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Trumpjerele Veteran Member
Joined: 20 Feb 2019 Posts: 169 Location: Spain
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Posted: Wed Sep 29, 2021 5:58 am Post subject: A question |
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a simple question, why don't we do like trombonists and call the notes by their name? _________________ Notice!!! Amateur musician without formal studies
Trumpet: Yamaha 8310Z
Mouthpiece: the great Yamaha11b4
Sax tenor: Yamaha YTS 23
Mouthpiece: Otto link tone edge |
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trickg Heavyweight Member
Joined: 02 Jan 2002 Posts: 5675 Location: Glen Burnie, Maryland
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Posted: Wed Sep 29, 2021 6:21 am Post subject: Re: A question |
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Trumpjerele wrote: | a simple question, why don't we do like trombonists and call the notes by their name? |
I don't understand the question. Do we not refer to notes by their names? _________________ Patrick Gleason
- Jupiter 1600i, ACB 3C, Warburton 4SVW/Titmus RT2
- Brasspire Unicorn C
- ACB Doubler
"95% of the average 'weekend warrior's' problems will be solved by an additional 30 minutes of insightful practice." - PLP |
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TrumpetMD Heavyweight Member
Joined: 22 Oct 2008 Posts: 2412 Location: Maryland
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Posted: Wed Sep 29, 2021 6:26 am Post subject: Re: A question |
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trickg wrote: | Trumpjerele wrote: | a simple question, why don't we do like trombonists and call the notes by their name? |
I don't understand the question. Do we not refer to notes by their names? |
I think he's asking why a Bb Trumpet is considered a "transposing" instrument, and a Bb Trombone is not and reads notes in the concert pitch.
Mike _________________ Bach Stradivarius 43* Trumpet (1974), Bach 6C Mouthpiece.
Bach Stradivarius 184 Cornet (1988), Yamaha 13E4 Mouthpiece
Olds L-12 Flugelhorn (1969), Yamaha 13F4 Mouthpiece.
Plus a few other Bach, Getzen, Olds, Carol, HN White, and Besson horns. |
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trickg Heavyweight Member
Joined: 02 Jan 2002 Posts: 5675 Location: Glen Burnie, Maryland
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Posted: Wed Sep 29, 2021 6:32 am Post subject: Re: A question |
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TrumpetMD wrote: | trickg wrote: | Trumpjerele wrote: | a simple question, why don't we do like trombonists and call the notes by their name? |
I don't understand the question. Do we not refer to notes by their names? |
I think he's asking why a Bb Trumpet is considered a "transposing" instrument, and a Bb Trombone is not and reads notes in the concert pitch.
Mike |
Ok - so clearly you guys know more about this than I do. I'd always assumed that the trombone was a concert pitched instrument. Apparently it isn't.
And it is a good question. _________________ Patrick Gleason
- Jupiter 1600i, ACB 3C, Warburton 4SVW/Titmus RT2
- Brasspire Unicorn C
- ACB Doubler
"95% of the average 'weekend warrior's' problems will be solved by an additional 30 minutes of insightful practice." - PLP |
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TrumpetMD Heavyweight Member
Joined: 22 Oct 2008 Posts: 2412 Location: Maryland
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Posted: Wed Sep 29, 2021 6:49 am Post subject: Re: A question |
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trickg wrote: | Ok - so clearly you guys know more about this than I do. I'd always assumed that the trombone was a concert pitched instrument. Apparently it isn't.
And it is a good question. |
I know nothing. But it's my understanding that a tuba, euphonium, baritone, and trombone are all Bb instruments. And for some reason, it was decided that they would be non-transposing instruments and read in concert pitch. There are some exceptions (treble clef baritone, for example, is a transposing instrument).
Mike _________________ Bach Stradivarius 43* Trumpet (1974), Bach 6C Mouthpiece.
Bach Stradivarius 184 Cornet (1988), Yamaha 13E4 Mouthpiece
Olds L-12 Flugelhorn (1969), Yamaha 13F4 Mouthpiece.
Plus a few other Bach, Getzen, Olds, Carol, HN White, and Besson horns. |
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trickg Heavyweight Member
Joined: 02 Jan 2002 Posts: 5675 Location: Glen Burnie, Maryland
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Posted: Wed Sep 29, 2021 6:54 am Post subject: Re: A question |
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TrumpetMD wrote: | trickg wrote: | Ok - so clearly you guys know more about this than I do. I'd always assumed that the trombone was a concert pitched instrument. Apparently it isn't.
