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evillalobos12 Regular Member
Joined: 03 Feb 2015 Posts: 13
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Posted: Mon Apr 01, 2019 5:33 pm Post subject: 27 throats...do any orchestral pros still play on those? |
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I’m just wondering because I happen to play on a mouthpiece with a 24 throat, and I know most stock mouthpieces that come with horns have 27 throats, but a buddy and I were talking and we think it’s a little funny, how orchestral pros, when asked by people (usually who aspire to one day be pros) how they choose mouthpieces or ask what mouthpieces people should buy in interviews, always answer: “Just play the mouthpiece that’s right for you”. Yet, I don’t think I’ve ever seen in any of those interviews that any of those pros play on anything with a throat numerically higher than a 25. _________________ Ernesto Villalobos Jr. |
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Tpt_Guy Heavyweight Member
Joined: 16 Jul 2004 Posts: 1101 Location: Sacramento, Ca
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Posted: Mon Apr 01, 2019 8:40 pm Post subject: |
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According to his equipment page:
https://michaelsachs.com/equipment-2/
Mike Sachs uses a stock small letters 1-1/2C on Bb which means a 27 throat. _________________ -Tom Hall-
"A good teacher protects his pupils from his own influence."
-Bruce Lee |
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evillalobos12 Regular Member
Joined: 03 Feb 2015 Posts: 13
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Posted: Tue Apr 02, 2019 4:44 am Post subject: |
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Sorry, I should’ve been specific: this is regarding the mouthpieces they use with their C trumpets. _________________ Ernesto Villalobos Jr. |
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Speed Veteran Member
Joined: 13 May 2015 Posts: 295 Location: Mississippi
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Posted: Tue Apr 02, 2019 9:11 am Post subject: |
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The new Bach Symphonic mouthpieces have 26 down to 22 throats, along with a 24 backbore. They are said to have been introduced because they represent common custom mouthpieces orchestral trumpet players often request. Apparently the demand for them justifies a production run, rather than custom work. |
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LaTrompeta Heavyweight Member
Joined: 03 May 2015 Posts: 867 Location: West Side, USA
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Posted: Tue Apr 02, 2019 11:39 am Post subject: |
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From what I am aware (and I don't know much), most orchestral players like larger throats, like 24. Although Michael Sach's page says that, I would not be surprised at all if his 1.5C is drilled out. _________________ Please join me as well at:
https://trumpetboards.com |
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Tpt_Guy Heavyweight Member
Joined: 16 Jul 2004 Posts: 1101 Location: Sacramento, Ca
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Posted: Tue Apr 02, 2019 12:53 pm Post subject: |
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LaTrompeta wrote: | From what I am aware (and I don't know much), most orchestral players like larger throats, like 24. Although Michael Sach's page says that, I would not be surprised at all if his 1.5C is drilled out. |
Possibly, but he specifies a 1-1/2C with a 23 throat and 117 backbore for C, D and Eb trumpets. I would think he would be just as specific with his Bb mouthpiece if it had been altered, especially since he explicitly says it's a stock mouthpiece. _________________ -Tom Hall-
"A good teacher protects his pupils from his own influence."
-Bruce Lee |
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Big Dave88 Veteran Member
Joined: 31 Mar 2011 Posts: 479
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Posted: Mon May 27, 2019 8:20 am Post subject: Re: 27 throats...do any orchestral pros still play on those? |
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evillalobos12 wrote: | I’m just wondering because I happen to play on a mouthpiece with a 24 throat, and I know most stock mouthpieces that come with horns have 27 throats, but a buddy and I were talking and we think it’s a little funny, how orchestral pros, when asked by people (usually who aspire to one day be pros) how they choose mouthpieces or ask what mouthpieces people should buy in interviews, always answer: “Just play the mouthpiece that’s right for you”. Yet, I don’t think I’ve ever seen in any of those interviews that any of those pros play on anything with a throat numerically higher than a 25. |
Well that is a stock answer because it's generally good advice.
The other side of the coin is you have to use the right tool for the job, and a more open piston C trumpet for American orchestras is more or less going to necessitate a particular mouthpiece to balance the horn and sound production requirements.
And typically, those mouthpiece on that horn ARE just what works for them.
Not quite a pro, but on a standard Bb I use a GR66q*b (essentially an efficient, deep 3c), and as open as it is it simply has limitations on my Chicago C, which is why I use a (rather large due to old Bach tooling)Bach 3c bored out to 22 on it. Playing middle of the road soloistic stuff I can get away with the GR on the Chicago. But any extreme playing, such as the kind of playing to ride on top of 100 other instruments, or barely be heard, the GR is not the piece for that horn. _________________ "Bud didn't worry about this..."
-Barenboim |
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ltkije1966 Heavyweight Member
Joined: 24 Jan 2007 Posts: 1229 Location: Chicago
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Posted: Tue Jul 16, 2019 7:31 pm Post subject: |
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For orchestral playing on either of my Cs, I never could play loud enough on a 27 throat.
Ross Beacraft told me in a lesson when when working on Tchaik 4 that they wouldn’t even know I was alive in the CSO. Then he said to drill out my MP one size at a time until it’s too big. Then buy a new MP and drill it to the size I last liked. _________________ Scott Kuehn |
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