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Yet another mouthpiece post


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ChuckK
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PostPosted: Tue Nov 10, 2020 4:49 pm    Post subject: Yet another mouthpiece post Reply with quote

Comeback player here. Back story: I have undergraduate degree with trumpet and graduate work on French Horn. I've spent the last 14 years playing electric bass in a R+B band and musical theater. With the Covid shutdown I'm getting back into brass playing by dealing with cornet. I have an Ambassador with the hope that if I can get the stuff together I'll step that up. Not looking for glory, just a seat in the back row or community band.

I was using a Stork 5C, but due to the advice from this forum I decided to go with a Denis Wick 4BW. The short shank made a difference (thank you to the collective advice here). But my range is limited to notes in the staff. Anything above that is demonstratively unacceptable. I feel a mouthpiece not quite so deep is a good move and perhaps too, one with a narrower rim. (I did spend many years on French Horn).

What advice have you? I've read alot here about Sparx, but the price tag is a little much. Would a DW 3B work? I have a bunch of shallower pieces but the tone suffers. What looks like a good move?
Thanks.
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jondrowjf@gmail.com
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PostPosted: Tue Nov 10, 2020 5:00 pm    Post subject: Reply with quote

ChuckK
Since you like the short shank cornet mouthpiece, have thought about a used 4 C short shank mouthpiece?
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ChuckK
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PostPosted: Tue Nov 10, 2020 5:05 pm    Post subject: Reply with quote

jondrowjf@gmail.com wrote:
ChuckK
Since you like the short shank cornet mouthpiece, have thought about a used 4 C short shank mouthpiece?


Would that be a DW 4C? or Bach? I didn't see a 4C in the Wick catalog.
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cheiden
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PostPosted: Tue Nov 10, 2020 5:13 pm    Post subject: Reply with quote

An acquaintance had a particularly nice playing Olds Ambassador that played wonderfully with a GR piece. I don't recall the part number but it wasn't an exotic model.
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ChuckK
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PostPosted: Tue Nov 10, 2020 5:16 pm    Post subject: Reply with quote

cheiden wrote:
An acquaintance had a particularly nice playing Olds Ambassador that played wonderfully with a GR piece. I don't recall the part number but it wasn't an exotic model.


What is GR?
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Bryant Jordan
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PostPosted: Tue Nov 10, 2020 6:16 pm    Post subject: Reply with quote

A google search will tell you more, but GR is a mouthpiece brand. It was created by Gary Radky, hence 'GR'. They're phenomenal pieces, and quite popular.
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jondrowjf@gmail.com
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PostPosted: Tue Nov 10, 2020 6:56 pm    Post subject: Reply with quote

Duplicate.
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King 603 cornet American wrap
Jupiter 520 M shepherds crook
Denis Wick 4 W classic gold short shank mouthpiece
Getzen 4 B short shank mouthpiece
Yamaha 11 e short shank mouthpiece
Vincent Bach 5 B short shank mouthpiece


Last edited by jondrowjf@gmail.com on Wed Nov 11, 2020 7:01 am; edited 1 time in total
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Dennis78
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PostPosted: Wed Nov 11, 2020 2:28 am    Post subject: Reply with quote

If the Wick you bought sounds and feels good then use it. With practice the range will come back
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delano
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PostPosted: Wed Nov 11, 2020 4:16 am    Post subject: Reply with quote

I have never heard of a DW 4C cornet mouthpiece.
BTW an Ambassador cornet (at least not a very early one) will not play better with a short shank mp. Of course it is possible but certainly not necessary.
Stick with the Stork 5C if you like that one (I don't know that mp), an Ambassador cornet is quite a trumpetty horn and plays excellent with a long shank C-cupped mp. The DW cornet mouthpieces have quite deep cups and big throats. Can be a problem for a starter or a comebacker.
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Seymor B Fudd
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PostPosted: Wed Nov 11, 2020 5:17 am    Post subject: Re: Yet another mouthpiece post Reply with quote

ChuckK wrote:
Comeback player here. Back story: I have undergraduate degree with trumpet and graduate work on French Horn. I've spent the last 14 years playing electric bass in a R+B band and musical theater. With the Covid shutdown I'm getting back into brass playing by dealing with cornet. I have an Ambassador with the hope that if I can get the stuff together I'll step that up. Not looking for glory, just a seat in the back row or community band.

