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Professionals Playing Student Flugelhorns?


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dsmowersmusic
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PostPosted: Fri Feb 16, 2018 8:00 am    Post subject: Professionals Playing Student Flugelhorns? Reply with quote

Hi, I’m a college student who is starting professional gigs and work outside of the educational scene. I’ve heard from one of my professors and several other people that if I plan on getting a Flugelhorn (which I probably should at some point) that it might be worth it to just go for a student model if I’m not going to be using it all that often. I’ve been researching the Allora AAFG-103F which normally goes for $499 but is currently on sale for $399. Does anyone have any positive or negative experience with this horn or with student horns in general?

Dennis
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benlewis
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PostPosted: Fri Feb 16, 2018 8:08 am    Post subject: Reply with quote

Ryan Anthony used to use a Yamaha student model flugel and. of course, sounded great. I have another friend who plays a Blessing flugel.

However, I'd strongly encourage you to consider the Trent Austin doublers' model. I own one and use it more for shows than my Yamaha YFL-631. It plays 99% as well and I'm not worried about banging it up. Down the road, you may want to purchase a Yamaha pipe; that improves the plying even more.

I'm very happy with the ACB flugel and Trent and his employees are very helpful.

HTH

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cheiden
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PostPosted: Fri Feb 16, 2018 8:28 am    Post subject: Reply with quote

I recall liking the Yamaha student flugel quite a lot. Picking up one of those used might get you a perfectly acceptable horn for minimal cash. If you really prefer buying new then the ABC or Dillon horns get consistently good reviews.
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trpthrld
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PostPosted: Fri Feb 16, 2018 8:29 am    Post subject: Reply with quote

I get asked that question quite often. My opinion is you should buy the best instrument that you can afford. And by "best" I mean one that plays in tune, where all the mechanics are in full working order, and that gets a good sound with easy response.

In other words, don't buy a horn simply because you "need one" that plays like crap.

Remember that you'll not only be working with other musicians who you'll then have to blend with, but also that anyone who hears you play will remember if you sounded good (like "let's hire him again") or sounded bad.

For many years, I was Principal/Lead/Featured Solo Trumpet on the Crystal Cathedral's internationally broadcast "Hour of Power" TV show. The call was always trumpet & flugel. There were 3 of us in the section. There was an occasional sub who, because the call required flugel, bought the worst-playing piece of junk you could imagine. He said "I'm an orchestral musician, and we don't need flugels. I don't care if it plays or not."

And he played it like he didn't care, either.

Needless to say, whenever I heard he might be on the next show, I did everything I could to get someone else in the section instead.

The OP is fortunate in that these days there is a wide selection of quality used flugels at affordable prices, and as has been mentioned, new horns like Trent's doublers model (well under $1000).

Remember - no one who hears you (and especially if they're paying you to play) will keep in their mind that you couldn't afford a better horn. All they'll really remember is if you sounded good or sounded bad.
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Matthew Anklan
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PostPosted: Fri Feb 16, 2018 8:55 am    Post subject: Reply with quote

I’m with Tim on this...get the best you can afford. I’m a pro player and play Flugel often, but I don’t have time to practice the flugelhorn most days. I had Fred Powell make me a flugel that is really superb, and does not require much thought to play. The intonation is predictable, and the sound is rich and full. No mechanical issues. It’s nice not having to worry about it!

It’s off topic a bit, but the same goes for my Piccolo Trumpet. Got the best I could afford - great, even scale, and excellent sound. Solid build quality.
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tptjazzboy28
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PostPosted: Fri Feb 16, 2018 9:16 am    Post subject: Reply with quote

trpthrld wrote:
The OP is fortunate in that these days there is a wide selection of quality used flugels at affordable prices, and as has been mentioned, new horns like Trent's doublers model (well under $1000)


I completely second the suggestions to check out the Austin Custom Brass doublers flugels. I must admit, I do have a VERY strong bias after working for Trent at ACB while I lived in the Boston area. I think it’s well worth mentioning that every one of these horns passes across Ian’s repair bench for several custom alterations, including a precision valve alignment and extensive play testing!

I’d also check out the doublers piccolos too! (The four valve piston model being my favorite!)
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kehaulani
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PostPosted: Fri Feb 16, 2018 9:18 am    Post subject: Reply with quote

Depends upon what you want to use it for. I used one mainly to double occasionally in big band and my Jupiter works just fine for that.

Now, if I were to use it as a featured, professional soloist instrument, I would up the price/quality/sound. But I don't.

