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devrob New Member
Joined: 21 Feb 2019 Posts: 4
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Posted: Tue Feb 26, 2019 10:44 am Post subject: Trumpet with a Bright Sound |
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I'm in the market for a Bb horn with a pretty bright sound. My whole career I've had a pretty warm, dark sound. It's what sounds best to my ear for the style of playing I do (99% orchestral or symphonic wind), so it's become natural and is only enhanced by the horns I tend to buy. My main horns are a Xeno Bb, Kanstul 1600 Bb, and a Bach 229 C. The lead playing in one of the ensemble I'm playing in most often plays a Bach 72 and has a really rich, bright sound. Not a laser beam by any means, but significantly brighter than mine. I'm hoping to find something to help match his sound a bit more and also potentially use for some solo work.
Some things I've considered so far include a Bach 72 LW, Shires BLW, Andalucia adVance Phase III, and a Van Laar BR2. Any other suggestions of horns to check out?
I've of course tried a few mouthpieces and focusing on vowel sounds, which helps substantially, but I'm always interested in expanding the collection |
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kehaulani Heavyweight Member
Joined: 23 Mar 2003 Posts: 9005 Location: Hawai`i - Texas
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Posted: Tue Feb 26, 2019 10:53 am Post subject: |
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I would get a Getzen Severinsen or Benge. LOTS of studio players used those. But be aware that mouthpiece and personal mind-picture of a target sound go a long way. _________________ "If you don't live it, it won't come out of your horn." Bird
Yamaha 8310Z Bobby Shew trumpet
Benge 3X Trumpet
Benge 3X Cornet
Adams F-1 Flghn |
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onlyson Veteran Member
Joined: 24 Oct 2007 Posts: 224 Location: Bartlett, Illinois
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Posted: Tue Feb 26, 2019 10:55 am Post subject: |
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Your Kanstul should do the trick. Try a more shallow mouthpiece to help brighten your sound. _________________ Del Quadro Grizzly
Yamaha 9335CH
1951 Martin Committee Deluxe #3 Bore
ACB Coppernicus
Couesnon Flugel
Carol Pocket Trumpet |
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OldSchoolEuph Heavyweight Member
Joined: 07 Apr 2012 Posts: 2440
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Posted: Tue Feb 26, 2019 11:08 am Post subject: |
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The Bach 72 has a fast taper, as does the Andalucía bell, which tends to a darker sound generally.
In vintage, Bright horns would be a Benge 3, a King Sliver Flair, a Yamaha YTR-739T, or for really bright and commercial, an Olds Superstar.
In modern, bright horns would be a Kanstul Chicago (oops, now that's vintage only too I guess), a Bach 1B Commercial, Most of the Schilke B series (not B5/B6 though), Jupiter XO 1600i (not as much as the others listed). I thought for a while about Yamaha, but with the cultural perception of trumpet tone having shifted toward a stronger core with clear overtones, their brightest current models (Xeno Chicago, Shew) are not particularly bright. _________________ Ron Berndt
www.trumpet-history.com
2017 Austin Winds Stage 466
1962 Mt. Vernon Bach 43
1954 Holton 49 Stratodyne
1927 Conn 22B
1957 Holton 27 cornet
1985 Yamaha YEP-621
1975 Yamaha YEP-321 Custom
1965 Besson Baritone
1975 Olds Recording R-20 |
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HERMOKIWI Heavyweight Member
Joined: 24 Dec 2008 Posts: 2581
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Posted: Tue Feb 26, 2019 11:25 am Post subject: |
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The Bach 72 bell is designed to produce a sound on the darker end of the spectrum. The Bach 25, 43 and 37 bells are all designed to produce a brighter sound than the 72 bell. So a Bach 72 would seem to be taking you in the direction opposite the one you're trying to go.
The Calicchio 1s/2 has for decades been the standard for bright sound and projection against which everything else is measured. If you want bright sound and strong projection you won't go wrong with a Calicchio 1s/2. Nothing on your list of possibilities matches up to a Calicchio 1s/2.
