RAY BROWN WE MISS YOU!!

[cybertrumpet]

The music world has yet again suffered a great loss. The loss of Ray Brown. Ray Brown has contributed so much to Jazz and we respect him as one of the Fathers of Be-Bop. He was totally dedicated to the music and for that, we are all eternally grateful!! Mr.Brown's music willlive forever in our hearts, minds and souls and we are forever grateful for the sacrifices that you have made for preserving the music thru live performance, recordings and education. Our deepest sympathies go the family of Mr.Brown and we are all praying for you.
Thanks you Ray Brown, we all love you and miss you and your music will live forever!!!
This is an article that you may have read:
By KATE BERRY, Associated Press Writer

LOS ANGELES (AP) - Ray Brown, a legendary jazz bassist who played with giants Dizzy Gillespie, Charlie Parker, Oscar Peterson and his one-time wife Ella Fitzgerald in a career that spanned more than half a century, has died. He was 75.

Photos

AP Photo


Brown died in his sleep Tuesday in Indianapolis where he was finishing an engagement at the Jazz Kitchen at the conclusion of the U.S. leg of a tour, said John Clayton, a friend and fellow bassist.

Brown had played golf earlier Tuesday and went to take an afternoon nap, Clayton said. When he did not show up to perform with his trio, a bandmate went to his hotel where his body was found in his room.

Brown, a technically accomplished bassist known for tasteful rhythmic lines, started his career in the 1940s and was among the founders of bebop.

"Ray played with such strength and power and he had such great musical knowledge, he knew every right note to play and he had the most fantastic technique," said drummer Frank Capp, a close friend.

Ray Matthews Brown was born in Pittsburgh in 1926 and started on piano, switching to bass as a member of his high school orchestra. After graduating, he worked in some territory bands, before moving to New York in 1945 where he was immediately involved in the emerging bebop revolution.

The 19-year-old bassist was hired without an audition to join Dizzy Gillespie's experimental big band which included such bebop innovators as Parker, Bud Powell and Max Roach.

Brown "is the primary contributor to bebop from a bassist's standpoint," Clayton said. "We had Dizzy Gillespie, Charlie Parker and Thelonious Monk and there to contribute from the bass chair is Ray Brown. He was extremely important in jazz education, leading a lot of young bass players to learn the instrument."

In his memoir, "To Be Or Not to Bop," Gillespie wrote that "Ray Brown, on bass, played the strongest, most fluid and imaginative bass lines in modern jazz at the time, with the exception of Oscar Pettiford."

Brown's bass talents were featured on such sides as "One Bass Hit" recorded by a sextet led by Gillespie in 1946. The bassist also appeared with the trumpeter in the 1946 film "Jivin' in Be-Bop," and played with Gillespie on such classic recordings as "Night in Tunisia" and "Emanon."

In 1947, Brown married vocalist Ella Fitzgerald and later formed his own trio to tour with his wife. He became the singer's musical director and they continued to work together even after their divorce in the early 1950s.

During this period, Brown also recorded with Parker and worked with some of his former Gillespie bandmates in the Milt Jackson Quartet, an early edition of what became the Modern Jazz Quartet.

While touring with producer Norman Granz's Jazz at the Philharmonic, Brown played with the Canadian-born Peterson and became a founding member of the pianist's drumless trio in 1952.

The trio — which also included guitarist Herb Ellis — ranked among jazz's most popular groups in the 1950s. Brown was consistently voted top bassist in critics' and readers' polls during the decade.

Brown proved the ideal partner for Peterson's swirling, intricate solos. The Peterson-Brown-Ellis lineup stayed intact until 1957 and Brown remained with Peterson until 1966.

In 1960, Brown created a stir when he had a hybrid instrument built for him that combined features of the cello and bass. The experiment attracted plenty of interest and eventually Ron Carter had a piccolo bass designed along similar lines.