A word of advice, and it might not happen here so apologies, but too often one will get recommendations by people who respond as if they play lead , or principal, at a professional level and they do not. Try to dispassionately weigh the information.
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jhahntpt
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PostPosted: Fri Feb 16, 2018 9:25 am    Post subject: Reply with quote

I bought an ACB Doubler's flugelhorn in college. It is definitely a serviceable instrument for someone that doesn't play flugelhorn a lot. It sounds good, plays well in tune, and blends very well with Yamaha and other smaller bell flugelhorns. You could do a hell of a lot worse than this flugel.

That said, the difference from that and my Yamaha 6310z is massive. The tone is richer, the flexibility is incredible, the fit and finish is near perfect. It was well worth the cost. That cost? I bought it used though the market place here for $900 maybe two years ago. You can find some great deals out there if you look and are willing to pull the trigger.

I have a friend looking to buy a "cheap flugel" (his words) I like to remind him that what he's looking to buy isn't a consumable item and if you buy smart you'll be able to get back the money you spend or a great portion of it. It's also an investment that you're making into your budding professional career I could 100% get my $900 back if I sold the flugel today. If I bought it new for $2k+ then I would be happy to get half.
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trpthrld
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PostPosted: Fri Feb 16, 2018 10:01 am    Post subject: Reply with quote

Another thing to keep in mind is unless the horn fits the parameters of plays in tune, everything works etc., is that when you're playing it, you'll be struggling to make the horn work, and / or wondering "geez...when will a valve hang up on me?"

All of that takes concentration away from you doing the job you were hired for.

I completely understand budget, and I feel for ya. Take your time searching - you'll find a solid horn that fits what you can afford.
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Bach-aha
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PostPosted: Fri Feb 16, 2018 11:04 am    Post subject: Reply with quote

+1 for everything Tim said and some of the others. I tell my students and have subscribed to the "Don't buy it until you need it" approach to equipment with the caveat of "..but when you do have to buy it, buy the very best that you can afford."

I'm more of an "orchestral/band/quintet player" But I do a fair amount of playing in broadway style pits and occasionally sub with some big bands in the area. It is totally worth it to take your time, and do the research and try to find the best horn you can for the price.

I personally have a Yamaha 6310z that does the job for me. I was fortunate enough to scour around and find one used that was practically brand new. It was bought to play a little and noodle around and it was in a closet. So I got a brand new $2500 flugel for $1000 bucks. Would I have preferred maybe a yamaha 631 or 731, perhaps...most people seem to have those so it would blend well in a section (like Tim said) but for the price I couldn't pass it up.

So continue to do your search. Worth buying a good Yamaha or Getzen or any other reputable brand. Heard good things about the ACB horns but haven't gotten any face time with them. But I would advise you to wait to buy one of those horns over the cheaper ones if you can. I'm sure you can ask around and borrow someones in a pinch for a gig or something like that. But with equipment, you get what you pay for, and it's worth the wait.
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Don Herman rev2
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PostPosted: Fri Feb 16, 2018 11:12 am    Post subject: Reply with quote

kehaulani wrote:
A word of advice, and it might not happen here so apologies, but too often one will get recommendations by people who respond as if they play lead , or principal, at a professional level and they do not. Try to dispassionately weigh the information.


Just to be clear, Tim did and does play at a professional level.

And I agree completely with Tim. Every time I have bought a cheap tool I have regretted it, be it a hammer or a trumpet. "Best you can afford" does not mean tons of money; it means finding a good one, new or used, in your price range. Much better than a cheap, or just bad, one you are constantly fighting.
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shofarguy
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PostPosted: Fri Feb 16, 2018 11:27 am    Post subject: Reply with quote

Tim Wendt is right.

For years, I was a general contractor in California. I learned that my tools were my ability to earn a living. They are there to maximize my productivity and my product. I bought the best tools. Not what someone else said were the best tools, but the best tools in my hands.

I used to tell my customers, "In 6 months, if you like what you bought, you won't remember or care how much you paid. But, if you didn't get what you wanted, no matter how much you thought you were saving, you'll never forget how much money you wasted."

Buy the best instrument.
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Robert P
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PostPosted: Fri Feb 16, 2018 11:27 am    Post subject: Reply with quote

I've had two Chinese cheapies, the same basic sub-$300 model that the ACB Doublers are tweaked versions of. I had no complaints about them as they came from the factory. I kept one and sold the other for about double what I paid for it.

None of the stories I heard about the valves proved to be true with horns I got. You do need to use the trigger for intonation but the sound is real decent.
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TKSop
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PostPosted: Fri Feb 16, 2018 11:42 am    Post subject: Reply with quote

Don Herman rev2 wrote:
kehaulani wrote:
A word of advice, and it might not happen here so apologies, but too often one will get recommendations by people who respond as if they play lead , or principal, at a professional level and they do not. Try to dispassionately weigh the information.


