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chi2lon Regular Member
Joined: 25 Mar 2018 Posts: 14 Location: UK
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Posted: Wed Mar 28, 2018 4:44 am Post subject: Picking a Cornet |
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Hi Guys,
I'm reasonably new to brass banding (~16 months). My background is tilted much more towards classical trumpet. However, I have really enjoyed playing in the brass band (even contesting hasn't been so bad). I have been borrowing a Sovereign 928GS from my band's set. The serial number puts the production in 1996 which is apparently peak of the lottery years. The one I have been playing isn't a dog, but it is not a great horn. I'm at a point where I'd like to buy my own cornet, and my wife has given me the green light!
I tried a bunch of horns last week (Besson Prestige/Yamaha Neo/Smith-Watkins K2/Eclipse Yellow/Stomvi Titan), and I am going back again in a few weeks to (hopefully) make a decision. I always try to bring an extra set of ears for testing. However, testing horns is very different compared to playing in a section. My biggest concern is spending a small fortune on a horn I personally like only to struggle fitting into a section of mostly Besson. Does anyone have experience with how these horns blend in a section (playing them yourself or with someone who plays them)?
Cheers! _________________ Parke 640-285-24
Bb - Bach 37 MTV-MV
C - Bach 229 MV7
Toshi 16EWS
Bb - Schagerl Hans Gansch
Laskey 75MC
Eb/D - Yamaha 9610
Laskey PIC
Picc - Stomvi Elite
Monette B2 FL R6/FLG2
Cornet - Stomvi Titan
Flugel - Adams F2
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zaferis Heavyweight Member
Joined: 03 Nov 2011 Posts: 2319 Location: Beavercreek, OH
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Posted: Wed Mar 28, 2018 5:08 am Post subject: |
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I'm thinking that this will be affected by the section that you're trying to blend with.. what setups they're playing and the overall tone of the section. Playing in a Brass Band here in the states, I'm pretty sure the sound concept of the section is different than what you're working with.
As you can see, I'm a Bach Artist and do love the sound I get on my Bach 184 Sheperd's Crook which works very well as a solo instrument and within my Brass Band.
I always liked the sound of Getzen's Eterna series, sound great, great valve action and quite often you can find good used ones on the inexpensive side.
I have played Eclipse and Stomvi's at conferences, and they both play great but I've never taken them to an ensemble to see how they "fit" / "blend"
I am not a fan of Yamaha's, somehting about the sound that doesn't stand up against others - lack of character or something..??
The Bessons I've played had a beautiful sound but other aspects were sketchy - tuning, playability, valve/slide action _________________ Freelance Performer/Educator
Adjunct Professor
Bach Trumpet Endorsing Artist
Retired Air Force Bandsman |
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roynj Heavyweight Member
Joined: 19 Oct 2002 Posts: 2065
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Posted: Wed Mar 28, 2018 7:05 am Post subject: Re: Picking a Cornet |
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chi2lon wrote: | Hi Guys,
I'm reasonably new to brass banding (~16 months). My background is tilted much more towards classical trumpet. However, I have really enjoyed playing in the brass band (even contesting hasn't been so bad). I have been borrowing a Sovereign 928GS from my band's set. The serial number puts the production in 1996 which is apparently peak of the lottery years. The one I have been playing isn't a dog, but it is not a great horn. I'm at a point where I'd like to buy my own cornet, and my wife has given me the green light!
I tried a bunch of horns last week (Besson Prestige/Yamaha Neo/Smith-Watkins K2/Eclipse Yellow/Stomvi Titan), and I am going back again in a few weeks to (hopefully) make a decision. I always try to bring an extra set of ears for testing. However, testing horns is very different compared to playing in a section. My biggest concern is spending a small fortune on a horn I personally like only to struggle fitting into a section of mostly Besson. Does anyone have experience with how these horns blend in a section (playing them yourself or with someone who plays them)?
Cheers! |
I do like the new (german made) Besson 928 and Prestige. I currently play a Yamaha Neo and it's very nice. Also a huge fan of the SW K2 and soloist horns. Any of these will blend superbly in a brass band situation. Mouthpiece choice is important. I might suggest the Wick 3b or 2b, depending on your size preference. Some folks hate the rim feel on the Wick mps, but I do not seem to have a problem with it. |
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bach_again Heavyweight Member
Joined: 03 Apr 2005 Posts: 2479 Location: Northern Ireland
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Posted: Wed Mar 28, 2018 8:16 am Post subject: |
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My favourite BBB cornet was the old B&H 921.
