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The tongue sticks out to the side of the lips



 
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metaljwe
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Joined: 15 Nov 2019
Posts: 15

PostPosted: Sat Nov 16, 2019 6:52 am    Post subject: The tongue sticks out to the side of the lips Reply with quote

In highnote, the sides of the lips are open and the tongue is exposed. There is no problem playing, but it is not good. The same is true for strong lip muscles. I pulled my lip out or pushed it forward, but to no avail. How do we solve this problem?
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JayKosta
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Joined: 24 Dec 2018
Posts: 3275
Location: Endwell NY USA

PostPosted: Sat Nov 16, 2019 10:01 am    Post subject: Reply with quote

Is this specific to CALLET method?
Have you had this happen with embouchure technique that is not CALLET?

Jay
_________________
Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'.
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Jon Kaplan
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Joined: 14 Aug 2009
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Location: Charlotte, NC

PostPosted: Sat Nov 16, 2019 10:50 am    Post subject: Reply with quote

Maybe we need to see a video...
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metaljwe
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Joined: 15 Nov 2019
Posts: 15

PostPosted: Sat Nov 16, 2019 12:57 pm    Post subject: Reply with quote

JayKosta wrote:
Is this specific to CALLET method?
Have you had this happen with embouchure technique that is not CALLET?

Jay


This happens only in Callet method. It's a problem that wasn't in the previous embouchure


Last edited by metaljwe on Sat Nov 16, 2019 1:07 pm; edited 1 time in total
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metaljwe
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Joined: 15 Nov 2019
Posts: 15

PostPosted: Sat Nov 16, 2019 1:04 pm    Post subject: Reply with quote

Jon Kaplan wrote:
Maybe we need to see a video...


I'm sorry. It's hard to upload the video.
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tptguy
Jerome Callet Forum Moderator


Joined: 11 Nov 2001
Posts: 3380
Location: Philadelphia, Pa

PostPosted: Sat Nov 16, 2019 6:45 pm    Post subject: Reply with quote

Sounds like you’re overdoing the technique quite considerably. You may be thinking that the more pronounced you do it the faster it will develop, but that’s not the case. Keep the sides inside the mouth, and make every attack sound like a snare drum. Do you have a Superchops teacher to keep you pointed in the right direction?
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metaljwe
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Joined: 15 Nov 2019
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PostPosted: Sat Nov 16, 2019 6:59 pm    Post subject: Reply with quote

tptguy wrote:
Sounds like you’re overdoing the technique quite considerably. You may be thinking that the more pronounced you do it the faster it will develop, but that’s not the case. Keep the sides inside the mouth, and make every attack sound like a snare drum. Do you have a Superchops teacher to keep you pointed in the right direction?


No, I live in Japan and I can't find Japanese who can teach me superchops. And because English conversation is difficult, Skype lessons are not possible.
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tptguy
Jerome Callet Forum Moderator


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Location: Philadelphia, Pa

PostPosted: Sat Nov 16, 2019 7:44 pm    Post subject: Reply with quote

Ok, you’ll likely make some wrong turns on your journey, but we’ve all done that. Try my suggestions and very strickly follow the precise sound model: extremely centered and focused sound with a very dense core and brilliant zing on sound. Never let yourself lose the center or fall flat as you ascend. Keep at it - you’ll definitely know, and love it, when it falls in place. Best wishes.
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metaljwe
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Joined: 15 Nov 2019
Posts: 15

PostPosted: Sat Nov 16, 2019 7:54 pm    Post subject: Reply with quote

tptguy wrote:
Ok, you’ll likely make some wrong turns on your journey, but we’ve all done that. Try my suggestions and very strickly follow the precise sound model: extremely centered and focused sound with a very dense core and brilliant zing on sound. Never let yourself lose the center or fall flat as you ascend. Keep at it - you’ll definitely know, and love it, when it falls in place. Best wishes.


Thank you very much for your kind reply. I'll try not to lose focus. I think it'll take time. Thank you very much for your answer.
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