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George Vosburgh Brass Chat is Live! And coupon...


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Monster Oil
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PostPosted: Thu Feb 01, 2018 9:14 pm    Post subject: George Vosburgh Brass Chat is Live! And coupon... Reply with quote

Brass Chats is back. We are very sorry to have broken our streak of 35(?) months in a row. But we are back with a vengeance. No, that sounds awfully violent - back with a lot of questions in the hopes that we might improve as trumpet players? Yeah, something like that.

And then there was George. Yes, George Vosburgh...I never thought the stories I heard my whole life could possibly be true, but now I believe every one of them. George is a very intense man who readily admits to being extreme about damn near anything. This is a man who admits to wearing ankle weights around his wrists when he practiced so that when he performed everything felt light.

And a man who speaks frankly about why he left the Pittsburgh Symphony.

And a man who isn't afraid to tell you he was the hottest thing on Long Island when he was 13.

And a man who was playing trumpet 12 hours a day for over a decade while with the Chicago Symphony.

Subtlety - sorry you won't find that here.

Head over to www.brasschats.com and give it a go. It's a long one - editing was very difficult because there is so much interesting and relevant content. So we decided to leave just about everything.

Also head over to www.monsteroil.net and enter coupon code 'ILOVEGEORGE' for 20% off your order. This is the largest coupon we've had almost ever, and we plan on only doing smaller coupons at least for the near future. It expires at the end of the month.

Hope you enjoy this one - we have already filmed every episode for 2018, so stay tuned!

Much love,

Monsters
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tubbs831
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PostPosted: Fri Feb 02, 2018 6:38 am    Post subject: Reply with quote

I'm almost through this now. Amazing interview!
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Vin DiBona
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PostPosted: Mon Feb 05, 2018 8:59 am    Post subject: Reply with quote

I'm sure some Yamaha players would disagree with his assessment of their trumpets.
R. Tomasek
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a.kemp
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PostPosted: Mon Feb 05, 2018 9:31 am    Post subject: Reply with quote

Vin DiBona wrote:
I'm sure some Yamaha players would disagree with his assessment of their trumpets.
R. Tomasek


No doubt. But, I’m cool with what he’s saying. He’s always played on Bachs!
And, has never had a need to change. Clearly, he felt what he used was best for him and in his Hall.

Most Orchestral players do admit that there is something to the ‘Bach sound’
My opinion is that once you are a few rows out into the hall, you can’t really tell such a difference. But, the player hears and feels differences.

I sound like me whether I’m playing my Yamaha Chicago or Bach C. I do feel more in control on my Yamaha. I do ‘like the feel’ just as he stated. If that gives me a 5% edge over my bach, to many, it’s worth it.

They’re both good. Play what works best for you....
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Geodude
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PostPosted: Mon Feb 05, 2018 10:26 am    Post subject: Reply with quote

Interesting interview! Thanks to the Monsters for continuing to do these. please keep 'em coming!
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Monster Oil
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PostPosted: Mon Feb 05, 2018 1:34 pm    Post subject: Reply with quote

Vin DiBona wrote:
I'm sure some Yamaha players would disagree with his assessment of their trumpets.
R. Tomasek


Yeah, but disagreement is a helluva lot more fun than agreement...
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aTrumpetdude
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PostPosted: Mon Feb 05, 2018 4:36 pm    Post subject: Reply with quote

That was really great, thanks!
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OldKing
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PostPosted: Mon Feb 05, 2018 5:12 pm    Post subject: Reply with quote

I got a lot out of it. Thank you very much for doing these interviews.
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trumpet56
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PostPosted: Mon Feb 05, 2018 6:27 pm    Post subject: Reply with quote

Vin DiBona wrote:
I'm sure some Yamaha players would disagree with his assessment of their trumpets.
R. Tomasek


I remember back in the 70's a Bach Bell with a Schilke Valve Block was all the rage.
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mhenrikse
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PostPosted: Mon Feb 05, 2018 7:23 pm    Post subject: Reply with quote

Interesting question about the all-time greatest quintet. I would choose: Smedvig, Nakariakov, Clevenger, Alessi, Roger Bobo.
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MPWall1
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PostPosted: Tue Feb 06, 2018 7:24 am    Post subject: Reply with quote

I really enjoyed that! Awesome job.

