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Bachatit Regular Member
Joined: 19 Dec 2017 Posts: 57
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Posted: Mon May 07, 2018 6:16 am Post subject: Stravinsky-"A Solder's Tale" |
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Any tips on the articulation for the quintuplets in "The Royal March"? Also, B-flat cornet or C trumpet? Thanks |
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JoseLindE4 Heavyweight Member
Joined: 18 Apr 2003 Posts: 791
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Posted: Mon May 07, 2018 6:45 am Post subject: |
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-I use double tonguing starting on the K for the tuplets so that they end on T.
-For the multiple tuplets in a row, I alternate K and T still, so Ktktk Tktkt Ktktkt T.
-C Trumpet
-After years of stressing about the awkward tonguing as an excerpt, when I finally got to perform it, the counting was the most stressful part. |
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Bachatit Regular Member
Joined: 19 Dec 2017 Posts: 57
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Posted: Mon May 07, 2018 8:59 am Post subject: |
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Thanks, Best |
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Turkle Heavyweight Member
Joined: 29 Apr 2008 Posts: 2450 Location: New York City
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Posted: Mon May 07, 2018 9:48 am Post subject: |
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The first time I performed it, I slurred the first two notes in the quintuplet and triple-toungued the back three.
The next time I performed it, I quintuple-tongued it, starting on T, so mine was tktkt ktktk tktkt k. I very much preferred it this way.
Definitely C trumpet or a C cornet if you can locate one.
And as JoseLindE4 notes, there are some extremely tricky counting passages! My goodness.
Have fun with it, it's one of my all-time favorite pieces I've ever played! _________________ Yamaha 8310Z trumpet
Yamaha 8310Z flugel
Curry 3. |
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trompette229 Veteran Member
Joined: 21 Mar 2016 Posts: 203
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Posted: Mon May 07, 2018 12:03 pm Post subject: |
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As you can see there are many ways to approach this passage. I would recommend trying a mixed triple/double approach which is very standard on this one. ttk-tk ttk-tk |
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Bachatit Regular Member
Joined: 19 Dec 2017 Posts: 57
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Posted: Tue May 08, 2018 4:48 am Post subject: |
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Thanks to all |
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tpt64 Regular Member
Joined: 13 Jan 2005 Posts: 33 Location: Tulsa, OK
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Posted: Tue May 08, 2018 6:28 am Post subject: |
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I straight double tongue the entire quintuplet passage. |
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MalinTrumpet Heavyweight Member
Joined: 15 Sep 2004 Posts: 545 Location: Delray Beach, Florida
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Posted: Tue May 08, 2018 8:44 am Post subject: |
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Vacchiano said TTKTK.
LCM |
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MrClean Heavyweight Member
Joined: 27 Feb 2003 Posts: 2734 Location: Los Angeles
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Posted: Tue May 08, 2018 11:46 am Post subject: |
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TKTKT TKTKT TKTKT _________________ Jim Wilt
LA Philharmonic
Colburn School |
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mhenrikse Veteran Member
Joined: 21 Jul 2009 Posts: 162
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Posted: Tue May 08, 2018 3:51 pm Post subject: |
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Whats all the fuss? I heard a big time (I think) LA studio player slur it back in the day. |
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Ricetrpt Veteran Member
Joined: 08 Aug 2003 Posts: 125 Location: Watertown, MA
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Posted: Tue May 08, 2018 5:01 pm Post subject: |
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MrClean wrote: | TKTKT TKTKT TKTKT |
What he said. |
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cjl Heavyweight Member
Joined: 11 Apr 2005 Posts: 2421 Location: TN
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Posted: Tue May 08, 2018 5:04 pm Post subject: |
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In the recording I have with Herseth and CSO players he slurs it. I was disappointed because I wanted to hear him tongue it. Up to the conductor, I guess.
Having never come close to performing this, only practicing it on my own, I was hesitant to post. But I found the way MrClean suggests to work the best for me.