Many cornets designed today have a trumpet-y nature, which I actually like, but doesn't fit with the BBB sound model.
If I was buying, I wouldn't settle for anything unless it was as good as my old 921. One of my main Bbs is a Stomvi, so would naturally be interested in hearing their cornet, but it wouldn't surprise me if it was trumpet-y.
Yamaha make fantastic horns - I'd be surprised if they didn't have something suitable. I have a Yamaha sop and love it.
Best,
Mike _________________ Maestro Arturo Sandoval on Barkley Microphones!
https://youtu.be/iLVMRvw5RRk
Michael Barkley Quartet - Portals:
https://michaelbarkley.bandcamp.com/album/portals
The best movie trumpet solo?
https://youtu.be/OnCnTA6toMU |
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kehaulani Heavyweight Member
Joined: 23 Mar 2003 Posts: 9003 Location: Hawai`i - Texas
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Posted: Wed Mar 28, 2018 8:21 am Post subject: |
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What is your budget? _________________ "If you don't live it, it won't come out of your horn." Bird
Yamaha 8310Z Bobby Shew trumpet
Benge 3X Trumpet
Benge 3X Cornet
Adams F-1 Flghn |
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chi2lon Regular Member
Joined: 25 Mar 2018 Posts: 14 Location: UK
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Posted: Wed Mar 28, 2018 10:06 am Post subject: |
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kehaulani wrote: | What is your budget? |
I am viewing price just as an additional factor in the decision. It doesn’t automatically rule anything out, but the price obviously needs to be justified. _________________ Parke 640-285-24
Bb - Bach 37 MTV-MV
C - Bach 229 MV7
Toshi 16EWS
Bb - Schagerl Hans Gansch
Laskey 75MC
Eb/D - Yamaha 9610
Laskey PIC
Picc - Stomvi Elite
Monette B2 FL R6/FLG2
Cornet - Stomvi Titan
Flugel - Adams F2
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TKSop Heavyweight Member
Joined: 23 Feb 2014 Posts: 1735 Location: UK
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Posted: Wed Mar 28, 2018 10:18 am Post subject: |
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As the others have said, getting something that fits in at band is going to be important.
The Smith-Watkins is bright, but if you're using a typical brass-band type mouthpiece it's tameable and it will fit in okay... and those things are very easy to play, perhaps not always the easiest to bend completely to your will, but make just getting the job done easy indeed.
I like my Eclipse (disclaimer - I'm not unbiased here), and it fits in band absolutely no problems at all for me (or others I've loaned it to from time to time as I'm usually in the suicide seat)... tone is very, very pleasing and the build quality and design is such that you simply feel special playing it (or I do), not quite as effortless as the Smith-Watkins but no harder to play than your average Sovereign either.
If you do decide to go the Eclipse route, I can't recommend visiting Leigh's shop and dealing with him directly enough - wherever possible he'll let you try multiple instruments side by side and he provides an excellent set of "trusted ears" (and will tell you if he likes you on what you already have - honestly, I've seen it happen more than once!).
The Yamaha's play great, but they leave me a little cold - I can't quite put a finger on it, but although they play great the character just doesn't quite resonate with me for some reason.
Bach and Getzen, as noted, play very well but often just don't quite seem to sit quite right... I guess it depends on the band you're playing for (sounds the other players have, what level the band is at, etc). |
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p76 Heavyweight Member
Joined: 15 Jun 2006 Posts: 1070 Location: The Golden City of OZ
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Posted: Wed Mar 28, 2018 1:48 pm Post subject: |
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The Yamaha is always a good "safe" choice - not sure what the pricing is like in the UK at the moment, but they are, here in OZ, the best "bang for the buck" cornet. I have found that they are also easier to play than the new Bessons. BUT, the Bessons do sound better. Either would be a good fit in any cornet section.
Getzen and Bach, as others have said, just never quite seem to fit. I have a Getzen Capri, and it's fine on a march or something where you need to be bright, but doesn't sound like my Besson.
As for the S-W, never even seen one down here at the bottom of the world....
Good Luck in your search, and I hope you find the right horn for you.
Cheers,
Roger _________________ Bb - Selmer Radial, Yamaha YTR634, Kanstul 1001, Kanstul 700.
C - Yamaha 641.
Cornet - Olds Ambassador A6T, Besson 723, Olds Ambassador Long.