Just to be clear, Tim did and does play at a professional level.

And I agree completely with Tim. Every time I have bought a cheap tool I have regretted it, be it a hammer or a trumpet. "Best you can afford" does not mean tons of money; it means finding a good one, new or used, in your price range. Much better than a cheap, or just bad, one you are constantly fighting.


There's a popular saying in engineering circles: "Do it once, do it right".

This is an appropriate approach to buying as well as to making things - quick bodges and cheap makedo solutions almost always cost more money, waste time and waste energy in the long run.

Sure, you might eventually upgrade anyway (or change preferences) but let that be a choice and/or luxury rather than a virtual necessity.
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zaferis
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PostPosted: Fri Feb 16, 2018 2:02 pm    Post subject: Reply with quote

If you're not going to spend the money on a pro horn, stay away from the student horns.. You'll be way better off with an ACB Doubler.. very serviceable horns that Trent has done a masterful job of upscaling.

Otherwise my suggestion would be to same your money and buy pro horn: Yamaha 631/731, Kanstul, Bach, Benge, Jupiter, XO etc...
(BTW I'm confident Austin Brass has several to choose from)

With either direction, play them before you buy or have a return option.. Flugels can be squirrelly.
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Turkle
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PostPosted: Fri Feb 16, 2018 2:14 pm    Post subject: Reply with quote

I play a Yamaha student model from the '70s or early 80's. Something like that. It plays like a dream - professionals with flugelhorns that cost an order of magnitude more than mine have told me that mine plays better than theirs.

Of course, mine has had a complete valve rebuild, PVA, third slide reversed and finger ring installed, 1st valve thumb hook installed, stripped to raw brass, etc. etc....

So I think it's likely that mine plays so well because it's had the blowtorch put to it so many times! Still, I bought it for $400 with all the above work done, and it just plain sings.

I am not writing the above in order to recommend a student flugel. All I'm saying is you can get lucky sometimes. Good luck!
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nieuwguyski
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PostPosted: Fri Feb 16, 2018 4:17 pm    Post subject: Reply with quote

I play regularly with a guy who loves to solo on flugelhorn. He could afford to play nearly any flugelhorn you could name (and played a new Schilke for about six months), but he chooses to play a Dillon Rose-Brass flugel -- a Chinese horn that Dillon sells for $475. Now, he went to Dillon Music in person, tried out three of the horns, and left with the only one he liked, so keep that in mind.
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cheiden
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PostPosted: Fri Feb 16, 2018 4:35 pm    Post subject: Reply with quote

Stock student Yamaha flugels play pretty darn well too. They may not sound quite as lush but build quality is high (typical Yamaha), they're durable (typical sturdy student-model construction), and intonation and playing ease are good and reliable. I reiterate that this would be a good option, particularly if you can score a good used one.

By the good press alone, I'd probably prefer a new Dillon or ABC if that's an option.
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Bill Blackwell
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PostPosted: Fri Feb 16, 2018 5:01 pm    Post subject: Reply with quote

trpthrld wrote:
... don't buy a horn simply because you "need one" that plays like crap. ...

Speaking of playing like crap - Do not buy a large bore (.453 - .460) flugelhorn. Many student, intermediate, and some "professional" flugelhorns are built this way, including Blessing, Benge (especially the 5), Getzen Eterna, and certain Kanstul-made Besson flugelhorn models. They're all very difficult to play in tune; even if you're tone deaf, this is abundantly obvious when playing in a section.

Stick with a standard small bore - .433 or below.

Final tip: If you have a private teacher (which you should at this point), I suggest discussing this with them.
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theslawdawg
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PostPosted: Fri Feb 16, 2018 5:11 pm    Post subject: Reply with quote

Bill Blackwell wrote:
trpthrld wrote:
... don't buy a horn simply because you "need one" that plays like crap. ...

Speaking of playing like crap - Do not buy a large bore (.453 - .460) flugelhorn. Many student, intermediate, and some "professional" flugelhorns are built this way, including Blessing, Benge (especially the 5), Getzen Eterna, and certain Kanstul-made Besson flugelhorn models. They're all very difficult to play in tune; even if you're tone deaf, this is abundantly obvious when playing in a section.

Stick with a standard small bore - .433 or below.

Final tip: If you have a private teacher (which you should at this point), I suggest discussing this with them.


Thanks for the advice, Bill.
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