I own over 50 Bb trumpets including a Bach 25, 37 and 72LW, Chicago Benge ML and L, Burbank Benge 2X, 3X, 5X and 6X, Los Angeles Benge CG, Getzen Eterna Severinsen LB, Schilke B5LB and B7L, Kings, Conns, Selmers, Blessings, etc. in addition to a Calicchio 1s/2 and Calicchio 3R/9, and the Calicchio 1s/2 is the brightest and most projecting of them all. _________________ HERMOKIWI |
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LittleRusty Heavyweight Member
Joined: 11 Aug 2004 Posts: 12657 Location: Gardena, Ca
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Posted: Tue Feb 26, 2019 12:38 pm Post subject: |
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Terms like dark, bright, “Bach sound”, etc, are very subjective. I have read posts using the term dark to, from my interpretation or the posts, mean opposite tone quality.
If you are considering Bachs, here is a link to Bach’s official opinion on the bell characteristics. |
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zaferis Heavyweight Member
Joined: 03 Nov 2011 Posts: 2322 Location: Beavercreek, OH
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Posted: Tue Feb 26, 2019 1:09 pm Post subject: |
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Bach Commercial
Shires Destino III
Yamaha Z-Horn Zxxxx _________________ Freelance Performer/Educator
Adjunct Professor
Bach Trumpet Endorsing Artist
Retired Air Force Bandsman |
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Brad361 Heavyweight Member
Joined: 16 Dec 2007 Posts: 7080 Location: Houston, TX.
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Posted: Tue Feb 26, 2019 1:23 pm Post subject: |
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There are of course many horns that might work for you (in addition to your Kanstul? Maybe with a “commercial” mouthpiece?), but I can say that for me, my LA Benge 3X+ and GR Carl Fischer JazzRockstar mouthpiece is VERY bright, I didn’t actually realize how bright it is until I heard a recording of myself recently.
ALL THAT BEING SAID: as others have mentioned, “bright” is subjective, and what works well for me absolutely may NOT for someone else. For example, lots of guys love the Yamaha Shew horns, for me they feel tight and restrictive. That’s not necessarily a reflection on the horns, it’s a personal reaction/preference.
Brad _________________ When asked if he always sounds great:
"I always try, but not always, because the horn is merciless, unpredictable and traitorous." - Arturo Sandoval
Last edited by Brad361 on Fri Mar 01, 2019 1:35 pm; edited 1 time in total |
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shofarguy Heavyweight Member
Joined: 18 Sep 2007 Posts: 7010 Location: AZ
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Posted: Tue Feb 26, 2019 2:01 pm Post subject: |
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Lots of horn choices, but your Kanstul was made for the kind of playing you're describing. To my way of thinking, you should begin by altering your sound concept. Get help from someone with experience who can help you change your thinking, hearing and technique. After that, I'd consider finding a moderately shallow mouthpiece.
I play a trumpet with a REALLY big open bell taper and can get a brilliant, commercial tone out of it. _________________ Brian A. Douglas
Flip Oakes Wild Thing Bb Trumpet in copper
Flip Oakes Wild Thing Flugelhorn in copper
There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds. |
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HERMOKIWI Heavyweight Member
Joined: 24 Dec 2008 Posts: 2581
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Posted: Tue Feb 26, 2019 3:07 pm Post subject: |
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OldSchoolEuph wrote: | The Bach 72 has a fast taper, as does the Andalucía bell, which tends to a darker sound generally. |
Actually the Bach 72 has a slow taper. Generally speaking, the slower the taper the darker the sound and the faster the taper the brighter the sound. _________________ HERMOKIWI |
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maynard-46 Heavyweight Member
Joined: 25 Oct 2002 Posts: 1845 Location: GEORGIA
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Posted: Tue Feb 26, 2019 3:16 pm Post subject: Trumpet with a Bright Sound |
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Adams A5. DEFINITELY the LIGHTEST WEIGHT and BRIGHTEST SOUND of any horn I have ever played in my 55 year playing career. It's also the quickest responding horn too! Try it...you might like it!!!