Flugel - Kanstul 1525
Mpc. - ACB 3CS, ACB 3ES, Curry 3BBC, Kanstul FB Flugel |
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etc-etc Heavyweight Member
Joined: 19 Jan 2008 Posts: 6177
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Posted: Wed Mar 28, 2018 8:53 pm Post subject: |
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Yamaha Xeno or Yamaha Neo, in yellow brass or gold brass would be a good (and sonorous) choice. Or, try all the Besson cornets you can lay your hands on, starting with Besson 1000. Great horn for very little money. |
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chi2lon Regular Member
Joined: 25 Mar 2018 Posts: 14 Location: UK
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Posted: Thu Mar 29, 2018 2:19 am Post subject: |
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Has anyone come across Stomvi or Shires in the wild? _________________ Parke 640-285-24
Bb - Bach 37 MTV-MV
C - Bach 229 MV7
Toshi 16EWS
Bb - Schagerl Hans Gansch
Laskey 75MC
Eb/D - Yamaha 9610
Laskey PIC
Picc - Stomvi Elite
Monette B2 FL R6/FLG2
Cornet - Stomvi Titan
Flugel - Adams F2
Last edited by chi2lon on Thu Mar 29, 2018 5:35 am; edited 1 time in total |
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GordonH Heavyweight Member
Joined: 16 Nov 2002 Posts: 2893 Location: Edinburgh, Scotland
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Posted: Thu Mar 29, 2018 3:50 am Post subject: |
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Here is my view:
If you play on smaller, tighter mouthpieces you will probably prefer the Yamaha Neo or Xeno. This is because they are mellower sounding than the Besson Prestige and a bit freer blowing.
But
If you play on a more open mouthpiece you will prefer the Besson Prestige because it is a bit naturally brighter and has a bit more resistance. The prestige also has heavy valve caps and buttons which you can experiment with to change the feel. I use a single heavy cap on the third valve and the heavy finger buttons on all three.
The Yamaha is likely to be a bit cheaper if you are in the USA. Over here they are not much different in price.
One odd thing about the Prestige is that the bell is definitely bigger throat than the sovereign even though it is supposed to be the same mandrel, with just the ends a bit different and some balling out at the valve end. I have a Humes and Berg cup mute that gives a 5mm gap with any sovereign 928 but is too small for my Prestige. It just goes fully in and won't stick. Would need to have thicker corks fitted. _________________ Bb - Scherzer 8218W, Schilke S22, Bach 43, Selmer 19A Balanced
Pic - Weril
Flugel - Courtois 154
Cornet - Geneva Heritage, Conn 28A
Mouthpieces - Monette 1-5 rims and similar.
Licensed Radio Amateur - GM4SVM |
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GordonH Heavyweight Member
Joined: 16 Nov 2002 Posts: 2893 Location: Edinburgh, Scotland
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Posted: Thu Mar 29, 2018 3:51 am Post subject: |
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Oh and the Prestige case is rubbish. Who makes a case that has a mute compartment that won't take a cup mute? _________________ Bb - Scherzer 8218W, Schilke S22, Bach 43, Selmer 19A Balanced
Pic - Weril
Flugel - Courtois 154
Cornet - Geneva Heritage, Conn 28A
Mouthpieces - Monette 1-5 rims and similar.
Licensed Radio Amateur - GM4SVM |
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Steve A Heavyweight Member
Joined: 26 May 2006 Posts: 1808 Location: Toronto, Canada
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Posted: Thu Mar 29, 2018 6:35 am Post subject: |
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TKSop wrote: |
The Yamaha's play great, but they leave me a little cold - I can't quite put a finger on it, but although they play great the character just doesn't quite resonate with me for some reason.
