now I'll watch it again.
Where did you shoot that interview?
Thanks for doing these.
All the best,
Michael _________________ Michael Patrick Wall, Ed.D.
Independent Researcher in Music Education |
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Monster Oil Heavyweight Member
Joined: 16 Sep 2014 Posts: 512 Location: New London, CT
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GeorgeB Heavyweight Member
Joined: 20 Apr 2016 Posts: 1063 Location: New Glasgow, Nova Scotia
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Posted: Tue Feb 06, 2018 9:00 am Post subject: |
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Excellent interview. Vosburgh is really interesting, but I tell you, I came away from watching that interview with the feeling that I don't have enough talent to even shine his Bach, and I am way too old to be inspired enough to try to do anything about it... LOL. _________________ GeorgeB
1960s King Super 20 Silversonic
2016 Manchester Brass Custom
1938-39 Olds Recording
1942 Buescher 400 Bb trumpet
1952 Selmer Paris 21 B
1999 Conn Vintage One B flat trumpet
2020 Getzen 490 Bb
1962 Conn Victor 5A cornet |
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Turkle Heavyweight Member
Joined: 29 Apr 2008 Posts: 2450 Location: New York City
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Posted: Tue Feb 06, 2018 9:40 am Post subject: |
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This was awesome, thanks to the Monster Oil team for making it happen, and of course George Vosburgh for sharing his time and insights.
I love this series and I've learned something valuable from every one of them.
I found particularly inspiring his description of sitting next to Bud and having the sound just soar over the whole orchestra... And after assuming Principal Trumpet duties at Pittsburgh, it took him a year to find that in his own Tessitura range...
Great stuff folks, thanks. _________________ Yamaha 8310Z trumpet
Yamaha 8310Z flugel
Curry 3. |
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dstdenis Heavyweight Member
Joined: 25 May 2013 Posts: 2123 Location: Atlanta GA
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Posted: Tue Feb 06, 2018 7:26 pm Post subject: |
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Great interview. I loved hearing those stories and learning how a top pro does it. Thanks to Mr. Vosburgh for sharing his thoughts and to the Monsters for arranging this. _________________ Bb Yamaha Xeno 8335IIS
Cornet Getzen Custom 3850S
Flugelhorn Courtois 155R
Piccolo Stomvi |
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CJceltics33 Veteran Member
Joined: 24 Aug 2017 Posts: 475
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Posted: Wed Feb 14, 2018 12:42 pm Post subject: |
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Has anyone tried and had success with his concept of endurance ? |
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LaTrompeta Heavyweight Member
Joined: 03 May 2015 Posts: 867 Location: West Side, USA
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Posted: Wed Feb 14, 2018 7:27 pm Post subject: |
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Learned some good new things. I agree with his evaluation of Bach vs. et. al. I really dig the way Bach trumpets (and those who play them) sound. _________________ Please join me as well at:
https://trumpetboards.com |
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RandyTX Heavyweight Member
Joined: 25 Mar 2010 Posts: 5299 Location: Central Texas
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Posted: Wed Feb 14, 2018 9:42 pm Post subject: |
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I really was hoping to hear that story about the trumpet parts near the end of the Bartok Concerto for Orchestra that he said "remind me to tell you later" about earlier in the interview. Maybe if there is a part 2 we'll find out.
Fair to say Yamaha will not like this video getting around. _________________ "Music is like candy, you throw the (w)rappers away." |
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TimbersArmy Regular Member
Joined: 02 Jun 2011 Posts: 23 Location: Pacific Northwest
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Posted: Thu Feb 15, 2018 7:15 am Post subject: |
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Here's the story: "Roger Voisin, long-time principal trumpet of the Boston Symphony Orchestra, was in his prime when Bartók wrote his Concerto. During a rehearsal of the work, Bartók decided to re-orchestrate a disjunct and thorny excerpt in the fifth movement for trumpet, after Voisin accidentally played cues that were originally written for clarinet." (From "Collective Virtuosity in Bartók's Concerto for Orchestra" by Michael Mauskapf)
And thus an excerpt was born...thanks, Rog |
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RandyTX Heavyweight Member
Joined: 25 Mar 2010 Posts: 5299 Location: Central Texas
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Posted: Fri Feb 16, 2018 6:34 pm Post subject: |
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TimbersArmy wrote: | Here's the story: "Roger Voisin, long-time principal trumpet of the Boston Symphony Orchestra, was in his prime when Bartók wrote his Concerto. During a rehearsal of the work, Bartók decided to re-orchestrate a disjunct and thorny excerpt in the fifth movement for trumpet, after Voisin accidentally played cues that were originally written for clarinet." (From "Collective Virtuosity in Bartók's Concerto for Orchestra" by Michael Mauskapf)
And thus an excerpt was born...thanks, Rog |
Cool, thank you for that. _________________ "Music is like candy, you throw the (w)rappers away." |
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