Butch _________________ TRUMPE: YAMAHA Lacq. "Shew Gen II" / Legends .585 "CatMaster" Top / KT "TKO" BB / Reeves #5.75 Sleeve.
FLUGELHORN: ADAMS Custom "F1" / Legends .585 "CatMaster FL. |
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shofarguy Heavyweight Member
Joined: 18 Sep 2007 Posts: 7010 Location: AZ
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Posted: Tue Feb 26, 2019 3:41 pm Post subject: |
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HERMOKIWI wrote: | OldSchoolEuph wrote: | The Bach 72 has a fast taper, as does the Andalucía bell, which tends to a darker sound generally. |
Actually the Bach 72 has a slow taper. Generally speaking, the slower the taper the darker the sound and the faster the taper the brighter the sound. |
Tapers are measured by the amount of growth in diameter or radius over its length. if it grows a lot, that is a fast taper. If it stays closer to the same diameter over its length, it is a slow taper.
Fast taper = large throat = darker timbre
Slow taper = narrow throat = brighter timbre _________________ Brian A. Douglas
Flip Oakes Wild Thing Bb Trumpet in copper
Flip Oakes Wild Thing Flugelhorn in copper
There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds. |
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Ed Kennedy Heavyweight Member
Joined: 15 Jan 2005 Posts: 3187
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Posted: Tue Feb 26, 2019 4:24 pm Post subject: |
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shofarguy wrote: | Lots of horn choices, but your Kanstul was made for the kind of playing you're describing. To my way of thinking, you should begin by altering your sound concept. Get help from someone with experience who can help you change your thinking, hearing and technique. After that, I'd consider finding a moderately shallow mouthpiece.
I play a trumpet with a REALLY big open bell taper and can get a brilliant, commercial tone out of it. |
Kanstul designed that for for Waynard when he sent his Bach 72LT in for some work. That's what he was playing when he played lead with Maynard.
The 72LT was astaple in the NYC studio scene in the '60's and 70's: Bernie Glow, Al Stewart, and Danny Stiles all played that model. Trent Austin has a Brasspire that he calls the best Calicchio 1S2 he ever played. that would be a possibility as well as Charlie Davis' horns sold by Washington Music Center which are designed after the Calicchio. The Bach Mariachi model is another very bright horn (190B43RL) worth checking out. The Stomvi S3 has a lot of buzz as well. I know a few NYC guys using old Benge CG's for show and commercial work. Horntrader has the Burbank line with a CG clone as well as clones (by Kanstul) of the other original Benges. So many horns, so littlle time. |
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RussellDDixon Heavyweight Member
Joined: 04 Apr 2014 Posts: 832 Location: Mason, OH
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Posted: Tue Feb 26, 2019 7:56 pm Post subject: |
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Owned a Kanstul 1600 at one time. One of the better playing horns I have ever owned and it is gorgeous. As previously stated, designed for Wayne Gergeron and he favors it over his Yamaha accprding to an interview I read. I suggest trying something beside a new horn unless you are just itching to buy one. The Kanstul 1600 has plenty of fire to be had.