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Not disagreeing, but just sharing an observation: I've heard from a number of excellent players (not cornet specific, so grain of salt suggested!) that they felt this way from their perspective while playing a Yamaha, but the feedback from others (and recordings) was that they actually had more character to the sound from the listener's standpoint than other equipment. I don't mean this in reference to any individual poster, but just suggesting - if evaluating an instrument, perhaps particularly a Yamaha, it might be an idea to solicit opinions of others, rather than just judging by how it sounds/feels behind the bell. |
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Dale Proctor Heavyweight Member
Joined: 26 May 2005 Posts: 9343 Location: Heart of Dixie
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Posted: Thu Mar 29, 2018 8:21 am Post subject: |
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GordonH wrote: | Oh and the Prestige case is rubbish. Who makes a case that has a mute compartment that won't take a cup mute? |
The Bach 184 case, for one. Stupid mute compartment (I suppose that's what it is) needs to be about an inch wider. I bought a Jakob Winter case for it that's much more usable, with space for a straight, cup, and Harmon, in addition to a K&M trumpet stand, valve oil, and glasses. I believe it's basically the same case that modern Bessons come (or came) with. _________________ "Brass bands are all very well in their place - outdoors and several miles away ." - Sir Thomas Beecham |
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boog Veteran Member
Joined: 04 Jun 2014 Posts: 247
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Posted: Thu Mar 29, 2018 9:41 am Post subject: |
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Steve A wrote: | TKSop wrote: |
The Yamaha's play great, but they leave me a little cold - I can't quite put a finger on it, but although they play great the character just doesn't quite resonate with me for some reason.
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Not disagreeing, but just sharing an observation: I've heard from a number of excellent players (not cornet specific, so grain of salt suggested!) that they felt this way from their perspective while playing a Yamaha, but the feedback from others (and recordings) was that they actually had more character to the sound from the listener's standpoint than other equipment. I don't mean this in reference to any individual poster, but just suggesting - if evaluating an instrument, perhaps particularly a Yamaha, it might be an idea to solicit opinions of others, rather than just judging by how it sounds/feels behind the bell. |
I will have to agree that the Yamaha brass leaves me a bit "cold". Years ago, I had a trumpet student that had a Yamaha, and it was not a very good instrument, intonation wise.l..but this was WAY back. The Yamaha tubas never impressed me much when I was a school band director, either. I have owned a couple of student line Yamaha trumpets, and all I can say about them is that they played well, but had no "soul", whatever that quality is...I have never played a "xeno", but the price is right, I will admit, for a pro trumpet. My Yamaha-built Conn Director cornet from the early 70's plays well, looks nice, but, "EH..." |
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Jay2015trumpet Regular Member
Joined: 29 May 2015 Posts: 74
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Posted: Sat Apr 14, 2018 5:09 pm Post subject: |
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I found a 6335S Shepherd crook cornet on eBay not too long ago that was quite a forgiving horn. I use a Stork 7B with it and there's plenty of core/sparkle/character etc. The feedback to the player seems different than from a Bach, though. YMMV. |
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jhatpro Heavyweight Member
Joined: 17 Mar 2002 Posts: 10204 Location: The Land Beyond O'Hare
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Posted: Sat Apr 14, 2018 5:19 pm Post subject: |
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Eclipse, definitely! _________________ Jim Hatfield
"The notes are there - find them.” Mingus
2021 Martinus Geelan Custom
2005 Bach 180-72R
1965 Getzen Eterna Severinsen
1946 Conn Victor
1998 Scodwell flugel
1986 Bach 181 cornet
1954 Conn 80A cornet
2002 Getzen bugle |
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khedger Heavyweight Member
Joined: 12 Mar 2008 Posts: 754 Location: Cambridge, MA
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Posted: Sat Apr 14, 2018 7:48 pm Post subject: |
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Adams makes a wide range of cornets and their instruments are excellent. Definitely check them out if you get a chance! |
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Rapier232 Heavyweight Member
Joined: 16 Aug 2011 Posts: 1322 Location: Twixt the Moor and the Sea, UK
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Posted: Sat Apr 14, 2018 10:22 pm Post subject: |
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Eclipse or Smith-Watkins K2. Yamaha Neo isn’t bad, either. _________________ "Nearly as good as I need to be. Not nearly as good as I want to be".
Smith-Watkins Bb
Will Spencer Bb
Eclipse Flugel
Smith Watkins K2 Cornet
JP152 C Trumpet
Besson Bugle |
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Andy Del Heavyweight Member
Joined: 30 Jun 2005 Posts: 2662 Location: sunny Sydney, Australia
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Posted: Sun Apr 15, 2018 3:07 am Post subject: |
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Everyone is different, has different opinions, taste in response, etc. That tends to debunk all the clap trap about matching instruments etc. etc.
I would go find the cornet you like playing the most. I have two Schilkes (Bb & C) plus an old Olds Recording. I have zero issue sing any of these to blend with dies in the wool brass band types.
Sections of trumpets and cornets all around the worlds manage to blend on different instruments and mouthpieces and mutes all the time. That brass bands still refuse to believe this says a lot about them.
cheers
Andy _________________ so many horns, so few good notes... |
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