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TMT Regular Member
Joined: 01 Oct 2005 Posts: 73
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Posted: Mon Jul 23, 2018 12:28 pm Post subject: |
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[quote="trumpetman.rob"][quote="B. Scriver"]We are talking about Malcom's actual mouthpiece. We digitized his actual piece so call it as you will!
Bri
www.grmouthpieces.com[/quote]
Was it the one he [i]actually[/i] plays, stamped Vincent Bach Corp. 1-1/2C with a Reeves Sleeve?
Malcom doesn't play anything special--he plays a 1-1/2C.[/quote]
Even in photos of Malcolm online you can see quite clearly that it's a screw rim, which completely negates it being a "plain old 1.5C" |
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B. Scriver Heavyweight Member
Joined: 14 Jan 2002 Posts: 1204 Location: Toronto, Canada
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Posted: Mon Jul 23, 2018 12:47 pm Post subject: |
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Right.
If you read GR's posts, you will see EXACTLY what it is that Malcolm plays. We digitized it, reverse engineered it and took out the wrinkles, and made two of them. Both will be on their way to Sanada in Japan this week.
This is a quote from another poster:
Malcom doesn't play anything special--he plays a 1-1/2C.[/quote]
www.grmouthpieces.com |
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trumpetman.rob Regular Member
Joined: 21 Jul 2016 Posts: 34
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Posted: Mon Jul 23, 2018 1:25 pm Post subject: |
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Or, do like I did and send him an email: mcnabmusic@gmail.com
He'll answer you. My earlier post were direct replies from him copied and pasted.
He said he played a 1-1/2C and the only mod he mentioned was the Reeves sleeve and he couldn't remember why he even got that added. |
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B. Scriver Heavyweight Member
Joined: 14 Jan 2002 Posts: 1204 Location: Toronto, Canada
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Posted: Mon Jul 23, 2018 5:15 pm Post subject: |
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Sure...
That's why he had Jon Lewis take a mold of it, just in case it was ever lost and he couldn't replace it with...oh ya...another 1 1/2C.
We have the numbers. Nuff said.
Brian Scriver
www.grmouthpieces.com |
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TMT Regular Member
Joined: 01 Oct 2005 Posts: 73
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Posted: Mon Jul 23, 2018 7:41 pm Post subject: |
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[quote="trumpetman.rob"]Or, do like I did and send him an email: mcnabmusic@gmail.com
He'll answer you. My earlier post were direct replies from him copied and pasted.
He said he played a 1-1/2C and the only mod he mentioned was the Reeves sleeve and he couldn't remember why he even got that added.[/quote]
If you listen to interviews with him, you'll understand his focus isn't on equipment, he's got the "find something and stick with it" approach. Which is valuable advice, just not all of us have found that great fit yet. But it explains his reticence to describe his equipment in depth, so a big thank you again to Brian for passing on the info. As already statedt, playing a "1 1/2C" is utterly meaningless with all the inconsistency over the years. Malcolm plays a mouthpiece of which no two models are exactly the same to begin with, that has been further customized for gap, throat, and most likely also a custom backbore, has a custom rim unlike typical 1.5C rims, all of which MIGHT AS WELL BE a 1 1/2C for all the good its going to do us, as unique players, because it only works for HIM, but it's still FUN to know what it is that he uses =D
Put another way, he does in fact play a unique and very customized mouthpiece with his preferred rim on it (that he uses on every trumpet) that is STAMPED 1 1/2 C ... There IS something special about it, especially for him. I've played lots of 1.5C's and no two play, sound or feel alike. |
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Brassnose Heavyweight Member
Joined: 07 Mar 2016 Posts: 2052 Location: Germany
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Posted: Fri Feb 15, 2019 8:45 am Post subject: |
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Deviating some from the original question: anyone used/uses GR pieces on rotaries or is this pistons only? _________________ 2019 Martin Schmidt eXcellence
1992 Bach 43GH/43
1989 Kühnl & Hoyer Model 15 flugel
1980/2023 Custom Blessing Scholastic C 😎
1977 Conn 6B
1951 Buescher 400 Lightweight
AR Resonance, Frate, Klier |
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Betelgeuse215 Veteran Member
Joined: 20 May 2015 Posts: 186
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Posted: Fri Feb 15, 2019 2:53 pm Post subject: |
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jaysonr wrote: | Charles Lazarus, Minnesota Orchestra
Jon Lewis, Santa Barbara Symphony and over 800 movies and 1,000 television shows.
Also, Chris Martin had some pieces made for him; they are models CM-C1 and CM-C2, but I'm not sure if he still plays them.
Ben Wright in the Boston Symphony played a custom GR for a long time.
Mike Zonshine played his Zony GR pieces in the Honolulu Symphony Orchestra.
Steve Haefner (the designer of the Haefner pieces made by GR) plays GR pieces in an orchestral setting.
There may be some others I think of later...if I do, I'll update the post. |
Based on Chris Martin's NYP videos, I'd say he is back on his Parke. |
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Trumpetingbynurture Heavyweight Member
Joined: 18 Nov 2015 Posts: 898
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Posted: Sat Feb 16, 2019 12:30 am Post subject: |
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LSOfanboy Veteran Member
Joined: 08 Jul 2018 Posts: 347
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Posted: Sat Feb 16, 2019 12:32 am Post subject: |
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Trumpetingbynurture wrote: | |
Note that Mcnab is supposed to be a B&S artist too, but that is clearly his trusty Schilke E3L and not a B&S Equisite (which is supposed to be his 'signature' model). |
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Trumpetingbynurture Heavyweight Member
Joined: 18 Nov 2015 Posts: 898
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Posted: Sat Feb 16, 2019 12:34 am Post subject: |
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It is a pretty old photo - 2011 I think. Not sure when the B&S deal happened |
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JayKosta Heavyweight Member
Joined: 24 Dec 2018 Posts: 3303 Location: Endwell NY USA
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Posted: Sat Feb 16, 2019 5:50 am Post subject: |
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Trumpetingbynurture wrote: | |
-----------------------------------------
Is that 'high on the upper lip' mpc setting typical for some situations?
It looks similar to how a French horn mpc is set.
Jay _________________ Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'. |
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