So many interesting stories...now I'll watch it again.

Where did you shoot that interview?

Thanks for doing these.

All the best,
Michael
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Monster Oil
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PostPosted: Tue Feb 06, 2018 7:53 am    Post subject: Reply with quote

MPWall1 wrote:
I really enjoyed that! Awesome job.

So many interesting stories...now I'll watch it again.

Where did you shoot that interview?

Thanks for doing these.

All the best,
Michael


Thanks for the kind words! We filmed at the William Penn Hotel in Pittsburgh.
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GeorgeB
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PostPosted: Tue Feb 06, 2018 9:00 am    Post subject: Reply with quote

Excellent interview. Vosburgh is really interesting, but I tell you, I came away from watching that interview with the feeling that I don't have enough talent to even shine his Bach, and I am way too old to be inspired enough to try to do anything about it... LOL.
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Turkle
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PostPosted: Tue Feb 06, 2018 9:40 am    Post subject: Reply with quote

This was awesome, thanks to the Monster Oil team for making it happen, and of course George Vosburgh for sharing his time and insights.

I love this series and I've learned something valuable from every one of them.

I found particularly inspiring his description of sitting next to Bud and having the sound just soar over the whole orchestra... And after assuming Principal Trumpet duties at Pittsburgh, it took him a year to find that in his own Tessitura range...

Great stuff folks, thanks.
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dstdenis
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PostPosted: Tue Feb 06, 2018 7:26 pm    Post subject: Reply with quote

Great interview. I loved hearing those stories and learning how a top pro does it. Thanks to Mr. Vosburgh for sharing his thoughts and to the Monsters for arranging this.
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CJceltics33
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PostPosted: Wed Feb 14, 2018 12:42 pm    Post subject: Reply with quote

Has anyone tried and had success with his concept of endurance ?
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LaTrompeta
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PostPosted: Wed Feb 14, 2018 7:27 pm    Post subject: Reply with quote

Learned some good new things. I agree with his evaluation of Bach vs. et. al. I really dig the way Bach trumpets (and those who play them) sound.
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RandyTX
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PostPosted: Wed Feb 14, 2018 9:42 pm    Post subject: Reply with quote

I really was hoping to hear that story about the trumpet parts near the end of the Bartok Concerto for Orchestra that he said "remind me to tell you later" about earlier in the interview. Maybe if there is a part 2 we'll find out.

Fair to say Yamaha will not like this video getting around.
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TimbersArmy
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PostPosted: Thu Feb 15, 2018 7:15 am    Post subject: Reply with quote

Here's the story: "Roger Voisin, long-time principal trumpet of the Boston Symphony Orchestra, was in his prime when Bartók wrote his Concerto. During a rehearsal of the work, Bartók decided to re-orchestrate a disjunct and thorny excerpt in the fifth movement for trumpet, after Voisin accidentally played cues that were originally written for clarinet." (From "Collective Virtuosity in Bartók's Concerto for Orchestra" by Michael Mauskapf)

And thus an excerpt was born...thanks, Rog
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RandyTX
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PostPosted: Fri Feb 16, 2018 6:34 pm    Post subject: Reply with quote

TimbersArmy wrote:
Here's the story: "Roger Voisin, long-time principal trumpet of the Boston Symphony Orchestra, was in his prime when Bartók wrote his Concerto. During a rehearsal of the work, Bartók decided to re-orchestrate a disjunct and thorny excerpt in the fifth movement for trumpet, after Voisin accidentally played cues that were originally written for clarinet." (From "Collective Virtuosity in Bartók's Concerto for Orchestra" by Michael Mauskapf)

And thus an excerpt was born...thanks, Rog


Cool, thank you for that.
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