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Rich Willey's Bop & Jazz Duets


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PH
Bill Adam/Carmine Caruso Forum Moderator


Joined: 26 Nov 2001
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PostPosted: Wed Nov 06, 2002 5:49 pm    Post subject: Reply with quote

Just do the C books down a step from trumpet IMHO. The tenor players will have to do octave transposition in spots, too. Tough luck. It seems a fair trade for playing an instrument with a freakin' octave key!

This is what they have to do when I make them read out of the Omnibook.
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jazz_trpt
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Joined: 25 Nov 2001
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Location: Savoy, Illinois, USA

PostPosted: Thu Nov 07, 2002 12:05 pm    Post subject: Reply with quote

On 2002-11-05 15:44, BeboppinFool wrote:
Quote:

Jeff, I'm glad you prompted me to conduct that liittle experiment. Conducting experiments is kinda fun, isn't it?


Well, touche'!

That's not fair, though. Waving a double-C technique in front of a jazz player is like rocking a pocketwatch in front of us! (Hmmm, a jazz player has comments about this method! Perhaps he's found something to unlock the forbidden secrets of the upper register. Hmmm.. getting sleepy....high notes....ZZZZZ)



-- jeff
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Free jazz solo transcriptions!
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BeboppinFool
Donald Reinhardt Forum Moderator


Joined: 28 Dec 2001
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PostPosted: Thu Nov 07, 2002 2:48 pm    Post subject: Reply with quote

Quote:

On 2002-11-07 15:05, jazz_trpt wrote:
That's not fair, though. Waving a double-C technique in front of a jazz player is like rocking a pocketwatch in front of us! (Hmmm, a jazz player has comments about this method! Perhaps he's found something to unlock the forbidden secrets of the upper register. Hmmm.. getting sleepy....high notes....ZZZZZ)

Thanks for giving me a good chuckle, there, Jeff. Now about those Jon Faddis solo transcriptions that I don't recall seeing on your web site . . . .

Rich
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