A Schilke and ... errrrr ... my Yamaha YTR 8340EM (Eric Miyashiro designed light-weight) would thrill your soul also. _________________ Schilke X3 Bb trumpet
Yamaha 631g Flugelhorn
Nicholson Monette Prana Resonance LT mouthpiece
Kanstul Claude Gordon Personal mouthpiece |
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blbaumgarn Heavyweight Member
Joined: 26 Jul 2017 Posts: 705
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Posted: Wed Feb 27, 2019 1:21 am Post subject: Trumpet with a bright sound |
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I agree with Kehaulani. Try a Severinsen. Getzen's 900 which if still the old Severinsen or finding a good Benge with an earlier serial number. Bright, open, yet full and both horns project. And you can find good examples used for less than new. Try the Burbank trumpet if they are still available due to the Kanstul shut down or re-organization. There are several Benge horns in the marketplace right now that would give you what you want. Good Luck. _________________ "There are two sides to a trumpeter's personality,
there is one that lives to lay waste to woodwinds and strings, leaving them lie blue and lifeless along a swath of destruction that is a
trumpeter's fury-then there is the dark side!" Irving Bush |
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deleted_user_680e93b New Member
Joined: 03 Apr 1996 Posts: 0
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Posted: Wed Feb 27, 2019 4:54 am Post subject: Re: Trumpet with a Bright Sound |
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devrob wrote: | I'm in the market for a Bb horn with a pretty bright sound. My whole career I've had a pretty warm, dark sound. It's what sounds best to my ear for the style of playing I do (99% orchestral or symphonic wind), so it's become natural and is only enhanced by the horns I tend to buy. My main horns are a Xeno Bb, Kanstul 1600 Bb, and a Bach 229 C. The lead playing in one of the ensemble I'm playing in most often plays a Bach 72 and has a really rich, bright sound. Not a laser beam by any means, but significantly brighter than mine. I'm hoping to find something to help match his sound a bit more and also potentially use for some solo work.
Some things I've considered so far include a Bach 72 LW, Shires BLW, Andalucia adVance Phase III, and a Van Laar BR2. Any other suggestions of horns to check out?
I've of course tried a few mouthpieces and focusing on vowel sounds, which helps substantially, but I'm always interested in expanding the collection |
What mouthpiece do you play? Before i tried to find anything better than your 1600 i'd play around with drill size and cup shape and depth.If your the typical orchestral player using something big like a 1c with a 22 backbore forget it. I would try curry's precision line of pieces that match your ID and then try the medium, and shallow cups, after that go to as small a drill size as possible that still gives you a fat sound. you'll be surprised at what your able to do on that 1600 !!
It will be plenty bright enough. If your still looking for nice bright commercial horn play what the pros play, 1s2, ingram 1600i, benge 3, or claude gordon, bach 43, but any horn can sound bright with the right gear attached to it.
good luck,
tom |
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Rod Haney Heavyweight Member
Joined: 22 Aug 2015 Posts: 937
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Posted: Fri Mar 01, 2019 12:56 pm Post subject: |
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I have a 65 King Silver Flair in near mint condition which would do the job very well. I don’t play it anymore, pm me as there is a local music store that has or had a large selection of vintage horns and a Harry James or 2.
Rod |
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Tobylou8 Veteran Member
Joined: 23 Feb 2019 Posts: 157
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Posted: Sat Mar 02, 2019 9:56 am Post subject: |
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I have several horns that can light it up pretty good. They are Getzen Severinsen, 900H (Herriot tilted bell) in medium and large bore (really hard to find), Conn 60B Super Connstellation (very underappreciated horn), 40B Vocabell from '32 (laser beam bright), Holton ST-302, and the brightest of all is my Holton Super Collegiate cornet with copper bell!! I've played a couple of Xenos, Shew and Miyashiro and they were bright but also tight for me. It might be cheaper to try a mpc that's very shallow. I use a JET-TONE CUSTOM MODEL 1B. It can light up any horn I have but it isn't for everyone. |
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gabriel127 Veteran Member
Joined: 02 Nov 2005 Posts: 218 Location: Southern U.S.
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Posted: Sat Mar 02, 2019 10:41 am Post subject: |
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Don't miss a chance to try the Stomvi Horns. V-Raptor, VRII, S3, and others. Those horns can really sizzle. I've heard that the Mambo is even brighter, but I've never tried one myself. Might want to check with Jon Ruff or KO. |
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giakara Heavyweight Member
Joined: 13 Jul 2003 Posts: 3832 Location: Greece
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Posted: Sat Mar 02, 2019 12:41 pm Post subject: |
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One more vote for Getzen Eterna , bright and shiny sound with fast response.
Regards _________________ Lawler TL5-1A Bb 2015
Lawler TL6-1A Bb 2004
Lawler TL5-1A Bb 2003
Getzen eterna 910 C
Getzen eterna 850 cornet
Selmer Paris 3 valve picc
Yamaha 731 flugel
Carol mini pocket
Reeves/Purviance mpcs |
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