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Your favorite long/american style cornets?


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weezintrumpeteer
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PostPosted: Fri Feb 24, 2023 9:20 pm    Post subject: Your favorite long/american style cornets? Reply with quote

Curious to hear everyone's thoughts on their favorite long/american style cornets out there. Shepherd crook / short cornets tend to get talked about the most (and I also love them), but I've become more and more curious about the long cornets.

I played a Bach long cornet (181) that belonged to my high school many years ago and I absolutely adored it. Tried to buy it several times and couldn't. I haven't played many long model cornets since then.

What are your favorites both vintage and new?
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McH
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PostPosted: Fri Feb 24, 2023 11:23 pm    Post subject: Reply with quote

I have a Getzen 300 which I find great for Dixieland but my favourite is my York Feathertouch Master cornet -- it does pretty much everything I need from a cornet although, I have to admit, I wouldn't say no to a Flip Oakes Wild Thing American or an Olds Super or a King Silversonic or a............
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stuartissimo
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PostPosted: Sat Feb 25, 2023 12:44 am    Post subject: Reply with quote

Only ever played one long cornet so I suppose that would make the Olds Super cornet my favorite. 😊 It’s surely a looker, with the unusual wrap and the garland on the bell. It just screams ‘play me!’ somehow.

But honestly, I’ve struggled to find a use for it. Dixieland and small-combo jazz isn’t as big around here as it is in the USA. And it’s so similar in sound to my trumpet too. So I often end up using either my trumpet or my flugel. I occasionally use it when I want to travel light though, and when my trumpet wasn’t available.
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Halflip
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PostPosted: Sat Feb 25, 2023 3:49 am    Post subject: Reply with quote

McH wrote:
. . . but my favourite is my York Feathertouch Master cornet -- it does pretty much everything I need from a cornet . . .

It's nice to encounter a fellow owner! That horn is a really nice player, and you have to love the innovative valve spring mechanism.

I'm not sure if the OP wants to consider 'trumpet-shaped' cornets in their definition of "long", but speaking of York, I also have a York Airflow cornet. With its unique wrap, it looks as beautiful as it sounds.

Another trumpet-shaped cornet worthy of mention has to be the Conn 28A, which the Conn Loyalist has described as the "secret weapon" or "hidden gem" among the Connstellations. It is very mouthpiece sensitive, which gives it a remarkably broad tone palette. Plus, it has a very powerful sound.
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Andy Cooper
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PostPosted: Sat Feb 25, 2023 7:00 am    Post subject: Reply with quote

Affordable and readily available.

If you are used to open blowing trumpets or use a large throat and or backbore on your trumpet mouthpiece -
Top of the list - Japanese Yamaha YCR 231 or YCR 2310. Very large bell with large bell throat. It's not the same design as the shepherds crook model. At least on the YCR 231, you can use Xeno metal valve guides as a step up. Open blowing with some spread.

Reynolds Medalist - after about 1965 they were .468 bore and later in production years they were the same as the Olds Ambassador except for trim and bracing.

If you are used to a trumpet blow like a 37/25 Bach, a 70's King student cornet. .458 bore - compact sound that will get you through a 2 hour 4th of July concert with a trumpet cup mouthpiece -and still sound like a sweet cornet. (Models with the valve spring on the outside of the stem.) While it makes feed-back more difficult, it really likes heavy valve caps, harmonic balancers etc. The only thing to watch - Kings often play more "cornetish" with mouthpieces that insert farther into the receiver.

You can generally count on all of the above cornets to have excellent valves and slides and be available for less than $150.00

OK - disclaimer - my favorite cornet is the Conn 80A style - but to play their best they usually need an expensive valve rebuild . I guess it's really a double shepherd's crook rather than a "straight" model anyway.
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Rwwilson
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PostPosted: Sat Feb 25, 2023 7:08 am    Post subject: Reply with quote

I have only two long cornets, an Olds Super and a King Silvertone, as defined by the lack of a shepherd’s crook. The two are quite different. I often use the Olds with a trumpet style mouthpiece if I’m playing with a small group. The King is more versatile in that it can be made to play with a dark sound when using a deep cornet mouthpiece. I like both but prefer the King.
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Dale Proctor
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PostPosted: Sat Feb 25, 2023 8:35 am    Post subject: Reply with quote

Bach 181, either ML or L bore, a Mt. Vernon or earlier Elkhart. Terrific cornets!
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Oncewasaplayer
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PostPosted: Sat Feb 25, 2023 8:39 am    Post subject: Reply with quote

I play traditional jazz and a long cornet can be a great tool in those settings. I like the Bach 181, King Master and Silvertones, Conn 80A and the Selmer cornets (uncommon to find). They all can be found refurbished and in good condition with a bit of searching and patience.
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giakara
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PostPosted: Sat Feb 25, 2023 2:54 pm    Post subject: Reply with quote

I really like my 1968 Com Connstellation 38A and my 1928 Conn 81A Victor new wonder, both have a huge sound and are great for trad jazz settings.

Regards
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weezintrumpeteer
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PostPosted: Sun Feb 26, 2023 1:42 pm    Post subject: Reply with quote

Thanks for the replies all! We've got a good lit going.

I don't know if I just got a good one back in HS, but that 181 seems to be a fantastic cornet. I do remember playtesting all of them we had and choosing the one I ended up on - and I do vaguely recall some variation between them. But they all were good if my memory serves me.
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Subtropical and Subpar
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PostPosted: Sun Feb 26, 2023 2:31 pm    Post subject: Reply with quote

I'll second the Connstellation 38A. Huge sound and quite mouthpiece sensitive. Totally different horn with a Schilke 14A4x in it than a Monette B11, which in turn is a totally different horn than with a Yamaha David King.
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Rogerrr
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PostPosted: Sun Feb 26, 2023 4:32 pm    Post subject: Reply with quote

Just got a 1961 38A Connstellation…love it
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p76
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PostPosted: Mon Mar 27, 2023 2:17 pm    Post subject: Reply with quote

I'll second the YCR231/2310 as a really nice cornet - it's much better than the equivalent Yam shepherd's crook model.

