• FAQ  • Search  • Memberlist  • Usergroups   • Register   • Profile  • Log in to check your private messages  • Log in 

Juggling multiple instruments?


Goto page Previous  1, 2, 3  Next
 
Post new topic   Reply to topic    trumpetherald.com Forum Index -> Fundamentals
View previous topic :: View next topic  
Author Message
mcstock
Veteran Member


Joined: 25 Nov 2001
Posts: 466
Location: Norman, OK

PostPosted: Sat Oct 03, 2020 3:30 pm    Post subject: Reply with quote

Tom Malone talks about his approach to doubling in this article.
https://trombone.org/articles/view.php?id=47

Matt
_________________
“It is impossible for a man to learn what he thinks he already knows.”
Epictetus
Back to top
View user's profile Send private message
delano
Heavyweight Member


Joined: 18 Jan 2009
Posts: 3118
Location: The Netherlands

PostPosted: Sun Oct 04, 2020 3:46 am    Post subject: Reply with quote

As a former trombone player (I played that weird horn for over 25 years) there are two things here that I consider doubtful.
First, there seems to be some consensus about the problems with the intonation on a slide trombone. My experience is that intonation on a slide trombone is much easier than on a trumpet. The position of the slide is of course relevant but not as strict as one may presume. The valves and the slotting by use of valves is in fact more tricky than the position of the slide on a trombone. And the correction of the intonation on a bone is faster, easier and more intuitive than on a trumpet.
Second, Tom Malone says that the trombone needs twice as much air. I don't know, maybe that's only a feeling. The bigger mp and the bigger bell and bore make a trombone very free blowing compared with the trumpet. But I don't think that I use more air on a trombone. I can play long notes on the trombone as long as on the trumpet. Maybe he meant something different.
Back to top
View user's profile Send private message
ackmondual
Regular Member


Joined: 10 Jan 2018
Posts: 16
Location: U.S.A., Earth

PostPosted: Sun Oct 04, 2020 8:28 pm    Post subject: Reply with quote

delano wrote:
kehaulani wrote:
delano wrote:
kehaulani wrote:

Playing with three fingers on trumpet is easy compared to playing with ten fingers on piano.


This is not true.


Compared to using all ten fingers? It is in my experience.


The interface of the three valve instruments is the most difficult of all the systems (maybe together with the guitar with his asymmetrical tuning).
The instruments like piano and also clarinet, saxophone and so on, are pure intuitive, on a piano from left to right for low to high, on the woodwinds up and down for the same purposes. That's one of the reasons these instruments are more quickly learned and sound quite soon virtuoso.
All the scales on these instruments follow the same movement. But on trumpet every scale has a complete different fingering, reason why you have to practice scales on a trumpet till you drop dead. And one of the reasons it takes quite more time to play something worth listening to on a trumpet.


I have experience with both. Grew up learning it and continued with it (unlike trumpet where I ended up switching to euphonium). I don't play piano anymore since I used to rely on ones in a classroom setting. IME, I wouldn't say one is harder than the other. More so just trade offs to what your preferences are.

Piano is the full 10 fingers. But it's also a much larger range (although very few songs use the full 7 octaves, I believe you usually easily cover half of that). Plus, piano tends to get many, MANY notes. 32nd notes can be expected. OTOH, you don't need to worry about breathing, and matching your lips to what your fingers are doing

trumpet only has 3 valves, and I guess I'm biased since I already know the fingering from having played that and baritone horn for years and years on end. But even having to worry about tonguing, articulation, breathing, etc. adds a lot of work to properly playing a trumpet. OTOH, given all other things equal, you won't have the huge flurry of notes from sheet music that piano pieces entail.
Back to top
View user's profile Send private message
delano
Heavyweight Member


Joined: 18 Jan 2009
Posts: 3118
Location: The Netherlands

PostPosted: Sun Oct 04, 2020 11:48 pm    Post subject: Reply with quote

Mr. ackmondual, every musician I know, playing, sax, or trumpet, or drums, or bass, also plays piano. BTW I own a Kawai grand piano and play it almost every day so I have some knowledge about piano music and piano playing.

And, your post is missing something essential:

quote: you won't have the huge flurry of notes from sheet music that piano pieces entail.
So:
Why does piano music contain that 'huge flurry of notes'?

