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jhatpro Heavyweight Member
Joined: 17 Mar 2002 Posts: 10204 Location: The Land Beyond O'Hare
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Posted: Sun Jul 01, 2018 2:11 pm Post subject: Style vs. Technique |
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Which is most important? _________________ Jim Hatfield
"The notes are there - find them.” Mingus
2021 Martinus Geelan Custom
2005 Bach 180-72R
1965 Getzen Eterna Severinsen
1946 Conn Victor
1998 Scodwell flugel
1986 Bach 181 cornet
1954 Conn 80A cornet
2002 Getzen bugle |
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Pete Heavyweight Member
Joined: 24 Nov 2001 Posts: 1739 Location: Western Massachusetts
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Posted: Sun Jul 01, 2018 2:14 pm Post subject: |
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Jim,
I would think that you need enough technique to play a specific style correctly.
Pete |
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jhatpro Heavyweight Member
Joined: 17 Mar 2002 Posts: 10204 Location: The Land Beyond O'Hare
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Posted: Sun Jul 01, 2018 2:16 pm Post subject: |
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Good answer! _________________ Jim Hatfield
"The notes are there - find them.” Mingus
2021 Martinus Geelan Custom
2005 Bach 180-72R
1965 Getzen Eterna Severinsen
1946 Conn Victor
1998 Scodwell flugel
1986 Bach 181 cornet
1954 Conn 80A cornet
2002 Getzen bugle |
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mm55 Heavyweight Member
Joined: 01 Jul 2013 Posts: 1412
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Posted: Sun Jul 01, 2018 2:38 pm Post subject: |
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False dichotomy. _________________ '75 Bach Strad 180ML/37
'79 King Silver Flair
'07 Flip Oakes Wild Thing
'42 Selmer US
'90 Yamaha YTR6450S(C)
'12 Eastman ETR-540S (D/Eb)
'10 Carol CPT-300LR pkt
'89 Yamaha YCR2330S crnt
'13 CarolBrass CFL-6200-GSS-BG flg
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jhatpro Heavyweight Member
Joined: 17 Mar 2002 Posts: 10204 Location: The Land Beyond O'Hare
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Posted: Sun Jul 01, 2018 2:40 pm Post subject: |
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True. _________________ Jim Hatfield
"The notes are there - find them.” Mingus
2021 Martinus Geelan Custom
2005 Bach 180-72R
1965 Getzen Eterna Severinsen
1946 Conn Victor
1998 Scodwell flugel
1986 Bach 181 cornet
1954 Conn 80A cornet
2002 Getzen bugle |
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pepperdean Heavyweight Member
Joined: 10 Mar 2004 Posts: 650 Location: Johnson City, Texas
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Posted: Mon Jul 02, 2018 1:39 pm Post subject: |
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You might wow others in the band with your excess technique but you'd better be able to make music for the audience (the other musicians will appreciate it too).
Alan |
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plp Heavyweight Member
Joined: 11 Feb 2003 Posts: 7023 Location: South Alabama
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Posted: Fri Jul 13, 2018 7:34 pm Post subject: |
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It better be style, or boy am I screwed.
I have pretty much the same amount of technique I had 10 years ago. The arthritis has pretty much counteracted most of the technical ability I might have gained.
I think it was Clark Terry who said if you can play in time, in tune, and in tone, if all you can do is whole notes and half notes, you can find a gig.
I am living proof of that. We now have two great players part time, as they are keyed into much better paying gigs with several local churches, plus both teach.
They are easily 10 times the players I am, by any metric you want to pick. _________________ Since all other motivesfame, money, power, even honorare thrown out the window the moment I pick up that instrument..... I play because I love doing it, even when the results are disappointing. In short, I do it to do it. Wayne Booth |
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area51recording Veteran Member
Joined: 23 Dec 2005 Posts: 480
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Posted: Sun Jul 15, 2018 10:19 am Post subject: |
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for the musos in your band (and your muso buds in the audience).....probably technique.
For the non muso members of the crowd......style. Every time. Ask the average guy if he knows any smoking hot player you want to name. You'll probably get a blank stare. Ask him (if he's of a certain age) if he knows who Herb Alpert is..... |
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trickg Heavyweight Member
Joined: 02 Jan 2002 Posts: 5677 Location: Glen Burnie, Maryland
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Posted: Mon Jul 16, 2018 6:47 am Post subject: |
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Here's the thing - if you don't have solid technique, you can't even hope to be able to play with any kind of style. Having good fundamentals is what allows a person to play expressively. Otherwise, you are limited to what your technique allows for. _________________ Patrick Gleason
- Jupiter 1600i, ACB 3C, Warburton 4SVW/Titmus RT2
- Brasspire Unicorn C
- ACB Doubler
"95% of the average 'weekend warrior's' problems will be solved by an additional 30 minutes of insightful practice." - PLP |
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MrOlds Heavyweight Member
Joined: 25 Apr 2003 Posts: 724 Location: California
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Posted: Mon Jul 16, 2018 7:26 am Post subject: |
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If the goal is to communicate with music then style is your dialect and technique is the collection of sounds you use most often in your dialect.
If you want to communicate in many styles or if the style you choose is very broad or complicated you’ll need more technique.
If you’re pithy you need less. |
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OldSchoolEuph Heavyweight Member
Joined: 07 Apr 2012 Posts: 2440
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Posted: Mon Jul 16, 2018 8:30 am Post subject: |
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Musical expression without the technique to pull it off is like a building without a foundation - its going to fall down and hurt you. _________________ Ron Berndt
www.trumpet-history.com
2017 Austin Winds Stage 466
1962 Mt. Vernon Bach 43
1954 Holton 49 Stratodyne
1927 Conn 22B
1957 Holton 27 cornet
1985 Yamaha YEP-621
1975 Yamaha YEP-321 Custom
1965 Besson Baritone
1975 Olds Recording R-20 |
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starkadder Heavyweight Member
Joined: 01 May 2008 Posts: 542
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Posted: Mon Jul 16, 2018 9:09 am Post subject: |
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Technique serves stye. The former is knowing your craft, the latter is using the craft to create art. |
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cheiden Heavyweight Member
Joined: 28 Sep 2004 Posts: 8914 Location: Orange County, CA
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Posted: Mon Jul 16, 2018 9:26 am Post subject: |
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Style without sufficient technique is usually painful to listen to.
Technique without style is often tolerable in some settings. Though it's really frustrating to see a player work only on technical skills without working on listening and stylizing. _________________ "I'm an engineer, which means I think I know a whole bunch of stuff I really don't."
Charles J Heiden/So Cal
Bach Strad 180ML43*/43 Bb/Yamaha 731 Flugel/Benge 1X C/Kanstul 920 Picc/Conn 80A Cornet
Bach 3C rim on 1.5C underpart |
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area51recording Veteran Member
Joined: 23 Dec 2005 Posts: 480
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Posted: Mon Jul 16, 2018 9:28 am Post subject: |
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How about this....Say you want to paint a beautiful picture for the audience with your music. Technique is the colors on your palette. You want the most vivid, pure, gorgeous reds, blues, yellows, etc......style is actually you painting your beautiful musical picture..... |
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