— Joe |
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Nonsense Eliminator Heavyweight Member
Joined: 03 Feb 2003 Posts: 5212 Location: Toronto
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Posted: Tue May 08, 2018 5:42 pm Post subject: |
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MrClean wrote: | TKTKT TKTKT TKTKT |
This gets my vote as well. _________________ Richard Sandals
NBO |
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dr_trumpet Heavyweight Member
Joined: 22 Nov 2001 Posts: 2533 Location: Cope, IN
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Posted: Tue May 08, 2018 5:56 pm Post subject: |
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MrClean wrote: | TKTKT TKTKT TKTKT |
Hate to sound like a parrot, but it works! _________________ Dr. Albert L. Lilly, III DM
Artist/Clinician for Vincent Bach Trumpets (Conn-Selmer)
Principal Trumpet, Hendricks Symphony (Avon, IN)
Arranger/Composer; Lilly Music |
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dr_trumpet Heavyweight Member
Joined: 22 Nov 2001 Posts: 2533 Location: Cope, IN
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Posted: Tue May 08, 2018 5:58 pm Post subject: Re: Stravinsky-"A Solder's Tale" |
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Bachatit wrote: | Any tips on the articulation for the quintuplets in "The Royal March"? Also, B-flat cornet or C trumpet? Thanks |
C Cornet if possible, C Trumpet if it's what you have. I do prefer the cornet for the change in tone quality, and have tried it on a Conn A/Bb. Did like the tone on the Conn, didn't care for other aspects. My Schilke C cornet works great! _________________ Dr. Albert L. Lilly, III DM
Artist/Clinician for Vincent Bach Trumpets (Conn-Selmer)
Principal Trumpet, Hendricks Symphony (Avon, IN)
Arranger/Composer; Lilly Music |
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trumpetpatrick Regular Member
Joined: 06 Apr 2014 Posts: 61 Location: Toronto
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Posted: Wed May 09, 2018 7:16 am Post subject: |
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The suggestion my teacher gave me for this works really well for me, but might not for everyone. He double tongues the whole thing, but starts the first note of the first quintuplet with a K tongue, then the rest of the excerpt is KTKTK TKTKT KTKTK T with the first note after the quintuplets landing on a T. Hope this helps |
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kehaulani Heavyweight Member
Joined: 23 Mar 2003 Posts: 9025 Location: Hawai`i - Texas
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Posted: Wed May 09, 2018 7:43 am Post subject: Re: Stravinsky-"A Solder's Tale" |
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[quote="kehaulani"] dr_trumpet wrote: | Bachatit wrote: | Also, B-flat cornet or C trumpet? Thanks |
C Cornet if possible, C Trumpet if it's what you have. I do prefer the cornet for the change in tone quality, and have tried it on a Conn A/Bb. Did like the tone on the Conn, didn't care for other aspects. My Schilke C cornet works great! |
Regarding choice of instrument, I am not looking at the score at the moment.
What did the composer ask for?
It would seem logical to me to find out what the composer asked for and then the tonal quality, at the time, that the instrument produced. Then choose an instrument that produces the original tone color. _________________ "If you don't live it, it won't come out of your horn." Bird
Yamaha 8310Z Bobby Shew trumpet
Benge 3X Trumpet
Benge 3X Cornet
Adams F-1 Flghn |
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dr_trumpet Heavyweight Member
Joined: 22 Nov 2001 Posts: 2533 Location: Cope, IN
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Posted: Wed May 09, 2018 7:54 am Post subject: Re: Stravinsky-"A Solder's Tale" |
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kehaulani wrote: | dr_trumpet wrote: | Bachatit wrote: | Also, B-flat cornet or C trumpet? Thanks |
C Cornet if possible, C Trumpet if it's what you have. I do prefer the cornet for the change in tone quality, and have tried it on a Conn A/Bb. Did like the tone on the Conn, didn't care for other aspects. My Schilke C cornet works great! |
Regarding choice of instrument, I am not looking at the score at the moment. What did the composer ask for?
It would seem logical to me to find out what the composer asked for and then what tonal quality, at the time, did that instrument produce. Then choose an instrument that produces the original tone color. |
A and Bb cornet. Apparently from folklore tales, there was a local player who had an A/Bb cornet, and Stravinsky wrote the work for local musicians as he was in Switzerland during this time due to world war 1. _________________ Dr. Albert L. Lilly, III DM
Artist/Clinician for Vincent Bach Trumpets (Conn-Selmer)
Principal Trumpet, Hendricks Symphony (Avon, IN)
Arranger/Composer; Lilly Music |
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Gabrieli Regular Member
Joined: 07 Mar 2016 Posts: 65 Location: Germany
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Posted: Wed May 09, 2018 8:06 am Post subject: |
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David Mason (of Penny Lane fame) told me he once played it with Stravinsky conducting. He took a cornet and a trumpet to the first rehearsal (both of course in b flat) and asked Stravinsky, which he preferred. The reply:- " Use what ever you can play it best on; it just happened that the player I wrote it for liked playing the cornet" |
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dr_trumpet Heavyweight Member
Joined: 22 Nov 2001 Posts: 2533 Location: Cope, IN
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Posted: Wed May 09, 2018 8:16 am Post subject: |
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Gabrieli wrote: | David Mason (of Penny Lane fame) told me he once played it with Stravinsky conducting. He took a cornet and a trumpet to the first rehearsal (both of course in b flat) and asked Stravinsky, which he preferred. The reply:- " Use what ever you can play it best on; it just happened that the player I wrote it for liked playing the cornet" |
Awesome information! With a Bb for everything, the A parts become fun in transposition. I would bet that showing up with whatever, he would have been fine as long as it was good!
On Rite of Spring, I know he wrote a part for a small, penetrating D trumpet. Most of us play it on piccolo now. Same with the end of Petroushka, but written for C, IIRC. The end lies better on piccolo, and is a more secure representation.
Thanks for sharing this...I love to hear things like this!
AL _________________ Dr. Albert L. Lilly, III DM
Artist/Clinician for Vincent Bach Trumpets (Conn-Selmer)
Principal Trumpet, Hendricks Symphony (Avon, IN)
Arranger/Composer; Lilly Music |
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