But to make things more clear: play a scale of C on the piano, do the same on trumpet and look what the difference in the structure of fingering is. Repeat this over three octaves and you will be surprised. After that go one step up and repeat this. Why this example of a scale? To make all other things equal.
As far as I see it, you and some others seem to have a problem with making a distinction between one aspect of an instrument (the interface) and the question which instrument is easier to play. That's in fact a complete different topic. The piano is in fact such an easy instrument that the music written for it is sometimes extremely difficult, even symphonic. Same with saxophone, the easiest wind instrument, but to play it like Bird or Coltrane it can cost you your life.
Back to top
View user's profile Send private message
BGinNJ
Veteran Member


Joined: 02 Mar 2010
Posts: 380

PostPosted: Mon Oct 05, 2020 8:20 am    Post subject: Reply with quote

My biggest problem with playing 2 instruments (trumpet and guitar) has been mental. By that I mean, having clarity about where you put your time and energy, having realistic expectations about how well you'll play them, and how you identify as a musician.

Trumpet is not an instrument that permits dabbling with. You can't just pick it up on weekends or whenever you're bored with other instruments and expect you'll ever play it well enough to be enjoyable for both yourself and those around you.

Much as I love trumpet, there have been times I stopped playing for weeks or months, either out of discouragement or lack of time to do it justice. I can play guitar in the evening without bothering my family, or take a day or two off without issue. And, there's more playing opportunities. People like my guitar playing better! There have been times where I wished I only played guitar.

Trumpet, though, gets inside you if you stick with it. I realized it was binary thinking that I had to quit one instrument or the other. I just play both whenever I can, and on any given day, if I only get to one, it's all music.
Back to top
View user's profile Send private message
JensenW
Regular Member


Joined: 12 Dec 2012
Posts: 67
Location: Raleigh, NC

PostPosted: Mon Oct 05, 2020 2:38 pm    Post subject: Reply with quote

BGinNJ wrote:
My biggest problem with playing 2 instruments (trumpet and guitar) has been mental. By that I mean, having clarity about where you put your time and energy, having realistic expectations about how well you'll play them, and how you identify as a musician.

Trumpet is not an instrument that permits dabbling with. You can't just pick it up on weekends or whenever you're bored with other instruments and expect you'll ever play it well enough to be enjoyable for both yourself and those around you.

Much as I love trumpet, there have been times I stopped playing for weeks or months, either out of discouragement or lack of time to do it justice. I can play guitar in the evening without bothering my family, or take a day or two off without issue. And, there's more playing opportunities. People like my guitar playing better! There have been times where I wished I only played guitar.

Trumpet, though, gets inside you if you stick with it. I realized it was binary thinking that I had to quit one instrument or the other. I just play both whenever I can, and on any given day, if I only get to one, it's all music.


I think you have found a good balance. if it is not your living, then these other things must be put in proper priority.
_________________
Wade
Yamaha YTR 737

The goal is to be a better trumpeter today than I was yesterday.
Back to top
View user's profile Send private message
Brassnose
Heavyweight Member


Joined: 07 Mar 2016
Posts: 2052
Location: Germany

PostPosted: Mon Oct 05, 2020 7:59 pm    Post subject: Reply with quote

I agree with BGin. I work in a pretty busy job and live in a pretty dense area, so I cannot just go ahead and practice any time I like. Brass is much more of an issue than checking chords on our electronic piano, considering the neighbors. I guess that matches up with BGins trumpet/guitar situation.

Practice mutes do wonders but from time to time I want to play open.

As for the trombone aspect, as I said earlier, I have picked up the bass trumpet 3-4 years ago and somehow it’s sound and playability just feel more natural to me than the trumpet. You know, how sometimes you crack notes on the trumpet when entering in an orchestral soft part with a high note. This happens to me on trumpet but much less so on bass trumpet. While I sometimes still struggle to hear the trumpet note in my head just before playing it, it’s all there with the bass trumpet. I hear it, I play it, and it’s there alright.
_________________
2019 Martin Schmidt eXcellence
1992 Bach 43GH/43
1989 Kühnl & Hoyer Model 15 flugel
1980/2023 Custom Blessing Scholastic C 😎
1977 Conn 6B
1951 Buescher 400 Lightweight
AR Resonance, Frate, Klier
Back to top
View user's profile Send private message
PMonteiro
Veteran Member


Joined: 29 Jul 2020
Posts: 130
Location: Hudson Valley

PostPosted: Tue Oct 06, 2020 7:53 am    Post subject: Reply with quote

I play both trumpet and alto sax. When I first started out, my right hand sometimes got confused and I tried using trumpet fingerings on the lower keys of the sax. Practice fixed that pretty quickly. Sometimes my trumpet upper register suffers a bit if playing sax immediately before, but otherwise I find that I can switch effortlessly between them. Holding each instrument triggers separate muscle memories. Trumpet has also made me more conscious about my air use on sax.