And it is a good question. |
I know nothing. But it's my understanding that a tuba, euphonium, baritone, and trombone are all Bb instruments. And for some reason, it was decided that they would be non-transposing instruments and read in concert pitch. There are some exceptions (treble clef baritone, for example, is a transposing instrument).
Mike |
So ultimately what's the difference? Is it a simple matter of shifting fingerings? For example, if we played a Bb concert scale but read it in concert pitch, we'd still play the same pitches with the same fingerings, just read them a step lower? _________________ Patrick Gleason
- Jupiter 1600i, ACB 3C, Warburton 4SVW/Titmus RT2
- Brasspire Unicorn C
- ACB Doubler
"95% of the average 'weekend warrior's' problems will be solved by an additional 30 minutes of insightful practice." - PLP |
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Richard III Heavyweight Member
Joined: 22 May 2007 Posts: 2654 Location: Anacortes, WA
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Posted: Wed Sep 29, 2021 6:57 am Post subject: |
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And then there is the double french horn. You play an F part but the main horn in the double is in Bb. The other being in F. So you learn all kinds of new fingerings to do that. Then of course they hand you a part for Eb horn. So new fingerings plus transposing. Ain't music fun? _________________ Richard
King 1130 Flugabone
King 12C mouthpiece |
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supercow216 Regular Member
Joined: 02 Nov 2018 Posts: 60 Location: Finland
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Posted: Wed Sep 29, 2021 7:11 am Post subject: |
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I begin to learn trombone just now.
I have been playing without reading for a while, by connecting slide position with valve combination. So playing by ear is alright.
But reading bass clef plus transposing at the same time really hurt my brain. If I see a Bb or F, I instinctively reach for 3rd slide position even if I should not. Or when I see a Eb, my brain switch off _________________ Oink, oink.
I am still learning! |
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JayKosta Heavyweight Member
Joined: 24 Dec 2018 Posts: 3298 Location: Endwell NY USA
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Posted: Wed Sep 29, 2021 7:18 am Post subject: |
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In traditional British Brass Bands I think it's typical for all the instruments (tuba, baritone, t-bone?, alto horn?, trumpet / cornet) to all have the music written in treble clef - and the parts are written as 'transposed' - i.e. Bb cornet, Eb alto horn, Bb tuba, Bb t-bone.
The size of a tenor t-bone makes it a Bb instrument, but it is usual practice for the music to be written in bass clef at concert pitch - so the player needs to know the proper slide positions. That is also the case for euphonium - it's size makes it a Bb instrument.
A music historian might be able to give a better answer, but my guess is that the physical size of the various instruments evolved to provide the most acceptable sound quality, and ergonomics (handling). And the transposing is done to provide good function for reading the music, and fingering. _________________ Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'. |
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Wolfgang Winkler Regular Member
Joined: 07 May 2008 Posts: 16 Location: Austria
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Posted: Wed Sep 29, 2021 7:58 am Post subject: |
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I think it is because when there were no valves available for trumpets and horns their music was written in C major and a minor always. They were transposing using the tuning loops accordingly. With the valves introduced Bb trumpets and F horns became most common. Trombones were able to play chromatically always. They had no need for being transposing. Baritons, tubas, tenor horns etc came later and are written in different keys depending on the region and tradition. Just my understanding...
Last edited by Wolfgang Winkler on Wed Sep 29, 2021 8:48 am; edited 1 time in total |
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Brassnose Heavyweight Member
Joined: 07 Mar 2016 Posts: 2048 Location: Germany
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Posted: Wed Sep 29, 2021 8:44 am Post subject: |
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I’ll try to clear up a little. In general when people learn to play the trumpet they learn that a C is open, a low D is 13, and so on. Technically speaking this is wrong because (thinking concert pitch), the respective notes are Bb and C, when you play open and 13, respectively. The same is true for baritone horns in German oompah bands and British brass bands, I think. So call a note something yet p,as something else when you think concert pitch. That’s why the trumpet is called a transposing instrument.
In contrast, a trombone or tuba player will see a C in the music and also play a concert C, so a Bb tuba player will play 13 and refer to this as a C.
