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Mouthpiece gap?


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kehaulani
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PostPosted: Tue Feb 28, 2023 8:03 am    Post subject: Mouthpiece gap? Reply with quote

At what point does needing a mouthpiece gap adjustment become noticeable?

I've played enough horns as-is to know they don't usually need a gap adjustment. At least you don't think they do.

What lets you know that maybe it's something to look into?
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JayKosta
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PostPosted: Tue Feb 28, 2023 8:41 am    Post subject: Reply with quote

Measure the gap, if it is about 3/16 inch (5mm) or less then start doing the 'strip of paper around the shank' to increase the gap, and test intonation, sound quality, responsiveness, etc. at steps of increased gap. At some point you might notice an improvement or a degradation from the no-strip position.

If increased gap steps never give an improvement, then either the gap is fine as-is, or might be better if reduced. But reducing gap requires not-easily-undone mechanical changes.

BEFORE tinkering with gap verify valve alignment is producing 'good sound' with all valve combinations, and check for air leaks at water keys.
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kehaulani
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PostPosted: Tue Feb 28, 2023 9:22 am    Post subject: Reply with quote

I know all that. What I'm asking is what practical (not theoretical) experience would get you to doing that in the first place?
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cheiden
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PostPosted: Tue Feb 28, 2023 10:18 am    Post subject: Reply with quote

In my case it was because I was trying to evaluate a Schilke Symphony piece and it seemed to bottom out (no gap). I found another online already cut for sleeves and then found someone parting with a good number of sleeves. In a few days' time I learned how consequential the gap could be.
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kehaulani
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PostPosted: Tue Feb 28, 2023 10:44 am    Post subject: Reply with quote

An aside: Not quibbling, just want to understand the terminology. I thought to "bottom out" was when the lips protrude too much (or the mouthpiece cup is too short) so that the lips touch the bottom of the mouthpiece cup.
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3bflat
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PostPosted: Tue Feb 28, 2023 2:11 pm    Post subject: Reply with quote

cheiden wrote:
In my case it was because I was trying to evaluate a Schilke Symphony piece and it seemed to bottom out (no gap)


I understand this to mean that the end of his mouthpiece is in contact with the beginning of the lead pipe inside of the mouthpiece receiver.
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JayKosta
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PostPosted: Tue Feb 28, 2023 2:26 pm    Post subject: Reply with quote

kehaulani wrote:
I know all that. What I'm asking is what practical (not theoretical) experience would get you to doing that in the first place?

--------------------------------
Having a mechanically good trumpet that didn't 'seem right', but when same mouthpiece used on another similar trumpet the sound was better.

Or noticing that another, but similar model, mouthpiece that did not insert the same distance in the receiver worked better.
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abontrumpet
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PostPosted: Tue Feb 28, 2023 2:36 pm    Post subject: Re: Mouthpiece gap? Reply with quote

kehaulani wrote:
What lets you know that maybe it's something to look into?


If it's a new horn and it doesn't play the way I want it to, I don't bother with it. Life is too short to save all the horns in the world. If an old horn suddenly starts exhibiting strange characteristics and there is obvious wear on the mouthpiece or receiver (you're a twister, or scraper. . . PSA --- no sounds when inserting the mpc!) then maybe check the gap.

JayKosta's advice is good too, when the same make and model have different lines on the mpc, could be manufacturing error.

I don't like how sleeve cut mouthpieces play and the amount of variation you can get drives me crazy.

Just my anecddotal experience with sensation of gap -- characteristics for me are in immediacy of articulation (too immediate or too delayed) and the relative "closeness" that low and high C feel (too close or too far). Too small a gap and the mouthpiece feels harder, too big a gap and I feel disconnected from the horn and have to force the buzz a bit more. All of the characteristics above are small vs big.
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cheiden
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PostPosted: Wed Mar 01, 2023 1:37 pm    Post subject: Reply with quote

3bflat wrote:
cheiden wrote:
In my case it was because I was trying to evaluate a Schilke Symphony piece and it seemed to bottom out (no gap)


I understand this to mean that the end of his mouthpiece is in contact with the beginning of the lead pipe inside of the mouthpiece receiver.

Correct.
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jvf1095
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PostPosted: Sat Mar 04, 2023 4:26 am    Post subject: Reply with quote

Jay, how does one go about measuring the gap?
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JayKosta
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PostPosted: Sat Mar 04, 2023 6:23 am    Post subject: Reply with quote

jvf1095 wrote:
Jay, how does one go about measuring the gap?

--------------------------------
With mpc in the receiver, put tape on shank at end of receiver. Measure from edge of tape to end of shank - that's the 'insertion distance' for that mpc.