When I played marching baritone in college, my trumpet mouthpiece felt tiny immediately after playing baritone (common complaint among high/low brass doublers). Otherwise, having prior trumpet experience was a big help in playing baritone.

I've also always been able to easily switch back and forth between Bb and C trumpet. I never experienced the "feel" and severe intonation problems that a lot of new C players have. I must be an outlier I guess.
_________________
YTR-6335HSII
YTR-2320
Accord in C
Back to top
View user's profile Send private message
Bill_Bumps
Veteran Member


Joined: 07 May 2019
Posts: 157

PostPosted: Wed Oct 07, 2020 7:56 pm    Post subject: Reply with quote

I started playing clarinet when I was eight years old. But then about two years ago I got my Selmer K-Modified out, had it reconditioned, and seriously set in to practicing.

I can't honestly say that playing one instrument either detracts from or enhances the other. They're just too different.

In my opinion, the trumpet is by far the more difficult of the two, because of the overwhelming degree to which embouchure control is a requirement for any kind of pleasing sound. To be sure, reed instruments rely on proper embouchure too, but not to the demanding degree of the trumpet.

So which instrument do I prefer? The trumpet. I love its full, clear sound and ability to carry a melody unaided. In fact, I'd go so far as to compare playing the trumpet to singing, with its complexities of intonation, breath control, vibrato and phrasing. Artie Shaw could get all that out of a clarinet, but I can only get it from a trumpet.

On good days, that is. Those are the days when I feel as though I'm channelling the spirit of Charlie Spivak. Other days...not so much. But I keep on practicing, chasing that golden sound.
Back to top
View user's profile Send private message
kehaulani
Heavyweight Member


Joined: 23 Mar 2003
Posts: 9013
Location: Hawai`i - Texas

PostPosted: Wed Oct 07, 2020 8:02 pm    Post subject: Reply with quote

You know what woodwind doublers call the clarinet, don't you? "The Black Stick of Death". LOL.
_________________
"If you don't live it, it won't come out of your horn." Bird

Yamaha 8310Z Bobby Shew trumpet
Benge 3X Trumpet
Benge 3X Cornet
Adams F-1 Flghn
Back to top
View user's profile Send private message
THE BD
Heavyweight Member


Joined: 17 Apr 2005
Posts: 897
Location: Columbus, Oh-hi-uh

PostPosted: Thu Oct 08, 2020 3:13 am    Post subject: Reply with quote

kehaulani wrote:
You know what woodwind doublers call the clarinet, don't you? "The Black Stick of Death". LOL.


I've used that, I also like to call it the "Gloom Tube" or the "Agony Stick"...

Agony for me to play and agony if you hear me play!
_________________
Martin D Williams

Yeah, I did that!
Back to top
View user's profile Send private message AIM Address
OldHorn
Regular Member


Joined: 26 Dec 2017
Posts: 90

PostPosted: Thu Oct 08, 2020 5:53 am    Post subject: Reply with quote

mcstock wrote:
Tom Malone talks about his approach to doubling in this article.
https://trombone.org/articles/view.php?id=47

Matt

Thanks for posting this link. I had the chance to work with Tom and the Blues Bros. Band when they went on tour in the early 80's. It was a fun gig. Lotta good memories.
Back to top
View user's profile Send private message
nieuwguyski
Heavyweight Member


Joined: 06 Feb 2002
Posts: 2349
Location: Santa Cruz County, CA

PostPosted: Thu Oct 08, 2020 10:32 pm    Post subject: Reply with quote

delano wrote:
As a former trombone player (I played that weird horn for over 25 years) there are two things here that I consider doubtful.
First, there seems to be some consensus about the problems with the intonation on a slide trombone.


Umm, where did you get that? The only use of the word "intonation" in the interview is the tenth of ten "Top Ten Rules For Being a Professional Musician:

10. Listen carefully to the other musicians on the gig. Follow the lead instrument's phrasing exactly. Blend with the other instruments' tone quality, volume and intonation."