I was using a Stork 5C, but due to the advice from this forum I decided to go with a Denis Wick 4BW. The short shank made a difference (thank you to the collective advice here). But my range is limited to notes in the staff. Anything above that is demonstratively unacceptable. I feel a mouthpiece not quite so deep is a good move and perhaps too, one with a narrower rim. (I did spend many years on French Horn).

What advice have you? I've read alot here about Sparx, but the price tag is a little much. Would a DW 3B work? I have a bunch of shallower pieces but the tone suffers. What looks like a good move?
Thanks.


To be able to play a DW classic decently in my mind, you will have to be one hell of a player. Practice all day long. They sound rich dark smooth but the second you want to play higher than say G top of staff you are likely to meet trouble. I tried a DW 4 BW 2 years - only to realize I just couldn´t use it. The 3B is even deeper. Bird bath!
However I found another DW mpc that suits me better, the Ultra series, deep but not that deep - maybe you could try that one?
In UK brassbands DW seems to be the default but, in my opinion you coud get a lovely cornetty sound using others mpc; e.g. listen to Mr Clean!
Personally I use a Schilke 14D3D custom made - as long as I play cornetty it´s OK - using it with my Getzen 3850 which in itself is "darker".
Mpc and horn (and your personal way of playing) should be seen as a whole.
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Dennis78
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PostPosted: Wed Nov 11, 2020 5:55 am    Post subject: Reply with quote

I’m not a hell of a player and did not practice all day long. But I did switch to a Wick 4 when I got moved to front row in the brass band. It was rough. By the time competition rolled around I had a strong C above the staff.
Currently I’m playing on an old Frank Holton 10 cookie cuter. I find the deeper more open flat rim mouthpieces to give more freedom but they are not forgiving at all. Any moment of shady technique and they’ll shut you down.
Last season I played baritone and to get good tone on those Wicks are truly about air support. Don’t hold back on them at all. Which also translated to the cornet. Today I’ve got one more note to my range. Still cannot do peddle tones!
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jondrowjf@gmail.com
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PostPosted: Wed Nov 11, 2020 7:00 am    Post subject: Reply with quote

Duplicate
_________________
King 603 cornet American wrap
Jupiter 520 M shepherds crook
Denis Wick 4 W classic gold short shank mouthpiece
Getzen 4 B short shank mouthpiece
Yamaha 11 e short shank mouthpiece
Vincent Bach 5 B short shank mouthpiece


Last edited by jondrowjf@gmail.com on Wed Nov 11, 2020 8:35 am; edited 1 time in total
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jondrowjf@gmail.com
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PostPosted: Wed Nov 11, 2020 8:19 am    Post subject: Reply with quote

ChuckK
As listed on the Denis Wick 4 C classic series would be one of their short shank mouthpiece. Bach 4 C is a long shank mouthpiece.
Mouthpieces are for many players, a personal preference. I decided to change to Bach megatone mouthpieces. So sold or I am selling all of non Bach megatone mouthpieces. Since I have a Bach megatone 5 B, I decided didn't need a Bach megatone 5 C too.
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King 603 cornet American wrap
Jupiter 520 M shepherds crook
Denis Wick 4 W classic gold short shank mouthpiece
Getzen 4 B short shank mouthpiece
Yamaha 11 e short shank mouthpiece
Vincent Bach 5 B short shank mouthpiece
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Seymor B Fudd
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PostPosted: Wed Nov 11, 2020 9:09 am    Post subject: Reply with quote

Dennis78 wrote:
I’m not a hell of a player and did not practice all day long. But I did switch to a Wick 4 when I got moved to front row in the brass band. It was rough. By the time competition rolled around I had a strong C above the staff.
Currently I’m playing on an old Frank Holton 10 cookie cuter. I find the deeper more open flat rim mouthpieces to give more freedom but they are not forgiving at all. Any moment of shady technique and they’ll shut you down.
Last season I played baritone and to get good tone on those Wicks are truly about air support. Don’t hold back on them at all. Which also translated to the cornet. Today I’ve got one more note to my range. Still cannot do peddle tones!