Use some sort of small probe (e.g. flat tooth pick, coffee stir) and insert into receiver so the end bumps against the interior flat edge of the mouthpipe itself. Mark probe at the end of the receiver. Measure.

Subtract insertion distance from the probe distance. That's the gap.

Typical insertion is about 1 inch, probe is a little more.

I think Bach builds to have about 1/8 inch gap with properly sized parts.

If the end of the shank contacts the interior edge, then the mpc might 'rock' in the receiver, or be a loose fit.

There might be some mouthpipes where the edge has been tapered (not flat).
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jvf1095
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PostPosted: Sat Mar 04, 2023 6:47 am    Post subject: Reply with quote

Thanks Jay. (BTW...Difference is 1/4 inch).
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JayKosta
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PostPosted: Sat Mar 04, 2023 7:20 am    Post subject: Reply with quote

It all depends on how well it works - good sound, intonation, centering, etc. is the goal, not a particular number.

Maybe compare with other mpc that you already have.

If something about the 'working' is not good, then there are many factors to consider in addition to gap: mouthpiece choice (throat, backbore, cup), valve alignment, water key leak, needs cleaning, etc.

If there is not a 'problem', then don't create one by trying to fix something that is OK as-is.
_________________
Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'.
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kehaulani
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PostPosted: Sat Mar 04, 2023 7:31 am    Post subject: Reply with quote

jvf1095 wrote:
Jay, how does one go about measuring the gap?

https://www.youtube.com/results?search_query=reeves+mouthpiece+gap
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Vin DiBona
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PostPosted: Sat Mar 04, 2023 7:35 am    Post subject: Reply with quote

I was a GR dealer for 10 years. GR himself told me this GAP information.

https://www.grmouthpieces.com/category-s/244.htm

It can get more complicated than one thinks.

R. Tomasek
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jvf1095
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PostPosted: Sat Mar 04, 2023 7:41 am    Post subject: Reply with quote

True Jay. All seems to be ok. Thanks Kehaulani & thanks too Vin. I'm going to check those sites out.
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yourbrass
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PostPosted: Sun Mar 05, 2023 3:06 pm    Post subject: Re: Mouthpiece gap? Reply with quote

kehaulani wrote:
At what point does needing a mouthpiece gap adjustment become noticeable?

I've played enough horns as-is to know they don't usually need a gap adjustment. At least you don't think they do.

What lets you know that maybe it's something to look into?


Experience with Reeves-type sleeves was also my clue as to how much of a difference it makes. I wouldn't have known otherwise.
So now I've been having some stock ACB pieces turned down on the shank so they insert a little farther, creating a smaller gap. On my Benges and Calicchios, this increases response, they seem to like a smaller gap.
On my Edwards, it doesn't seem to make much of a difference, it plays well no matter what.
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jvf1095
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PostPosted: Sun Mar 05, 2023 3:30 pm    Post subject: Reply with quote

Tricky! I'm thinking, in a sense that once you turn down the shank; that's that! As opposed to trying out a sleeve to lengthen the gap. It's sort of like cutting a piece of wood. Cut it to long, you can correct it. Cut it to short??? I'm thinking the paper trick can give you clues on a longer gap aspect. Maybe if it gets worse the further out you go, perhaps going shorter than where you started might give you what you want? I guess if you have mouthpieces you want to "sacrifice" it's an interesting experiment! Reading through the sites suggested in this post, I believe most players prefer a gap around 3/16 to 1/4 if I read that right?
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yourbrass
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PostPosted: Sat Mar 11, 2023 11:07 am    Post subject: Reply with quote

jvf1095 wrote:
Tricky! I'm thinking, in a sense that once you turn down the shank; that's that! As opposed to trying out a sleeve to lengthen the gap. It's sort of like cutting a piece of wood. Cut it to long, you can correct it. Cut it to short??? I'm thinking the paper trick can give you clues on a longer gap aspect. Maybe if it gets worse the further out you go, perhaps going shorter than where you started might give you what you want? I guess if you have mouthpieces you want to "sacrifice" it's an interesting experiment! Reading through the sites suggested in this post, I believe most players prefer a gap around 3/16 to 1/4 if I read that right?


I had Doug Meeuwsen (lipshurt) cut down a couple of backbores to see what would happen. It improved the response on my Calicchio. Having done that, I'm having a couple of Trent's pieces cut down as well. I'm finding that 3/16" or less is what works for me.
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kehaulani
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PostPosted: Sat Mar 11, 2023 2:32 pm    Post subject: Reply with quote

You cut down the Backbore or the Shank?
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