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Stravinsky-"A Solder's Tale"


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Bachatit
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PostPosted: Mon May 07, 2018 6:16 am    Post subject: Stravinsky-"A Solder's Tale" Reply with quote

Any tips on the articulation for the quintuplets in "The Royal March"? Also, B-flat cornet or C trumpet? Thanks
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JoseLindE4
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PostPosted: Mon May 07, 2018 6:45 am    Post subject: Reply with quote

-I use double tonguing starting on the K for the tuplets so that they end on T.
-For the multiple tuplets in a row, I alternate K and T still, so Ktktk Tktkt Ktktkt T.
-C Trumpet
-After years of stressing about the awkward tonguing as an excerpt, when I finally got to perform it, the counting was the most stressful part.
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Bachatit
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PostPosted: Mon May 07, 2018 8:59 am    Post subject: Reply with quote

Thanks, Best
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Turkle
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PostPosted: Mon May 07, 2018 9:48 am    Post subject: Reply with quote

The first time I performed it, I slurred the first two notes in the quintuplet and triple-toungued the back three.

The next time I performed it, I quintuple-tongued it, starting on T, so mine was tktkt ktktk tktkt k. I very much preferred it this way.

Definitely C trumpet or a C cornet if you can locate one.

And as JoseLindE4 notes, there are some extremely tricky counting passages! My goodness.

Have fun with it, it's one of my all-time favorite pieces I've ever played!
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trompette229
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PostPosted: Mon May 07, 2018 12:03 pm    Post subject: Reply with quote

As you can see there are many ways to approach this passage. I would recommend trying a mixed triple/double approach which is very standard on this one. ttk-tk ttk-tk
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Bachatit
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PostPosted: Tue May 08, 2018 4:48 am    Post subject: Reply with quote

Thanks to all
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tpt64
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PostPosted: Tue May 08, 2018 6:28 am    Post subject: Reply with quote

I straight double tongue the entire quintuplet passage.
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MalinTrumpet
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PostPosted: Tue May 08, 2018 8:44 am    Post subject: Reply with quote

Vacchiano said TTKTK.

LCM
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MrClean
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PostPosted: Tue May 08, 2018 11:46 am    Post subject: Reply with quote

TKTKT TKTKT TKTKT
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mhenrikse
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PostPosted: Tue May 08, 2018 3:51 pm    Post subject: Reply with quote

Whats all the fuss? I heard a big time (I think) LA studio player slur it back in the day.
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Ricetrpt
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PostPosted: Tue May 08, 2018 5:01 pm    Post subject: Reply with quote

MrClean wrote:
TKTKT TKTKT TKTKT


What he said.
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cjl
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PostPosted: Tue May 08, 2018 5:04 pm    Post subject: Reply with quote

In the recording I have with Herseth and CSO players he slurs it. I was disappointed because I wanted to hear him tongue it. Up to the conductor, I guess.

Having never come close to performing this, only practicing it on my own, I was hesitant to post. But I found the way MrClean suggests to work the best for me.

— Joe
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Nonsense Eliminator
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PostPosted: Tue May 08, 2018 5:42 pm    Post subject: Reply with quote

MrClean wrote:
TKTKT TKTKT TKTKT

This gets my vote as well.
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dr_trumpet
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PostPosted: Tue May 08, 2018 5:56 pm    Post subject: Reply with quote

MrClean wrote:
TKTKT TKTKT TKTKT


Hate to sound like a parrot, but it works!
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dr_trumpet
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PostPosted: Tue May 08, 2018 5:58 pm    Post subject: Re: Stravinsky-"A Solder's Tale" Reply with quote

Bachatit wrote:
Any tips on the articulation for the quintuplets in "The Royal March"? Also, B-flat cornet or C trumpet? Thanks


C Cornet if possible, C Trumpet if it's what you have. I do prefer the cornet for the change in tone quality, and have tried it on a Conn A/Bb. Did like the tone on the Conn, didn't care for other aspects. My Schilke C cornet works great!
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trumpetpatrick
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PostPosted: Wed May 09, 2018 7:16 am    Post subject: Reply with quote

The suggestion my teacher gave me for this works really well for me, but might not for everyone. He double tongues the whole thing, but starts the first note of the first quintuplet with a K tongue, then the rest of the excerpt is KTKTK TKTKT KTKTK T with the first note after the quintuplets landing on a T. Hope this helps
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kehaulani
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PostPosted: Wed May 09, 2018 7:43 am    Post subject: Re: Stravinsky-"A Solder's Tale" Reply with quote

[quote="kehaulani"]
dr_trumpet wrote:
Bachatit wrote:
Also, B-flat cornet or C trumpet? Thanks


C Cornet if possible, C Trumpet if it's what you have. I do prefer the cornet for the change in tone quality, and have tried it on a Conn A/Bb. Did like the tone on the Conn, didn't care for other aspects. My Schilke C cornet works great!

Regarding choice of instrument, I am not looking at the score at the moment.
What did the composer ask for?

It would seem logical to me to find out what the composer asked for and then the tonal quality, at the time, that the instrument produced. Then choose an instrument that produces the original tone color.
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dr_trumpet
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PostPosted: Wed May 09, 2018 7:54 am    Post subject: Re: Stravinsky-"A Solder's Tale" Reply with quote

kehaulani wrote:
dr_trumpet wrote:
Bachatit wrote:
Also, B-flat cornet or C trumpet? Thanks


C Cornet if possible, C Trumpet if it's what you have. I do prefer the cornet for the change in tone quality, and have tried it on a Conn A/Bb. Did like the tone on the Conn, didn't care for other aspects. My Schilke C cornet works great!

Regarding choice of instrument, I am not looking at the score at the moment. What did the composer ask for?

It would seem logical to me to find out what the composer asked for and then what tonal quality, at the time, did that instrument produce. Then choose an instrument that produces the original tone color.


A and Bb cornet. Apparently from folklore tales, there was a local player who had an A/Bb cornet, and Stravinsky wrote the work for local musicians as he was in Switzerland during this time due to world war 1.
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Gabrieli
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PostPosted: Wed May 09, 2018 8:06 am    Post subject: Reply with quote

David Mason (of Penny Lane fame) told me he once played it with Stravinsky conducting. He took a cornet and a trumpet to the first rehearsal (both of course in b flat) and asked Stravinsky, which he preferred. The reply:- " Use what ever you can play it best on; it just happened that the player I wrote it for liked playing the cornet"
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dr_trumpet
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PostPosted: Wed May 09, 2018 8:16 am    Post subject: Reply with quote

Gabrieli wrote:
David Mason (of Penny Lane fame) told me he once played it with Stravinsky conducting. He took a cornet and a trumpet to the first rehearsal (both of course in b flat) and asked Stravinsky, which he preferred. The reply:- " Use what ever you can play it best on; it just happened that the player I wrote it for liked playing the cornet"


Awesome information! With a Bb for everything, the A parts become fun in transposition. I would bet that showing up with whatever, he would have been fine as long as it was good!

On Rite of Spring, I know he wrote a part for a small, penetrating D trumpet. Most of us play it on piccolo now. Same with the end of Petroushka, but written for C, IIRC. The end lies better on piccolo, and is a more secure representation.

Thanks for sharing this...I love to hear things like this!

AL
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