After leaving Peterson, Brown moved to California. He co-founded the group L.A. Four with saxophonist Bud Shank, Brazilian ( news - web sites) guitarist Laurindo Almeida and drummer Shelly Manne, and also appeared regularly on the "Merv Griffin Show." He recorded the album "Something for Lester" with pianist Cedar Walton and drummer Elvin Jones.

Since 1989, Brown recorded a series of albums for the Telarc label, many of which featured his trio with pianist Benny Green. His most recent recordings included "Live at Starbucks," "Superbass 2" matching Brown with fellow bassists Christian McBride and Clayton, and his latest, released in June, "Some of My Best Friends Are ... Guitarists" featuring an all-star lineup of jazz guitarists, including Ellis, Russell Malone, John Pizzarelli and Kenny Burrell.

Brown lived in the Sherman Oaks area of Los Angeles with his wife, Cecilia. Along with his wife, he is survived by his son, Ray Brown Jr., of Hawaii, who is the adopted son of Brown and Fitzgerald


[ This Message was edited by: cybertrumpet on 2002-07-03 12:01 ]

[rgeba]

Yes, Ray was one of the all time great jazz musicians. I regret I never took the opportunity to see him live. But his music will live on forever.

If you don't have them, you should pick up a copy of his CD "Some of My Best Friends are the Trumpet Players" and a CD he did with James Morrison called "Two the Max".

-Bob

[BADBOY-DON]

Thanks be to God for giving us Ray in our lifetime.
Yes, I have that CD "SOME OF MY BEST FRIENDS ARE...THE TRUMPET PLAYERS"
As Bob Blumenthal beautifully put it:
"Ray Brown is one musician who brings a clear sense of purpose to every musical encounter.
These diverse trumpet-and-rhythm tracks bear the mark of Rays firm yet flexible guiding hand. While they are one more indication of the exalted company he keeps, they also confirm tht those fortunate enough to play with Brown---after nearly SIX DECADES as a musical giant-a wonderful soul--and consider him a friend indeed."
by Bob Blumenthal.
A celebration surely is in heaven this day~~~~WHAT A WELCOME AWAITS THIS BEAUTIFUL GIFT TO OUR JAZZ WORLD.
This CD contains works by:
Terence Blanchard
Jon Faddis
Roy Hargrove
James Morrison
Nicholas Payton
and our beloved Clark Terry.
Geoff Keezer, piano
Karriem Riggins, on those skins.

[ This Message was edited by: BADBOY-DON on 2002-07-03 14:14 ]

[Nicholas Dyson]

I had the wonderful experience of meeting and hanging with Ray, Karriem and local Seattle pianist Larry Fuller when the Ray Brown Trio played Jazz Alley here in Seattle. What a religious experience....
_________________
Nicholas Dyson
Ottawa, Canada

[dwm1129]

Ray Brown will be missed dearly, he was such a great musician and although I didn't know him personaly I have heard many great things about him, he really will be missed alot and my thoughts and prayers go out to all.
I had the pleasure to see him live about 6 months ago and was truely a great night of music, that will always have a special place in my heart as I have always been a huge fan of his. He was rare among bass players and musicians in general, no one could put out a blues like him, no one.

[cybertrumpet]

Anyone wishing to write a letter to the family of Ray Brown, please email me, as I would consider it an honour to co-ordinate the letters of support from trumpet players (and all musicians) and then send them to John Clayton (ex-student and close friend of Ray Brown) to present to Mr.Brown's family. I have a great friend where I live who is veru close friends with John Clayton and I think this would be great for his family, to receive letters of support and thanks for all that Ray Brown gave to us all. Please email me and I will give you my address. Hope to hear from you!

[Martin]

Ray Brown´s music meant a lot to me. The first record that really got me into jazz was "We Get Requests" by the Oscar Peterson Trio with Brown and Ed Thigpen.
In 1988, I had the opportunity to see him live at the Blue Note with his own trio (Gene Harris and Jeff Hamilton). The sheer beauty and soul of the music literally brought tears to my eyes. That is one concert I will remember as long as I live.
Thank you, Ray.