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Question to you Guys! (how is these ornament notes called?)



 
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freshdax
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PostPosted: Sun Feb 26, 2017 6:46 pm    Post subject: Question to you Guys! (how is these ornament notes called?) Reply with quote

Hi,

how would you call the trill-like technique in the high trumpet(s)?? (possibly in other voices as well) which for instance occurs at 0:20 and 0:24??

https://youtu.be/vuaXbIhqMpQ?t=20s

...also important: how would such a gesture usually written out in the score? Maybe with the grupetto sign? (I'm actually not sure if it even is a gruppetto nor if this word is common in world of jazz)

cheers,
Freshdax
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furcifer
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PostPosted: Sun Feb 26, 2017 8:23 pm    Post subject: Reply with quote

Well, I've heard it called a "turn" or even a "gliss" in jazz circles, and like most things in jazz, neither is going to be any more accurate than calling it a "grupetto", although if you said that around real cats, they'd ask, "What does Pinocchio's old man have to do with anything?" (*rimshot*)

Such things aren't usually written out, either. Jazz is nothing if not about increasing the latitude of individual interpretation from the written notes. Playing jazz is more about listening to what has gone before us than reading written instructions. When working with inexperienced players, having them listen to "examples of" what is desired is far better than trying to meticulously write everything out. This is why "swung" eighth notes don't need to be written out as alternating 2+1 barred triplets.

It's the Lead Trumpet's prerogative, if not the jazz trumpet player's prerogative in general. I've heard entire sections do such things without any prompting on a first-read. Knowing where to put a shake or a "cha" is more of a stylistic choice, and part of what makes a lead player who he is as opposed to some other cat. Most prefer it that way, and wouldn't appreciate so much being written out for them.
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trpthrld
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PostPosted: Sun Feb 26, 2017 8:27 pm    Post subject: Reply with quote

It's called a "flip." Just a quick flip of the tongue to get the next higher partial and then land on the note lower than the one you start the flip off of. Sometimes it might be down to a note lower, but the tongue action is the same.

It's a very slight / small movement of the tongue. Best practiced at softer dynamics.
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Last edited by trpthrld on Sun Feb 26, 2017 11:47 pm; edited 1 time in total
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furcifer
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PostPosted: Sun Feb 26, 2017 9:18 pm    Post subject: Reply with quote

trpthrld wrote:
It's called a "flip."


Yep, there ya go, even better. - forgot that one. You lose three things when you start getting old: The first is your memory, and I can't remember what the other two are.
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dstdenis
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PostPosted: Mon Feb 27, 2017 4:18 am    Post subject: Reply with quote

I just finished playing trumpet 2 in the pit orchestra for a run of Catch Me If You Can, which is written in this style and has lots of flips. It's used to transition to a note that's usually down a minor third, for example, from F at the top of the staff to the D right below. The effect is that you break higher off the starting note before coming back down to land on the lower note in tempo.

If the starting note is high enough, like in the fifth partial or higher, you can flex the embouchure and raise the tongue a bit to make the note break higher before landing on the lower note. Lower than that, however, and I had to use the valves to break off the higher note so that the figure would match the shape of the pattern that the guy was playing on the trumpet 1 part. When valving, I smeared through it a bit to match the style of the trumpet 1 part.

In this book, the flip was notated with a turn symbol, a.k.a., grupetto. I've also seen it notated in jazz charts with something that looks like a handwritten line that goes up then down.
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trpthrld
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PostPosted: Mon Feb 27, 2017 6:25 am    Post subject: Reply with quote

Hera ya go with written & playing example:

www.youtube.com/watch?v=WHw7AhuQoBw
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trpthrld
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PostPosted: Mon Feb 27, 2017 7:23 am    Post subject: Reply with quote

Another way to indicate it. This is the mark you get when using the Jazz font in Finale:


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freshdax
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PostPosted: Mon Feb 27, 2017 9:14 pm    Post subject: Reply with quote

thanks to you all, sharing your wisdom!
Highly appreciated!
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freshdax
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PostPosted: Wed Mar 01, 2017 12:58 pm    Post subject: Reply with quote

trpthrld wrote:
Hera ya go with written & playing example:

www.youtube.com/watch?v=WHw7AhuQoBw


How is the piece called actually?
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trpthrld
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PostPosted: Wed Mar 01, 2017 5:03 pm    Post subject: Reply with quote

freshdax wrote:
trpthrld wrote:
Hera ya go with written & playing example:

www.youtube.com/watch?v=WHw7AhuQoBw


How is the piece called actually?

Are you serious?

It says right there on the you tube page what the tune is.
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dstdenis
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PostPosted: Thu Mar 02, 2017 8:33 am    Post subject: Reply with quote

freshdax wrote:
trpthrld wrote:
Hera ya go with written & playing example:

www.youtube.com/watch?v=WHw7AhuQoBw


How is the piece called actually?

It's a bit confusing, because the name of the tune is also the name of the soloist it was written for: Maynard Ferguson. That's how the Stan Kenton band did it back then. I can understand how someone might see the song title and think that it's referring to the performer (which it isn't in this case).
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freshdax
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PostPosted: Thu Mar 02, 2017 10:10 am    Post subject: Reply with quote

dstdenis wrote:
freshdax wrote:
trpthrld wrote:
Hera ya go with written & playing example:

www.youtube.com/watch?v=WHw7AhuQoBw


How is the piece called actually?

It's a bit confusing, because the name of the tune is also the name of the soloist it was written for: Maynard Ferguson. That's how the Stan Kenton band did it back then. I can understand how someone might see the song title and think that it's referring to the performer (which it isn't in this case).


Thank you!

Also, would you agree that you play turns/flips with glissandi/portamento/gliding at the same time? just opposed to a "classical" gruppetto? ("classical" obvisouly doesn't involve any glissando, at least as performed on piano)
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dstdenis
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PostPosted: Thu Mar 02, 2017 10:40 am    Post subject: Reply with quote

freshdax wrote:
Also, would you agree that you play turns/flips with glissandi/portamento/gliding at the same time? just opposed to a "classical" gruppetto? ("classical" obvisouly doesn't involve any glissando, at least as performed on piano)

Yes, the flip really isn't like a classical gruppetto; it just shares the notation symbol (sometimes), I guess because it's convenient for the typesetter. I think the jazz notation, the handwritten line that goes up then back down, is a better way to notate a flip, because it kinda looks like the flip sounds.

If you are going to play a flip, forget about the classical grupetto, which is used to portray a sense of gathering yourself to reach for the next note. Flips are used to give the music energy and enthusiasm. It's a simple, rollicking, joyful, exuberant sound. Let 'er rip!
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freshdax
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PostPosted: Thu Mar 02, 2017 3:10 pm    Post subject: Reply with quote

thank you!

I'm afraid I'll never play a flip, simply as I don't play trumpet, but only piano. (at a proffessional grade). So if you got any piano regarded questions, just hand them over to me!

Also I'm a proffessional music composer/arranger as well, and you have provided some good info all through the years, as it's not always easy from a pianists/composers perspective, and I wrote quite some tracks with live trumpets. Thanks for that & Trumpets for the win!
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kehaulani
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PostPosted: Sat Feb 01, 2020 7:03 am    Post subject: Reply with quote

trpthrld wrote:
Another way to indicate it. This is the mark you get when using the Jazz font in Finale:


Hey, thanks, Tim. That's what I was trying to describe above but couldn't very well without the graphic.

So, do I understand from some of the writing above that, in some cases, particularly jazz, the flip and gruppetto/turn are used synonymously?
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