Now, if you live in the part of Germany where I live, there are also trombone choirs (i.e. brass groups associated with a church). These will read the same way a tuba player does, that is, they will say C and refer to the note that is played 13 on a regular Bb trumpet. _________________ 2019 Martin Schmidt eXcellence
1992 Bach 43GH/43
1989 Kühnl & Hoyer Model 15 flugel
1980/2023 Custom Blessing Scholastic C 😎
1977 Conn 6B
1951 Buescher 400 Lightweight
AR Resonance, Frate, Klier |
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delano Heavyweight Member
Joined: 18 Jan 2009 Posts: 3118 Location: The Netherlands
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Posted: Wed Sep 29, 2021 9:57 am Post subject: |
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We had that discussion once in Holland and as a former trombone player for 28 years I found it next to impossible to explain that kind of stuff to trumpet players (and probably sax players). There are trumpets in different keys and for that reason the real world chose for a system in which the notation is coupled to the fingering of the instrument, so that you have on ALL trumpets in different keys a C played open. But playing that C, what comes out of the horns differs, it can be a C (C trumpet) , a Bflat (Bflat trumpet) a D (D trumpet) and so on, all written as C. It's easier for the player who plays more than one trumpet, a little more difficult for the arranger. Though a slide trombone is tuned in Bflat it behaves as a C instrument because from a musical theoretical point of view the (slide) trombone is a C instrument. |
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falado Heavyweight Member
Joined: 05 Mar 2009 Posts: 941 Location: Eastern NC
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Posted: Wed Sep 29, 2021 10:11 am Post subject: |
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Hi, Simply, when the trombone plays 1st position the notes Bb and F can be played. These are the same notes in concert pitch that a trumpet plays as open, no valves (C and G). Both instruments "sound" concert Bb when played 1st position (slide all the way in) or open (0 valves) on the trumpet. The trombone slide positions greatly predate valve positions on a Bb trumpet and I think everything else has already been explained.
Dave _________________ FA LA DO (Ab: V/ii) MUCS, USN (Ret.)
Stomvi VR (Reeves) with VR II Bell
Bach 239 25A C, Blueprinted
Bach 37, Early Elkhart, Blueprinted
Kanstul Flugel
Getzen 4 valve Pic.
Yamaha D/Eb
Besson Cornet |
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kehaulani Heavyweight Member
Joined: 23 Mar 2003 Posts: 9008 Location: Hawai`i - Texas
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Posted: Wed Sep 29, 2021 10:20 am Post subject: |
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My mind might be a little slow today, but concisely and logically, this makes the most sense to me. _________________ "If you don't live it, it won't come out of your horn." Bird
Yamaha 8310Z Bobby Shew trumpet
Benge 3X Trumpet
Benge 3X Cornet
Adams F-1 Flghn |
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delano Heavyweight Member
Joined: 18 Jan 2009 Posts: 3118 Location: The Netherlands
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Posted: Wed Sep 29, 2021 10:31 am Post subject: |
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falado wrote: | Hi, Simply, when the trombone plays 1st position the notes Bb and F can be played. These are the same notes in concert pitch that a trumpet plays as open, no valves (C and G). Both instruments "sound" concert Bb when played 1st position (slide all the way in) or open (0 valves) on the trumpet. The trombone slide positions greatly predate valve positions on a Bb trumpet and I think everything else has already been explained.
Dave |
Funny, this is exactly what I meant as the impossibility to explain this stuff to trumpet players. The only thing Falado explains is that the trumpet and the trombone have both the Bflat as their root tone. It says nothing about the transposing problem. And I have no idea what he means with 'predate'. Might be that both instruments use a lengthening of the tube to produce the different notes. But that's it. |
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kehaulani Heavyweight Member
Joined: 23 Mar 2003 Posts: 9008 Location: Hawai`i - Texas
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Posted: Wed Sep 29, 2021 10:38 am Post subject: |
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But if open C on trumpet is a concert Bb, doesn't that automatically imply that the trumpet part has to be transposed? _________________ "If you don't live it, it won't come out of your horn." Bird
Yamaha 8310Z Bobby Shew trumpet
Benge 3X Trumpet
Benge 3X Cornet
Adams F-1 Flghn |
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dstpt Heavyweight Member
Joined: 14 Dec 2005 Posts: 1284
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Posted: Wed Sep 29, 2021 11:10 am Post subject: |
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Wolfgang Winkler wrote: | I think it is because when there were no valves available for trumpets and horns their music was written in C major and a minor always. They were transposing using the tuning loops accordingly. With the valves introduced Bb trumpets and F horns became most common. Trombones were able to play chromatically always. They had no need for being transposing. Baritons, tubas, tenor horns etc came later and are written in different keys depending on the region and tradition. Just my understanding... |
Agreed. It all has to do with the history and development of each instrument. Trombones (sackbuts) have always been able to play chromatically. Trumpets and horns go back to antiquity with no valves until the early 1800s.