Yes so did I. But not after say the "Dambusters"
And yes if I were to play back row, then even my 3B might suffice. I do agree on your notion of air support! Indeed. But my body has to be able to use some of the air inhaled. Could have something to do with my construction.
I take it you mean pedal tones? Double pedal C comes easily for me but then I´m deep in the BE method. When I began - more like farting if I dare say so.
By the way, mr Clean uses a Sparx 2B - could be a candidate?
But as every mpc discussion might be ended: it boils down to the person at the mpc. What seems to be a holy grail to me might be just another piece of metal to you.
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Cornets: mp 143D3/ DW Ultra 1,5 C
Getzen 300 series
Yamaha YCRD2330II
Yamaha YCR6330II
Getzen Eterna Eb
Trumpets:
Yamaha 6335 RC Schilke 14B
King Super 20 Symphony DB (1970)
Selmer Eb/D trumpet (1974)
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Dennis78
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PostPosted: Wed Nov 11, 2020 12:33 pm    Post subject: Reply with quote

True dat!
I can do a nice pedle on baritone though
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kehaulani
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PostPosted: Wed Nov 11, 2020 12:43 pm    Post subject: Reply with quote

A musical question before you get overwhelmed by choices. What kind of music and in what proportion does your community band play?

Mine is strictly legit oriented. In the region there's a British Brass Band style, also. There's another one that concentrates on sound track type stuff. Some ands are a potpourri, some specific to one style. What are you looking to fit into?
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ChuckK
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PostPosted: Wed Nov 11, 2020 1:38 pm    Post subject: Reply with quote

kehaulani wrote:
A musical question before you get overwhelmed by choices. What kind of music and in what proportion does your community band play?


I'm not in any group at the time. Covid, ya know. And before this virus hit I was totally involved with music theater and big band, but on bass. The cornet is just a trip to my musical past. I'm hoping to get my poop together enough to play in a medium level community band. There are a few BBB's around here, but they are pretty advanced for what I can deal with in the near future. It's all a bit discouraging. 45 years ago I was playing lead trumpet in big bands, amusement parks, and orchestra. But that was then, this is now. I just want to sit down with an OK group of musicians and have them not suspect I'm an FBI agent.
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ChuckK
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PostPosted: Tue Nov 17, 2020 10:58 am    Post subject: Reply with quote

A lot of goodhearted responses and I thank you for that.
Currently I'm soldiering away with the Stork 3C but anything above top of the staff G is just not reliable.
I really like the tone of the DW 4BW, but as you might guess the range issue is not helped at all.
I'm considering a Bach 1D or 1E. My thinking is to go with a mouthpiece that helps me regain the range, and then move to a more 'cornet appropriate' piece.
Any thoughts on that strategy?
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Richard III
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PostPosted: Tue Nov 17, 2020 12:08 pm    Post subject: Reply with quote

ChuckK wrote:
A lot of goodhearted responses and I thank you for that.
Currently I'm soldiering away with the Stork 3C but anything above top of the staff G is just not reliable.
I really like the tone of the DW 4BW, but as you might guess the range issue is not helped at all.
I'm considering a Bach 1D or 1E. My thinking is to go with a mouthpiece that helps me regain the range, and then move to a more 'cornet appropriate' piece.
Any thoughts on that strategy?


Use the Covid time to build your strength. The most range I ever had on cornet was using a Wick 4. But it did take a few months to get there. If I was going to play cornet in a community band, I would use the 4B or similar. That would blend better.
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Cornet2Trumpet
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PostPosted: Wed Dec 09, 2020 7:27 pm    Post subject: Reply with quote

The Pickett British line are short shank and work very well
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