I can't find a single other mention of intonation, so why single out trombone?
_________________
J. Notso Nieuwguyski
Back to top
View user's profile Send private message Visit poster's website
delano
Heavyweight Member


Joined: 18 Jan 2009
Posts: 3118
Location: The Netherlands

PostPosted: Fri Oct 09, 2020 12:24 am    Post subject: Reply with quote

I was not refering to the interview. I was reacting on dershem who said something I heard more often here, maybe sometimes serious, maybe sometimes as a joke, I don't know. I think it's quite a common prejudice with people who don't play the slide trombone.
Back to top
View user's profile Send private message
mark5009
Regular Member


Joined: 11 Apr 2020
Posts: 33
Location: Sydney, Oz

PostPosted: Mon Oct 12, 2020 2:51 pm    Post subject: Reply with quote

I play a bunch of things--trumpets, electric bass, piano, sing, Baroque lute, some percussion--in a bunch of different styles and genres, and, as an amateur, the hardest part is time management. There is simply not enough time to get as good as I'd like at anything and still do all the "real world" things that need/must get done. Eventually I came to the conclusion there were two choices: focus more and give up one or more instruments, or don't worry about it and have fun.

I've taken the second path. Your mileage may vary
_________________
.. mark.

Schilke A2 cornet / Solista flugelhorn / Getzen 390
Back to top
View user's profile Send private message
dcinboston
New Member


Joined: 22 Jul 2020
Posts: 5
Location: 01890

PostPosted: Tue Oct 13, 2020 9:51 am    Post subject: Are the trumpet, cornet & flugel considered different Reply with quote

As an intermediate amateur, I play the trumpet, flugelhorn and cornet. Would you consider these different instruments?
_________________
David Coughlin
Boston
Trumpet/Flugel
davidcoughlin4@gmail.com
Back to top
View user's profile Send private message
Didymus
Veteran Member


Joined: 19 Dec 2017
Posts: 306
Location: Minneapolis, MN

PostPosted: Tue Oct 13, 2020 10:10 am    Post subject: The three high brasswind Reply with quote

I believe most trumpet players consider the flugelhorn a natural double. That is, a trumpet player is often expected to be able to play the flugelhorn. As for the cornet being a different instrument, I believe the jury will permanently be out in the court of public opinion, depending on where you live.

After a few years I received the impression that a good trumpet player should be familiar with all of the high brasswind instruments, able to quickly adapt any technique differences. I'm just unsure if that includes soprano trombone.
_________________
Enjoy the journey.
Back to top
View user's profile Send private message
BGinNJ
Veteran Member


Joined: 02 Mar 2010
Posts: 380

PostPosted: Wed Oct 14, 2020 11:30 am    Post subject: Reply with quote

I wanted to add, most of the (handful of) brass players I know double on other instruments, usually keyboards. And they seem to have more gigs or playing opportunities on them than trumpet.
Back to top
View user's profile Send private message
delano
Heavyweight Member


Joined: 18 Jan 2009
Posts: 3118
Location: The Netherlands

PostPosted: Wed Oct 14, 2020 11:44 am    Post subject: Reply with quote

BGinNJ wrote:
I wanted to add, most of the (handful of) brass players I know double on other instruments, usually keyboards. And they seem to have more gigs or playing opportunities on them than trumpet.


Armstrong doubled on singing. And I am afraid that without his singing he never should have reached the same stature in the jazz history.
That's the tragic.
Back to top
View user's profile Send private message
Bwat
Regular Member


Joined: 20 Sep 2019
Posts: 47

PostPosted: Wed Oct 14, 2020 1:28 pm    Post subject: Reply with quote

delano wrote:
BGinNJ wrote:
I wanted to add, most of the (handful of) brass players I know double on other instruments, usually keyboards. And they seem to have more gigs or playing opportunities on them than trumpet.


Armstrong doubled on singing. And I am afraid that without his singing he never should have reached the same stature in the jazz history.
That's the tragic.


How’s it tragic. Should he have limited himself to suit the sensibilities of others?
Back to top
View user's profile Send private message
Display posts from previous:   
Post new topic   Reply to topic    trumpetherald.com Forum Index -> Fundamentals All times are GMT - 8 Hours
Goto page Previous  1, 2, 3  Next
Page 2 of 3

 
Jump to:  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum


Powered by phpBB © 2001, 2005 phpBB Group