Baroque and some Renaissance parts were written for the harmonic series available for that pitched instrument. With crooks the player could play in lower keys than the "crook-less" for that pitched instrument.
In the very late 1700s, Anton Weidinger, trumpeter for Haydn and his successor Hummel in the Austrian-Hungarian Esterhazy Court, had an artisan first build a keyed trumpet in Eb, which allowed low chromatic possibilities. He approached both composers to write for it, which they did, and are recognized as two of the most important solo pieces in our rep. Valves were not invented and applied to horn and trumpet for another 10 years or so in the 1810s.
The tuba and euphonium did not first appear until the 1830s/40s and which have always had valves, so they have always been able to play chromatically. As builders created tubas in BBb, CC, Eb, F, composers continued to just write in bass clef (with no "transposition, per se), and just left it up to players to "learn new fingerings," which is how they think about it. We have to transpose, as do horn players (and btw, horn players don't like to be called French horn players...google it...which ads more confusion when we watch old movies like, "Young Man With a Horn"), and it all has to do with having a history and tradition of parts being written for transposing instruments. What this means for trumpet, particularly, is that we see a C and play an open C, whenever the part matches the pitched trumpet in hand. We may be playing an Eb tpt part on an Eb tpt, playing an open C on the horn, but it then is sounding a concert Eb. Ugh, this stuff is difficult to explain, but hopefully, it answers the basic question here.
I personally labored over understanding this for years...and then graduate studies finally revealed it to me...as I did some due diligence in the music library. It has got to be confusing for the rest of the music world, though, including most trumpet players that have never had orchestral training and spending hours in the practice room learning how to transpose to different keys from different pitched horns. Good question!
Correction: Weidinger had a keyed tpt then built in E for which Hummel composed his concerto. I'm guessing that Anton felt if he could get two insts that close in pitch, then he could conveniently play any piece, going back and forth between the two, without having to use a lot of weird fingerings.
Last edited by dstpt on Wed Sep 29, 2021 12:01 pm; edited 4 times in total |
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Brassnose Heavyweight Member
Joined: 07 Mar 2016 Posts: 2048 Location: Germany
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Posted: Wed Sep 29, 2021 11:14 am Post subject: |
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@kehaulani: yes exactly. I play with people who come from a trombone choir background and read concert pitch. Makes for odd sounds in the orchestra when I play 0 and they play 13 but we mean the same note _________________ 2019 Martin Schmidt eXcellence
1992 Bach 43GH/43
1989 Kühnl & Hoyer Model 15 flugel
1980/2023 Custom Blessing Scholastic C 😎
1977 Conn 6B
1951 Buescher 400 Lightweight
AR Resonance, Frate, Klier |
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Trumpjerele Veteran Member
Joined: 20 Feb 2019 Posts: 169 Location: Spain
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Posted: Wed Sep 29, 2021 12:22 pm Post subject: |
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the question is more than answered. It is a pleasure to read to people with so much knowledge about our instrument. _________________ Notice!!! Amateur musician without formal studies
Trumpet: Yamaha 8310Z
Mouthpiece: the great Yamaha11b4
Sax tenor: Yamaha YTS 23
Mouthpiece: Otto link tone edge |
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delano Heavyweight Member
Joined: 18 Jan 2009 Posts: 3118 Location: The Netherlands
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Posted: Wed Sep 29, 2021 12:32 pm Post subject: |
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It seems to be too difficult to understand that it’s only a matter of agreement that we have transposing instruments and not a nature thing. We can change tomorrow a Bflat trumpet in a C instrument by changing the notation to concert pitch. |
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