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Playing Along with Maynard



 
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NTlead
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Joined: 22 Nov 2003
Posts: 1136
Location: Philadelphia

PostPosted: Mon Jul 12, 2004 5:31 pm    Post subject: Reply with quote

I reccomend this to anyone with the range, or trying to get the range.

Take a Maynard CD you know and just start playing along. It's great for your ear and, obviously, it gives you practice playing accurately in the upper register, a skill that takes a lot of practice.

Not to mention it's a lot of fun!
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Young Man with a Horn
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Joined: 27 Jul 2002
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Location: England

PostPosted: Tue Jul 13, 2004 3:25 am    Post subject: Reply with quote

I used to have a book and a tape titled "Music Minus Maynard" which included all Maynard's charts from his Body and Soul album and a recording of the band (minus the boss). I lent it to a friend and he lost it, but I wonder if you can still buy it?
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CRJAZZMAN
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Joined: 29 Nov 2001
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Location: Cedar Rapids, IA

PostPosted: Tue Jul 13, 2004 9:14 am    Post subject: Reply with quote

Try http://www.sheetmusicplus.com/store/smp_fastresults.html?cart=32987130714301761

also http://www.musicminusone.com/ has lots to try there! Jazz, Pop, Classical, etc.
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NTlead
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Joined: 22 Nov 2003
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Location: Philadelphia

PostPosted: Tue Jul 13, 2004 10:18 am    Post subject: Reply with quote

Yeah, but those cost money and don't have the added bonus of ear training. Those WOULD however, be better for accuracy.
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flugle-me-elmo
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Joined: 08 Sep 2002
Posts: 169
Location: Memphis, TN

PostPosted: Tue Jul 13, 2004 6:16 pm    Post subject: Reply with quote

While I admit Maynard has power and great presence/style...I don't know that I'd really put accuracy for the sake of ear training on the list. When I think of accuracy, my favorites would probably be Doc Severinson and Paul Cacia.
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NTlead
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Joined: 22 Nov 2003
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Location: Philadelphia

PostPosted: Wed Jul 14, 2004 11:47 am    Post subject: Reply with quote

I think you misunderstand me. I was not saying that Maynard was an example of accuracy, I was saying that playing along with the real, in-tune notes his band plays in the upper register helps improve your OWN accuracy in the upper register.

Yes, Doc and Paul Cacia would be better examples in that case. I'd also add on Byron Stripling and Jon Faddis
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dbacon
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Joined: 11 Nov 2001
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PostPosted: Wed Jul 14, 2004 12:19 pm    Post subject: Reply with quote

Why not play along with Snooky Young?

There's an excellent model!!
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fuzzyjon79
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Joined: 17 Apr 2003
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PostPosted: Mon Jul 19, 2004 10:42 pm    Post subject: Reply with quote

Wayne Bergeron isn't too shabby either....
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StewMuse
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Joined: 26 Apr 2003
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PostPosted: Tue Aug 03, 2004 2:03 pm    Post subject: Reply with quote

Aside from ear training, "playing alongside" your favorite lead player is THEE way to learn style... be it Maynard, Snooky, Chase, or whomever you think is "it." I remember back in eighth grade, trying to play the Send in the Clowns solo from Kenton '76. Getting that Bb secure, then getting weaker up to the high Fs, and the when going for the high G.... nothing! I don't know HOW many times I missed that sucker. Good fun, good training...

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[ This Message was edited by: StewMuse on 2004-08-03 17:03 ]
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Mr.Hollywood
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Joined: 14 Dec 2002
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PostPosted: Tue Aug 03, 2004 3:35 pm    Post subject: Reply with quote

Wow, "Send in the Clowns"........

Boy does that bring back memories. I played tha solo in the 10th grade. I think I did OK on it for a kid, but talk about an exposed piece !!!! Coming in all by yourself with nothing but a couple of flutes behind you, if you clam, the whole world knows it!!! I've heard good players crash and burn on that thing.

A friend of mine once said that the pressure of playing that solo was a little like trying to get a "woody" in front of everybody at the Superbowl


Chris

[ This Message was edited by: Mr.Hollywood on 2004-08-03 18:37 ]
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Billy B
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Joined: 12 Feb 2004
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PostPosted: Tue Aug 03, 2004 3:49 pm    Post subject: Reply with quote

Kendor publishes lead parts from Basie Straight Ahead as well as some Thad charts.
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BobList
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Joined: 09 Nov 2002
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Location: Baltimore, MD

PostPosted: Tue Aug 03, 2004 5:07 pm    Post subject: Reply with quote

________________________________________________________________________________
Why not play along with Snooky Young?

There's an excellent model!!
_________________________________________________________________________________-


Dave, your posts are PRICELESS!!! (LMAOROTF)......so true, so true.....

Play along to Gozzo's WITCHCRAFT on the Sinatra album....or "Have you met Miss Jones?"........... That break where he leads the section in the *melody* is incredible!!!...how can one play so dead center IN time, and make it sound so laid back it's as if it's bent around a tree???? Lordy!!!!!!

Bob List, Bawlmer
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dbacon
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Joined: 11 Nov 2001
Posts: 8592

PostPosted: Tue Aug 03, 2004 5:23 pm    Post subject: Reply with quote

Quote:

On 2004-08-03 20:07, BobList wrote:
________________________________________________________________________________
Why not play along with Snooky Young?

There's an excellent model!!
_________________________________________________________________________________-


Dave, your posts are PRICELESS!!! (LMAOROTF)......so true, so true.....

Play along to Gozzo's WITCHCRAFT on the Sinatra album....or "Have you met Miss Jones?"........... That break where he leads the section in the *melody* is incredible!!!...how can one play so dead center IN time, and make it sound so laid back it's as if it's bent around a tree???? Lordy!!!!!!

Bob List, Bawlmer


Hey Bob,

With Gozzo, you can even put on Billy May's "Sorta-May, Sorta-Dixie" and improvise some licks after you play the recording. Get Gozzo's sound in your head, trade an 8 bar phrase in the same register and style the Goz just played in. It's fun to get close. At least a little!

Man, what a sound!!
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