I also love my Olds Ambassador....it's a bit like a tank, but a real solid core to the sound.

Cheers,
Roger
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iiipopes
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PostPosted: Sat Apr 22, 2023 8:52 pm    Post subject: Reply with quote

One item that is frequently overlooked is that the lead pipe of a typical cornet is longer than a typical trumpet lead pipe. So all these cornets with ML .459 or .460 bore trumpet valve blocks actually play smaller and are too bright for true cornet tone. The minimum bore for a long cornet should be no smaller than .462. I have a Cyborg .462 cornet (previously marketed as a King 603, and now as a Bach CR301H). It has a tighter trumpet flare bell and with a 3C mouthpiece is actually brighter than some trumpets. I'm having Mark Curry make me a cornet mouthpiece with a 3BC cup that will blend better with the trumpets I play with in a concert band setting. When I looked for a current American long cornet to go with my globe stamp Sovereign 921, this is the only current production American cornet that meets these criteria. Getzen makes a couple of models that have the larger bore, but they are also shepard's crook. Schilke calls their A1 a long cornet, although it also has a slight shepard's crook. But it also has the .460 valve block.
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nieuwguyski
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PostPosted: Sun Apr 23, 2023 8:47 pm    Post subject: Reply with quote

Back in college I had a Bach 181 on long-term exchange with a friend (he was borrowing a trumpet from me). That was a very nice cornet. Decades later I cleaned up a Mt. Vernon 181 with a 43 bell for someone who was going to sell it and that one impressed me even more (not enough to pay the asking price, though).

Current favorites in my collection are my '62 Olds Recording, '69 Conn 5A Victor, and '21 Conn 10A Vocal (which, in Bb, I prefer to the '23 80A).
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Christian K. Peters
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PostPosted: Mon Apr 24, 2023 6:36 am    Post subject: Favorite Long bell cornet Reply with quote

Hello all,
Schilke A1 or A2C if you need one in C.
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chef8489
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PostPosted: Mon Apr 24, 2023 6:51 am    Post subject: Reply with quote

The1965 H.N. White King silversonic that I just sold was pretty amazing. I only sold it because I needed to sell two horns to cover the cost of my new Bach trumpet. The conn 38a connstellation with coprion bell would be on my list as well.
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iiipopes
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PostPosted: Wed Apr 26, 2023 5:48 pm    Post subject: Reply with quote

chef8489 wrote:
The1965 H.N. White King silversonic that I just sold was pretty amazing. I only sold it because I needed to sell two horns to cover the cost of my new Bach trumpet. The conn 38a connstellation with coprion bell would be on my list as well.

Some years ago I sent my uncle's WWII era King Silvertone to my cousins when they expressed interest in playing. Same horn as yours. The only difference is that before the X1 and the F86 Sabre fighter jet the cornet was called a Silvertone, afterwards King changed the name to the Silver Sonic. The one I had played average. I'm glad you got a good one. The one design feature I really liked and miss on my globe stamp 921 Sovereign and most other cornets that have all the lead wrap on the right side is the underslung main tuning slide. I was able to anchor my left wrist to the part of the tuning slide/lead pipe that goes into the 3rd valve and I found this design feature, also used by a few of the Reynolds Contempora cornets and one Conn model, to be most comfortable to hold.
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spitvalve
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PostPosted: Wed Apr 26, 2023 6:09 pm    Post subject: Reply with quote

I played a school-owned Bach 181 in college that was superb. But I have to say that the 1964 Olds Ambassador cornet that I gave to my son punches way above its class and is a joy to play. It does everything that cornets are supposed to do and does it well.
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Man Of Constant Sorrow
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PostPosted: Wed Jul 05, 2023 6:50 am    Post subject: Reply with quote

Halflip wrote:
McH wrote:
. . . but my favourite is my York Feathertouch Master cornet -- it does pretty much everything I need from a cornet . . .

It's nice to encounter a fellow owner! That horn is a really nice player, and you have to love the innovative valve spring mechanism.

I'm not sure if the OP wants to consider 'trumpet-shaped' cornets in their definition of "long", but speaking of York, I also have a York Airflow cornet. With its unique wrap, it looks as beautiful as it sounds.

Another trumpet-shaped cornet worthy of mention has to be the Conn 28A, which the Conn Loyalist has described as the "secret weapon" or "hidden gem" among the Connstellations. It is very mouthpiece sensitive, which gives it a remarkably broad tone palette. Plus, it has a very powerful sound.



Interesting coincidence.
We seem to share attitudes (aside from the York Feathertouch horn, of which I did not have a good impression, nor experience).

I, also, have a YorK AirFlow cornet, acquired from well-known ex-factory employee and poster here on this website prior to his death -- "OLDLOU" Van Koevering. Unique timbre and very excellent horn !

I also agree your attitude regarding the Conn 28A Connstellation long-cornet. I have an early (1st year of production) 28A.
I believe (?) that evaluation, "secret weapon", etc., as described in the Conn Loyalist is right-on. I know the chap that originated that description, Robert Rowe, who may have been a poster here on this website, some years ago. The man is quite a character, and is a veritable walking encyclopedia of horn (and other instruments) facts and knowledge. I am fortunate in knowing him personally, and "allowed" to play horns from his collection.

So, a hearty YES to the York AirFlow and the Conn 28A !!
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